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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #542932 it is the complementary color #ABD6CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #542932. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #542932 shade: #59292D, #6A3B40, #7B4D53, #8C5F66 and #9D7179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #542932. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #542932 shade: #542932, #43171F, #32050C, #210000 and #100000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #542932 shade: #552A33 and #552A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #542932 shade: #552A33, #552A3E, #552A4A, #542A55 and #482A55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #542932 shade matches the following richer shades: #552A33, #5F1F2D, #6A1527, #740B21 and #7E001B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #542932 shade: #552A33, #4B3439, #403E3F, #364945 and #2C534B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #542932 shade: #552A4A, #552A3F, #552A33, #552C2A and #55372A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #542932 shade: #1E0E12, #391C22, #552A33, #713743 and #8C4554

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #542932 shade: #542932, #55542A and #2A4455

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #542932 shade: #542932, #33552A and #2A3355

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #542932 shade: #542932, #55542A, #2A554C and #2A2A55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #542932 shade: #542932, #49552A, #2A554C and #362A55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 40 / 67

HEX #542932

RGB 84 41 50

HSL 347.44, 0.34%, 0.25%

LAB 22.66, 21.03, 3.26

 

Complementary color

CMYK 20 / 0 / 4 / 16

HEX #ABD6CD

RGB 171 214 205

HSL 167.44, 0.34%, 0.75%

LAB 82.46, -15.84, -0.2

 

CMYK 0 / 54 / 49 / 65

HEX #59292D

RGB 89 41 45

HSL 355, 0.37%, 0.25%

LAB 23.34, 22.51, 7.74

 

CMYK 0 / 44 / 40 / 58

HEX #6A3B40

RGB 106 59 64

HSL 353.62, 0.28%, 0.32%

LAB 30.79, 21.33, 5.97

 

CMYK 0 / 37 / 33 / 52

HEX #7B4D53

RGB 123 77 83

HSL 352.17, 0.23%, 0.39%

LAB 38.1, 20.3, 4.6

 

CMYK 0 / 32 / 27 / 45

HEX #8C5F66

RGB 140 95 102

HSL 350.67, 0.19%, 0.46%

LAB 45.25, 19.4, 3.47

 

CMYK 0 / 28 / 23 / 38

HEX #9D7179

RGB 157 113 121

HSL 349.09, 0.18%, 0.53%

LAB 52.24, 18.61, 2.48

 

CMYK 0 / 51 / 40 / 67

HEX #542932

RGB 84 41 50

HSL 347.44, 0.34%, 0.25%

LAB 22.66, 21.03, 3.26

 

CMYK 0 / 66 / 54 / 74

HEX #43171F

RGB 67 23 31

HSL 349.09, 0.49%, 0.18%

LAB 14.98, 22.13, 5.33

 

CMYK 0 / 90 / 76 / 80

HEX #32050C

RGB 50 5 12

HSL 350.67, 0.82%, 0.11%

LAB 7.35, 22.98, 6.53

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 51 / 40 / 67

HEX #552A33

RGB 85 42 51

HSL 347.44, 0.34%, 0.25%

LAB 23.09, 20.98, 3.21

 

CMYK 0 / 51 / 51 / 67

HEX #552A2A

RGB 85 42 42

HSL 0, 0.34%, 0.25%

LAB 22.84, 19.83, 8.99

 

CMYK 0 / 51 / 40 / 67

HEX #552A33

RGB 85 42 51

HSL 347.44, 0.34%, 0.25%

LAB 23.09, 20.98, 3.21

 

CMYK 0 / 51 / 27 / 67

HEX #552A3E

RGB 85 42 62

HSL 332.09, 0.34%, 0.25%

LAB 23.46, 22.67, -3.74

 

CMYK 0 / 51 / 13 / 67

HEX #552A4A

RGB 85 42 74

HSL 315.35, 0.34%, 0.25%

LAB 23.94, 24.81, -11.11

 

CMYK 1 / 51 / 0 / 67

HEX #542A55

RGB 84 42 85

HSL 298.6, 0.34%, 0.25%

LAB 24.31, 26.69, -17.88

 

CMYK 15 / 51 / 0 / 67

HEX #482A55

RGB 72 42 85

HSL 281.86, 0.34%, 0.25%

LAB 22.62, 22.63, -20.65

 

CMYK 0 / 51 / 40 / 67

HEX #552A33

RGB 85 42 51

HSL 347.44, 0.34%, 0.25%

LAB 23.09, 20.98, 3.21

 

CMYK 0 / 67 / 53 / 63

HEX #5F1F2D

RGB 95 31 45

HSL 346.88, 0.51%, 0.25%

LAB 22.31, 30.38, 6.47

 

CMYK 0 / 80 / 63 / 58

HEX #6A1527

RGB 106 21 39

HSL 347.29, 0.67%, 0.25%

LAB 22.82, 37.97, 11.67

 

CMYK 0 / 91 / 72 / 55

HEX #740B21

RGB 116 11 33

HSL 347.43, 0.83%, 0.25%

LAB 23.88, 43.5, 17.59

 

CMYK 0 / 100 / 79 / 51

HEX #7E001B

RGB 126 0 27

HSL 347.14, 1%, 0.25%

LAB 25.3, 48.17, 23.87

 

CMYK 0 / 51 / 40 / 67

HEX #552A33

RGB 85 42 51

HSL 347.44, 0.34%, 0.25%

LAB 23.09, 20.98, 3.21

 

CMYK 0 / 31 / 24 / 71

HEX #4B3439

RGB 75 52 57

HSL 346.96, 0.18%, 0.25%

LAB 24.47, 11.24, 0.97

 

CMYK 0 / 3 / 2 / 75

HEX #403E3F

RGB 64 62 63

HSL 330, 0.02%, 0.25%

LAB 26.43, 1.07, -0.31

 

CMYK 26 / 0 / 5 / 71

HEX #364945

RGB 54 73 69

HSL 167.37, 0.15%, 0.25%

LAB 29.36, -8.44, -0.05

 

CMYK 47 / 0 / 10 / 67

HEX #2C534B

RGB 44 83 75

HSL 167.69, 0.31%, 0.25%

LAB 32.32, -16.06, 0.37

 

CMYK 0 / 51 / 13 / 67

HEX #552A4A

RGB 85 42 74

HSL 315.35, 0.34%, 0.25%

LAB 23.94, 24.81, -11.11

 

CMYK 0 / 51 / 26 / 67

HEX #552A3F

RGB 85 42 63

HSL 330.7, 0.34%, 0.25%

LAB 23.49, 22.83, -4.36

 

CMYK 0 / 51 / 40 / 67

HEX #552A33

RGB 85 42 51

HSL 347.44, 0.34%, 0.25%

LAB 23.09, 20.98, 3.21

 

CMYK 0 / 48 / 51 / 67

HEX #552C2A

RGB 85 44 42

HSL 2.79, 0.34%, 0.25%

LAB 23.34, 18.6, 9.67

 

CMYK 0 / 35 / 51 / 67

HEX #55372A

RGB 85 55 42

HSL 18.14, 0.34%, 0.25%

LAB 26.25, 11.65, 13.59

 

CMYK 0 / 53 / 40 / 88

HEX #1E0E12

RGB 30 14 18

HSL 345, 0.36%, 0.09%

LAB 5.72, 8.16, 0.54

 

CMYK 0 / 51 / 40 / 78

HEX #391C22

RGB 57 28 34

HSL 347.59, 0.34%, 0.17%

LAB 14.49, 15.09, 2.21

 

CMYK 0 / 51 / 40 / 67

HEX #552A33

RGB 85 42 51

HSL 347.44, 0.34%, 0.25%

LAB 23.09, 20.98, 3.21

 

CMYK 0 / 51 / 41 / 56

HEX #713743

RGB 113 55 67

HSL 347.59, 0.35%, 0.33%

LAB 30.99, 26.93, 4.46

 

CMYK 0 / 51 / 40 / 45

HEX #8C4554

RGB 140 69 84

HSL 347.32, 0.34%, 0.41%

LAB 38.68, 31.76, 5.12

 

CMYK 0 / 51 / 40 / 67

HEX #542932

RGB 84 41 50

HSL 347.44, 0.34%, 0.25%

LAB 22.66, 21.03, 3.26

 

CMYK 0 / 1 / 51 / 67

HEX #55542A

RGB 85 84 42

HSL 58.6, 0.34%, 0.25%

LAB 34.88, -6.44, 24.54

 

CMYK 51 / 20 / 0 / 67

HEX #2A4455

RGB 42 68 85

HSL 203.72, 0.34%, 0.25%

LAB 27.52, -4.58, -13.25

 

CMYK 0 / 51 / 40 / 67

HEX #542932

RGB 84 41 50

HSL 347.44, 0.34%, 0.25%

LAB 22.66, 21.03, 3.26

 

CMYK 40 / 0 / 51 / 67

HEX #33552A

RGB 51 85 42

HSL 107.44, 0.34%, 0.25%

LAB 32.63, -21.87, 21.19

 

CMYK 51 / 40 / 0 / 67

HEX #2A3355

RGB 42 51 85

HSL 227.44, 0.34%, 0.25%

LAB 22, 6.85, -21.84

 

CMYK 0 / 51 / 40 / 67

HEX #542932

RGB 84 41 50

HSL 347.44, 0.34%, 0.25%

LAB 22.66, 21.03, 3.26

 

CMYK 0 / 1 / 51 / 67

HEX #55542A

RGB 85 84 42

HSL 58.6, 0.34%, 0.25%

LAB 34.88, -6.44, 24.54

 

CMYK 51 / 0 / 11 / 67

HEX #2A554C

RGB 42 85 76

HSL 167.44, 0.34%, 0.25%

LAB 32.94, -17.47, 0.63

 

CMYK 51 / 51 / 0 / 67

HEX #2A2A55

RGB 42 42 85

HSL 240, 0.34%, 0.25%

LAB 19.24, 13.21, -26.22

 

CMYK 0 / 51 / 40 / 67

HEX #542932

RGB 84 41 50

HSL 347.44, 0.34%, 0.25%

LAB 22.66, 21.03, 3.26

 

CMYK 14 / 0 / 51 / 67

HEX #49552A

RGB 73 85 42

HSL 76.74, 0.34%, 0.25%

LAB 34.15, -12.6, 23.41

 

CMYK 51 / 0 / 11 / 67

HEX #2A554C

RGB 42 85 76

HSL 167.44, 0.34%, 0.25%

LAB 32.94, -17.47, 0.63

 

CMYK 36 / 51 / 0 / 67

HEX #362A55

RGB 54 42 85

HSL 256.74, 0.34%, 0.25%

LAB 20.42, 16.76, -24.26

 

Description

Color code: HEX #542932 | qconv.com Color code: HEX #542932 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 41 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 41 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 40 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 40% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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