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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54FCAB it is the complementary color #AB0354. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54FCAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54FCAB shade: #59FCA6, #6AFFB9, #7BFFCC, #8CFFDF and #9DFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54FCAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54FCAB shade: #54FCAB, #43EA98, #32D885, #21C672 and #10B45F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54FCAB shade: #54FCAB, #54FC7D, #57FC54, #85FC54 and #B2FC54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54FCAB shade: #54FCAB, #54FCD8, #54F2FC, #54C5FC and #5498FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54FCAB shade matches the following richer shades: #54FCAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54FCAB shade: #54FCAB, #62EEAA, #70E0AA, #7ED2A9 and #8CC4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54FCAB shade: #57FC54, #54FC7E, #54FCAB, #54FCD7 and #54F3FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54FCAB shade: #03FA83, #2BFB97, #54FCAB, #7CFDBF and #A5FDD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54FCAB shade: #54FCAB, #5483FC and #FC6754

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54FCAB shade: #54FCAB, #AB54FC and #FCAB54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54FCAB shade: #54FCAB, #5483FC, #FC54A5 and #FCCC54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54FCAB shade: #54FCAB, #5754FC, #FC54A5 and #F9FC54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 32 / 1

HEX #54FCAB

RGB 84 252 171

HSL 151.07, 0.97%, 0.66%

LAB 89.13, -61.12, 26.47

 

Complementary color

CMYK 0 / 98 / 51 / 33

HEX #AB0354

RGB 171 3 84

HSL 331.07, 0.97%, 0.34%

LAB 36.67, 62.34, 2.98

 

CMYK 65 / 0 / 34 / 1

HEX #59FCA6

RGB 89 252 166

HSL 148.34, 0.96%, 0.67%

LAB 89.16, -61.23, 29.05

 

CMYK 58 / 0 / 27 / 0

HEX #6AFFB9

RGB 106 255 185

HSL 151.81, 1%, 0.71%

LAB 90.82, -55.57, 21.76

 

CMYK 52 / 0 / 20 / 0

HEX #7BFFCC

RGB 123 255 204

HSL 156.82, 1%, 0.74%

LAB 91.73, -48.11, 13.37

 

CMYK 45 / 0 / 13 / 0

HEX #8CFFDF

RGB 140 255 223

HSL 163.3, 1%, 0.77%

LAB 92.76, -40.13, 5.14

 

CMYK 38 / 0 / 5 / 0

HEX #9DFFF2

RGB 157 255 242

HSL 172.04, 1%, 0.81%

LAB 93.93, -31.74, -2.89

 

CMYK 67 / 0 / 32 / 1

HEX #54FCAB

RGB 84 252 171

HSL 151.07, 0.97%, 0.66%

LAB 89.13, -61.12, 26.47

 

CMYK 71 / 0 / 35 / 8

HEX #43EA98

RGB 67 234 152

HSL 150.54, 0.8%, 0.59%

LAB 83.08, -60.64, 27.87

 

CMYK 77 / 0 / 38 / 15

HEX #32D885

RGB 50 216 133

HSL 150, 0.68%, 0.52%

LAB 76.97, -59.91, 29.38

 

CMYK 83 / 0 / 42 / 22

HEX #21C672

RGB 33 198 114

HSL 149.45, 0.71%, 0.45%

LAB 70.82, -58.82, 31

 

CMYK 91 / 0 / 47 / 29

HEX #10B45F

RGB 16 180 95

HSL 148.9, 0.84%, 0.38%

LAB 64.63, -57.24, 32.76

 

CMYK 67 / 0 / 32 / 1

HEX #54FCAB

RGB 84 252 171

HSL 151.07, 0.97%, 0.66%

LAB 89.13, -61.12, 26.47

 

CMYK 67 / 0 / 50 / 1

HEX #54FC7D

RGB 84 252 125

HSL 134.64, 0.97%, 0.66%

LAB 88.44, -68.83, 48.12

 

CMYK 65 / 0 / 67 / 1

HEX #57FC54

RGB 87 252 84

HSL 118.93, 0.97%, 0.66%

LAB 88.11, -72.98, 65.4

 

CMYK 47 / 0 / 67 / 1

HEX #85FC54

RGB 133 252 84

HSL 102.5, 0.97%, 0.66%

LAB 89.51, -61.98, 67.31

 

CMYK 29 / 0 / 67 / 1

HEX #B2FC54

RGB 178 252 84

HSL 86.43, 0.97%, 0.66%

LAB 91.56, -47.55, 70.1

 

CMYK 67 / 0 / 32 / 1

HEX #54FCAB

RGB 84 252 171

HSL 151.07, 0.97%, 0.66%

LAB 89.13, -61.12, 26.47

 

CMYK 67 / 0 / 14 / 1

HEX #54FCD8

RGB 84 252 216

HSL 167.14, 0.97%, 0.66%

LAB 90.07, -51.28, 4.67

 

CMYK 67 / 4 / 0 / 1

HEX #54F2FC

RGB 84 242 252

HSL 183.57, 0.97%, 0.66%

LAB 88.17, -37.52, -16.91

 

CMYK 67 / 22 / 0 / 1

HEX #54C5FC

RGB 84 197 252

HSL 199.64, 0.97%, 0.66%

LAB 75.36, -15.39, -36.48

 

CMYK 67 / 40 / 0 / 1

HEX #5498FC

RGB 84 152 252

HSL 215.71, 0.97%, 0.66%

LAB 62.82, 9.74, -56.18

 

CMYK 67 / 0 / 32 / 1

HEX #54FCAB

RGB 84 252 171

HSL 151.07, 0.97%, 0.66%

LAB 89.13, -61.12, 26.47

 

CMYK 67 / 0 / 32 / 1

HEX #54FCAB

RGB 84 252 171

HSL 151.07, 0.97%, 0.66%

LAB 89.13, -61.12, 26.47

 

CMYK 59 / 0 / 29 / 7

HEX #62EEAA

RGB 98 238 170

HSL 150.86, 0.8%, 0.66%

LAB 85.33, -53.31, 21.82

 

CMYK 50 / 0 / 24 / 12

HEX #70E0AA

RGB 112 224 170

HSL 151.07, 0.64%, 0.66%

LAB 81.65, -44.38, 16.78

 

CMYK 40 / 0 / 20 / 18

HEX #7ED2A9

RGB 126 210 169

HSL 150.71, 0.48%, 0.66%

LAB 78.11, -34.68, 12.4

 

CMYK 29 / 0 / 14 / 23

HEX #8CC4A9

RGB 140 196 169

HSL 151.07, 0.32%, 0.66%

LAB 74.77, -23.84, 7.76

 

CMYK 65 / 0 / 67 / 1

HEX #57FC54

RGB 87 252 84

HSL 118.93, 0.97%, 0.66%

LAB 88.11, -72.98, 65.4

 

CMYK 67 / 0 / 50 / 1

HEX #54FC7E

RGB 84 252 126

HSL 135, 0.97%, 0.66%

LAB 88.45, -68.69, 47.67

 

CMYK 67 / 0 / 32 / 1

HEX #54FCAB

RGB 84 252 171

HSL 151.07, 0.97%, 0.66%

LAB 89.13, -61.12, 26.47

 

CMYK 67 / 0 / 15 / 1

HEX #54FCD7

RGB 84 252 215

HSL 166.79, 0.97%, 0.66%

LAB 90.05, -51.52, 5.15

 

CMYK 67 / 4 / 0 / 1

HEX #54F3FC

RGB 84 243 252

HSL 183.21, 0.97%, 0.66%

LAB 88.45, -37.97, -16.48

 

CMYK 99 / 0 / 48 / 2

HEX #03FA83

RGB 3 250 131

HSL 151.09, 0.98%, 0.5%

LAB 87.01, -74.64, 43.3

 

CMYK 83 / 0 / 40 / 2

HEX #2BFB97

RGB 43 251 151

HSL 151.15, 0.96%, 0.58%

LAB 87.84, -69.57, 34.66

 

CMYK 67 / 0 / 32 / 1

HEX #54FCAB

RGB 84 252 171

HSL 151.07, 0.97%, 0.66%

LAB 89.13, -61.12, 26.47

 

CMYK 51 / 0 / 25 / 1

HEX #7CFDBF

RGB 124 253 191

HSL 151.16, 0.97%, 0.74%

LAB 90.92, -49.71, 18.91

 

CMYK 35 / 0 / 17 / 1

HEX #A5FDD3

RGB 165 253 211

HSL 151.36, 0.96%, 0.82%

LAB 92.99, -35.24, 11.8

 

CMYK 67 / 0 / 32 / 1

HEX #54FCAB

RGB 84 252 171

HSL 151.07, 0.97%, 0.66%

LAB 89.13, -61.12, 26.47

 

CMYK 67 / 48 / 0 / 1

HEX #5483FC

RGB 84 131 252

HSL 223.21, 0.97%, 0.66%

LAB 57.22, 22.34, -65.14

 

CMYK 0 / 59 / 67 / 1

HEX #FC6754

RGB 252 103 84

HSL 6.79, 0.97%, 0.66%

LAB 62.54, 55.72, 39.73

 

CMYK 67 / 0 / 32 / 1

HEX #54FCAB

RGB 84 252 171

HSL 151.07, 0.97%, 0.66%

LAB 89.13, -61.12, 26.47

 

CMYK 32 / 67 / 0 / 1

HEX #AB54FC

RGB 171 84 252

HSL 271.07, 0.97%, 0.66%

LAB 54.06, 64.87, -69.9

 

CMYK 0 / 32 / 67 / 1

HEX #FCAB54

RGB 252 171 84

HSL 31.07, 0.97%, 0.66%

LAB 76.35, 21.87, 55.57

 

CMYK 67 / 0 / 32 / 1

HEX #54FCAB

RGB 84 252 171

HSL 151.07, 0.97%, 0.66%

LAB 89.13, -61.12, 26.47

 

CMYK 67 / 48 / 0 / 1

HEX #5483FC

RGB 84 131 252

HSL 223.21, 0.97%, 0.66%

LAB 57.22, 22.34, -65.14

 

CMYK 0 / 67 / 35 / 1

HEX #FC54A5

RGB 252 84 165

HSL 331.07, 0.97%, 0.66%

LAB 61.44, 70.12, -8.15

 

CMYK 0 / 19 / 67 / 1

HEX #FCCC54

RGB 252 204 84

HSL 42.86, 0.97%, 0.66%

LAB 84.24, 4.68, 64.08

 

CMYK 67 / 0 / 32 / 1

HEX #54FCAB

RGB 84 252 171

HSL 151.07, 0.97%, 0.66%

LAB 89.13, -61.12, 26.47

 

CMYK 65 / 67 / 0 / 1

HEX #5754FC

RGB 87 84 252

HSL 241.07, 0.97%, 0.66%

LAB 46.17, 50.97, -83.09

 

CMYK 0 / 67 / 35 / 1

HEX #FC54A5

RGB 252 84 165

HSL 331.07, 0.97%, 0.66%

LAB 61.44, 70.12, -8.15

 

CMYK 1 / 0 / 67 / 1

HEX #F9FC54

RGB 249 252 84

HSL 61.07, 0.97%, 0.66%

LAB 96.16, -20.44, 76.28

 

Description

Color code: HEX #54FCAB | qconv.com Color code: HEX #54FCAB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 252 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 252 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 32 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 32% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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