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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5500B0 it is the complementary color #AAFF4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5500B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5500B0 shade: #5A00AB, #6B12BE, #7C24D1, #8D36E4 and #9E48F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5500B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5500B0 shade: #5500B0, #44009D, #33008A, #220077 and #110064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5500B0 shade: #5600B2, #8600B2, #B200AE, #B2007E and #B2004E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5500B0 shade: #5600B2, #2600B2 and #0000B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5500B0 shade matches the following richer shades: #5600B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5500B0 shade: #5600B2, #560EA4, #571C95, #572B87 and #583978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5500B0 shade: #000BB2, #2300B2, #5300B2, #8200B2 and #B200B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5500B0 shade: #2E005F, #420089, #5600B2, #6A00DB and #7E06FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5500B0 shade: #5500B0, #B2003B and #00B20B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5500B0 shade: #5500B0, #B25300 and #00B253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5500B0 shade: #5500B0, #B2003B, #5FB200 and #00B276

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5500B0 shade: #5500B0, #B20005, #5FB200 and #00B2AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 100 / 0 / 31

HEX #5500B0

RGB 85 0 176

HSL 268.98, 1%, 0.35%

LAB 26.92, 62.88, -70.94

 

Complementary color

CMYK 33 / 0 / 69 / 0

HEX #AAFF4F

RGB 170 255 79

HSL 88.98, 1%, 0.65%

LAB 91.97, -51.9, 72.22

 

CMYK 47 / 100 / 0 / 33

HEX #5A00AB

RGB 90 0 171

HSL 271.58, 1%, 0.34%

LAB 27.06, 62.19, -67.69

 

CMYK 44 / 91 / 0 / 25

HEX #6B12BE

RGB 107 18 190

HSL 271.05, 0.83%, 0.41%

LAB 32.43, 64.87, -70.08

 

CMYK 41 / 83 / 0 / 18

HEX #7C24D1

RGB 124 36 209

HSL 270.52, 0.71%, 0.48%

LAB 38.11, 66.38, -71.76

 

CMYK 38 / 76 / 0 / 11

HEX #8D36E4

RGB 141 54 228

HSL 270, 0.76%, 0.55%

LAB 44.09, 66.83, -72.78

 

CMYK 36 / 71 / 0 / 3

HEX #9E48F7

RGB 158 72 247

HSL 269.49, 0.92%, 0.63%

LAB 50.24, 66.64, -73.38

 

CMYK 52 / 100 / 0 / 31

HEX #5500B0

RGB 85 0 176

HSL 268.98, 1%, 0.35%

LAB 26.92, 62.88, -70.94

 

CMYK 57 / 100 / 0 / 38

HEX #44009D

RGB 68 0 157

HSL 265.99, 1%, 0.31%

LAB 22.53, 57.27, -66.77

 

CMYK 63 / 100 / 0 / 46

HEX #33008A

RGB 51 0 138

HSL 262.17, 1%, 0.27%

LAB 18.09, 51.61, -62.4

 

CMYK 71 / 100 / 0 / 53

HEX #220077

RGB 34 0 119

HSL 257.14, 1%, 0.23%

LAB 13.66, 45.91, -57.73

 

CMYK 83 / 100 / 0 / 61

HEX #110064

RGB 17 0 100

HSL 250.2, 1%, 0.2%

LAB 9.31, 40.2, -52.57

 

CMYK 52 / 100 / 0 / 30

HEX #5600B2

RGB 86 0 178

HSL 268.99, 1%, 0.35%

LAB 27.28, 63.41, -71.54

 

CMYK 25 / 100 / 0 / 30

HEX #8600B2

RGB 134 0 178

HSL 285.17, 1%, 0.35%

LAB 34.56, 68.47, -59.3

 

CMYK 0 / 100 / 2 / 30

HEX #B200AE

RGB 178 0 174

HSL 301.35, 1%, 0.35%

LAB 42.03, 74.44, -44.47

 

CMYK 0 / 100 / 29 / 30

HEX #B2007E

RGB 178 0 126

HSL 317.53, 1%, 0.35%

LAB 39.53, 68.22, -19.24

 

CMYK 0 / 100 / 56 / 30

HEX #B2004E

RGB 178 0 78

HSL 333.71, 1%, 0.35%

LAB 37.87, 63.88, 8.76

 

CMYK 52 / 100 / 0 / 30

HEX #5600B2

RGB 86 0 178

HSL 268.99, 1%, 0.35%

LAB 27.28, 63.41, -71.54

 

CMYK 79 / 100 / 0 / 30

HEX #2600B2

RGB 38 0 178

HSL 252.81, 1%, 0.35%

LAB 22.4, 61, -79.8

 

CMYK 100 / 100 / 0 / 30

HEX #0000B2

RGB 0 0 178

HSL 240, 1%, 0.35%

LAB 20.88, 60.47, -82.36

 

CMYK 52 / 100 / 0 / 30

HEX #5600B2

RGB 86 0 178

HSL 268.99, 1%, 0.35%

LAB 27.28, 63.41, -71.54

 

CMYK 52 / 100 / 0 / 30

HEX #5600B2

RGB 86 0 178

HSL 268.99, 1%, 0.35%

LAB 27.28, 63.41, -71.54

 

CMYK 48 / 91 / 0 / 36

HEX #560EA4

RGB 86 14 164

HSL 268.8, 0.84%, 0.35%

LAB 26.66, 57.53, -64.13

 

CMYK 42 / 81 / 0 / 42

HEX #571C95

RGB 87 28 149

HSL 269.26, 0.68%, 0.35%

LAB 26.81, 49.69, -54.7

 

CMYK 36 / 68 / 0 / 47

HEX #572B87

RGB 87 43 135

HSL 268.7, 0.52%, 0.35%

LAB 28.12, 39.12, -43.9

 

CMYK 27 / 53 / 0 / 53

HEX #583978

RGB 88 57 120

HSL 269.52, 0.36%, 0.35%

LAB 30.3, 27.31, -31.01

 

CMYK 100 / 94 / 0 / 30

HEX #000BB2

RGB 0 11 178

HSL 236.29, 1%, 0.35%

LAB 21.78, 57.7, -80.87

 

CMYK 80 / 100 / 0 / 30

HEX #2300B2

RGB 35 0 178

HSL 251.8, 1%, 0.35%

LAB 22.2, 60.92, -80.13

 

CMYK 53 / 100 / 0 / 30

HEX #5300B2

RGB 83 0 178

HSL 267.98, 1%, 0.35%

LAB 26.89, 63.18, -72.2

 

CMYK 27 / 100 / 0 / 30

HEX #8200B2

RGB 130 0 178

HSL 283.82, 1%, 0.35%

LAB 33.9, 67.96, -60.41

 

CMYK 0 / 100 / 0 / 30

HEX #B200B2

RGB 178 0 178

HSL 300, 1%, 0.35%

LAB 42.28, 75.02, -46.46

 

CMYK 52 / 100 / 0 / 63

HEX #2E005F

RGB 46 0 95

HSL 269.05, 1%, 0.19%

LAB 12, 40.61, -44.67

 

CMYK 52 / 100 / 0 / 46

HEX #420089

RGB 66 0 137

HSL 268.91, 1%, 0.27%

LAB 19.9, 52.44, -58.72

 

CMYK 52 / 100 / 0 / 30

HEX #5600B2

RGB 86 0 178

HSL 268.99, 1%, 0.35%

LAB 27.28, 63.41, -71.54

 

CMYK 52 / 100 / 0 / 14

HEX #6A00DB

RGB 106 0 219

HSL 269.04, 1%, 0.43%

LAB 34.35, 73.93, -83.81

 

CMYK 51 / 98 / 0 / 0

HEX #7E06FF

RGB 126 6 255

HSL 268.92, 1%, 0.51%

LAB 40.87, 82.4, -93.37

 

CMYK 52 / 100 / 0 / 31

HEX #5500B0

RGB 85 0 176

HSL 268.98, 1%, 0.35%

LAB 26.92, 62.88, -70.94

 

CMYK 0 / 100 / 67 / 30

HEX #B2003B

RGB 178 0 59

HSL 340.11, 1%, 0.35%

LAB 37.45, 62.75, 20.45

 

CMYK 100 / 0 / 94 / 30

HEX #00B20B

RGB 0 178 11

HSL 123.71, 1%, 0.35%

LAB 63.23, -65.55, 62.12

 

CMYK 52 / 100 / 0 / 31

HEX #5500B0

RGB 85 0 176

HSL 268.98, 1%, 0.35%

LAB 26.92, 62.88, -70.94

 

CMYK 0 / 53 / 100 / 30

HEX #B25300

RGB 178 83 0

HSL 27.98, 1%, 0.35%

LAB 46.51, 34.97, 56

 

CMYK 100 / 0 / 53 / 30

HEX #00B253

RGB 0 178 83

HSL 147.98, 1%, 0.35%

LAB 63.73, -59.3, 37.66

 

CMYK 52 / 100 / 0 / 31

HEX #5500B0

RGB 85 0 176

HSL 268.98, 1%, 0.35%

LAB 26.92, 62.88, -70.94

 

CMYK 0 / 100 / 67 / 30

HEX #B2003B

RGB 178 0 59

HSL 340.11, 1%, 0.35%

LAB 37.45, 62.75, 20.45

 

CMYK 47 / 0 / 100 / 30

HEX #5FB200

RGB 95 178 0

HSL 87.98, 1%, 0.35%

LAB 65.18, -49.38, 65.91

 

CMYK 100 / 0 / 34 / 30

HEX #00B276

RGB 0 178 118

HSL 159.78, 1%, 0.35%

LAB 64.28, -52.71, 20.13

 

CMYK 52 / 100 / 0 / 31

HEX #5500B0

RGB 85 0 176

HSL 268.98, 1%, 0.35%

LAB 26.92, 62.88, -70.94

 

CMYK 0 / 100 / 97 / 30

HEX #B20005

RGB 178 0 5

HSL 358.31, 1%, 0.35%

LAB 36.88, 61.23, 49.25

 

CMYK 47 / 0 / 100 / 30

HEX #5FB200

RGB 95 178 0

HSL 87.98, 1%, 0.35%

LAB 65.18, -49.38, 65.91

 

CMYK 100 / 0 / 3 / 30

HEX #00B2AC

RGB 0 178 172

HSL 177.98, 1%, 0.35%

LAB 65.61, -38.53, -7.74

 

Description

Color code: HEX #5500B0 | qconv.com Color code: HEX #5500B0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, none green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 0 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 100 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 100% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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