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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5427A9 it is the complementary color #ABD856. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5427A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5427A9 shade: #5927A4, #6A39B7, #7B4BCA, #8C5DDD and #9D6FF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5427A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5427A9 shade: #5427A9, #431596, #320383, #210070 and #10005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5427A9 shade: #5426AA, #7726AA, #9B26AA, #AA2695 and #AA2672

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5427A9 shade: #5426AA, #3026AA and #2626AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5427A9 shade matches the following richer shades: #5426AA, #4F15BB and #4904CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5427A9 shade: #5426AA, #593799, #5E4888, #635977 and #696A66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5427A9 shade: #2641AA, #2F26AA, #5226AA, #7526AA and #9826AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5427A9 shade: #331767, #431F88, #5426AA, #642ECC and #7C4DD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5427A9 shade: #5427A9, #AA2664 and #2FAA26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5427A9 shade: #5427A9, #AA5226 and #26AA52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5427A9 shade: #5427A9, #AA2664, #7EAA26 and #26AA6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5427A9 shade: #5427A9, #AA263C, #7EAA26 and #26AA94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 77 / 0 / 34

HEX #5427A9

RGB 84 39 169

HSL 260.77, 0.63%, 0.41%

LAB 29.91, 49.71, -61.81

 

Complementary color

CMYK 21 / 0 / 60 / 15

HEX #ABD856

RGB 171 216 86

HSL 80.77, 0.63%, 0.59%

LAB 80.98, -34.11, 57.82

 

CMYK 46 / 76 / 0 / 36

HEX #5927A4

RGB 89 39 164

HSL 264, 0.62%, 0.4%

LAB 30.05, 49.15, -58.55

 

CMYK 42 / 69 / 0 / 28

HEX #6A39B7

RGB 106 57 183

HSL 263.33, 0.53%, 0.47%

LAB 36.76, 48.4, -58.86

 

CMYK 39 / 63 / 0 / 21

HEX #7B4BCA

RGB 123 75 202

HSL 262.68, 0.55%, 0.54%

LAB 43.52, 47.38, -58.91

 

CMYK 37 / 58 / 0 / 13

HEX #8C5DDD

RGB 140 93 221

HSL 262.03, 0.65%, 0.62%

LAB 50.25, 46.28, -58.84

 

CMYK 35 / 54 / 0 / 6

HEX #9D6FF0

RGB 157 111 240

HSL 261.4, 0.81%, 0.69%

LAB 56.91, 45.2, -58.72

 

CMYK 50 / 77 / 0 / 34

HEX #5427A9

RGB 84 39 169

HSL 260.77, 0.63%, 0.41%

LAB 29.91, 49.71, -61.81

 

CMYK 55 / 86 / 0 / 41

HEX #431596

RGB 67 21 150

HSL 261.4, 0.75%, 0.34%

LAB 23.44, 49.9, -60.95

 

CMYK 62 / 98 / 0 / 49

HEX #320383

RGB 50 3 131

HSL 262.03, 0.96%, 0.26%

LAB 17.38, 48.88, -59.18

 

CMYK 71 / 100 / 0 / 56

HEX #210070

RGB 33 0 112

HSL 257.68, 1%, 0.22%

LAB 12.56, 44.04, -55.02

 

CMYK 83 / 100 / 0 / 64

HEX #10005D

RGB 16 0 93

HSL 250.32, 1%, 0.18%

LAB 8.13, 38.24, -49.86

 

CMYK 51 / 78 / 0 / 33

HEX #5426AA

RGB 84 38 170

HSL 260.91, 0.63%, 0.41%

LAB 29.85, 50.44, -62.52

 

CMYK 30 / 78 / 0 / 33

HEX #7726AA

RGB 119 38 170

HSL 276.82, 0.63%, 0.41%

LAB 34.42, 56.19, -54.86

 

CMYK 9 / 78 / 0 / 33

HEX #9B26AA

RGB 155 38 170

HSL 293.18, 0.63%, 0.41%

LAB 40.01, 63.07, -45.55

 

CMYK 0 / 78 / 12 / 33

HEX #AA2695

RGB 170 38 149

HSL 309.55, 0.63%, 0.41%

LAB 41.38, 62.88, -30.59

 

CMYK 0 / 78 / 33 / 33

HEX #AA2672

RGB 170 38 114

HSL 325.45, 0.63%, 0.41%

LAB 39.83, 58.28, -11.44

 

CMYK 51 / 78 / 0 / 33

HEX #5426AA

RGB 84 38 170

HSL 260.91, 0.63%, 0.41%

LAB 29.85, 50.44, -62.52

 

CMYK 72 / 78 / 0 / 33

HEX #3026AA

RGB 48 38 170

HSL 244.55, 0.63%, 0.41%

LAB 26.5, 46.13, -68.15

 

CMYK 78 / 78 / 0 / 33

HEX #2626AA

RGB 38 38 170

HSL 240, 0.63%, 0.41%

LAB 25.86, 45.3, -69.22

 

CMYK 51 / 78 / 0 / 33

HEX #5426AA

RGB 84 38 170

HSL 260.91, 0.63%, 0.41%

LAB 29.85, 50.44, -62.52

 

CMYK 58 / 89 / 0 / 27

HEX #4F15BB

RGB 79 21 187

HSL 260.96, 0.8%, 0.41%

LAB 28.87, 60.62, -74.3

 

CMYK 64 / 98 / 0 / 20

HEX #4904CC

RGB 73 4 204

HSL 260.7, 0.96%, 0.41%

LAB 29.06, 67.85, -84

 

CMYK 51 / 78 / 0 / 33

HEX #5426AA

RGB 84 38 170

HSL 260.91, 0.63%, 0.41%

LAB 29.85, 50.44, -62.52

 

CMYK 42 / 64 / 0 / 40

HEX #593799

RGB 89 55 153

HSL 260.82, 0.47%, 0.41%

LAB 32.16, 37.81, -48.43

 

CMYK 31 / 47 / 0 / 47

HEX #5E4888

RGB 94 72 136

HSL 260.63, 0.31%, 0.41%

LAB 35.58, 24.09, -32.53

 

CMYK 17 / 25 / 0 / 53

HEX #635977

RGB 99 89 119

HSL 260, 0.14%, 0.41%

LAB 39.8, 10.66, -15.49

 

CMYK 1 / 0 / 4 / 58

HEX #696A66

RGB 105 106 102

HSL 75, 0.02%, 0.41%

LAB 44.62, -1.2, 2.1

 

CMYK 78 / 62 / 0 / 33

HEX #2641AA

RGB 38 65 170

HSL 227.73, 0.63%, 0.41%

LAB 32.02, 28.62, -59.09

 

CMYK 72 / 78 / 0 / 33

HEX #2F26AA

RGB 47 38 170

HSL 244.09, 0.63%, 0.41%

LAB 26.43, 46.04, -68.27

 

CMYK 52 / 78 / 0 / 33

HEX #5226AA

RGB 82 38 170

HSL 260, 0.63%, 0.41%

LAB 29.62, 50.15, -62.9

 

CMYK 31 / 78 / 0 / 33

HEX #7526AA

RGB 117 38 170

HSL 275.91, 0.63%, 0.41%

LAB 34.13, 55.83, -55.34

 

CMYK 11 / 78 / 0 / 33

HEX #9826AA

RGB 152 38 170

HSL 291.82, 0.63%, 0.41%

LAB 39.52, 62.47, -46.37

 

CMYK 50 / 78 / 0 / 60

HEX #331767

RGB 51 23 103

HSL 261, 0.63%, 0.25%

LAB 16.97, 33.53, -41.79

 

CMYK 51 / 77 / 0 / 47

HEX #431F88

RGB 67 31 136

HSL 260.57, 0.63%, 0.33%

LAB 23.51, 41.74, -52.14

 

CMYK 51 / 78 / 0 / 33

HEX #5426AA

RGB 84 38 170

HSL 260.91, 0.63%, 0.41%

LAB 29.85, 50.44, -62.52

 

CMYK 51 / 77 / 0 / 20

HEX #642ECC

RGB 100 46 204

HSL 260.51, 0.63%, 0.49%

LAB 36.03, 58.18, -72.39

 

CMYK 42 / 64 / 0 / 16

HEX #7C4DD6

RGB 124 77 214

HSL 260.58, 0.63%, 0.57%

LAB 44.87, 49.68, -63.62

 

CMYK 50 / 77 / 0 / 34

HEX #5427A9

RGB 84 39 169

HSL 260.77, 0.63%, 0.41%

LAB 29.91, 49.71, -61.81

 

CMYK 0 / 78 / 41 / 33

HEX #AA2664

RGB 170 38 100

HSL 331.82, 0.63%, 0.41%

LAB 39.33, 56.76, -3.39

 

CMYK 72 / 0 / 78 / 33

HEX #2FAA26

RGB 47 170 38

HSL 115.91, 0.63%, 0.41%

LAB 61.21, -57.34, 54.21

 

CMYK 50 / 77 / 0 / 34

HEX #5427A9

RGB 84 39 169

HSL 260.77, 0.63%, 0.41%

LAB 29.91, 49.71, -61.81

 

CMYK 0 / 52 / 78 / 33

HEX #AA5226

RGB 170 82 38

HSL 20, 0.63%, 0.41%

LAB 45.25, 33.12, 41.27

 

CMYK 78 / 0 / 52 / 33

HEX #26AA52

RGB 38 170 82

HSL 140, 0.63%, 0.41%

LAB 61.46, -53.83, 35.45

 

CMYK 50 / 77 / 0 / 34

HEX #5427A9

RGB 84 39 169

HSL 260.77, 0.63%, 0.41%

LAB 29.91, 49.71, -61.81

 

CMYK 0 / 78 / 41 / 33

HEX #AA2664

RGB 170 38 100

HSL 331.82, 0.63%, 0.41%

LAB 39.33, 56.76, -3.39

 

CMYK 26 / 0 / 78 / 33

HEX #7EAA26

RGB 126 170 38

HSL 80, 0.63%, 0.41%

LAB 64.42, -33.6, 58.4

 

CMYK 78 / 0 / 36 / 33

HEX #26AA6C

RGB 38 170 108

HSL 151.82, 0.63%, 0.41%

LAB 61.86, -49.13, 22.33

 

CMYK 50 / 77 / 0 / 34

HEX #5427A9

RGB 84 39 169

HSL 260.77, 0.63%, 0.41%

LAB 29.91, 49.71, -61.81

 

CMYK 0 / 78 / 65 / 33

HEX #AA263C

RGB 170 38 60

HSL 350, 0.63%, 0.41%

LAB 38.3, 53.53, 20.59

 

CMYK 26 / 0 / 78 / 33

HEX #7EAA26

RGB 126 170 38

HSL 80, 0.63%, 0.41%

LAB 64.42, -33.6, 58.4

 

CMYK 78 / 0 / 13 / 33

HEX #26AA94

RGB 38 170 148

HSL 170, 0.63%, 0.41%

LAB 62.76, -39.53, 1.48

 

Description

Color code: HEX #5427A9 | qconv.com Color code: HEX #5427A9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 39 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 39 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 77 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 77% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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