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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55397E it is the complementary color #AAC681. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55397E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55397E shade: #5A3979, #6B4B8C, #7C5D9F, #8D6FB2 and #9E81C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55397E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55397E shade: #55397E, #44276B, #331558, #220345 and #110032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55397E shade: #55387E, #68387E, #7A387E, #7E386F and #7E385C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55397E shade: #55387E, #42387E and #38387E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55397E shade matches the following richer shades: #55387E, #522A8D, #4F1B9C and #4C0CAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55397E shade: #55387E, #58476F, #5A5660, #5D6552 and #607443

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55397E shade: #38427E, #42387E, #54387E, #67387E and #7A387E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55397E shade: #2E1F45, #422C62, #55387E, #68459B and #7C56B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55397E shade: #55397E, #7E3854 and #387E38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55397E shade: #55397E, #7E5438 and #387E54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55397E shade: #55397E, #7E3854, #627E38 and #387E62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55397E shade: #55397E, #7E383F, #627E38 and #387E77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 55 / 0 / 51

HEX #55397E

RGB 85 57 126

HSL 264.35, 0.38%, 0.36%

LAB 30.31, 28.06, -34.77

 

Complementary color

CMYK 14 / 0 / 35 / 22

HEX #AAC681

RGB 170 198 129

HSL 84.35, 0.38%, 0.64%

LAB 76.39, -21.25, 31.54

 

CMYK 26 / 53 / 0 / 53

HEX #5A3979

RGB 90 57 121

HSL 270.94, 0.36%, 0.35%

LAB 30.59, 28.16, -31.15

 

CMYK 24 / 46 / 0 / 45

HEX #6B4B8C

RGB 107 75 140

HSL 269.54, 0.3%, 0.42%

LAB 37.93, 27.19, -31.17

 

CMYK 22 / 42 / 0 / 38

HEX #7C5D9F

RGB 124 93 159

HSL 268.18, 0.26%, 0.49%

LAB 45.11, 26.3, -31.19

 

CMYK 21 / 38 / 0 / 30

HEX #8D6FB2

RGB 141 111 178

HSL 266.87, 0.3%, 0.57%

LAB 52.11, 25.5, -31.23

 

CMYK 20 / 35 / 0 / 23

HEX #9E81C5

RGB 158 129 197

HSL 265.59, 0.37%, 0.64%

LAB 58.98, 24.77, -31.3

 

CMYK 33 / 55 / 0 / 51

HEX #55397E

RGB 85 57 126

HSL 264.35, 0.38%, 0.36%

LAB 30.31, 28.06, -34.77

 

CMYK 36 / 64 / 0 / 58

HEX #44276B

RGB 68 39 107

HSL 265.59, 0.47%, 0.29%

LAB 22.8, 29.2, -34.84

 

CMYK 42 / 76 / 0 / 65

HEX #331558

RGB 51 21 88

HSL 266.87, 0.61%, 0.21%

LAB 15.19, 30.2, -34.7

 

CMYK 51 / 96 / 0 / 73

HEX #220345

RGB 34 3 69

HSL 268.18, 0.92%, 0.14%

LAB 7.54, 30.97, -34.22

 

CMYK 66 / 100 / 0 / 80

HEX #110032

RGB 17 0 50

HSL 260.4, 1%, 0.1%

LAB 3.16, 19.45, -27.66

 

CMYK 33 / 56 / 0 / 51

HEX #55387E

RGB 85 56 126

HSL 264.86, 0.38%, 0.36%

LAB 30.07, 28.68, -35.15

 

CMYK 17 / 56 / 0 / 51

HEX #68387E

RGB 104 56 126

HSL 281.14, 0.38%, 0.36%

LAB 32.43, 34.09, -31.26

 

CMYK 3 / 56 / 0 / 51

HEX #7A387E

RGB 122 56 126

HSL 296.57, 0.38%, 0.36%

LAB 34.95, 39.37, -27.12

 

CMYK 0 / 56 / 12 / 51

HEX #7E386F

RGB 126 56 111

HSL 312.86, 0.38%, 0.36%

LAB 34.83, 37.79, -17.87

 

CMYK 0 / 56 / 27 / 51

HEX #7E385C

RGB 126 56 92

HSL 329.14, 0.38%, 0.36%

LAB 34.06, 34.71, -6.97

 

CMYK 33 / 56 / 0 / 51

HEX #55387E

RGB 85 56 126

HSL 264.86, 0.38%, 0.36%

LAB 30.07, 28.68, -35.15

 

CMYK 48 / 56 / 0 / 51

HEX #42387E

RGB 66 56 126

HSL 248.57, 0.38%, 0.36%

LAB 28.1, 23.69, -38.43

 

CMYK 56 / 56 / 0 / 51

HEX #38387E

RGB 56 56 126

HSL 240, 0.38%, 0.36%

LAB 27.23, 21.35, -39.87

 

CMYK 33 / 56 / 0 / 51

HEX #55387E

RGB 85 56 126

HSL 264.86, 0.38%, 0.36%

LAB 30.07, 28.68, -35.15

 

CMYK 42 / 70 / 0 / 45

HEX #522A8D

RGB 82 42 141

HSL 264.24, 0.54%, 0.36%

LAB 27.77, 40.2, -48.22

 

CMYK 49 / 83 / 0 / 39

HEX #4F1B9C

RGB 79 27 156

HSL 264.19, 0.7%, 0.36%

LAB 26.29, 50.69, -59.89

 

CMYK 56 / 93 / 0 / 33

HEX #4C0CAB

RGB 76 12 171

HSL 264.15, 0.87%, 0.36%

LAB 25.98, 58.68, -69.52

 

CMYK 33 / 56 / 0 / 51

HEX #55387E

RGB 85 56 126

HSL 264.86, 0.38%, 0.36%

LAB 30.07, 28.68, -35.15

 

CMYK 21 / 36 / 0 / 56

HEX #58476F

RGB 88 71 111

HSL 265.5, 0.22%, 0.36%

LAB 33.41, 16.15, -20.45

 

CMYK 6 / 10 / 0 / 62

HEX #5A5660

RGB 90 86 96

HSL 264, 0.05%, 0.36%

LAB 37.25, 3.77, -5.2

 

CMYK 8 / 0 / 19 / 60

HEX #5D6552

RGB 93 101 82

HSL 85.26, 0.1%, 0.36%

LAB 41.6, -6.92, 9.74

 

CMYK 17 / 0 / 42 / 55

HEX #607443

RGB 96 116 67

HSL 84.49, 0.27%, 0.36%

LAB 46.15, -16.5, 24.66

 

CMYK 56 / 48 / 0 / 51

HEX #38427E

RGB 56 66 126

HSL 231.43, 0.38%, 0.36%

LAB 30.02, 14.61, -35.39

 

CMYK 48 / 56 / 0 / 51

HEX #42387E

RGB 66 56 126

HSL 248.57, 0.38%, 0.36%

LAB 28.1, 23.69, -38.43

 

CMYK 33 / 56 / 0 / 51

HEX #54387E

RGB 84 56 126

HSL 264, 0.38%, 0.36%

LAB 29.96, 28.4, -35.34

 

CMYK 18 / 56 / 0 / 51

HEX #67387E

RGB 103 56 126

HSL 280.29, 0.38%, 0.36%

LAB 32.3, 33.79, -31.47

 

CMYK 3 / 56 / 0 / 51

HEX #7A387E

RGB 122 56 126

HSL 296.57, 0.38%, 0.36%

LAB 34.95, 39.37, -27.12

 

CMYK 33 / 55 / 0 / 73

HEX #2E1F45

RGB 46 31 69

HSL 263.68, 0.38%, 0.2%

LAB 15.44, 16.88, -21.36

 

CMYK 33 / 55 / 0 / 62

HEX #422C62

RGB 66 44 98

HSL 264.44, 0.38%, 0.28%

LAB 23.14, 22.94, -28.45

 

CMYK 33 / 56 / 0 / 51

HEX #55387E

RGB 85 56 126

HSL 264.86, 0.38%, 0.36%

LAB 30.07, 28.68, -35.15

 

CMYK 33 / 55 / 0 / 39

HEX #68459B

RGB 104 69 155

HSL 264.42, 0.38%, 0.44%

LAB 37.05, 33.83, -41.69

 

CMYK 31 / 52 / 0 / 30

HEX #7C56B3

RGB 124 86 179

HSL 264.52, 0.38%, 0.52%

LAB 44.51, 35.46, -43.92

 

CMYK 33 / 55 / 0 / 51

HEX #55397E

RGB 85 57 126

HSL 264.35, 0.38%, 0.36%

LAB 30.31, 28.06, -34.77

 

CMYK 0 / 56 / 33 / 51

HEX #7E3854

RGB 126 56 84

HSL 336, 0.38%, 0.36%

LAB 33.78, 33.57, -2.25

 

CMYK 56 / 0 / 56 / 51

HEX #387E38

RGB 56 126 56

HSL 120, 0.38%, 0.36%

LAB 47.04, -37.21, 31.24

 

CMYK 33 / 55 / 0 / 51

HEX #55397E

RGB 85 57 126

HSL 264.35, 0.38%, 0.36%

LAB 30.31, 28.06, -34.77

 

CMYK 0 / 33 / 56 / 51

HEX #7E5438

RGB 126 84 56

HSL 24, 0.38%, 0.36%

LAB 39.68, 14.17, 23.36

 

CMYK 56 / 0 / 33 / 51

HEX #387E54

RGB 56 126 84

HSL 144, 0.38%, 0.36%

LAB 47.5, -32.33, 16.36

 

CMYK 33 / 55 / 0 / 51

HEX #55397E

RGB 85 57 126

HSL 264.35, 0.38%, 0.36%

LAB 30.31, 28.06, -34.77

 

CMYK 0 / 56 / 33 / 51

HEX #7E3854

RGB 126 56 84

HSL 336, 0.38%, 0.36%

LAB 33.78, 33.57, -2.25

 

CMYK 22 / 0 / 56 / 51

HEX #627E38

RGB 98 126 56

HSL 84, 0.38%, 0.36%

LAB 49.26, -22.28, 34.42

 

CMYK 56 / 0 / 22 / 51

HEX #387E62

RGB 56 126 98

HSL 156, 0.38%, 0.36%

LAB 47.81, -29.21, 8.66

 

CMYK 33 / 55 / 0 / 51

HEX #55397E

RGB 85 57 126

HSL 264.35, 0.38%, 0.36%

LAB 30.31, 28.06, -34.77

 

CMYK 0 / 56 / 50 / 51

HEX #7E383F

RGB 126 56 63

HSL 354, 0.38%, 0.36%

LAB 33.18, 31.03, 10.43

 

CMYK 22 / 0 / 56 / 51

HEX #627E38

RGB 98 126 56

HSL 84, 0.38%, 0.36%

LAB 49.26, -22.28, 34.42

 

CMYK 56 / 0 / 6 / 51

HEX #387E77

RGB 56 126 119

HSL 174, 0.38%, 0.36%

LAB 48.38, -23.76, -2.88

 

Description

Color code: HEX #55397E | qconv.com Color code: HEX #55397E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 57 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 57 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 55 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 55% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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