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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5499E8 it is the complementary color #AB6617. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5499E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5499E8 shade: #5999E3, #6AABF6, #7BBDFF, #8CCFFF and #9DE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5499E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5499E8 shade: #5499E8, #4387D5, #3275C2, #2163AF and #10519C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5499E8 shade: #5499E7, #5471E7, #5F54E7, #8654E7 and #AE54E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5499E8 shade: #5499E7, #5471E7 and #5454E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5499E8 shade matches the following richer shades: #5499E7 and #4498F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5499E8 shade: #5499E7, #649AD8, #739BC8, #839CB8 and #939DA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5499E8 shade: #54E7E7, #54C0E7, #5499E7, #5471E7 and #5E54E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5499E8 shade: #1C6ECD, #3083E2, #5499E7, #78AEEC and #9DC4F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5499E8 shade: #5499E8, #C054E7 and #D4E754

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5499E8 shade: #5499E8, #E75499 and #99E754

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5499E8 shade: #5499E8, #C054E7, #E7A354 and #7BE754

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5499E8 shade: #5499E8, #E754E2, #E7A354 and #54E759

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 34 / 0 / 9

HEX #5499E8

RGB 84 153 232

HSL 212.03, 0.76%, 0.62%

LAB 62.08, 2.42, -46.36

 

Complementary color

CMYK 0 / 40 / 87 / 33

HEX #AB6617

RGB 171 102 23

HSL 32.03, 0.76%, 0.38%

LAB 49.76, 22.13, 51.77

 

CMYK 61 / 33 / 0 / 11

HEX #5999E3

RGB 89 153 227

HSL 212.17, 0.71%, 0.62%

LAB 62.04, 1.67, -43.63

 

CMYK 57 / 30 / 0 / 4

HEX #6AABF6

RGB 106 171 246

HSL 212.14, 0.89%, 0.69%

LAB 68.64, 0.73, -43.65

 

CMYK 52 / 26 / 0 / 0

HEX #7BBDFF

RGB 123 189 255

HSL 210, 1%, 0.74%

LAB 74.72, -3.01, -38.97

 

CMYK 45 / 19 / 0 / 0

HEX #8CCFFF

RGB 140 207 255

HSL 205.04, 1%, 0.77%

LAB 80.42, -8.81, -30.09

 

CMYK 38 / 12 / 0 / 0

HEX #9DE1FF

RGB 157 225 255

HSL 198.37, 1%, 0.81%

LAB 86.13, -13.96, -21.31

 

CMYK 64 / 34 / 0 / 9

HEX #5499E8

RGB 84 153 232

HSL 212.03, 0.76%, 0.62%

LAB 62.08, 2.42, -46.36

 

CMYK 69 / 37 / 0 / 16

HEX #4387D5

RGB 67 135 213

HSL 212.05, 0.63%, 0.55%

LAB 55.41, 3.74, -46.35

 

CMYK 74 / 40 / 0 / 24

HEX #3275C2

RGB 50 117 194

HSL 212.08, 0.59%, 0.48%

LAB 48.63, 5.4, -46.35

 

CMYK 81 / 43 / 0 / 31

HEX #2163AF

RGB 33 99 175

HSL 212.11, 0.68%, 0.41%

LAB 41.75, 7.52, -46.31

 

CMYK 90 / 48 / 0 / 39

HEX #10519C

RGB 16 81 156

HSL 212.14, 0.81%, 0.34%

LAB 34.79, 10.28, -46.21

 

CMYK 64 / 34 / 0 / 9

HEX #5499E7

RGB 84 153 231

HSL 211.84, 0.75%, 0.62%

LAB 62.03, 2.09, -45.88

 

CMYK 64 / 51 / 0 / 9

HEX #5471E7

RGB 84 113 231

HSL 228.16, 0.75%, 0.62%

LAB 51.23, 26.2, -63.12

 

CMYK 59 / 64 / 0 / 9

HEX #5F54E7

RGB 95 84 231

HSL 244.49, 0.75%, 0.62%

LAB 45, 45.51, -73.19

 

CMYK 42 / 64 / 0 / 9

HEX #8654E7

RGB 134 84 231

HSL 260.41, 0.75%, 0.62%

LAB 48.48, 52.45, -67.37

 

CMYK 25 / 64 / 0 / 9

HEX #AE54E7

RGB 174 84 231

HSL 276.73, 0.75%, 0.62%

LAB 53.07, 60.84, -59.74

 

CMYK 64 / 34 / 0 / 9

HEX #5499E7

RGB 84 153 231

HSL 211.84, 0.75%, 0.62%

LAB 62.03, 2.09, -45.88

 

CMYK 64 / 51 / 0 / 9

HEX #5471E7

RGB 84 113 231

HSL 228.16, 0.75%, 0.62%

LAB 51.23, 26.2, -63.12

 

CMYK 64 / 64 / 0 / 9

HEX #5454E7

RGB 84 84 231

HSL 240, 0.75%, 0.62%

LAB 44.23, 43.87, -74.49

 

CMYK 64 / 34 / 0 / 9

HEX #5499E7

RGB 84 153 231

HSL 211.84, 0.75%, 0.62%

LAB 62.03, 2.09, -45.88

 

CMYK 72 / 38 / 0 / 3

HEX #4498F7

RGB 68 152 247

HSL 211.84, 0.92%, 0.62%

LAB 62, 5.74, -54.78

 

CMYK 64 / 34 / 0 / 9

HEX #5499E7

RGB 84 153 231

HSL 211.84, 0.75%, 0.62%

LAB 62.03, 2.09, -45.88

 

CMYK 54 / 29 / 0 / 15

HEX #649AD8

RGB 100 154 216

HSL 212.07, 0.6%, 0.62%

LAB 62.32, -0.19, -37.06

 

CMYK 43 / 23 / 0 / 22

HEX #739BC8

RGB 115 155 200

HSL 211.76, 0.44%, 0.62%

LAB 62.72, -1.89, -27.45

 

CMYK 29 / 15 / 0 / 28

HEX #839CB8

RGB 131 156 184

HSL 211.7, 0.27%, 0.62%

LAB 63.39, -2.16, -17.37

 

CMYK 13 / 7 / 0 / 34

HEX #939DA9

RGB 147 157 169

HSL 212.73, 0.11%, 0.62%

LAB 64.31, -1.05, -7.47

 

CMYK 64 / 0 / 0 / 9

HEX #54E7E7

RGB 84 231 231

HSL 180, 0.75%, 0.62%

LAB 84.38, -38.27, -11.55

 

CMYK 64 / 17 / 0 / 9

HEX #54C0E7

RGB 84 192 231

HSL 195.92, 0.75%, 0.62%

LAB 73.12, -19.3, -28.6

 

CMYK 64 / 34 / 0 / 9

HEX #5499E7

RGB 84 153 231

HSL 211.84, 0.75%, 0.62%

LAB 62.03, 2.09, -45.88

 

CMYK 64 / 51 / 0 / 9

HEX #5471E7

RGB 84 113 231

HSL 228.16, 0.75%, 0.62%

LAB 51.23, 26.2, -63.12

 

CMYK 59 / 64 / 0 / 9

HEX #5E54E7

RGB 94 84 231

HSL 244.08, 0.75%, 0.62%

LAB 44.93, 45.35, -73.31

 

CMYK 86 / 46 / 0 / 20

HEX #1C6ECD

RGB 28 110 205

HSL 212.2, 0.76%, 0.46%

LAB 46.72, 11.78, -55.75

 

CMYK 79 / 42 / 0 / 11

HEX #3083E2

RGB 48 131 226

HSL 212.02, 0.75%, 0.54%

LAB 54.4, 8.42, -55.29

 

CMYK 64 / 34 / 0 / 9

HEX #5499E7

RGB 84 153 231

HSL 211.84, 0.75%, 0.62%

LAB 62.03, 2.09, -45.88

 

CMYK 49 / 26 / 0 / 7

HEX #78AEEC

RGB 120 174 236

HSL 212.07, 0.75%, 0.7%

LAB 69.7, -0.97, -36.5

 

CMYK 35 / 19 / 0 / 5

HEX #9DC4F1

RGB 157 196 241

HSL 212.14, 0.75%, 0.78%

LAB 77.87, -2.29, -26.43

 

CMYK 64 / 34 / 0 / 9

HEX #5499E8

RGB 84 153 232

HSL 212.03, 0.76%, 0.62%

LAB 62.08, 2.42, -46.36

 

CMYK 17 / 64 / 0 / 9

HEX #C054E7

RGB 192 84 231

HSL 284.08, 0.75%, 0.62%

LAB 55.4, 64.85, -55.88

 

CMYK 8 / 0 / 64 / 9

HEX #D4E754

RGB 212 231 84

HSL 67.76, 0.75%, 0.62%

LAB 87.87, -25.25, 66.88

 

CMYK 64 / 34 / 0 / 9

HEX #5499E8

RGB 84 153 232

HSL 212.03, 0.76%, 0.62%

LAB 62.08, 2.42, -46.36

 

CMYK 0 / 64 / 34 / 9

HEX #E75499

RGB 231 84 153

HSL 331.84, 0.75%, 0.62%

LAB 57.68, 62.86, -7.13

 

CMYK 34 / 0 / 64 / 9

HEX #99E754

RGB 153 231 84

HSL 91.84, 0.75%, 0.62%

LAB 84.26, -47.38, 61.95

 

CMYK 64 / 34 / 0 / 9

HEX #5499E8

RGB 84 153 232

HSL 212.03, 0.76%, 0.62%

LAB 62.08, 2.42, -46.36

 

CMYK 17 / 64 / 0 / 9

HEX #C054E7

RGB 192 84 231

HSL 284.08, 0.75%, 0.62%

LAB 55.4, 64.85, -55.88

 

CMYK 0 / 29 / 64 / 9

HEX #E7A354

RGB 231 163 84

HSL 32.24, 0.75%, 0.62%

LAB 72.11, 17.42, 50.17

 

CMYK 47 / 0 / 64 / 9

HEX #7BE754

RGB 123 231 84

HSL 104.08, 0.75%, 0.62%

LAB 82.91, -56.91, 60.1

 

CMYK 64 / 34 / 0 / 9

HEX #5499E8

RGB 84 153 232

HSL 212.03, 0.76%, 0.62%

LAB 62.08, 2.42, -46.36

 

CMYK 0 / 64 / 2 / 9

HEX #E754E2

RGB 231 84 226

HSL 302.04, 0.75%, 0.62%

LAB 60.62, 72.96, -44.43

 

CMYK 0 / 29 / 64 / 9

HEX #E7A354

RGB 231 163 84

HSL 32.24, 0.75%, 0.62%

LAB 72.11, 17.42, 50.17

 

CMYK 64 / 0 / 61 / 9

HEX #54E759

RGB 84 231 89

HSL 122.04, 0.75%, 0.62%

LAB 81.71, -66.09, 56.32

 

Description

Color code: HEX #5499E8 | qconv.com Color code: HEX #5499E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 153 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 153 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 34 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 34% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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