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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54F65B it is the complementary color #AB09A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54F65B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54F65B shade: #59F656, #6AFF69, #7BFF7C, #8CFF8F and #9DFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54F65B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54F65B shade: #54F65B, #43E448, #32D235, #21C022 and #10AE0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54F65B shade: #55F65C, #79F655, #A5F655, #D0F655 and #F6F055

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54F65B shade: #55F65C, #55F687, #55F6B3, #55F6DE and #55E2F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54F65B shade matches the following richer shades: #55F65C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54F65B shade: #55F65C, #63E769, #72D976, #80CA83 and #8FBC91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54F65B shade: #A5F655, #7AF655, #55F65A, #55F685 and #55F6B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54F65B shade: #0CEC16, #2EF436, #55F65C, #7CF881 and #A3FAA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54F65B shade: #54F65B, #55D0F6 and #F65590

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54F65B shade: #54F65B, #5A55F6 and #F65A55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54F65B shade: #54F65B, #55D0F6, #F655F0 and #F67A55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54F65B shade: #54F65B, #55A0F6, #F655F0 and #F6AB55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 63 / 4

HEX #54F65B

RGB 84 246 91

HSL 122.59, 0.9%, 0.65%

LAB 86.28, -70.92, 60.61

 

Complementary color

CMYK 0 / 95 / 4 / 33

HEX #AB09A4

RGB 171 9 164

HSL 302.59, 0.9%, 0.35%

LAB 40.47, 70.85, -41.08

 

CMYK 64 / 0 / 65 / 4

HEX #59F656

RGB 89 246 86

HSL 118.88, 0.9%, 0.65%

LAB 86.36, -70.44, 62.75

 

CMYK 58 / 0 / 59 / 0

HEX #6AFF69

RGB 106 255 105

HSL 119.6, 1%, 0.71%

LAB 89.68, -67.97, 58.72

 

CMYK 52 / 0 / 51 / 0

HEX #7BFF7C

RGB 123 255 124

HSL 120.45, 1%, 0.74%

LAB 90.41, -61.68, 51.24

 

CMYK 45 / 0 / 44 / 0

HEX #8CFF8F

RGB 140 255 143

HSL 121.57, 1%, 0.77%

LAB 91.27, -54.66, 43.48

 

CMYK 38 / 0 / 36 / 0

HEX #9DFFA2

RGB 157 255 162

HSL 123.06, 1%, 0.81%

LAB 92.26, -47.02, 35.6

 

CMYK 66 / 0 / 63 / 4

HEX #54F65B

RGB 84 246 91

HSL 122.59, 0.9%, 0.65%

LAB 86.28, -70.92, 60.61

 

CMYK 71 / 0 / 68 / 11

HEX #43E448

RGB 67 228 72

HSL 121.86, 0.75%, 0.58%

LAB 80.26, -69.91, 61.51

 

CMYK 76 / 0 / 75 / 18

HEX #32D235

RGB 50 210 53

HSL 121.13, 0.64%, 0.51%

LAB 74.21, -68.45, 62.02

 

CMYK 83 / 0 / 82 / 25

HEX #21C022

RGB 33 192 34

HSL 120.38, 0.71%, 0.44%

LAB 68.12, -66.37, 61.86

 

CMYK 91 / 0 / 91 / 32

HEX #10AE0F

RGB 16 174 15

HSL 119.62, 0.84%, 0.37%

LAB 62.01, -63.47, 60.53

 

CMYK 65 / 0 / 63 / 4

HEX #55F65C

RGB 85 246 92

HSL 122.61, 0.9%, 0.65%

LAB 86.31, -70.63, 60.24

 

CMYK 51 / 0 / 65 / 4

HEX #79F655

RGB 121 246 85

HSL 106.58, 0.9%, 0.65%

LAB 87.31, -63, 64.45

 

CMYK 33 / 0 / 65 / 4

HEX #A5F655

RGB 165 246 85

HSL 90.19, 0.9%, 0.65%

LAB 89.19, -49.47, 67.02

 

CMYK 15 / 0 / 65 / 4

HEX #D0F655

RGB 208 246 85

HSL 74.16, 0.9%, 0.65%

LAB 91.67, -33.75, 70.39

 

CMYK 0 / 2 / 65 / 4

HEX #F6F055

RGB 246 240 85

HSL 57.76, 0.9%, 0.65%

LAB 92.83, -15.82, 72.44

 

CMYK 65 / 0 / 63 / 4

HEX #55F65C

RGB 85 246 92

HSL 122.61, 0.9%, 0.65%

LAB 86.31, -70.63, 60.24

 

CMYK 65 / 0 / 45 / 4

HEX #55F687

RGB 85 246 135

HSL 138.63, 0.9%, 0.65%

LAB 86.8, -65.07, 41.3

 

CMYK 65 / 0 / 27 / 4

HEX #55F6B3

RGB 85 246 179

HSL 155.03, 0.9%, 0.65%

LAB 87.53, -57.03, 20.19

 

CMYK 65 / 0 / 10 / 4

HEX #55F6DE

RGB 85 246 222

HSL 171.06, 0.9%, 0.65%

LAB 88.5, -47.12, -0.74

 

CMYK 65 / 8 / 0 / 4

HEX #55E2F6

RGB 85 226 246

HSL 187.45, 0.9%, 0.65%

LAB 83.43, -31.58, -20.9

 

CMYK 65 / 0 / 63 / 4

HEX #55F65C

RGB 85 246 92

HSL 122.61, 0.9%, 0.65%

LAB 86.31, -70.63, 60.24

 

CMYK 65 / 0 / 63 / 4

HEX #55F65C

RGB 85 246 92

HSL 122.61, 0.9%, 0.65%

LAB 86.31, -70.63, 60.24

 

CMYK 57 / 0 / 55 / 9

HEX #63E769

RGB 99 231 105

HSL 122.73, 0.73%, 0.65%

LAB 82.28, -60.97, 50.01

 

CMYK 47 / 0 / 46 / 15

HEX #72D976

RGB 114 217 118

HSL 122.33, 0.58%, 0.65%

LAB 78.76, -49.98, 39.59

 

CMYK 37 / 0 / 35 / 21

HEX #80CA83

RGB 128 202 131

HSL 122.43, 0.41%, 0.65%

LAB 75.12, -37.41, 28.38

 

CMYK 24 / 0 / 23 / 26

HEX #8FBC91

RGB 143 188 145

HSL 122.67, 0.25%, 0.65%

LAB 72.13, -23.47, 17.01

 

CMYK 33 / 0 / 65 / 4

HEX #A5F655

RGB 165 246 85

HSL 90.19, 0.9%, 0.65%

LAB 89.19, -49.47, 67.02

 

CMYK 50 / 0 / 65 / 4

HEX #7AF655

RGB 122 246 85

HSL 106.21, 0.9%, 0.65%

LAB 87.34, -62.73, 64.49

 

CMYK 65 / 0 / 63 / 4

HEX #55F65A

RGB 85 246 90

HSL 121.86, 0.9%, 0.65%

LAB 86.3, -70.83, 61.04

 

CMYK 65 / 0 / 46 / 4

HEX #55F685

RGB 85 246 133

HSL 137.89, 0.9%, 0.65%

LAB 86.77, -65.38, 42.23

 

CMYK 65 / 0 / 28 / 4

HEX #55F6B0

RGB 85 246 176

HSL 153.91, 0.9%, 0.65%

LAB 87.47, -57.65, 21.65

 

CMYK 95 / 0 / 91 / 7

HEX #0CEC16

RGB 12 236 22

HSL 122.68, 0.9%, 0.49%

LAB 81.91, -80.48, 76.32

 

CMYK 81 / 0 / 78 / 4

HEX #2EF436

RGB 46 244 54

HSL 122.42, 0.9%, 0.57%

LAB 84.77, -78.9, 71.97

 

CMYK 65 / 0 / 63 / 4

HEX #55F65C

RGB 85 246 92

HSL 122.61, 0.9%, 0.65%

LAB 86.31, -70.63, 60.24

 

CMYK 50 / 0 / 48 / 3

HEX #7CF881

RGB 124 248 129

HSL 122.42, 0.9%, 0.73%

LAB 88.45, -58.1, 46.5

 

CMYK 35 / 0 / 33 / 2

HEX #A3FAA7

RGB 163 250 167

HSL 122.76, 0.9%, 0.81%

LAB 91.21, -42.29, 31.76

 

CMYK 66 / 0 / 63 / 4

HEX #54F65B

RGB 84 246 91

HSL 122.59, 0.9%, 0.65%

LAB 86.28, -70.92, 60.61

 

CMYK 65 / 15 / 0 / 4

HEX #55D0F6

RGB 85 208 246

HSL 194.16, 0.9%, 0.65%

LAB 78.28, -22.75, -28.75

 

CMYK 0 / 65 / 41 / 4

HEX #F65590

RGB 246 85 144

HSL 338.01, 0.9%, 0.65%

LAB 59.98, 65.87, 1.78

 

CMYK 66 / 0 / 63 / 4

HEX #54F65B

RGB 84 246 91

HSL 122.59, 0.9%, 0.65%

LAB 86.28, -70.92, 60.61

 

CMYK 63 / 65 / 0 / 4

HEX #5A55F6

RGB 90 85 246

HSL 241.86, 0.9%, 0.65%

LAB 46.08, 48.9, -79.89

 

CMYK 0 / 63 / 65 / 4

HEX #F65A55

RGB 246 90 85

HSL 1.86, 0.9%, 0.65%

LAB 59.49, 59.34, 35.26

 

CMYK 66 / 0 / 63 / 4

HEX #54F65B

RGB 84 246 91

HSL 122.59, 0.9%, 0.65%

LAB 86.28, -70.92, 60.61

 

CMYK 65 / 15 / 0 / 4

HEX #55D0F6

RGB 85 208 246

HSL 194.16, 0.9%, 0.65%

LAB 78.28, -22.75, -28.75

 

CMYK 0 / 65 / 2 / 4

HEX #F655F0

RGB 246 85 240

HSL 302.24, 0.9%, 0.65%

LAB 63.66, 78.26, -47.31

 

CMYK 0 / 50 / 65 / 4

HEX #F67A55

RGB 246 122 85

HSL 13.79, 0.9%, 0.65%

LAB 65.1, 44.73, 42.02

 

CMYK 66 / 0 / 63 / 4

HEX #54F65B

RGB 84 246 91

HSL 122.59, 0.9%, 0.65%

LAB 86.28, -70.92, 60.61

 

CMYK 65 / 35 / 0 / 4

HEX #55A0F6

RGB 85 160 246

HSL 212.05, 0.9%, 0.65%

LAB 64.75, 3.21, -49.84

 

CMYK 0 / 65 / 2 / 4

HEX #F655F0

RGB 246 85 240

HSL 302.24, 0.9%, 0.65%

LAB 63.66, 78.26, -47.31

 

CMYK 0 / 30 / 65 / 4

HEX #F6AB55

RGB 246 171 85

HSL 32.05, 0.9%, 0.65%

LAB 75.68, 19.46, 54.17

 

Description

Color code: HEX #54F65B | qconv.com Color code: HEX #54F65B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 246 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 246 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 63 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 63% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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