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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #545C90 it is the complementary color #ABA36F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #545C90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #545C90 shade: #595C8B, #6A6E9E, #7B80B1, #8C92C4 and #9DA4D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #545C90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #545C90 shade: #545C90, #434A7D, #32386A, #212657 and #101444

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #545C90 shade: #545C90, #5D5490, #6D5490, #7D5490 and #8D5490

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #545C90 shade: #545C90 and #545490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #545C90 shade matches the following richer shades: #545C90, #424FA3, #2F41B5, #1D34C8 and #0A26DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #545C90 shade: #545C90, #676A7E, #7A786B, #8C8558 and #9F9346

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #545C90 shade: #547C90, #546C90, #545C90, #5C5490 and #6C5490

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #545C90 shade: #363B5C, #454C76, #545C90, #6870A6 and #8289B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #545C90 shade: #545C90, #90548C and #749054

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #545C90 shade: #545C90, #90545C and #5C9054

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #545C90 shade: #545C90, #90548C, #908854 and #549058

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #545C90 shade: #545C90, #90547A, #908854 and #54906A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 36 / 0 / 44

HEX #545C90

RGB 84 92 144

HSL 232, 0.26%, 0.45%

LAB 40.5, 10.87, -29.71

 

Complementary color

CMYK 0 / 5 / 35 / 33

HEX #ABA36F

RGB 171 163 111

HSL 52, 0.26%, 0.55%

LAB 66.52, -5.12, 28.09

 

CMYK 36 / 34 / 0 / 45

HEX #595C8B

RGB 89 92 139

HSL 236.4, 0.22%, 0.45%

LAB 40.64, 10.85, -26.44

 

CMYK 33 / 30 / 0 / 38

HEX #6A6E9E

RGB 106 110 158

HSL 235.38, 0.21%, 0.52%

LAB 47.86, 10.22, -26.42

 

CMYK 31 / 28 / 0 / 31

HEX #7B80B1

RGB 123 128 177

HSL 234.44, 0.26%, 0.59%

LAB 54.89, 9.69, -26.47

 

CMYK 29 / 26 / 0 / 23

HEX #8C92C4

RGB 140 146 196

HSL 233.57, 0.32%, 0.66%

LAB 61.76, 9.23, -26.56

 

CMYK 27 / 24 / 0 / 16

HEX #9DA4D7

RGB 157 164 215

HSL 232.76, 0.42%, 0.73%

LAB 68.48, 8.82, -26.69

 

CMYK 42 / 36 / 0 / 44

HEX #545C90

RGB 84 92 144

HSL 232, 0.26%, 0.45%

LAB 40.5, 10.87, -29.71

 

CMYK 46 / 41 / 0 / 51

HEX #434A7D

RGB 67 74 125

HSL 232.76, 0.3%, 0.38%

LAB 33.07, 11.76, -29.86

 

CMYK 53 / 47 / 0 / 58

HEX #32386A

RGB 50 56 106

HSL 233.57, 0.36%, 0.31%

LAB 25.4, 12.93, -30.12

 

CMYK 62 / 56 / 0 / 66

HEX #212657

RGB 33 38 87

HSL 234.44, 0.45%, 0.24%

LAB 17.45, 14.55, -30.47

 

CMYK 76 / 71 / 0 / 73

HEX #101444

RGB 16 20 68

HSL 235.38, 0.62%, 0.16%

LAB 9.22, 16.91, -30.84

 

CMYK 42 / 36 / 0 / 44

HEX #545C90

RGB 84 92 144

HSL 232, 0.26%, 0.45%

LAB 40.5, 10.87, -29.71

 

CMYK 35 / 42 / 0 / 44

HEX #5D5490

RGB 93 84 144

HSL 249, 0.26%, 0.45%

LAB 39.04, 18.51, -31.95

 

CMYK 24 / 42 / 0 / 44

HEX #6D5490

RGB 109 84 144

HSL 265, 0.26%, 0.45%

LAB 40.58, 23.34, -29.42

 

CMYK 13 / 42 / 0 / 44

HEX #7D5490

RGB 125 84 144

HSL 281, 0.26%, 0.45%

LAB 42.33, 28.41, -26.56

 

CMYK 2 / 42 / 0 / 44

HEX #8D5490

RGB 141 84 144

HSL 297, 0.26%, 0.45%

LAB 44.26, 33.59, -23.41

 

CMYK 42 / 36 / 0 / 44

HEX #545C90

RGB 84 92 144

HSL 232, 0.26%, 0.45%

LAB 40.5, 10.87, -29.71

 

CMYK 42 / 42 / 0 / 44

HEX #545490

RGB 84 84 144

HSL 240, 0.26%, 0.45%

LAB 38.27, 15.94, -33.22

 

CMYK 42 / 36 / 0 / 44

HEX #545C90

RGB 84 92 144

HSL 232, 0.26%, 0.45%

LAB 40.5, 10.87, -29.71

 

CMYK 60 / 52 / 0 / 36

HEX #424FA3

RGB 66 79 163

HSL 231.96, 0.42%, 0.45%

LAB 36.73, 21.1, -47.18

 

CMYK 74 / 64 / 0 / 29

HEX #2F41B5

RGB 47 65 181

HSL 231.94, 0.59%, 0.45%

LAB 33.4, 33.69, -63.37

 

CMYK 86 / 74 / 0 / 22

HEX #1D34C8

RGB 29 52 200

HSL 231.93, 0.75%, 0.45%

LAB 31.55, 46.99, -77.62

 

CMYK 95 / 83 / 0 / 15

HEX #0A26DA

RGB 10 38 218

HSL 231.92, 0.91%, 0.45%

LAB 30.67, 59.54, -89.54

 

CMYK 42 / 36 / 0 / 44

HEX #545C90

RGB 84 92 144

HSL 232, 0.26%, 0.45%

LAB 40.5, 10.87, -29.71

 

CMYK 18 / 16 / 0 / 51

HEX #676A7E

RGB 103 106 126

HSL 232.17, 0.1%, 0.45%

LAB 45.22, 3.38, -11.47

 

CMYK 0 / 2 / 12 / 52

HEX #7A786B

RGB 122 120 107

HSL 52, 0.07%, 0.45%

LAB 50.25, -1.69, 7.41

 

CMYK 0 / 5 / 37 / 45

HEX #8C8558

RGB 140 133 88

HSL 51.92, 0.23%, 0.45%

LAB 55.13, -4.49, 25.23

 

CMYK 0 / 8 / 56 / 38

HEX #9F9346

RGB 159 147 70

HSL 51.91, 0.39%, 0.45%

LAB 60.5, -5.84, 41.75

 

CMYK 42 / 14 / 0 / 44

HEX #547C90

RGB 84 124 144

HSL 200, 0.26%, 0.45%

LAB 49.87, -8.45, -15.22

 

CMYK 42 / 25 / 0 / 44

HEX #546C90

RGB 84 108 144

HSL 216, 0.26%, 0.45%

LAB 45.11, 0.97, -22.52

 

CMYK 42 / 36 / 0 / 44

HEX #545C90

RGB 84 92 144

HSL 232, 0.26%, 0.45%

LAB 40.5, 10.87, -29.71

 

CMYK 36 / 42 / 0 / 44

HEX #5C5490

RGB 92 84 144

HSL 248, 0.26%, 0.45%

LAB 38.95, 18.22, -32.1

 

CMYK 25 / 42 / 0 / 44

HEX #6C5490

RGB 108 84 144

HSL 264, 0.26%, 0.45%

LAB 40.48, 23.03, -29.59

 

CMYK 41 / 36 / 0 / 64

HEX #363B5C

RGB 54 59 92

HSL 232.11, 0.26%, 0.29%

LAB 25.82, 7.31, -20.38

 

CMYK 42 / 36 / 0 / 54

HEX #454C76

RGB 69 76 118

HSL 231.43, 0.26%, 0.37%

LAB 33.44, 8.8, -24.92

 

CMYK 42 / 36 / 0 / 44

HEX #545C90

RGB 84 92 144

HSL 232, 0.26%, 0.45%

LAB 40.5, 10.87, -29.71

 

CMYK 37 / 33 / 0 / 35

HEX #6870A6

RGB 104 112 166

HSL 232.26, 0.26%, 0.53%

LAB 48.62, 10.65, -29.95

 

CMYK 28 / 24 / 0 / 29

HEX #8289B5

RGB 130 137 181

HSL 231.76, 0.26%, 0.61%

LAB 58.01, 7.59, -23.9

 

CMYK 42 / 36 / 0 / 44

HEX #545C90

RGB 84 92 144

HSL 232, 0.26%, 0.45%

LAB 40.5, 10.87, -29.71

 

CMYK 0 / 42 / 3 / 44

HEX #90548C

RGB 144 84 140

HSL 304, 0.26%, 0.45%

LAB 44.47, 33.79, -20.65

 

CMYK 19 / 0 / 42 / 44

HEX #749054

RGB 116 144 84

HSL 88, 0.26%, 0.45%

LAB 56.39, -20.81, 28.68

 

CMYK 42 / 36 / 0 / 44

HEX #545C90

RGB 84 92 144

HSL 232, 0.26%, 0.45%

LAB 40.5, 10.87, -29.71

 

CMYK 0 / 42 / 36 / 44

HEX #90545C

RGB 144 84 92

HSL 352, 0.26%, 0.45%

LAB 42.83, 25.94, 6.16

 

CMYK 36 / 0 / 42 / 44

HEX #5C9054

RGB 92 144 84

HSL 112, 0.26%, 0.45%

LAB 54.93, -29.73, 26.52

 

CMYK 42 / 36 / 0 / 44

HEX #545C90

RGB 84 92 144

HSL 232, 0.26%, 0.45%

LAB 40.5, 10.87, -29.71

 

CMYK 0 / 42 / 3 / 44

HEX #90548C

RGB 144 84 140

HSL 304, 0.26%, 0.45%

LAB 44.47, 33.79, -20.65

 

CMYK 0 / 6 / 42 / 44

HEX #908854

RGB 144 136 84

HSL 52, 0.26%, 0.45%

LAB 56.27, -4.93, 28.97

 

CMYK 42 / 0 / 39 / 44

HEX #549058

RGB 84 144 88

HSL 124, 0.26%, 0.45%

LAB 54.59, -31.74, 23.81

 

CMYK 42 / 36 / 0 / 44

HEX #545C90

RGB 84 92 144

HSL 232, 0.26%, 0.45%

LAB 40.5, 10.87, -29.71

 

CMYK 0 / 42 / 15 / 44

HEX #90547A

RGB 144 84 122

HSL 322, 0.26%, 0.45%

LAB 43.76, 30.51, -10.83

 

CMYK 0 / 6 / 42 / 44

HEX #908854

RGB 144 136 84

HSL 52, 0.26%, 0.45%

LAB 56.27, -4.93, 28.97

 

CMYK 42 / 0 / 26 / 44

HEX #54906A

RGB 84 144 106

HSL 142, 0.26%, 0.45%

LAB 54.94, -28.38, 14.21

 

Description

Color code: HEX #545C90 | qconv.com Color code: HEX #545C90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 92 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 92 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 36 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 36% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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