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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54AD1E it is the complementary color #AB52E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54AD1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54AD1E shade: #59AD19, #6ABF2C, #7BD13F, #8CE352 and #9DF565

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54AD1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54AD1E shade: #54AD1E, #439B0B, #328900, #217700 and #106500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54AD1E shade: #54AD1E, #7BAD1E, #A1AD1E, #AD921E and #AD6C1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54AD1E shade: #54AD1E, #2EAD1E, #1EAD35, #1EAD5C and #1EAD82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54AD1E shade matches the following richer shades: #54AD1E and #50BD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54AD1E shade: #54AD1E, #589C2F, #5C8C3F, #607B50 and #646B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54AD1E shade: #A1AD1E, #7BAD1E, #55AD1E, #2FAD1E and #1EAD34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54AD1E shade: #326712, #438A18, #54AD1E, #65D024 and #7CDD41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54AD1E shade: #54AD1E, #1EAD93 and #AD1E8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54AD1E shade: #54AD1E, #1E55AD and #AD1E55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54AD1E shade: #54AD1E, #1EAD93, #761EAD and #AD1E38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54AD1E shade: #54AD1E, #1E9CAD, #761EAD and #AD2F1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 83 / 32

HEX #54AD1E

RGB 84 173 30

HSL 97.34, 0.7%, 0.4%

LAB 63.23, -50.02, 58.9

 

Complementary color

CMYK 24 / 64 / 0 / 12

HEX #AB52E1

RGB 171 82 225

HSL 277.34, 0.7%, 0.6%

LAB 51.98, 59.82, -58.12

 

CMYK 49 / 0 / 86 / 32

HEX #59AD19

RGB 89 173 25

HSL 94.05, 0.75%, 0.39%

LAB 63.41, -48.71, 60.39

 

CMYK 45 / 0 / 77 / 25

HEX #6ABF2C

RGB 106 191 44

HSL 94.69, 0.63%, 0.46%

LAB 69.83, -49.47, 61.24

 

CMYK 41 / 0 / 70 / 18

HEX #7BD13F

RGB 123 209 63

HSL 95.34, 0.61%, 0.53%

LAB 76.17, -49.95, 61.18

 

CMYK 38 / 0 / 64 / 11

HEX #8CE352

RGB 140 227 82

HSL 96, 0.72%, 0.61%

LAB 82.44, -50.24, 60.62

 

CMYK 36 / 0 / 59 / 4

HEX #9DF565

RGB 157 245 101

HSL 96.67, 0.88%, 0.68%

LAB 88.64, -50.39, 59.77

 

CMYK 51 / 0 / 83 / 32

HEX #54AD1E

RGB 84 173 30

HSL 97.34, 0.7%, 0.4%

LAB 63.23, -50.02, 58.9

 

CMYK 57 / 0 / 93 / 39

HEX #439B0B

RGB 67 155 11

HSL 96.67, 0.87%, 0.33%

LAB 56.74, -48.88, 57.13

 

CMYK 64 / 0 / 100 / 46

HEX #328900

RGB 50 137 0

HSL 98.1, 1%, 0.27%

LAB 50.18, -47.18, 53.41

 

CMYK 72 / 0 / 100 / 53

HEX #217700

RGB 33 119 0

HSL 103.36, 1%, 0.23%

LAB 43.53, -44.81, 47.94

 

CMYK 84 / 0 / 100 / 60

HEX #106500

RGB 16 101 0

HSL 110.5, 1%, 0.2%

LAB 36.78, -41.81, 42.4

 

CMYK 51 / 0 / 83 / 32

HEX #54AD1E

RGB 84 173 30

HSL 97.34, 0.7%, 0.4%

LAB 63.23, -50.02, 58.9

 

CMYK 29 / 0 / 83 / 32

HEX #7BAD1E

RGB 123 173 30

HSL 80.98, 0.7%, 0.4%

LAB 65.11, -36.5, 61.3

 

CMYK 7 / 0 / 83 / 32

HEX #A1AD1E

RGB 161 173 30

HSL 65.03, 0.7%, 0.4%

LAB 67.69, -20.79, 64.55

 

CMYK 0 / 16 / 83 / 32

HEX #AD921E

RGB 173 146 30

HSL 48.67, 0.7%, 0.4%

LAB 61.25, -1.29, 59.41

 

CMYK 0 / 38 / 83 / 32

HEX #AD6C1E

RGB 173 108 30

HSL 32.73, 0.7%, 0.4%

LAB 51.5, 19.86, 50.86

 

CMYK 51 / 0 / 83 / 32

HEX #54AD1E

RGB 84 173 30

HSL 97.34, 0.7%, 0.4%

LAB 63.23, -50.02, 58.9

 

CMYK 73 / 0 / 83 / 32

HEX #2EAD1E

RGB 46 173 30

HSL 113.29, 0.7%, 0.4%

LAB 62.14, -58.97, 57.49

 

CMYK 83 / 0 / 69 / 32

HEX #1EAD35

RGB 30 173 53

HSL 129.65, 0.7%, 0.4%

LAB 62.02, -59.5, 49.4

 

CMYK 83 / 0 / 47 / 32

HEX #1EAD5C

RGB 30 173 92

HSL 146.01, 0.7%, 0.4%

LAB 62.45, -54.2, 31.56

 

CMYK 83 / 0 / 25 / 32

HEX #1EAD82

RGB 30 173 130

HSL 161.96, 0.7%, 0.4%

LAB 63.16, -46.25, 12.04

 

CMYK 51 / 0 / 83 / 32

HEX #54AD1E

RGB 84 173 30

HSL 97.34, 0.7%, 0.4%

LAB 63.23, -50.02, 58.9

 

CMYK 58 / 0 / 93 / 26

HEX #50BD0E

RGB 80 189 14

HSL 97.37, 0.86%, 0.4%

LAB 68.12, -57.52, 66.32

 

CMYK 51 / 0 / 83 / 32

HEX #54AD1E

RGB 84 173 30

HSL 97.34, 0.7%, 0.4%

LAB 63.23, -50.02, 58.9

 

CMYK 44 / 0 / 70 / 39

HEX #589C2F

RGB 88 156 47

HSL 97.43, 0.54%, 0.4%

LAB 58.09, -40.85, 48.19

 

CMYK 34 / 0 / 55 / 45

HEX #5C8C3F

RGB 92 140 63

HSL 97.4, 0.38%, 0.4%

LAB 53.37, -30.71, 35.64

 

CMYK 22 / 0 / 35 / 52

HEX #607B50

RGB 96 123 80

HSL 97.67, 0.21%, 0.4%

LAB 48.55, -18.3, 20.43

 

CMYK 7 / 0 / 10 / 58

HEX #646B60

RGB 100 107 96

HSL 98.18, 0.05%, 0.4%

LAB 44.33, -4.94, 5.25

 

CMYK 7 / 0 / 83 / 32

HEX #A1AD1E

RGB 161 173 30

HSL 65.03, 0.7%, 0.4%

LAB 67.69, -20.79, 64.55

 

CMYK 29 / 0 / 83 / 32

HEX #7BAD1E

RGB 123 173 30

HSL 80.98, 0.7%, 0.4%

LAB 65.11, -36.5, 61.3

 

CMYK 51 / 0 / 83 / 32

HEX #55AD1E

RGB 85 173 30

HSL 96.92, 0.7%, 0.4%

LAB 63.27, -49.72, 58.95

 

CMYK 73 / 0 / 83 / 32

HEX #2FAD1E

RGB 47 173 30

HSL 112.87, 0.7%, 0.4%

LAB 62.16, -58.8, 57.52

 

CMYK 83 / 0 / 70 / 32

HEX #1EAD34

RGB 30 173 52

HSL 129.23, 0.7%, 0.4%

LAB 62.01, -59.59, 49.8

 

CMYK 51 / 0 / 83 / 60

HEX #326712

RGB 50 103 18

HSL 97.41, 0.7%, 0.24%

LAB 38.59, -33.22, 39.21

 

CMYK 51 / 0 / 83 / 46

HEX #438A18

RGB 67 138 24

HSL 97.37, 0.7%, 0.32%

LAB 51.19, -41.84, 49.33

 

CMYK 51 / 0 / 83 / 32

HEX #54AD1E

RGB 84 173 30

HSL 97.34, 0.7%, 0.4%

LAB 63.23, -50.02, 58.9

 

CMYK 51 / 0 / 83 / 18

HEX #65D024

RGB 101 208 36

HSL 97.33, 0.7%, 0.48%

LAB 74.83, -57.86, 68.06

 

CMYK 44 / 0 / 71 / 13

HEX #7CDD41

RGB 124 221 65

HSL 97.31, 0.7%, 0.56%

LAB 79.83, -54.26, 64.2

 

CMYK 51 / 0 / 83 / 32

HEX #54AD1E

RGB 84 173 30

HSL 97.34, 0.7%, 0.4%

LAB 63.23, -50.02, 58.9

 

CMYK 83 / 0 / 15 / 32

HEX #1EAD93

RGB 30 173 147

HSL 169.09, 0.7%, 0.4%

LAB 63.57, -41.91, 3.19

 

CMYK 0 / 83 / 18 / 32

HEX #AD1E8E

RGB 173 30 142

HSL 313.01, 0.7%, 0.4%

LAB 40.84, 64.67, -27.14

 

CMYK 51 / 0 / 83 / 32

HEX #54AD1E

RGB 84 173 30

HSL 97.34, 0.7%, 0.4%

LAB 63.23, -50.02, 58.9

 

CMYK 83 / 51 / 0 / 32

HEX #1E55AD

RGB 30 85 173

HSL 216.92, 0.7%, 0.4%

LAB 37.46, 15.61, -52.04

 

CMYK 0 / 83 / 51 / 32

HEX #AD1E55

RGB 173 30 85

HSL 336.92, 0.7%, 0.4%

LAB 38.67, 58.42, 5.26

 

CMYK 51 / 0 / 83 / 32

HEX #54AD1E

RGB 84 173 30

HSL 97.34, 0.7%, 0.4%

LAB 63.23, -50.02, 58.9

 

CMYK 83 / 0 / 15 / 32

HEX #1EAD93

RGB 30 173 147

HSL 169.09, 0.7%, 0.4%

LAB 63.57, -41.91, 3.19

 

CMYK 32 / 83 / 0 / 32

HEX #761EAD

RGB 118 30 173

HSL 276.92, 0.7%, 0.4%

LAB 33.56, 59.44, -58.06

 

CMYK 0 / 83 / 68 / 32

HEX #AD1E38

RGB 173 30 56

HSL 349.09, 0.7%, 0.4%

LAB 38.02, 56.47, 22.88

 

CMYK 51 / 0 / 83 / 32

HEX #54AD1E

RGB 84 173 30

HSL 97.34, 0.7%, 0.4%

LAB 63.23, -50.02, 58.9

 

CMYK 83 / 10 / 0 / 32

HEX #1E9CAD

RGB 30 156 173

HSL 187.13, 0.7%, 0.4%

LAB 59.04, -26.21, -18.16

 

CMYK 32 / 83 / 0 / 32

HEX #761EAD

RGB 118 30 173

HSL 276.92, 0.7%, 0.4%

LAB 33.56, 59.44, -58.06

 

CMYK 0 / 73 / 83 / 32

HEX #AD2F1E

RGB 173 47 30

HSL 7.13, 0.7%, 0.4%

LAB 39.6, 50.03, 39.94

 

Description

Color code: HEX #54AD1E | qconv.com Color code: HEX #54AD1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 173 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 173 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 83 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 83% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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