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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #552880 it is the complementary color #AAD77F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #552880. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #552880 shade: #5A287B, #6B3A8E, #7C4CA1, #8D5EB4 and #9E70C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #552880. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #552880 shade: #552880, #44166D, #33045A, #220047 and #110034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #552880 shade: #55287F, #6C287F, #7F287B, #7F2863 and #7F284C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #552880 shade: #55287F, #3D287F and #28287F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #552880 shade matches the following richer shades: #55287F, #551A8D and #550D9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #552880 shade: #55287F, #543672, #544364, #545157 and #535E49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #552880 shade: #282B7F, #3C287F, #54287F, #6B287F and #7F287C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #552880 shade: #2B1441, #401E60, #55287F, #6A329F and #7E3CBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #552880 shade: #552880, #7F2842 and #287F31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #552880 shade: #552880, #7F5428 and #287F54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #552880 shade: #552880, #7F2842, #547F28 and #287F65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #552880 shade: #552880, #7F2828, #547F28 and #287F7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 69 / 0 / 50

HEX #552880

RGB 85 40 128

HSL 270.68, 0.52%, 0.33%

LAB 26.76, 38.44, -41.74

 

Complementary color

CMYK 21 / 0 / 41 / 16

HEX #AAD77F

RGB 170 215 127

HSL 90.68, 0.52%, 0.67%

LAB 81.11, -29.74, 38.69

 

CMYK 27 / 67 / 0 / 52

HEX #5A287B

RGB 90 40 123

HSL 276.14, 0.51%, 0.32%

LAB 27.08, 38.36, -38.03

 

CMYK 25 / 59 / 0 / 44

HEX #6B3A8E

RGB 107 58 142

HSL 275, 0.42%, 0.39%

LAB 34.2, 37.61, -38.32

 

CMYK 23 / 53 / 0 / 37

HEX #7C4CA1

RGB 124 76 161

HSL 273.88, 0.36%, 0.46%

LAB 41.26, 36.71, -38.45

 

CMYK 22 / 48 / 0 / 29

HEX #8D5EB4

RGB 141 94 180

HSL 272.79, 0.36%, 0.54%

LAB 48.21, 35.81, -38.52

 

CMYK 21 / 44 / 0 / 22

HEX #9E70C7

RGB 158 112 199

HSL 271.72, 0.44%, 0.61%

LAB 55.05, 34.94, -38.57

 

CMYK 34 / 69 / 0 / 50

HEX #552880

RGB 85 40 128

HSL 270.68, 0.52%, 0.33%

LAB 26.76, 38.44, -41.74

 

CMYK 38 / 80 / 0 / 57

HEX #44166D

RGB 68 22 109

HSL 271.72, 0.66%, 0.26%

LAB 19.67, 38.85, -41.21

 

CMYK 43 / 96 / 0 / 65

HEX #33045A

RGB 51 4 90

HSL 272.79, 0.91%, 0.18%

LAB 12.79, 38.26, -39.98

 

CMYK 52 / 100 / 0 / 72

HEX #220047

RGB 34 0 71

HSL 268.73, 1%, 0.14%

LAB 7.18, 33.28, -36.22

 

CMYK 67 / 100 / 0 / 80

HEX #110034

RGB 17 0 52

HSL 259.62, 1%, 0.1%

LAB 3.32, 20.57, -28.89

 

CMYK 33 / 69 / 0 / 50

HEX #55287F

RGB 85 40 127

HSL 271.03, 0.52%, 0.33%

LAB 26.68, 38.18, -41.23

 

CMYK 15 / 69 / 0 / 50

HEX #6C287F

RGB 108 40 127

HSL 286.9, 0.52%, 0.33%

LAB 30.01, 43.68, -35.71

 

CMYK 0 / 69 / 3 / 50

HEX #7F287B

RGB 127 40 123

HSL 302.76, 0.52%, 0.33%

LAB 32.83, 47.7, -28.52

 

CMYK 0 / 69 / 22 / 50

HEX #7F2863

RGB 127 40 99

HSL 319.31, 0.52%, 0.33%

LAB 31.65, 43.79, -15.11

 

CMYK 0 / 69 / 40 / 50

HEX #7F284C

RGB 127 40 76

HSL 335.17, 0.52%, 0.33%

LAB 30.76, 40.73, -1.47

 

CMYK 33 / 69 / 0 / 50

HEX #55287F

RGB 85 40 127

HSL 271.03, 0.52%, 0.33%

LAB 26.68, 38.18, -41.23

 

CMYK 52 / 69 / 0 / 50

HEX #3D287F

RGB 61 40 127

HSL 254.48, 0.52%, 0.33%

LAB 23.81, 33.02, -46.02

 

CMYK 69 / 69 / 0 / 50

HEX #28287F

RGB 40 40 127

HSL 240, 0.52%, 0.33%

LAB 21.95, 29.41, -49.14

 

CMYK 33 / 69 / 0 / 50

HEX #55287F

RGB 85 40 127

HSL 271.03, 0.52%, 0.33%

LAB 26.68, 38.18, -41.23

 

CMYK 40 / 82 / 0 / 45

HEX #551A8D

RGB 85 26 141

HSL 270.78, 0.69%, 0.33%

LAB 25.54, 48.18, -51.84

 

CMYK 45 / 92 / 0 / 39

HEX #550D9B

RGB 85 13 155

HSL 270.42, 0.85%, 0.33%

LAB 25.52, 55.54, -60.52

 

CMYK 33 / 69 / 0 / 50

HEX #55287F

RGB 85 40 127

HSL 271.03, 0.52%, 0.33%

LAB 26.68, 38.18, -41.23

 

CMYK 26 / 53 / 0 / 55

HEX #543672

RGB 84 54 114

HSL 270, 0.36%, 0.33%

LAB 28.74, 26.39, -29.71

 

CMYK 16 / 33 / 0 / 61

HEX #544364

RGB 84 67 100

HSL 270.91, 0.2%, 0.33%

LAB 31.39, 14.51, -16.65

 

CMYK 3 / 7 / 0 / 66

HEX #545157

RGB 84 81 87

HSL 270, 0.04%, 0.33%

LAB 34.92, 2.52, -3.07

 

CMYK 12 / 0 / 22 / 63

HEX #535E49

RGB 83 94 73

HSL 91.43, 0.13%, 0.33%

LAB 38.42, -8.61, 10.64

 

CMYK 69 / 66 / 0 / 50

HEX #282B7F

RGB 40 43 127

HSL 237.93, 0.52%, 0.33%

LAB 22.69, 27.43, -47.92

 

CMYK 53 / 69 / 0 / 50

HEX #3C287F

RGB 60 40 127

HSL 253.79, 0.52%, 0.33%

LAB 23.71, 32.83, -46.19

 

CMYK 34 / 69 / 0 / 50

HEX #54287F

RGB 84 40 127

HSL 270.34, 0.52%, 0.33%

LAB 26.55, 37.95, -41.45

 

CMYK 16 / 69 / 0 / 50

HEX #6B287F

RGB 107 40 127

HSL 286.21, 0.52%, 0.33%

LAB 29.85, 43.44, -35.96

 

CMYK 0 / 69 / 2 / 50

HEX #7F287C

RGB 127 40 124

HSL 302.07, 0.52%, 0.33%

LAB 32.89, 47.88, -29.06

 

CMYK 34 / 69 / 0 / 75

HEX #2B1441

RGB 43 20 65

HSL 270.67, 0.53%, 0.17%

LAB 11.93, 22.13, -24.2

 

CMYK 33 / 69 / 0 / 62

HEX #401E60

RGB 64 30 96

HSL 270.91, 0.52%, 0.25%

LAB 19.49, 30.43, -33

 

CMYK 33 / 69 / 0 / 50

HEX #55287F

RGB 85 40 127

HSL 271.03, 0.52%, 0.33%

LAB 26.68, 38.18, -41.23

 

CMYK 33 / 69 / 0 / 38

HEX #6A329F

RGB 106 50 159

HSL 270.83, 0.52%, 0.41%

LAB 33.67, 45.78, -49.54

 

CMYK 34 / 68 / 0 / 25

HEX #7E3CBE

RGB 126 60 190

HSL 270.46, 0.52%, 0.49%

LAB 40.22, 52.63, -57.25

 

CMYK 34 / 69 / 0 / 50

HEX #552880

RGB 85 40 128

HSL 270.68, 0.52%, 0.33%

LAB 26.76, 38.44, -41.74

 

CMYK 0 / 69 / 48 / 50

HEX #7F2842

RGB 127 40 66

HSL 342.07, 0.52%, 0.33%

LAB 30.46, 39.63, 4.67

 

CMYK 69 / 0 / 61 / 50

HEX #287F31

RGB 40 127 49

HSL 126.21, 0.52%, 0.33%

LAB 46.78, -42.54, 34.35

 

CMYK 34 / 69 / 0 / 50

HEX #552880

RGB 85 40 128

HSL 270.68, 0.52%, 0.33%

LAB 26.76, 38.44, -41.74

 

CMYK 0 / 34 / 69 / 50

HEX #7F5428

RGB 127 84 40

HSL 30.34, 0.52%, 0.33%

LAB 39.59, 13.33, 32.36

 

CMYK 69 / 0 / 34 / 50

HEX #287F54

RGB 40 127 84

HSL 150.34, 0.52%, 0.33%

LAB 47.33, -36.41, 16.04

 

CMYK 34 / 69 / 0 / 50

HEX #552880

RGB 85 40 128

HSL 270.68, 0.52%, 0.33%

LAB 26.76, 38.44, -41.74

 

CMYK 0 / 69 / 48 / 50

HEX #7F2842

RGB 127 40 66

HSL 342.07, 0.52%, 0.33%

LAB 30.46, 39.63, 4.67

 

CMYK 34 / 0 / 69 / 50

HEX #547F28

RGB 84 127 40

HSL 89.66, 0.52%, 0.33%

LAB 48.53, -29.94, 41.02

 

CMYK 69 / 0 / 20 / 50

HEX #287F65

RGB 40 127 101

HSL 162.07, 0.52%, 0.33%

LAB 47.71, -32.35, 6.69

 

CMYK 34 / 69 / 0 / 50

HEX #552880

RGB 85 40 128

HSL 270.68, 0.52%, 0.33%

LAB 26.76, 38.44, -41.74

 

CMYK 0 / 69 / 69 / 50

HEX #7F2828

RGB 127 40 40

HSL 0, 0.52%, 0.33%

LAB 29.87, 37.5, 20.91

 

CMYK 34 / 0 / 69 / 50

HEX #547F28

RGB 84 127 40

HSL 89.66, 0.52%, 0.33%

LAB 48.53, -29.94, 41.02

 

CMYK 69 / 0 / 0 / 50

HEX #287F7F

RGB 40 127 127

HSL 180, 0.52%, 0.33%

LAB 48.46, -24.99, -7.52

 

Description

Color code: HEX #552880 | qconv.com Color code: HEX #552880 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 40 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 40 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 69 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 69% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Beeketing | Marketin...
Link: https://beeketing.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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