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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #551C68 it is the complementary color #AAE397. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #551C68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #551C68 shade: #5A1C63, #6B2E76, #7C4089, #8D529C and #9E64AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #551C68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #551C68 shade: #551C68, #440A55, #330042, #22002F and #11001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #551C68 shade: #551B68, #681B67, #681B52, #681B3D and #681B29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #551C68 shade: #551B68, #401B68, #2C1B68 and #1B1B68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #551C68 shade matches the following richer shades: #551B68, #5A1173 and #60067E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #551C68 shade: #551B68, #50265E, #4A3153, #453C48 and #40463D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #551C68 shade: #2C1B68, #411B68, #551B68, #681B67 and #681B52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #551C68 shade: #200A27, #3A1348, #551B68, #702489 and #8A2DA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #551C68 shade: #551C68, #681B1F and #1B6836

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #551C68 shade: #551C68, #68551B and #1B6855

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #551C68 shade: #551C68, #681B1F, #2F681B and #1B6864

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #551C68 shade: #551C68, #682F1B, #2F681B and #1B5568

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 73 / 0 / 59

HEX #551C68

RGB 85 28 104

HSL 285, 0.58%, 0.26%

LAB 22.87, 38.61, -32.65

 

Complementary color

CMYK 25 / 0 / 33 / 11

HEX #AAE397

RGB 170 227 151

HSL 105, 0.58%, 0.74%

LAB 84.85, -32.07, 31.43

 

CMYK 9 / 72 / 0 / 61

HEX #5A1C63

RGB 90 28 99

HSL 292.39, 0.56%, 0.25%

LAB 23.35, 38.78, -28.55

 

CMYK 9 / 61 / 0 / 54

HEX #6B2E76

RGB 107 46 118

HSL 290.83, 0.44%, 0.32%

LAB 30.37, 38.59, -29.47

 

CMYK 9 / 53 / 0 / 46

HEX #7C4089

RGB 124 64 137

HSL 289.32, 0.36%, 0.39%

LAB 37.4, 37.96, -30.03

 

CMYK 10 / 47 / 0 / 39

HEX #8D529C

RGB 141 82 156

HSL 287.84, 0.31%, 0.47%

LAB 44.37, 37.18, -30.41

 

CMYK 10 / 43 / 0 / 31

HEX #9E64AF

RGB 158 100 175

HSL 286.4, 0.32%, 0.54%

LAB 51.24, 36.37, -30.72

 

CMYK 18 / 73 / 0 / 59

HEX #551C68

RGB 85 28 104

HSL 285, 0.58%, 0.26%

LAB 22.87, 38.61, -32.65

 

CMYK 20 / 88 / 0 / 67

HEX #440A55

RGB 68 10 85

HSL 286.4, 0.79%, 0.19%

LAB 16.01, 37.82, -31.22

 

CMYK 23 / 100 / 0 / 74

HEX #330042

RGB 51 0 66

HSL 286.36, 1%, 0.13%

LAB 9.78, 34.53, -28.32

 

CMYK 28 / 100 / 0 / 82

HEX #22002F

RGB 34 0 47

HSL 283.4, 1%, 0.09%

LAB 4.93, 25.34, -22.48

 

CMYK 39 / 100 / 0 / 89

HEX #11001C

RGB 17 0 28

HSL 276.43, 1%, 0.05%

LAB 1.83, 10.15, -12.68

 

CMYK 18 / 74 / 0 / 59

HEX #551B68

RGB 85 27 104

HSL 285.19, 0.59%, 0.26%

LAB 22.7, 39.06, -32.91

 

CMYK 0 / 74 / 1 / 59

HEX #681B67

RGB 104 27 103

HSL 300.78, 0.59%, 0.26%

LAB 25.88, 43.5, -27

 

CMYK 0 / 74 / 21 / 59

HEX #681B52

RGB 104 27 82

HSL 317.14, 0.59%, 0.26%

LAB 24.75, 39.97, -14.94

 

CMYK 0 / 74 / 41 / 59

HEX #681B3D

RGB 104 27 61

HSL 333.51, 0.59%, 0.26%

LAB 23.88, 37.11, -2.05

 

CMYK 0 / 74 / 61 / 59

HEX #681B29

RGB 104 27 41

HSL 349.09, 0.59%, 0.26%

LAB 23.29, 35.11, 10.86

 

CMYK 18 / 74 / 0 / 59

HEX #551B68

RGB 85 27 104

HSL 285.19, 0.59%, 0.26%

LAB 22.7, 39.06, -32.91

 

CMYK 38 / 74 / 0 / 59

HEX #401B68

RGB 64 27 104

HSL 268.83, 0.59%, 0.26%

LAB 19.53, 34.27, -38.19

 

CMYK 58 / 74 / 0 / 59

HEX #2C1B68

RGB 44 27 104

HSL 253.25, 0.59%, 0.26%

LAB 17.08, 30.31, -42.29

 

CMYK 74 / 74 / 0 / 59

HEX #1B1B68

RGB 27 27 104

HSL 240, 0.59%, 0.26%

LAB 15.57, 27.72, -44.82

 

CMYK 18 / 74 / 0 / 59

HEX #551B68

RGB 85 27 104

HSL 285.19, 0.59%, 0.26%

LAB 22.7, 39.06, -32.91

 

CMYK 22 / 85 / 0 / 55

HEX #5A1173

RGB 90 17 115

HSL 284.69, 0.74%, 0.26%

LAB 23.04, 46.29, -39.44

 

CMYK 24 / 95 / 0 / 51

HEX #60067E

RGB 96 6 126

HSL 285, 0.91%, 0.26%

LAB 24.08, 52.21, -44.74

 

CMYK 18 / 74 / 0 / 59

HEX #551B68

RGB 85 27 104

HSL 285.19, 0.59%, 0.26%

LAB 22.7, 39.06, -32.91

 

CMYK 15 / 60 / 0 / 63

HEX #50265E

RGB 80 38 94

HSL 285, 0.42%, 0.26%

LAB 23.34, 29.77, -25.4

 

CMYK 11 / 41 / 0 / 67

HEX #4A3153

RGB 74 49 83

HSL 284.12, 0.26%, 0.26%

LAB 24.57, 18.35, -16.27

 

CMYK 4 / 17 / 0 / 72

HEX #453C48

RGB 69 60 72

HSL 285, 0.09%, 0.26%

LAB 26.63, 6.53, -5.89

 

CMYK 9 / 0 / 13 / 73

HEX #40463D

RGB 64 70 61

HSL 100, 0.07%, 0.26%

LAB 28.92, -4.46, 4.59

 

CMYK 58 / 74 / 0 / 59

HEX #2C1B68

RGB 44 27 104

HSL 253.25, 0.59%, 0.26%

LAB 17.08, 30.31, -42.29

 

CMYK 38 / 74 / 0 / 59

HEX #411B68

RGB 65 27 104

HSL 269.61, 0.59%, 0.26%

LAB 19.67, 34.48, -37.96

 

CMYK 18 / 74 / 0 / 59

HEX #551B68

RGB 85 27 104

HSL 285.19, 0.59%, 0.26%

LAB 22.7, 39.06, -32.91

 

CMYK 0 / 74 / 1 / 59

HEX #681B67

RGB 104 27 103

HSL 300.78, 0.59%, 0.26%

LAB 25.88, 43.5, -27

 

CMYK 0 / 74 / 21 / 59

HEX #681B52

RGB 104 27 82

HSL 317.14, 0.59%, 0.26%

LAB 24.75, 39.97, -14.94

 

CMYK 18 / 74 / 0 / 85

HEX #200A27

RGB 32 10 39

HSL 285.52, 0.59%, 0.1%

LAB 6.06, 17, -14.67

 

CMYK 19 / 74 / 0 / 72

HEX #3A1348

RGB 58 19 72

HSL 284.15, 0.58%, 0.18%

LAB 14.59, 28.73, -24.7

 

CMYK 18 / 74 / 0 / 59

HEX #551B68

RGB 85 27 104

HSL 285.19, 0.59%, 0.26%

LAB 22.7, 39.06, -32.91

 

CMYK 18 / 74 / 0 / 46

HEX #702489

RGB 112 36 137

HSL 285.15, 0.58%, 0.34%

LAB 30.67, 48.46, -40.85

 

CMYK 18 / 73 / 0 / 34

HEX #8A2DA9

RGB 138 45 169

HSL 285, 0.58%, 0.42%

LAB 38.1, 57, -48.17

 

CMYK 18 / 73 / 0 / 59

HEX #551C68

RGB 85 28 104

HSL 285, 0.58%, 0.26%

LAB 22.87, 38.61, -32.65

 

CMYK 0 / 74 / 70 / 59

HEX #681B1F

RGB 104 27 31

HSL 356.88, 0.59%, 0.26%

LAB 23.09, 34.39, 17.4

 

CMYK 74 / 0 / 48 / 59

HEX #1B6836

RGB 27 104 54

HSL 141.04, 0.59%, 0.26%

LAB 38.55, -35.3, 21.6

 

CMYK 18 / 73 / 0 / 59

HEX #551C68

RGB 85 28 104

HSL 285, 0.58%, 0.26%

LAB 22.87, 38.61, -32.65

 

CMYK 0 / 18 / 74 / 59

HEX #68551B

RGB 104 85 27

HSL 45.19, 0.59%, 0.26%

LAB 36.97, 0.9, 35.31

 

CMYK 74 / 0 / 18 / 59

HEX #1B6855

RGB 27 104 85

HSL 165.19, 0.59%, 0.26%

LAB 39.22, -28.03, 4.07

 

CMYK 18 / 73 / 0 / 59

HEX #551C68

RGB 85 28 104

HSL 285, 0.58%, 0.26%

LAB 22.87, 38.61, -32.65

 

CMYK 0 / 74 / 70 / 59

HEX #681B1F

RGB 104 27 31

HSL 356.88, 0.59%, 0.26%

LAB 23.09, 34.39, 17.4

 

CMYK 55 / 0 / 74 / 59

HEX #2F681B

RGB 47 104 27

HSL 104.42, 0.59%, 0.26%

LAB 38.87, -33.94, 35.95

 

CMYK 74 / 0 / 4 / 59

HEX #1B6864

RGB 27 104 100

HSL 176.88, 0.59%, 0.26%

LAB 39.67, -23.59, -4.44

 

CMYK 18 / 73 / 0 / 59

HEX #551C68

RGB 85 28 104

HSL 285, 0.58%, 0.26%

LAB 22.87, 38.61, -32.65

 

CMYK 0 / 55 / 74 / 59

HEX #682F1B

RGB 104 47 27

HSL 15.58, 0.59%, 0.26%

LAB 26.89, 23.94, 24.48

 

CMYK 55 / 0 / 74 / 59

HEX #2F681B

RGB 47 104 27

HSL 104.42, 0.59%, 0.26%

LAB 38.87, -33.94, 35.95

 

CMYK 74 / 18 / 0 / 59

HEX #1B5568

RGB 27 85 104

HSL 194.81, 0.59%, 0.26%

LAB 33.41, -11.72, -16.38

 

Description

Color code: HEX #551C68 | qconv.com Color code: HEX #551C68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 28 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 28 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 73 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 73% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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