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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #549847 it is the complementary color #AB67B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #549847. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #549847 shade: #599842, #6AAA55, #7BBC68, #8CCE7B and #9DE08E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #549847. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #549847 shade: #549847, #438634, #327421, #21620E and #105000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #549847 shade: #549847, #6A9847, #809847, #969847 and #988547

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #549847 shade: #549847, #479850, #479866, #47987C and #479891

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #549847 shade matches the following richer shades: #549847, #48AA35, #3CBC23 and #2FCF11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #549847 shade: #549847, #618659, #6D746C, #79627E and #864F90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #549847 shade: #809847, #6A9847, #559847, #47984F and #479865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #549847 shade: #35602D, #457C3A, #549847, #66B058 and #80BE74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #549847 shade: #549847, #479598 and #984775

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #549847 shade: #549847, #475598 and #984755

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #549847 shade: #549847, #479598, #8B4798 and #984A47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #549847 shade: #549847, #477D98, #8B4798 and #986247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 53 / 40

HEX #549847

RGB 84 152 71

HSL 110.37, 0.36%, 0.44%

LAB 56.88, -37.92, 35.71

 

Complementary color

CMYK 7 / 44 / 0 / 28

HEX #AB67B8

RGB 171 103 184

HSL 290.37, 0.36%, 0.56%

LAB 53.83, 40.54, -31.77

 

CMYK 41 / 0 / 57 / 40

HEX #599842

RGB 89 152 66

HSL 103.95, 0.39%, 0.43%

LAB 57.05, -36.9, 38.46

 

CMYK 38 / 0 / 50 / 33

HEX #6AAA55

RGB 106 170 85

HSL 105.18, 0.33%, 0.5%

LAB 63.73, -36.86, 37.23

 

CMYK 35 / 0 / 45 / 26

HEX #7BBC68

RGB 123 188 104

HSL 106.43, 0.39%, 0.57%

LAB 70.3, -36.73, 35.99

 

CMYK 32 / 0 / 40 / 19

HEX #8CCE7B

RGB 140 206 123

HSL 107.71, 0.46%, 0.65%

LAB 76.77, -36.56, 34.78

 

CMYK 30 / 0 / 37 / 12

HEX #9DE08E

RGB 157 224 142

HSL 109.02, 0.57%, 0.72%

LAB 83.14, -36.37, 33.61

 

CMYK 45 / 0 / 53 / 40

HEX #549847

RGB 84 152 71

HSL 110.37, 0.36%, 0.44%

LAB 56.88, -37.92, 35.71

 

CMYK 50 / 0 / 61 / 47

HEX #438634

RGB 67 134 52

HSL 109.02, 0.44%, 0.36%

LAB 50.09, -37.85, 36.94

 

CMYK 57 / 0 / 72 / 55

HEX #327421

RGB 50 116 33

HSL 107.71, 0.56%, 0.29%

LAB 43.18, -37.48, 37.91

 

CMYK 66 / 0 / 86 / 62

HEX #21620E

RGB 33 98 14

HSL 106.43, 0.75%, 0.22%

LAB 36.16, -36.55, 38.03

 

CMYK 80 / 0 / 100 / 69

HEX #105000

RGB 16 80 0

HSL 108, 1%, 0.16%

LAB 29.02, -34.62, 36.22

 

CMYK 45 / 0 / 53 / 40

HEX #549847

RGB 84 152 71

HSL 110.37, 0.36%, 0.44%

LAB 56.88, -37.92, 35.71

 

CMYK 30 / 0 / 53 / 40

HEX #6A9847

RGB 106 152 71

HSL 94.07, 0.36%, 0.44%

LAB 58.01, -30.26, 37.34

 

CMYK 16 / 0 / 53 / 40

HEX #809847

RGB 128 152 71

HSL 77.78, 0.36%, 0.44%

LAB 59.43, -21.6, 39.38

 

CMYK 1 / 0 / 53 / 40

HEX #969847

RGB 150 152 71

HSL 61.48, 0.36%, 0.44%

LAB 61.13, -12.34, 41.79

 

CMYK 0 / 13 / 53 / 40

HEX #988547

RGB 152 133 71

HSL 45.93, 0.36%, 0.44%

LAB 55.99, -1.13, 35.76

 

CMYK 45 / 0 / 53 / 40

HEX #549847

RGB 84 152 71

HSL 110.37, 0.36%, 0.44%

LAB 56.88, -37.92, 35.71

 

CMYK 53 / 0 / 47 / 40

HEX #479850

RGB 71 152 80

HSL 126.67, 0.36%, 0.44%

LAB 56.46, -40.49, 30.42

 

CMYK 53 / 0 / 33 / 40

HEX #479866

RGB 71 152 102

HSL 142.96, 0.36%, 0.44%

LAB 56.84, -36.58, 18.97

 

CMYK 53 / 0 / 18 / 40

HEX #47987C

RGB 71 152 124

HSL 159.26, 0.36%, 0.44%

LAB 57.32, -31.77, 7.26

 

CMYK 53 / 0 / 5 / 40

HEX #479891

RGB 71 152 145

HSL 174.81, 0.36%, 0.44%

LAB 57.89, -26.44, -3.87

 

CMYK 45 / 0 / 53 / 40

HEX #549847

RGB 84 152 71

HSL 110.37, 0.36%, 0.44%

LAB 56.88, -37.92, 35.71

 

CMYK 58 / 0 / 69 / 33

HEX #48AA35

RGB 72 170 53

HSL 110.26, 0.52%, 0.44%

LAB 61.98, -50.67, 49.65

 

CMYK 68 / 0 / 81 / 26

HEX #3CBC23

RGB 60 188 35

HSL 110.2, 0.69%, 0.44%

LAB 67.31, -60.97, 61.01

 

CMYK 77 / 0 / 92 / 19

HEX #2FCF11

RGB 47 207 17

HSL 110.53, 0.85%, 0.44%

LAB 73.07, -69.72, 69.71

 

CMYK 45 / 0 / 53 / 40

HEX #549847

RGB 84 152 71

HSL 110.37, 0.36%, 0.44%

LAB 56.88, -37.92, 35.71

 

CMYK 28 / 0 / 34 / 47

HEX #618659

RGB 97 134 89

HSL 109.33, 0.2%, 0.44%

LAB 52.19, -22.18, 20.19

 

CMYK 6 / 0 / 7 / 55

HEX #6D746C

RGB 109 116 108

HSL 112.5, 0.04%, 0.44%

LAB 48.04, -4.28, 3.5

 

CMYK 4 / 22 / 0 / 51

HEX #79627E

RGB 121 98 126

HSL 289.29, 0.13%, 0.44%

LAB 44.67, 14.68, -12.14

 

CMYK 7 / 45 / 0 / 44

HEX #864F90

RGB 134 79 144

HSL 290.77, 0.29%, 0.44%

LAB 42.27, 34.17, -26.57

 

CMYK 16 / 0 / 53 / 40

HEX #809847

RGB 128 152 71

HSL 77.78, 0.36%, 0.44%

LAB 59.43, -21.6, 39.38

 

CMYK 30 / 0 / 53 / 40

HEX #6A9847

RGB 106 152 71

HSL 94.07, 0.36%, 0.44%

LAB 58.01, -30.26, 37.34

 

CMYK 44 / 0 / 53 / 40

HEX #559847

RGB 85 152 71

HSL 109.63, 0.36%, 0.44%

LAB 56.92, -37.6, 35.77

 

CMYK 53 / 0 / 48 / 40

HEX #47984F

RGB 71 152 79

HSL 125.93, 0.36%, 0.44%

LAB 56.45, -40.65, 30.93

 

CMYK 53 / 0 / 34 / 40

HEX #479865

RGB 71 152 101

HSL 142.22, 0.36%, 0.44%

LAB 56.82, -36.78, 19.49

 

CMYK 45 / 0 / 53 / 62

HEX #35602D

RGB 53 96 45

HSL 110.59, 0.36%, 0.28%

LAB 36.58, -26.17, 24.4

 

CMYK 44 / 0 / 53 / 51

HEX #457C3A

RGB 69 124 58

HSL 110, 0.36%, 0.36%

LAB 46.96, -32.02, 30.22

 

CMYK 45 / 0 / 53 / 40

HEX #549847

RGB 84 152 71

HSL 110.37, 0.36%, 0.44%

LAB 56.88, -37.92, 35.71

 

CMYK 42 / 0 / 50 / 31

HEX #66B058

RGB 102 176 88

HSL 110.45, 0.36%, 0.52%

LAB 65.42, -40.43, 37.76

 

CMYK 33 / 0 / 39 / 25

HEX #80BE74

RGB 128 190 116

HSL 110.27, 0.36%, 0.6%

LAB 71.34, -34.25, 31.2

 

CMYK 45 / 0 / 53 / 40

HEX #549847

RGB 84 152 71

HSL 110.37, 0.36%, 0.44%

LAB 56.88, -37.92, 35.71

 

CMYK 53 / 2 / 0 / 40

HEX #479598

RGB 71 149 152

HSL 182.22, 0.36%, 0.44%

LAB 57.17, -22.98, -8.92

 

CMYK 0 / 53 / 23 / 40

HEX #984775

RGB 152 71 117

HSL 325.93, 0.36%, 0.44%

LAB 41.95, 39.54, -10.39

 

CMYK 45 / 0 / 53 / 40

HEX #549847

RGB 84 152 71

HSL 110.37, 0.36%, 0.44%

LAB 56.88, -37.92, 35.71

 

CMYK 53 / 44 / 0 / 40

HEX #475598

RGB 71 85 152

HSL 229.63, 0.36%, 0.44%

LAB 38.03, 14.53, -38.49

 

CMYK 0 / 53 / 44 / 40

HEX #984755

RGB 152 71 85

HSL 349.63, 0.36%, 0.44%

LAB 40.96, 35.33, 7.99

 

CMYK 45 / 0 / 53 / 40

HEX #549847

RGB 84 152 71

HSL 110.37, 0.36%, 0.44%

LAB 56.88, -37.92, 35.71

 

CMYK 53 / 2 / 0 / 40

HEX #479598

RGB 71 149 152

HSL 182.22, 0.36%, 0.44%

LAB 57.17, -22.98, -8.92

 

CMYK 9 / 53 / 0 / 40

HEX #8B4798

RGB 139 71 152

HSL 290.37, 0.36%, 0.44%

LAB 41.63, 41.72, -32.34

 

CMYK 0 / 51 / 53 / 40

HEX #984A47

RGB 152 74 71

HSL 2.22, 0.36%, 0.44%

LAB 41.26, 32.31, 17.06

 

CMYK 45 / 0 / 53 / 40

HEX #549847

RGB 84 152 71

HSL 110.37, 0.36%, 0.44%

LAB 56.88, -37.92, 35.71

 

CMYK 53 / 18 / 0 / 40

HEX #477D98

RGB 71 125 152

HSL 200, 0.36%, 0.44%

LAB 49.83, -9.98, -20.04

 

CMYK 9 / 53 / 0 / 40

HEX #8B4798

RGB 139 71 152

HSL 290.37, 0.36%, 0.44%

LAB 41.63, 41.72, -32.34

 

CMYK 0 / 36 / 53 / 40

HEX #986247

RGB 152 98 71

HSL 20, 0.36%, 0.44%

LAB 46.8, 18.85, 24.33

 

Description

Color code: HEX #549847 | qconv.com Color code: HEX #549847 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 152 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 152 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 53 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 53% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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