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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #545ABF it is the complementary color #ABA540. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #545ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #545ABF shade: #595ABA, #6A6CCD, #7B7EE0, #8C90F3 and #9DA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #545ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #545ABF shade: #545ABF, #4348AC, #323699, #212486 and #101273

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #545ABF shade: #5359BF, #6A53BF, #8753BF, #A553BF and #BF53BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #545ABF shade: #5359BF and #5353BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #545ABF shade matches the following richer shades: #5359BF, #4048D2, #2D38E5 and #1A27F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #545ABF shade: #5359BF, #666AAC, #797B99, #8C8C86 and #9F9D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #545ABF shade: #5394BF, #5377BF, #535ABF, #6953BF and #8653BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #545ABF shade: #34398C, #3F45AA, #5359BF, #7176CA and #8F93D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #545ABF shade: #545ABF, #BF53B1 and #86BF53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #545ABF shade: #545ABF, #BF535A and #5ABF53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #545ABF shade: #545ABF, #BF53B1, #BFB853 and #53BF62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #545ABF shade: #545ABF, #BF5390, #BFB853 and #53BF82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 53 / 0 / 25

HEX #545ABF

RGB 84 90 191

HSL 236.64, 0.46%, 0.54%

LAB 42.7, 27.12, -54.02

 

Complementary color

CMYK 0 / 4 / 63 / 33

HEX #ABA540

RGB 171 165 64

HSL 56.64, 0.46%, 0.46%

LAB 66.47, -10.67, 51.53

 

CMYK 52 / 52 / 0 / 27

HEX #595ABA

RGB 89 90 186

HSL 239.38, 0.41%, 0.54%

LAB 42.74, 26.54, -51.04

 

CMYK 48 / 47 / 0 / 20

HEX #6A6CCD

RGB 106 108 205

HSL 238.79, 0.5%, 0.61%

LAB 49.73, 25.17, -50.72

 

CMYK 45 / 44 / 0 / 12

HEX #7B7EE0

RGB 123 126 224

HSL 238.22, 0.62%, 0.68%

LAB 56.6, 24, -50.45

 

CMYK 42 / 41 / 0 / 5

HEX #8C90F3

RGB 140 144 243

HSL 237.67, 0.81%, 0.75%

LAB 63.34, 23, -50.23

 

CMYK 38 / 36 / 0 / 0

HEX #9DA2FF

RGB 157 162 255

HSL 236.94, 1%, 0.81%

LAB 69.63, 20.23, -46.77

 

CMYK 56 / 53 / 0 / 25

HEX #545ABF

RGB 84 90 191

HSL 236.64, 0.46%, 0.54%

LAB 42.7, 27.12, -54.02

 

CMYK 61 / 58 / 0 / 33

HEX #4348AC

RGB 67 72 172

HSL 237.14, 0.44%, 0.47%

LAB 35.61, 28.93, -54.37

 

CMYK 67 / 65 / 0 / 40

HEX #323699

RGB 50 54 153

HSL 237.67, 0.51%, 0.4%

LAB 28.42, 31.1, -54.67

 

CMYK 75 / 73 / 0 / 47

HEX #212486

RGB 33 36 134

HSL 238.22, 0.6%, 0.33%

LAB 21.23, 33.63, -54.75

 

CMYK 86 / 84 / 0 / 55

HEX #101273

RGB 16 18 115

HSL 238.79, 0.76%, 0.26%

LAB 14.29, 36.17, -54.14

 

CMYK 57 / 53 / 0 / 25

HEX #5359BF

RGB 83 89 191

HSL 236.67, 0.46%, 0.54%

LAB 42.38, 27.54, -54.55

 

CMYK 45 / 57 / 0 / 25

HEX #6A53BF

RGB 106 83 191

HSL 252.78, 0.46%, 0.54%

LAB 42.78, 36.09, -53.8

 

CMYK 29 / 57 / 0 / 25

HEX #8753BF

RGB 135 83 191

HSL 268.89, 0.46%, 0.54%

LAB 45.77, 43, -48.84

 

CMYK 14 / 57 / 0 / 25

HEX #A553BF

RGB 165 83 191

HSL 285.56, 0.46%, 0.54%

LAB 49.43, 50.71, -42.79

 

CMYK 0 / 57 / 1 / 25

HEX #BF53BD

RGB 191 83 189

HSL 301.11, 0.46%, 0.54%

LAB 52.88, 57.22, -35.96

 

CMYK 57 / 53 / 0 / 25

HEX #5359BF

RGB 83 89 191

HSL 236.67, 0.46%, 0.54%

LAB 42.38, 27.54, -54.55

 

CMYK 57 / 57 / 0 / 25

HEX #5353BF

RGB 83 83 191

HSL 240, 0.46%, 0.54%

LAB 40.88, 31.29, -56.97

 

CMYK 57 / 53 / 0 / 25

HEX #5359BF

RGB 83 89 191

HSL 236.67, 0.46%, 0.54%

LAB 42.38, 27.54, -54.55

 

CMYK 70 / 66 / 0 / 18

HEX #4048D2

RGB 64 72 210

HSL 236.71, 0.62%, 0.54%

LAB 38.51, 41.48, -71.9

 

CMYK 80 / 76 / 0 / 10

HEX #2D38E5

RGB 45 56 229

HSL 236.41, 0.78%, 0.54%

LAB 36.07, 55.28, -86.86

 

CMYK 90 / 84 / 0 / 3

HEX #1A27F8

RGB 26 39 248

HSL 236.49, 0.94%, 0.54%

LAB 34.9, 68.24, -99.58

 

CMYK 57 / 53 / 0 / 25

HEX #5359BF

RGB 83 89 191

HSL 236.67, 0.46%, 0.54%

LAB 42.38, 27.54, -54.55

 

CMYK 41 / 38 / 0 / 33

HEX #666AAC

RGB 102 106 172

HSL 236.57, 0.3%, 0.54%

LAB 47.12, 15.49, -35.81

 

CMYK 21 / 20 / 0 / 40

HEX #797B99

RGB 121 123 153

HSL 236.25, 0.14%, 0.54%

LAB 52.43, 5.95, -16.37

 

CMYK 0 / 0 / 4 / 45

HEX #8C8C86

RGB 140 140 134

HSL 60, 0.03%, 0.54%

LAB 58.09, -1.15, 3.19

 

CMYK 0 / 1 / 28 / 38

HEX #9F9D73

RGB 159 157 115

HSL 57.27, 0.19%, 0.54%

LAB 63.94, -6.21, 22.3

 

CMYK 57 / 23 / 0 / 25

HEX #5394BF

RGB 83 148 191

HSL 203.89, 0.46%, 0.54%

LAB 58.77, -8.2, -28.63

 

CMYK 57 / 38 / 0 / 25

HEX #5377BF

RGB 83 119 191

HSL 220, 0.46%, 0.54%

LAB 50.45, 8.84, -41.66

 

CMYK 57 / 53 / 0 / 25

HEX #535ABF

RGB 83 90 191

HSL 236.11, 0.46%, 0.54%

LAB 42.63, 26.92, -54.14

 

CMYK 45 / 57 / 0 / 25

HEX #6953BF

RGB 105 83 191

HSL 252.22, 0.46%, 0.54%

LAB 42.69, 35.87, -53.95

 

CMYK 30 / 57 / 0 / 25

HEX #8653BF

RGB 134 83 191

HSL 268.33, 0.46%, 0.54%

LAB 45.66, 42.76, -49.03

 

CMYK 63 / 59 / 0 / 45

HEX #34398C

RGB 52 57 140

HSL 236.59, 0.46%, 0.38%

LAB 28.25, 24.81, -46.96

 

CMYK 63 / 59 / 0 / 33

HEX #3F45AA

RGB 63 69 170

HSL 236.64, 0.46%, 0.46%

LAB 34.43, 29.46, -55.11

 

CMYK 57 / 53 / 0 / 25

HEX #5359BF

RGB 83 89 191

HSL 236.67, 0.46%, 0.54%

LAB 42.38, 27.54, -54.55

 

CMYK 44 / 42 / 0 / 21

HEX #7176CA

RGB 113 118 202

HSL 236.63, 0.46%, 0.62%

LAB 52.65, 19.88, -44.33

 

CMYK 33 / 31 / 0 / 16

HEX #8F93D5

RGB 143 147 213

HSL 236.57, 0.45%, 0.7%

LAB 62.94, 13.89, -34.23

 

CMYK 56 / 53 / 0 / 25

HEX #545ABF

RGB 84 90 191

HSL 236.64, 0.46%, 0.54%

LAB 42.7, 27.12, -54.02

 

CMYK 0 / 57 / 7 / 25

HEX #BF53B1

RGB 191 83 177

HSL 307.78, 0.46%, 0.54%

LAB 52.33, 55.17, -29.86

 

CMYK 30 / 0 / 57 / 25

HEX #86BF53

RGB 134 191 83

HSL 91.67, 0.46%, 0.54%

LAB 71.52, -36.74, 47.86

 

CMYK 56 / 53 / 0 / 25

HEX #545ABF

RGB 84 90 191

HSL 236.64, 0.46%, 0.54%

LAB 42.7, 27.12, -54.02

 

CMYK 0 / 57 / 53 / 25

HEX #BF535A

RGB 191 83 90

HSL 356.11, 0.46%, 0.54%

LAB 49.5, 44.02, 17.7

 

CMYK 53 / 0 / 57 / 25

HEX #5ABF53

RGB 90 191 83

HSL 116.11, 0.46%, 0.54%

LAB 69.51, -50.77, 45

 

CMYK 56 / 53 / 0 / 25

HEX #545ABF

RGB 84 90 191

HSL 236.64, 0.46%, 0.54%

LAB 42.7, 27.12, -54.02

 

CMYK 0 / 57 / 7 / 25

HEX #BF53B1

RGB 191 83 177

HSL 307.78, 0.46%, 0.54%

LAB 52.33, 55.17, -29.86

 

CMYK 0 / 4 / 57 / 25

HEX #BFB853

RGB 191 184 83

HSL 56.11, 0.46%, 0.54%

LAB 73.53, -10.64, 51.21

 

CMYK 57 / 0 / 49 / 25

HEX #53BF62

RGB 83 191 98

HSL 128.33, 0.46%, 0.54%

LAB 69.46, -50.56, 37.6

 

CMYK 56 / 53 / 0 / 25

HEX #545ABF

RGB 84 90 191

HSL 236.64, 0.46%, 0.54%

LAB 42.7, 27.12, -54.02

 

CMYK 0 / 57 / 25 / 25

HEX #BF5390

RGB 191 83 144

HSL 326.11, 0.46%, 0.54%

LAB 51.01, 50.13, -12.47

 

CMYK 0 / 4 / 57 / 25

HEX #BFB853

RGB 191 184 83

HSL 56.11, 0.46%, 0.54%

LAB 73.53, -10.64, 51.21

 

CMYK 57 / 0 / 32 / 25

HEX #53BF82

RGB 83 191 130

HSL 146.11, 0.46%, 0.54%

LAB 69.97, -45.06, 21.66

 

Description

Color code: HEX #545ABF | qconv.com Color code: HEX #545ABF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 90 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 90 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 53 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 53% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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