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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5468E7 it is the complementary color #AB9718. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5468E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5468E7 shade: #5968E2, #6A7AF5, #7B8CFF, #8C9EFF and #9DB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5468E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5468E7 shade: #5468E7, #4356D4, #3244C1, #2132AE and #10209B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5468E7 shade: #5569E6, #6855E6, #9055E6, #B755E6 and #DE55E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5468E7 shade: #5569E6 and #5555E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5468E7 shade matches the following richer shades: #5569E6 and #455DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5468E7 shade: #5569E6, #6574D7, #7480C7, #848BB7 and #9496A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5468E7 shade: #55B8E6, #5591E6, #556BE6, #6655E6 and #8D55E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5468E7 shade: #1D35CC, #3149E1, #5569E6, #7989EB and #9DA8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5468E7 shade: #5468E7, #E655DF and #A5E655

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5468E7 shade: #5468E7, #E6556B and #6BE655

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5468E7 shade: #5468E7, #E655DF, #E6D055 and #55E65C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5468E7 shade: #5468E7, #E655B3, #E6D055 and #55E688

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 55 / 0 / 9

HEX #5468E7

RGB 84 104 231

HSL 231.84, 0.75%, 0.62%

LAB 48.95, 31.75, -66.8

 

Complementary color

CMYK 0 / 12 / 86 / 33

HEX #AB9718

RGB 171 151 24

HSL 51.84, 0.75%, 0.38%

LAB 62.39, -5.08, 61.93

 

CMYK 61 / 54 / 0 / 11

HEX #5968E2

RGB 89 104 226

HSL 233.43, 0.7%, 0.62%

LAB 48.9, 30.91, -64.04

 

CMYK 57 / 50 / 0 / 4

HEX #6A7AF5

RGB 106 122 245

HSL 233.09, 0.87%, 0.69%

LAB 55.66, 29.21, -63.72

 

CMYK 52 / 45 / 0 / 0

HEX #7B8CFF

RGB 123 140 255

HSL 232.27, 1%, 0.74%

LAB 61.82, 25, -59.3

 

CMYK 45 / 38 / 0 / 0

HEX #8C9EFF

RGB 140 158 255

HSL 230.61, 1%, 0.77%

LAB 67.46, 18.32, -50.26

 

CMYK 38 / 31 / 0 / 0

HEX #9DB0FF

RGB 157 176 255

HSL 228.37, 1%, 0.81%

LAB 73.18, 12.33, -41.21

 

CMYK 64 / 55 / 0 / 9

HEX #5468E7

RGB 84 104 231

HSL 231.84, 0.75%, 0.62%

LAB 48.95, 31.75, -66.8

 

CMYK 68 / 59 / 0 / 17

HEX #4356D4

RGB 67 86 212

HSL 232.14, 0.63%, 0.55%

LAB 42.16, 33.91, -67.08

 

CMYK 74 / 65 / 0 / 24

HEX #3244C1

RGB 50 68 193

HSL 232.45, 0.59%, 0.48%

LAB 35.33, 36.43, -67.27

 

CMYK 81 / 71 / 0 / 32

HEX #2132AE

RGB 33 50 174

HSL 232.77, 0.68%, 0.41%

LAB 28.54, 39.31, -67.21

 

CMYK 90 / 79 / 0 / 39

HEX #10209B

RGB 16 32 155

HSL 233.09, 0.81%, 0.34%

LAB 21.98, 42.29, -66.57

 

CMYK 63 / 54 / 0 / 10

HEX #5569E6

RGB 85 105 230

HSL 231.72, 0.74%, 0.62%

LAB 49.19, 30.96, -65.85

 

CMYK 55 / 63 / 0 / 10

HEX #6855E6

RGB 104 85 230

HSL 247.86, 0.74%, 0.62%

LAB 45.84, 46.09, -71.22

 

CMYK 37 / 63 / 0 / 10

HEX #9055E6

RGB 144 85 230

HSL 264.41, 0.74%, 0.62%

LAB 49.66, 53.7, -64.84

 

CMYK 20 / 63 / 0 / 10

HEX #B755E6

RGB 183 85 230

HSL 280.55, 0.74%, 0.62%

LAB 54.32, 62.18, -57.11

 

CMYK 3 / 63 / 0 / 10

HEX #DE55E6

RGB 222 85 230

HSL 296.69, 0.74%, 0.62%

LAB 59.65, 71.13, -48.29

 

CMYK 63 / 54 / 0 / 10

HEX #5569E6

RGB 85 105 230

HSL 231.72, 0.74%, 0.62%

LAB 49.19, 30.96, -65.85

 

CMYK 63 / 63 / 0 / 10

HEX #5555E6

RGB 85 85 230

HSL 240, 0.74%, 0.62%

LAB 44.44, 43.1, -73.58

 

CMYK 63 / 54 / 0 / 10

HEX #5569E6

RGB 85 105 230

HSL 231.72, 0.74%, 0.62%

LAB 49.19, 30.96, -65.85

 

CMYK 72 / 62 / 0 / 4

HEX #455DF6

RGB 69 93 246

HSL 231.86, 0.91%, 0.62%

LAB 46.64, 41.58, -79.01

 

CMYK 63 / 54 / 0 / 10

HEX #5569E6

RGB 85 105 230

HSL 231.72, 0.74%, 0.62%

LAB 49.19, 30.96, -65.85

 

CMYK 53 / 46 / 0 / 16

HEX #6574D7

RGB 101 116 215

HSL 232.11, 0.59%, 0.62%

LAB 52.02, 22.3, -52.77

 

CMYK 42 / 36 / 0 / 22

HEX #7480C7

RGB 116 128 199

HSL 231.33, 0.43%, 0.62%

LAB 55.35, 13.78, -38.35

 

CMYK 28 / 24 / 0 / 28

HEX #848BB7

RGB 132 139 183

HSL 231.76, 0.26%, 0.62%

LAB 58.78, 7.56, -23.85

 

CMYK 12 / 11 / 0 / 34

HEX #9496A8

RGB 148 150 168

HSL 234, 0.1%, 0.62%

LAB 62.45, 2.98, -9.66

 

CMYK 63 / 20 / 0 / 10

HEX #55B8E6

RGB 85 184 230

HSL 199.03, 0.74%, 0.62%

LAB 70.82, -15.26, -31.61

 

CMYK 63 / 37 / 0 / 10

HEX #5591E6

RGB 85 145 230

HSL 215.17, 0.74%, 0.62%

LAB 59.79, 6.61, -48.86

 

CMYK 63 / 53 / 0 / 10

HEX #556BE6

RGB 85 107 230

HSL 230.9, 0.74%, 0.62%

LAB 49.69, 29.72, -65.04

 

CMYK 56 / 63 / 0 / 10

HEX #6655E6

RGB 102 85 230

HSL 247.03, 0.74%, 0.62%

LAB 45.68, 45.76, -71.49

 

CMYK 39 / 63 / 0 / 10

HEX #8D55E6

RGB 141 85 230

HSL 263.17, 0.74%, 0.62%

LAB 49.34, 53.08, -65.38

 

CMYK 86 / 74 / 0 / 20

HEX #1D35CC

RGB 29 53 204

HSL 231.77, 0.75%, 0.46%

LAB 32.18, 47.79, -78.9

 

CMYK 78 / 68 / 0 / 12

HEX #3149E1

RGB 49 73 225

HSL 231.82, 0.75%, 0.54%

LAB 39.33, 44.52, -79.18

 

CMYK 63 / 54 / 0 / 10

HEX #5569E6

RGB 85 105 230

HSL 231.72, 0.74%, 0.62%

LAB 49.19, 30.96, -65.85

 

CMYK 49 / 42 / 0 / 8

HEX #7989EB

RGB 121 137 235

HSL 231.58, 0.74%, 0.7%

LAB 59.85, 20.28, -51.42

 

CMYK 35 / 30 / 0 / 5

HEX #9DA8F1

RGB 157 168 241

HSL 232.14, 0.75%, 0.78%

LAB 70.54, 13.13, -37.74

 

CMYK 64 / 55 / 0 / 9

HEX #5468E7

RGB 84 104 231

HSL 231.84, 0.75%, 0.62%

LAB 48.95, 31.75, -66.8

 

CMYK 0 / 63 / 3 / 10

HEX #E655DF

RGB 230 85 223

HSL 302.9, 0.74%, 0.62%

LAB 60.47, 71.86, -43

 

CMYK 28 / 0 / 63 / 10

HEX #A5E655

RGB 165 230 85

HSL 86.9, 0.74%, 0.62%

LAB 84.61, -42.67, 62.11

 

CMYK 64 / 55 / 0 / 9

HEX #5468E7

RGB 84 104 231

HSL 231.84, 0.75%, 0.62%

LAB 48.95, 31.75, -66.8

 

CMYK 0 / 63 / 53 / 10

HEX #E6556B

RGB 230 85 107

HSL 350.9, 0.74%, 0.62%

LAB 56.47, 57.7, 18.13

 

CMYK 53 / 0 / 63 / 10

HEX #6BE655

RGB 107 230 85

HSL 110.9, 0.74%, 0.62%

LAB 82.04, -60.83, 58.56

 

CMYK 64 / 55 / 0 / 9

HEX #5468E7

RGB 84 104 231

HSL 231.84, 0.75%, 0.62%

LAB 48.95, 31.75, -66.8

 

CMYK 0 / 63 / 3 / 10

HEX #E655DF

RGB 230 85 223

HSL 302.9, 0.74%, 0.62%

LAB 60.47, 71.86, -43

 

CMYK 0 / 10 / 63 / 10

HEX #E6D055

RGB 230 208 85

HSL 50.9, 0.74%, 0.62%

LAB 83.23, -6.48, 61.97

 

CMYK 63 / 0 / 60 / 10

HEX #55E65C

RGB 85 230 92

HSL 122.9, 0.74%, 0.62%

LAB 81.45, -65.22, 54.75

 

CMYK 64 / 55 / 0 / 9

HEX #5468E7

RGB 84 104 231

HSL 231.84, 0.75%, 0.62%

LAB 48.95, 31.75, -66.8

 

CMYK 0 / 63 / 22 / 10

HEX #E655B3

RGB 230 85 179

HSL 321.1, 0.74%, 0.62%

LAB 58.58, 65.38, -20.89

 

CMYK 0 / 10 / 63 / 10

HEX #E6D055

RGB 230 208 85

HSL 50.9, 0.74%, 0.62%

LAB 83.23, -6.48, 61.97

 

CMYK 63 / 0 / 41 / 10

HEX #55E688

RGB 85 230 136

HSL 141.1, 0.74%, 0.62%

LAB 82, -59.04, 34.61

 

Description

Color code: HEX #5468E7 | qconv.com Color code: HEX #5468E7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 104 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 104 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 55 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 55% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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