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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54164D it is the complementary color #ABE9B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54164D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54164D shade: #591648, #6A285B, #7B3A6E, #8C4C81 and #9D5E94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54164D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54164D shade: #54164D, #43043A, #320027, #210014 and #100001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54164D shade: #54164D, #54163C, #54162C, #54161B and #541616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54164D shade: #54164D, #4A1654, #3A1654, #291654 and #181654

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54164D shade matches the following richer shades: #54164D, #5D0D54 and #65055B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54164D shade: #54164D, #4B1F46, #432740, #3A3039 and #313932

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54164D shade: #391654, #4A1654, #54164E, #54163D and #54162D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54164D shade: #130511, #340D2F, #54164D, #751F6B and #952789

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54164D shade: #54164D, #542916 and #165441

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54164D shade: #54164D, #4E5416 and #164E54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54164D shade: #54164D, #542916, #16541C and #164154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54164D shade: #54164D, #543B16, #16541C and #162F54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 8 / 67

HEX #54164D

RGB 84 22 77

HSL 306.77, 0.58%, 0.21%

LAB 20.02, 35.55, -19.22

 

Complementary color

CMYK 27 / 0 / 24 / 9

HEX #ABE9B2

RGB 171 233 178

HSL 126.77, 0.58%, 0.79%

LAB 87.07, -30.23, 20.56

 

CMYK 0 / 75 / 19 / 65

HEX #591648

RGB 89 22 72

HSL 315.22, 0.6%, 0.22%

LAB 20.7, 36.12, -14.69

 

CMYK 0 / 62 / 14 / 58

HEX #6A285B

RGB 106 40 91

HSL 313.64, 0.45%, 0.29%

LAB 27.67, 36.14, -16.34

 

CMYK 0 / 53 / 11 / 52

HEX #7B3A6E

RGB 123 58 110

HSL 312, 0.36%, 0.35%

LAB 34.73, 35.59, -17.43

 

CMYK 0 / 46 / 8 / 45

HEX #8C4C81

RGB 140 76 129

HSL 310.31, 0.3%, 0.42%

LAB 41.73, 34.84, -18.23

 

CMYK 0 / 40 / 6 / 38

HEX #9D5E94

RGB 157 94 148

HSL 308.57, 0.25%, 0.49%

LAB 48.65, 34.05, -18.87

 

CMYK 0 / 74 / 8 / 67

HEX #54164D

RGB 84 22 77

HSL 306.77, 0.58%, 0.21%

LAB 20.02, 35.55, -19.22

 

CMYK 0 / 94 / 13 / 74

HEX #43043A

RGB 67 4 58

HSL 308.57, 0.89%, 0.14%

LAB 13.14, 34.51, -17.03

 

CMYK 0 / 100 / 22 / 80

HEX #320027

RGB 50 0 39

HSL 313.2, 1%, 0.1%

LAB 7.45, 29.22, -12.25

 

CMYK 0 / 100 / 39 / 87

HEX #210014

RGB 33 0 20

HSL 323.64, 1%, 0.06%

LAB 3.38, 16.31, -4.11

 

CMYK 0 / 100 / 94 / 94

HEX #100001

RGB 16 0 1

HSL 356.25, 1%, 0.03%

LAB 1.01, 4.6, 1.19

 

CMYK 0 / 74 / 8 / 67

HEX #54164D

RGB 84 22 77

HSL 306.77, 0.58%, 0.21%

LAB 20.02, 35.55, -19.22

 

CMYK 0 / 74 / 29 / 67

HEX #54163C

RGB 84 22 60

HSL 323.23, 0.58%, 0.21%

LAB 19.16, 32.73, -8.84

 

CMYK 0 / 74 / 48 / 67

HEX #54162C

RGB 84 22 44

HSL 338.71, 0.58%, 0.21%

LAB 18.54, 30.61, 1.52

 

CMYK 0 / 74 / 68 / 67

HEX #54161B

RGB 84 22 27

HSL 355.16, 0.58%, 0.21%

LAB 18.09, 29, 12.96

 

CMYK 0 / 74 / 74 / 67

HEX #541616

RGB 84 22 22

HSL 0, 0.58%, 0.21%

LAB 17.99, 28.66, 16.32

 

CMYK 0 / 74 / 8 / 67

HEX #54164D

RGB 84 22 77

HSL 306.77, 0.58%, 0.21%

LAB 20.02, 35.55, -19.22

 

CMYK 12 / 74 / 0 / 67

HEX #4A1654

RGB 74 22 84

HSL 290.32, 0.58%, 0.21%

LAB 18.67, 34.23, -26.22

 

CMYK 31 / 74 / 0 / 67

HEX #3A1654

RGB 58 22 84

HSL 274.84, 0.58%, 0.21%

LAB 16.07, 30.17, -30.53

 

CMYK 51 / 74 / 0 / 67

HEX #291654

RGB 41 22 84

HSL 258.39, 0.58%, 0.21%

LAB 13.74, 26.26, -34.42

 

CMYK 71 / 74 / 0 / 67

HEX #181654

RGB 24 22 84

HSL 241.94, 0.58%, 0.21%

LAB 12.01, 23.12, -37.32

 

CMYK 0 / 74 / 8 / 67

HEX #54164D

RGB 84 22 77

HSL 306.77, 0.58%, 0.21%

LAB 20.02, 35.55, -19.22

 

CMYK 0 / 86 / 10 / 64

HEX #5D0D54

RGB 93 13 84

HSL 306.75, 0.75%, 0.21%

LAB 21.04, 42.26, -22.24

 

CMYK 0 / 95 / 10 / 60

HEX #65055B

RGB 101 5 91

HSL 306.25, 0.91%, 0.21%

LAB 22.41, 47.06, -24.65

 

CMYK 0 / 74 / 8 / 67

HEX #54164D

RGB 84 22 77

HSL 306.77, 0.58%, 0.21%

LAB 20.02, 35.55, -19.22

 

CMYK 0 / 59 / 7 / 71

HEX #4B1F46

RGB 75 31 70

HSL 306.82, 0.42%, 0.21%

LAB 19.71, 26.91, -15.04

 

CMYK 0 / 42 / 4 / 74

HEX #432740

RGB 67 39 64

HSL 306.43, 0.26%, 0.21%

LAB 20.1, 17.81, -10.43

 

CMYK 0 / 17 / 2 / 77

HEX #3A3039

RGB 58 48 57

HSL 306, 0.09%, 0.21%

LAB 21.24, 6.46, -4.02

 

CMYK 14 / 0 / 12 / 78

HEX #313932

RGB 49 57 50

HSL 127.5, 0.08%, 0.21%

LAB 23.03, -5.03, 3.23

 

CMYK 32 / 74 / 0 / 67

HEX #391654

RGB 57 22 84

HSL 273.87, 0.58%, 0.21%

LAB 15.92, 29.93, -30.78

 

CMYK 12 / 74 / 0 / 67

HEX #4A1654

RGB 74 22 84

HSL 290.32, 0.58%, 0.21%

LAB 18.67, 34.23, -26.22

 

CMYK 0 / 74 / 7 / 67

HEX #54164E

RGB 84 22 78

HSL 305.81, 0.58%, 0.21%

LAB 20.08, 35.73, -19.81

 

CMYK 0 / 74 / 27 / 67

HEX #54163D

RGB 84 22 61

HSL 322.26, 0.58%, 0.21%

LAB 19.21, 32.88, -9.47

 

CMYK 0 / 74 / 46 / 67

HEX #54162D

RGB 84 22 45

HSL 337.74, 0.58%, 0.21%

LAB 18.58, 30.73, 0.86

 

CMYK 0 / 74 / 11 / 93

HEX #130511

RGB 19 5 17

HSL 308.57, 0.58%, 0.05%

LAB 2.6, 6.18, -3.58

 

CMYK 0 / 75 / 10 / 80

HEX #340D2F

RGB 52 13 47

HSL 307.69, 0.6%, 0.13%

LAB 10.73, 24.5, -13.07

 

CMYK 0 / 74 / 8 / 67

HEX #54164D

RGB 84 22 77

HSL 306.77, 0.58%, 0.21%

LAB 20.02, 35.55, -19.22

 

CMYK 0 / 74 / 9 / 54

HEX #751F6B

RGB 117 31 107

HSL 306.98, 0.58%, 0.29%

LAB 28.96, 45.96, -24.57

 

CMYK 0 / 74 / 8 / 42

HEX #952789

RGB 149 39 137

HSL 306.55, 0.59%, 0.37%

LAB 37.2, 55.87, -30.09

 

CMYK 0 / 74 / 8 / 67

HEX #54164D

RGB 84 22 77

HSL 306.77, 0.58%, 0.21%

LAB 20.02, 35.55, -19.22

 

CMYK 0 / 51 / 74 / 67

HEX #542916

RGB 84 41 22

HSL 18.39, 0.58%, 0.21%

LAB 22.05, 18.13, 21.12

 

CMYK 74 / 0 / 23 / 67

HEX #165441

RGB 22 84 65

HSL 161.61, 0.58%, 0.21%

LAB 31.56, -24.73, 5.49

 

CMYK 0 / 74 / 8 / 67

HEX #54164D

RGB 84 22 77

HSL 306.77, 0.58%, 0.21%

LAB 20.02, 35.55, -19.22

 

CMYK 7 / 0 / 74 / 67

HEX #4E5416

RGB 78 84 22

HSL 65.81, 0.58%, 0.21%

LAB 34.02, -11.59, 33.77

 

CMYK 74 / 7 / 0 / 67

HEX #164E54

RGB 22 78 84

HSL 185.81, 0.58%, 0.21%

LAB 30.06, -15.58, -8.83

 

CMYK 0 / 74 / 8 / 67

HEX #54164D

RGB 84 22 77

HSL 306.77, 0.58%, 0.21%

LAB 20.02, 35.55, -19.22

 

CMYK 0 / 51 / 74 / 67

HEX #542916

RGB 84 41 22

HSL 18.39, 0.58%, 0.21%

LAB 22.05, 18.13, 21.12

 

CMYK 74 / 0 / 67 / 67

HEX #16541C

RGB 22 84 28

HSL 125.81, 0.58%, 0.21%

LAB 30.87, -32.39, 26.53

 

CMYK 74 / 23 / 0 / 67

HEX #164154

RGB 22 65 84

HSL 198.39, 0.58%, 0.21%

LAB 25.54, -7.75, -15.74

 

CMYK 0 / 74 / 8 / 67

HEX #54164D

RGB 84 22 77

HSL 306.77, 0.58%, 0.21%

LAB 20.02, 35.55, -19.22

 

CMYK 0 / 30 / 74 / 67

HEX #543B16

RGB 84 59 22

HSL 35.81, 0.58%, 0.21%

LAB 26.94, 6.73, 26.57

 

CMYK 74 / 0 / 67 / 67

HEX #16541C

RGB 22 84 28

HSL 125.81, 0.58%, 0.21%

LAB 30.87, -32.39, 26.53

 

CMYK 74 / 44 / 0 / 67

HEX #162F54

RGB 22 47 84

HSL 215.81, 0.58%, 0.21%

LAB 19.41, 4.47, -25.36

 

Description

Color code: HEX #54164D | qconv.com Color code: HEX #54164D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 22 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 22 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 8 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 8% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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