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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #554860 it is the complementary color #AAB79F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #554860. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #554860 shade: #5A485B, #6B5A6E, #7C6C81, #8D7E94 and #9E90A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #554860. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #554860 shade: #554860, #44364D, #33243A, #221227 and #110014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #554860 shade: #55485F, #5B485F, #5F485E, #5F4857 and #5F4851

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #554860 shade: #55485F, #4E485F, #48485F and #48485F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #554860 shade matches the following richer shades: #55485F, #563A6D, #572D7B, #581F88 and #591196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #554860 shade: #55485F, #535552, #526344, #517137 and #507E29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #554860 shade: #48485F, #4E485F, #54485F, #5B485F and #5F485E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #554860 shade: #2B2430, #403648, #55485F, #6A5A77 and #7E6B8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #554860 shade: #554860, #5F484E and #485F4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #554860 shade: #554860, #5F5448 and #485F54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #554860 shade: #554860, #5F484E, #535F48 and #485F59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #554860 shade: #554860, #5F4948, #535F48 and #485F5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 25 / 0 / 62

HEX #554860

RGB 85 72 96

HSL 272.5, 0.14%, 0.33%

LAB 32.72, 10.69, -12.06

 

Complementary color

CMYK 7 / 0 / 13 / 28

HEX #AAB79F

RGB 170 183 159

HSL 92.5, 0.14%, 0.67%

LAB 72.84, -8.94, 10.68

 

CMYK 1 / 21 / 0 / 64

HEX #5A485B

RGB 90 72 91

HSL 296.84, 0.12%, 0.32%

LAB 33.06, 11.46, -8.32

 

CMYK 3 / 18 / 0 / 57

HEX #6B5A6E

RGB 107 90 110

HSL 291, 0.1%, 0.39%

LAB 40.51, 10.9, -8.81

 

CMYK 4 / 16 / 0 / 49

HEX #7C6C81

RGB 124 108 129

HSL 285.71, 0.09%, 0.46%

LAB 47.75, 10.42, -9.28

 

CMYK 5 / 15 / 0 / 42

HEX #8D7E94

RGB 141 126 148

HSL 280.91, 0.09%, 0.54%

LAB 54.79, 10, -9.74

 

CMYK 5 / 14 / 0 / 35

HEX #9E90A7

RGB 158 144 167

HSL 276.52, 0.12%, 0.61%

LAB 61.66, 9.62, -10.19

 

CMYK 11 / 25 / 0 / 62

HEX #554860

RGB 85 72 96

HSL 272.5, 0.14%, 0.33%

LAB 32.72, 10.69, -12.06

 

CMYK 12 / 30 / 0 / 70

HEX #44364D

RGB 68 54 77

HSL 276.52, 0.18%, 0.26%

LAB 24.96, 11.32, -11.74

 

CMYK 12 / 38 / 0 / 77

HEX #33243A

RGB 51 36 58

HSL 280.91, 0.23%, 0.18%

LAB 16.85, 12.09, -11.45

 

CMYK 13 / 54 / 0 / 85

HEX #221227

RGB 34 18 39

HSL 285.71, 0.37%, 0.11%

LAB 8.3, 13.04, -11.15

 

CMYK 15 / 100 / 0 / 92

HEX #110014

RGB 17 0 20

HSL 291, 1%, 0.04%

LAB 1.53, 8.04, -7.02

 

CMYK 11 / 24 / 0 / 63

HEX #55485F

RGB 85 72 95

HSL 273.91, 0.14%, 0.33%

LAB 32.68, 10.45, -11.48

 

CMYK 4 / 24 / 0 / 63

HEX #5B485F

RGB 91 72 95

HSL 289.57, 0.14%, 0.33%

LAB 33.32, 12.73, -10.46

 

CMYK 0 / 24 / 1 / 63

HEX #5F485E

RGB 95 72 94

HSL 302.61, 0.14%, 0.33%

LAB 33.72, 14.05, -9.17

 

CMYK 0 / 24 / 8 / 63

HEX #5F4857

RGB 95 72 87

HSL 320.87, 0.14%, 0.33%

LAB 33.47, 12.6, -5.1

 

CMYK 0 / 24 / 15 / 63

HEX #5F4851

RGB 95 72 81

HSL 336.52, 0.14%, 0.33%

LAB 33.27, 11.42, -1.57

 

CMYK 11 / 24 / 0 / 63

HEX #55485F

RGB 85 72 95

HSL 273.91, 0.14%, 0.33%

LAB 32.68, 10.45, -11.48

 

CMYK 18 / 24 / 0 / 63

HEX #4E485F

RGB 78 72 95

HSL 255.65, 0.14%, 0.33%

LAB 31.99, 7.84, -12.6

 

CMYK 24 / 24 / 0 / 63

HEX #48485F

RGB 72 72 95

HSL 240, 0.14%, 0.33%

LAB 31.44, 5.67, -13.5

 

CMYK 24 / 24 / 0 / 63

HEX #48485F

RGB 72 72 95

HSL 240, 0.14%, 0.33%

LAB 31.44, 5.67, -13.5

 

CMYK 11 / 24 / 0 / 63

HEX #55485F

RGB 85 72 95

HSL 273.91, 0.14%, 0.33%

LAB 32.68, 10.45, -11.48

 

CMYK 21 / 47 / 0 / 57

HEX #563A6D

RGB 86 58 109

HSL 272.94, 0.31%, 0.33%

LAB 29.68, 23.21, -25.03

 

CMYK 29 / 63 / 0 / 52

HEX #572D7B

RGB 87 45 123

HSL 272.31, 0.46%, 0.33%

LAB 27.66, 34.9, -37.11

 

CMYK 35 / 77 / 0 / 47

HEX #581F88

RGB 88 31 136

HSL 272.57, 0.63%, 0.33%

LAB 26.25, 45.43, -47.55

 

CMYK 41 / 89 / 0 / 41

HEX #591196

RGB 89 17 150

HSL 272.48, 0.8%, 0.33%

LAB 25.94, 53.88, -56.73

 

CMYK 11 / 24 / 0 / 63

HEX #55485F

RGB 85 72 95

HSL 273.91, 0.14%, 0.33%

LAB 32.68, 10.45, -11.48

 

CMYK 2 / 0 / 4 / 67

HEX #535552

RGB 83 85 82

HSL 100, 0.02%, 0.33%

LAB 35.88, -1.44, 1.46

 

CMYK 17 / 0 / 31 / 61

HEX #526344

RGB 82 99 68

HSL 92.9, 0.19%, 0.33%

LAB 39.81, -12.78, 15.55

 

CMYK 28 / 0 / 51 / 56

HEX #517137

RGB 81 113 55

HSL 93.1, 0.35%, 0.33%

LAB 44, -22.65, 28.37

 

CMYK 37 / 0 / 67 / 51

HEX #507E29

RGB 80 126 41

HSL 92.47, 0.51%, 0.33%

LAB 47.99, -30.92, 39.93

 

CMYK 24 / 24 / 0 / 63

HEX #48485F

RGB 72 72 95

HSL 240, 0.14%, 0.33%

LAB 31.44, 5.67, -13.5

 

CMYK 18 / 24 / 0 / 63

HEX #4E485F

RGB 78 72 95

HSL 255.65, 0.14%, 0.33%

LAB 31.99, 7.84, -12.6

 

CMYK 12 / 24 / 0 / 63

HEX #54485F

RGB 84 72 95

HSL 271.3, 0.14%, 0.33%

LAB 32.58, 10.08, -11.65

 

CMYK 4 / 24 / 0 / 63

HEX #5B485F

RGB 91 72 95

HSL 289.57, 0.14%, 0.33%

LAB 33.32, 12.73, -10.46

 

CMYK 0 / 24 / 1 / 63

HEX #5F485E

RGB 95 72 94

HSL 302.61, 0.14%, 0.33%

LAB 33.72, 14.05, -9.17

 

CMYK 10 / 25 / 0 / 81

HEX #2B2430

RGB 43 36 48

HSL 275, 0.14%, 0.16%

LAB 15.43, 6.17, -6.66

 

CMYK 11 / 25 / 0 / 72

HEX #403648

RGB 64 54 72

HSL 273.33, 0.14%, 0.25%

LAB 24.31, 8.51, -9.45

 

CMYK 11 / 24 / 0 / 63

HEX #55485F

RGB 85 72 95

HSL 273.91, 0.14%, 0.33%

LAB 32.68, 10.45, -11.48

 

CMYK 11 / 24 / 0 / 53

HEX #6A5A77

RGB 106 90 119

HSL 273.1, 0.14%, 0.41%

LAB 40.75, 12.54, -13.98

 

CMYK 11 / 25 / 0 / 44

HEX #7E6B8E

RGB 126 107 142

HSL 272.57, 0.14%, 0.49%

LAB 48.14, 14.58, -16.4

 

CMYK 11 / 25 / 0 / 62

HEX #554860

RGB 85 72 96

HSL 272.5, 0.14%, 0.33%

LAB 32.72, 10.69, -12.06

 

CMYK 0 / 24 / 18 / 63

HEX #5F484E

RGB 95 72 78

HSL 344.35, 0.14%, 0.33%

LAB 33.17, 10.86, 0.2

 

CMYK 24 / 0 / 21 / 63

HEX #485F4B

RGB 72 95 75

HSL 127.83, 0.14%, 0.33%

LAB 37.97, -13.18, 8.67

 

CMYK 11 / 25 / 0 / 62

HEX #554860

RGB 85 72 96

HSL 272.5, 0.14%, 0.33%

LAB 32.72, 10.69, -12.06

 

CMYK 0 / 12 / 24 / 63

HEX #5F5448

RGB 95 84 72

HSL 31.3, 0.14%, 0.33%

LAB 36.45, 2.34, 8.67

 

CMYK 24 / 0 / 12 / 63

HEX #485F54

RGB 72 95 84

HSL 151.3, 0.14%, 0.33%

LAB 38.2, -11.23, 3.47

 

CMYK 11 / 25 / 0 / 62

HEX #554860

RGB 85 72 96

HSL 272.5, 0.14%, 0.33%

LAB 32.72, 10.69, -12.06

 

CMYK 0 / 24 / 18 / 63

HEX #5F484E

RGB 95 72 78

HSL 344.35, 0.14%, 0.33%

LAB 33.17, 10.86, 0.2

 

CMYK 13 / 0 / 24 / 63

HEX #535F48

RGB 83 95 72

HSL 91.3, 0.14%, 0.33%

LAB 38.71, -9.37, 11.65

 

CMYK 24 / 0 / 6 / 63

HEX #485F59

RGB 72 95 89

HSL 164.35, 0.14%, 0.33%

LAB 38.35, -10.06, 0.6

 

CMYK 11 / 25 / 0 / 62

HEX #554860

RGB 85 72 96

HSL 272.5, 0.14%, 0.33%

LAB 32.72, 10.69, -12.06

 

CMYK 0 / 23 / 24 / 63

HEX #5F4948

RGB 95 73 72

HSL 2.61, 0.14%, 0.33%

LAB 33.28, 9.17, 4.18

 

CMYK 13 / 0 / 24 / 63

HEX #535F48

RGB 83 95 72

HSL 91.3, 0.14%, 0.33%

LAB 38.71, -9.37, 11.65

 

CMYK 24 / 0 / 0 / 63

HEX #485F5F

RGB 72 95 95

HSL 180, 0.14%, 0.33%

LAB 38.53, -8.59, -2.84

 

Description

Color code: HEX #554860 | qconv.com Color code: HEX #554860 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 72 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 72 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 25 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 25% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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