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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #553EAC it is the complementary color #AAC153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #553EAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #553EAC shade: #5A3EA7, #6B50BA, #7C62CD, #8D74E0 and #9E86F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #553EAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #553EAC shade: #553EAC, #442C99, #331A86, #220873 and #110060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #553EAC shade: #553EAC, #723EAC, #903EAC, #AC3EAA and #AC3E8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #553EAC shade: #553EAC and #3E3EAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #553EAC shade matches the following richer shades: #553EAC, #4A2BBF, #3F18D2 and #3405E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #553EAC shade: #553EAC, #605199, #6B6486, #767773 and #818A60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #553EAC shade: #3E62AC, #3E45AC, #543EAC, #713EAC and #8F3EAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #553EAC shade: #37286F, #46338E, #553EAC, #6952C0 and #8471CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #553EAC shade: #553EAC, #AC3E80 and #54AC3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #553EAC shade: #553EAC, #AC543E and #3EAC54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #553EAC shade: #553EAC, #AC3E80, #96AC3E and #3EAC6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #553EAC shade: #553EAC, #AC3E5F, #96AC3E and #3EAC8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 64 / 0 / 33

HEX #553EAC

RGB 85 62 172

HSL 252.55, 0.47%, 0.46%

LAB 34.71, 38.47, -55.76

 

Complementary color

CMYK 12 / 0 / 57 / 24

HEX #AAC153

RGB 170 193 83

HSL 72.55, 0.47%, 0.54%

LAB 74.39, -23.83, 51.74

 

CMYK 46 / 63 / 0 / 35

HEX #5A3EA7

RGB 90 62 167

HSL 256, 0.46%, 0.45%

LAB 34.82, 37.99, -52.57

 

CMYK 42 / 57 / 0 / 27

HEX #6B50BA

RGB 107 80 186

HSL 255.28, 0.43%, 0.52%

LAB 41.86, 36.65, -52.37

 

CMYK 40 / 52 / 0 / 20

HEX #7C62CD

RGB 124 98 205

HSL 254.58, 0.52%, 0.59%

LAB 48.8, 35.41, -52.14

 

CMYK 37 / 48 / 0 / 12

HEX #8D74E0

RGB 141 116 224

HSL 253.89, 0.64%, 0.67%

LAB 55.62, 34.3, -51.92

 

CMYK 35 / 45 / 0 / 5

HEX #9E86F3

RGB 158 134 243

HSL 253.21, 0.82%, 0.74%

LAB 62.33, 33.29, -51.73

 

CMYK 51 / 64 / 0 / 33

HEX #553EAC

RGB 85 62 172

HSL 252.55, 0.47%, 0.46%

LAB 34.71, 38.47, -55.76

 

CMYK 56 / 71 / 0 / 40

HEX #442C99

RGB 68 44 153

HSL 253.21, 0.55%, 0.39%

LAB 27.66, 40.02, -55.86

 

CMYK 62 / 81 / 0 / 47

HEX #331A86

RGB 51 26 134

HSL 253.89, 0.68%, 0.31%

LAB 20.69, 41.36, -55.59

 

CMYK 70 / 93 / 0 / 55

HEX #220873

RGB 34 8 115

HSL 254.58, 0.87%, 0.24%

LAB 14.13, 41.73, -54.38

 

CMYK 82 / 100 / 0 / 62

HEX #110060

RGB 17 0 96

HSL 250.63, 1%, 0.19%

LAB 8.69, 39.1, -50.95

 

CMYK 51 / 64 / 0 / 33

HEX #553EAC

RGB 85 62 172

HSL 252.55, 0.47%, 0.46%

LAB 34.71, 38.47, -55.76

 

CMYK 34 / 64 / 0 / 33

HEX #723EAC

RGB 114 62 172

HSL 268.36, 0.47%, 0.46%

LAB 37.84, 44.61, -50.54

 

CMYK 16 / 64 / 0 / 33

HEX #903EAC

RGB 144 62 172

HSL 284.73, 0.47%, 0.46%

LAB 41.77, 51.67, -44.02

 

CMYK 0 / 64 / 1 / 33

HEX #AC3EAA

RGB 172 62 170

HSL 301.09, 0.47%, 0.46%

LAB 45.8, 58.18, -36.19

 

CMYK 0 / 64 / 19 / 33

HEX #AC3E8C

RGB 172 62 140

HSL 317.45, 0.47%, 0.46%

LAB 44.39, 53.38, -20.43

 

CMYK 51 / 64 / 0 / 33

HEX #553EAC

RGB 85 62 172

HSL 252.55, 0.47%, 0.46%

LAB 34.71, 38.47, -55.76

 

CMYK 64 / 64 / 0 / 33

HEX #3E3EAC

RGB 62 62 172

HSL 240, 0.47%, 0.46%

LAB 32.81, 34.44, -58.95

 

CMYK 51 / 64 / 0 / 33

HEX #553EAC

RGB 85 62 172

HSL 252.55, 0.47%, 0.46%

LAB 34.71, 38.47, -55.76

 

CMYK 61 / 77 / 0 / 25

HEX #4A2BBF

RGB 74 43 191

HSL 252.57, 0.63%, 0.46%

LAB 31.68, 52.7, -72.03

 

CMYK 70 / 89 / 0 / 18

HEX #3F18D2

RGB 63 24 210

HSL 252.58, 0.79%, 0.46%

LAB 30.31, 64.5, -85.44

 

CMYK 77 / 98 / 0 / 10

HEX #3405E5

RGB 52 5 229

HSL 252.59, 0.96%, 0.46%

LAB 30.63, 72.84, -95.89

 

CMYK 51 / 64 / 0 / 33

HEX #553EAC

RGB 85 62 172

HSL 252.55, 0.47%, 0.46%

LAB 34.71, 38.47, -55.76

 

CMYK 37 / 47 / 0 / 40

HEX #605199

RGB 96 81 153

HSL 252.5, 0.31%, 0.46%

LAB 39.02, 23.82, -37.39

 

CMYK 20 / 25 / 0 / 47

HEX #6B6486

RGB 107 100 134

HSL 252.35, 0.15%, 0.46%

LAB 44.18, 10.36, -17.83

 

CMYK 1 / 0 / 3 / 53

HEX #767773

RGB 118 119 115

HSL 75, 0.02%, 0.46%

LAB 49.84, -1.17, 2.06

 

CMYK 7 / 0 / 30 / 46

HEX #818A60

RGB 129 138 96

HSL 72.86, 0.18%, 0.46%

LAB 55.77, -10.73, 21.45

 

CMYK 64 / 43 / 0 / 33

HEX #3E62AC

RGB 62 98 172

HSL 220.36, 0.47%, 0.46%

LAB 42.37, 11.22, -43.51

 

CMYK 64 / 60 / 0 / 33

HEX #3E45AC

RGB 62 69 172

HSL 236.18, 0.47%, 0.46%

LAB 34.52, 29.99, -56.16

 

CMYK 51 / 64 / 0 / 33

HEX #543EAC

RGB 84 62 172

HSL 252, 0.47%, 0.46%

LAB 34.62, 38.28, -55.92

 

CMYK 34 / 64 / 0 / 33

HEX #713EAC

RGB 113 62 172

HSL 267.82, 0.47%, 0.46%

LAB 37.72, 44.39, -50.74

 

CMYK 17 / 64 / 0 / 33

HEX #8F3EAC

RGB 143 62 172

HSL 284.18, 0.47%, 0.46%

LAB 41.63, 51.42, -44.25

 

CMYK 50 / 64 / 0 / 56

HEX #37286F

RGB 55 40 111

HSL 252.68, 0.47%, 0.3%

LAB 21.86, 26.65, -39

 

CMYK 51 / 64 / 0 / 44

HEX #46338E

RGB 70 51 142

HSL 252.53, 0.47%, 0.38%

LAB 28.44, 32.85, -47.81

 

CMYK 51 / 64 / 0 / 33

HEX #553EAC

RGB 85 62 172

HSL 252.55, 0.47%, 0.46%

LAB 34.71, 38.47, -55.76

 

CMYK 45 / 57 / 0 / 25

HEX #6952C0

RGB 105 82 192

HSL 252.55, 0.47%, 0.54%

LAB 42.53, 36.75, -54.8

 

CMYK 35 / 44 / 0 / 20

HEX #8471CB

RGB 132 113 203

HSL 252.67, 0.46%, 0.62%

LAB 52.98, 28.08, -44.29

 

CMYK 51 / 64 / 0 / 33

HEX #553EAC

RGB 85 62 172

HSL 252.55, 0.47%, 0.46%

LAB 34.71, 38.47, -55.76

 

CMYK 0 / 64 / 26 / 33

HEX #AC3E80

RGB 172 62 128

HSL 324, 0.47%, 0.46%

LAB 43.91, 51.69, -13.87

 

CMYK 51 / 0 / 64 / 33

HEX #54AC3E

RGB 84 172 62

HSL 108, 0.47%, 0.46%

LAB 63.13, -47.28, 47.2

 

CMYK 51 / 64 / 0 / 33

HEX #553EAC

RGB 85 62 172

HSL 252.55, 0.47%, 0.46%

LAB 34.71, 38.47, -55.76

 

CMYK 0 / 51 / 64 / 33

HEX #AC543E

RGB 172 84 62

HSL 12, 0.47%, 0.46%

LAB 46.26, 34.18, 29.45

 

CMYK 64 / 0 / 51 / 33

HEX #3EAC54

RGB 62 172 84

HSL 132, 0.47%, 0.46%

LAB 62.65, -50.08, 36.03

 

CMYK 51 / 64 / 0 / 33

HEX #553EAC

RGB 85 62 172

HSL 252.55, 0.47%, 0.46%

LAB 34.71, 38.47, -55.76

 

CMYK 0 / 64 / 26 / 33

HEX #AC3E80

RGB 172 62 128

HSL 324, 0.47%, 0.46%

LAB 43.91, 51.69, -13.87

 

CMYK 13 / 0 / 64 / 33

HEX #96AC3E

RGB 150 172 62

HSL 72, 0.47%, 0.46%

LAB 66.78, -23.31, 52.23

 

CMYK 64 / 0 / 38 / 33

HEX #3EAC6A

RGB 62 172 106

HSL 144, 0.47%, 0.46%

LAB 62.99, -46.37, 24.99

 

CMYK 51 / 64 / 0 / 33

HEX #553EAC

RGB 85 62 172

HSL 252.55, 0.47%, 0.46%

LAB 34.71, 38.47, -55.76

 

CMYK 0 / 64 / 45 / 33

HEX #AC3E5F

RGB 172 62 95

HSL 342, 0.47%, 0.46%

LAB 42.83, 47.75, 4.88

 

CMYK 13 / 0 / 64 / 33

HEX #96AC3E

RGB 150 172 62

HSL 72, 0.47%, 0.46%

LAB 66.78, -23.31, 52.23

 

CMYK 64 / 0 / 19 / 33

HEX #3EAC8B

RGB 62 172 139

HSL 162, 0.47%, 0.46%

LAB 63.67, -39.22, 7.87

 

Description

Color code: HEX #553EAC | qconv.com Color code: HEX #553EAC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 62 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 62 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 64 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 64% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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