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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54E86D it is the complementary color #AB1792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54E86D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54E86D shade: #59E868, #6AFA7B, #7BFF8E, #8CFFA1 and #9DFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54E86D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54E86D shade: #54E86D, #43D65A, #32C447, #21B234 and #10A021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54E86D shade: #54E76D, #63E754, #8BE754, #B2E754 and #DAE754

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54E86D shade: #54E76D, #54E795, #54E7BC, #54E7E4 and #54C3E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54E86D shade matches the following richer shades: #54E76D and #44F762

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54E86D shade: #54E76D, #64D877, #73C882, #83B88C and #93A996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54E86D shade: #8AE754, #63E754, #54E76D, #54E794 and #54E7BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54E86D shade: #1CCD3A, #30E24E, #54E76D, #78EC8C and #9DF1AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54E86D shade: #54E86D, #54B1E7 and #E75476

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54E86D shade: #54E86D, #6D54E7 and #E76D54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54E86D shade: #54E86D, #54B1E7, #E754CF and #E78A54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54E86D shade: #54E86D, #5485E7, #E754CF and #E7B654

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 53 / 9

HEX #54E86D

RGB 84 232 109

HSL 130.14, 0.76%, 0.62%

LAB 82.22, -64.04, 47.99

 

Complementary color

CMYK 0 / 87 / 15 / 33

HEX #AB1792

RGB 171 23 146

HSL 310.14, 0.76%, 0.38%

LAB 40.16, 66.28, -30.68

 

CMYK 62 / 0 / 55 / 9

HEX #59E868

RGB 89 232 104

HSL 126.29, 0.76%, 0.63%

LAB 82.29, -63.67, 50.41

 

CMYK 58 / 0 / 51 / 2

HEX #6AFA7B

RGB 106 250 123

HSL 127.08, 0.94%, 0.7%

LAB 88.38, -64.01, 49.11

 

CMYK 52 / 0 / 44 / 0

HEX #7BFF8E

RGB 123 255 142

HSL 128.64, 1%, 0.74%

LAB 90.64, -59.23, 43.03

 

CMYK 45 / 0 / 37 / 0

HEX #8CFFA1

RGB 140 255 161

HSL 130.96, 1%, 0.77%

LAB 91.54, -51.95, 35.01

 

CMYK 38 / 0 / 29 / 0

HEX #9DFFB4

RGB 157 255 180

HSL 134.08, 1%, 0.81%

LAB 92.57, -44.1, 26.99

 

CMYK 64 / 0 / 53 / 9

HEX #54E86D

RGB 84 232 109

HSL 130.14, 0.76%, 0.62%

LAB 82.22, -64.04, 47.99

 

CMYK 69 / 0 / 58 / 16

HEX #43D65A

RGB 67 214 90

HSL 129.39, 0.64%, 0.55%

LAB 76.08, -63.41, 49.32

 

CMYK 74 / 0 / 64 / 23

HEX #32C447

RGB 50 196 71

HSL 128.63, 0.59%, 0.48%

LAB 69.9, -62.39, 50.57

 

CMYK 81 / 0 / 71 / 30

HEX #21B234

RGB 33 178 52

HSL 127.86, 0.69%, 0.41%

LAB 63.68, -60.82, 51.57

 

CMYK 90 / 0 / 79 / 37

HEX #10A021

RGB 16 160 33

HSL 127.08, 0.82%, 0.35%

LAB 57.43, -58.49, 52.02

 

CMYK 64 / 0 / 53 / 9

HEX #54E76D

RGB 84 231 109

HSL 130.2, 0.75%, 0.62%

LAB 81.91, -63.69, 47.62

 

CMYK 57 / 0 / 64 / 9

HEX #63E754

RGB 99 231 84

HSL 113.88, 0.75%, 0.62%

LAB 82.08, -63.28, 58.95

 

CMYK 40 / 0 / 64 / 9

HEX #8BE754

RGB 139 231 84

HSL 97.55, 0.75%, 0.62%

LAB 83.59, -52.02, 61.03

 

CMYK 23 / 0 / 64 / 9

HEX #B2E754

RGB 178 231 84

HSL 81.63, 0.75%, 0.62%

LAB 85.63, -38.43, 63.84

 

CMYK 6 / 0 / 64 / 9

HEX #DAE754

RGB 218 231 84

HSL 65.31, 0.75%, 0.62%

LAB 88.3, -22.85, 67.48

 

CMYK 64 / 0 / 53 / 9

HEX #54E76D

RGB 84 231 109

HSL 130.2, 0.75%, 0.62%

LAB 81.91, -63.69, 47.62

 

CMYK 64 / 0 / 35 / 9

HEX #54E795

RGB 84 231 149

HSL 146.53, 0.75%, 0.62%

LAB 82.49, -57.29, 28.67

 

CMYK 64 / 0 / 19 / 9

HEX #54E7BC

RGB 84 231 188

HSL 162.45, 0.75%, 0.62%

LAB 83.27, -49.14, 9.5

 

CMYK 64 / 0 / 1 / 9

HEX #54E7E4

RGB 84 231 228

HSL 178.78, 0.75%, 0.62%

LAB 84.3, -39.08, -10.09

 

CMYK 64 / 16 / 0 / 9

HEX #54C3E7

RGB 84 195 231

HSL 194.69, 0.75%, 0.62%

LAB 73.99, -20.85, -27.28

 

CMYK 64 / 0 / 53 / 9

HEX #54E76D

RGB 84 231 109

HSL 130.2, 0.75%, 0.62%

LAB 81.91, -63.69, 47.62

 

CMYK 72 / 0 / 60 / 3

HEX #44F762

RGB 68 247 98

HSL 130.06, 0.92%, 0.62%

LAB 86.32, -73.19, 57.64

 

CMYK 64 / 0 / 53 / 9

HEX #54E76D

RGB 84 231 109

HSL 130.2, 0.75%, 0.62%

LAB 81.91, -63.69, 47.62

 

CMYK 54 / 0 / 45 / 15

HEX #64D877

RGB 100 216 119

HSL 129.83, 0.6%, 0.62%

LAB 77.97, -53.1, 37.98

 

CMYK 43 / 0 / 35 / 22

HEX #73C882

RGB 115 200 130

HSL 130.59, 0.44%, 0.62%

LAB 73.91, -40.61, 27.18

 

CMYK 29 / 0 / 24 / 28

HEX #83B88C

RGB 131 184 140

HSL 130.19, 0.27%, 0.62%

LAB 70.18, -26.41, 16.9

 

CMYK 13 / 0 / 11 / 34

HEX #93A996

RGB 147 169 150

HSL 128.18, 0.11%, 0.62%

LAB 67.11, -11.4, 7.24

 

CMYK 40 / 0 / 64 / 9

HEX #8AE754

RGB 138 231 84

HSL 97.96, 0.75%, 0.62%

LAB 83.54, -52.34, 60.97

 

CMYK 57 / 0 / 64 / 9

HEX #63E754

RGB 99 231 84

HSL 113.88, 0.75%, 0.62%

LAB 82.08, -63.28, 58.95

 

CMYK 64 / 0 / 53 / 9

HEX #54E76D

RGB 84 231 109

HSL 130.2, 0.75%, 0.62%

LAB 81.91, -63.69, 47.62

 

CMYK 64 / 0 / 36 / 9

HEX #54E794

RGB 84 231 148

HSL 146.12, 0.75%, 0.62%

LAB 82.47, -57.48, 29.16

 

CMYK 64 / 0 / 19 / 9

HEX #54E7BB

RGB 84 231 187

HSL 162.04, 0.75%, 0.62%

LAB 83.24, -49.37, 9.99

 

CMYK 86 / 0 / 72 / 20

HEX #1CCD3A

RGB 28 205 58

HSL 130.17, 0.76%, 0.46%

LAB 72.37, -69, 58.32

 

CMYK 79 / 0 / 65 / 11

HEX #30E24E

RGB 48 226 78

HSL 130.11, 0.75%, 0.54%

LAB 79.37, -71.44, 58.1

 

CMYK 64 / 0 / 53 / 9

HEX #54E76D

RGB 84 231 109

HSL 130.2, 0.75%, 0.62%

LAB 81.91, -63.69, 47.62

 

CMYK 49 / 0 / 41 / 7

HEX #78EC8C

RGB 120 236 140

HSL 130.34, 0.75%, 0.7%

LAB 84.93, -52.79, 36.65

 

CMYK 35 / 0 / 29 / 5

HEX #9DF1AB

RGB 157 241 171

HSL 130, 0.75%, 0.78%

LAB 88.46, -39.45, 25.96

 

CMYK 64 / 0 / 53 / 9

HEX #54E86D

RGB 84 232 109

HSL 130.14, 0.76%, 0.62%

LAB 82.22, -64.04, 47.99

 

CMYK 64 / 23 / 0 / 9

HEX #54B1E7

RGB 84 177 231

HSL 202.04, 0.75%, 0.62%

LAB 68.82, -11.37, -35.25

 

CMYK 0 / 64 / 49 / 9

HEX #E75476

RGB 231 84 118

HSL 346.12, 0.75%, 0.62%

LAB 56.72, 59.35, 12.04

 

CMYK 64 / 0 / 53 / 9

HEX #54E86D

RGB 84 232 109

HSL 130.14, 0.76%, 0.62%

LAB 82.22, -64.04, 47.99

 

CMYK 53 / 64 / 0 / 9

HEX #6D54E7

RGB 109 84 231

HSL 250.2, 0.75%, 0.62%

LAB 46.13, 47.81, -71.31

 

CMYK 0 / 53 / 64 / 9

HEX #E76D54

RGB 231 109 84

HSL 10.2, 0.75%, 0.62%

LAB 60.4, 45.47, 36.39

 

CMYK 64 / 0 / 53 / 9

HEX #54E86D

RGB 84 232 109

HSL 130.14, 0.76%, 0.62%

LAB 82.22, -64.04, 47.99

 

CMYK 64 / 23 / 0 / 9

HEX #54B1E7

RGB 84 177 231

HSL 202.04, 0.75%, 0.62%

LAB 68.82, -11.37, -35.25

 

CMYK 0 / 64 / 10 / 9

HEX #E754CF

RGB 231 84 207

HSL 309.8, 0.75%, 0.62%

LAB 59.74, 70.01, -35.1

 

CMYK 0 / 40 / 64 / 9

HEX #E78A54

RGB 231 138 84

HSL 22.04, 0.75%, 0.62%

LAB 66.37, 30.69, 43.54

 

CMYK 64 / 0 / 53 / 9

HEX #54E86D

RGB 84 232 109

HSL 130.14, 0.76%, 0.62%

LAB 82.22, -64.04, 47.99

 

CMYK 64 / 42 / 0 / 9

HEX #5485E7

RGB 84 133 231

HSL 220, 0.75%, 0.62%

LAB 56.52, 13.94, -54.63

 

CMYK 0 / 64 / 10 / 9

HEX #E754CF

RGB 231 84 207

HSL 309.8, 0.75%, 0.62%

LAB 59.74, 70.01, -35.1

 

CMYK 0 / 21 / 64 / 9

HEX #E7B654

RGB 231 182 84

HSL 40, 0.75%, 0.62%

LAB 76.73, 7.35, 55.35

 

Description

Color code: HEX #54E86D | qconv.com Color code: HEX #54E86D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 232 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 232 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 53 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 53% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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