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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5400CC it is the complementary color #ABFF33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5400CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5400CC shade: #5900C7, #6A12DA, #7B24ED, #8C36FF and #9D48FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5400CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5400CC shade: #5400CC, #4300B9, #3200A6, #210093 and #100080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5400CC shade: #5400CC, #8B00CC, #C200CC, #CC009E and #CC0067

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5400CC shade: #5400CC, #1D00CC and #0000CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5400CC shade matches the following richer shades: #5400CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5400CC shade: #5400CC, #5610BB, #5921AA, #5C319A and #5F4289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5400CC shade: #001BCC, #1B00CC, #5100CC, #8800CC and #BE00CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5400CC shade: #320079, #4300A2, #5400CC, #6500F5 and #7B1FFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5400CC shade: #5400CC, #CC0051 and #00CC00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5400CC shade: #5400CC, #CC5100 and #00CC51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5400CC shade: #5400CC, #CC0051, #7ACC00 and #00CC7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5400CC shade: #5400CC, #CC0014, #7ACC00 and #00CCB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 100 / 0 / 20

HEX #5400CC

RGB 84 0 204

HSL 264.71, 1%, 0.4%

LAB 30.02, 69.14, -82.37

 

Complementary color

CMYK 33 / 0 / 80 / 0

HEX #ABFF33

RGB 171 255 51

HSL 84.71, 1%, 0.6%

LAB 91.87, -53.03, 80.77

 

CMYK 55 / 100 / 0 / 22

HEX #5900C7

RGB 89 0 199

HSL 266.83, 1%, 0.39%

LAB 30.03, 68.33, -79.42

 

CMYK 51 / 92 / 0 / 15

HEX #6A12DA

RGB 106 18 218

HSL 266.4, 0.85%, 0.46%

LAB 35.12, 71.06, -81.96

 

CMYK 48 / 85 / 0 / 7

HEX #7B24ED

RGB 123 36 237

HSL 265.97, 0.85%, 0.54%

LAB 40.55, 72.64, -83.78

 

CMYK 45 / 79 / 0 / 0

HEX #8C36FF

RGB 140 54 255

HSL 265.67, 1%, 0.61%

LAB 46.22, 72.93, -84.5

 

CMYK 38 / 72 / 0 / 0

HEX #9D48FF

RGB 157 72 255

HSL 267.87, 1%, 0.64%

LAB 50.71, 68.32, -77.07

 

CMYK 59 / 100 / 0 / 20

HEX #5400CC

RGB 84 0 204

HSL 264.71, 1%, 0.4%

LAB 30.02, 69.14, -82.37

 

CMYK 64 / 100 / 0 / 27

HEX #4300B9

RGB 67 0 185

HSL 261.73, 1%, 0.36%

LAB 25.85, 63.8, -78.16

 

CMYK 70 / 100 / 0 / 35

HEX #3200A6

RGB 50 0 166

HSL 258.07, 1%, 0.33%

LAB 21.69, 58.44, -73.7

 

CMYK 78 / 100 / 0 / 42

HEX #210093

RGB 33 0 147

HSL 253.47, 1%, 0.29%

LAB 17.6, 53.08, -68.89

 

CMYK 88 / 100 / 0 / 50

HEX #100080

RGB 16 0 128

HSL 247.5, 1%, 0.25%

LAB 13.64, 47.73, -63.57

 

CMYK 59 / 100 / 0 / 20

HEX #5400CC

RGB 84 0 204

HSL 264.71, 1%, 0.4%

LAB 30.02, 69.14, -82.37

 

CMYK 32 / 100 / 0 / 20

HEX #8B00CC

RGB 139 0 204

HSL 280.88, 1%, 0.4%

LAB 37.57, 73.97, -69.66

 

CMYK 5 / 100 / 0 / 20

HEX #C200CC

RGB 194 0 204

HSL 297.06, 1%, 0.4%

LAB 46.75, 81.47, -54.34

 

CMYK 0 / 100 / 23 / 20

HEX #CC009E

RGB 204 0 158

HSL 313.53, 1%, 0.4%

LAB 46.05, 76.99, -28.25

 

CMYK 0 / 100 / 50 / 20

HEX #CC0067

RGB 204 0 103

HSL 329.71, 1%, 0.4%

LAB 43.97, 71.61, 2.31

 

CMYK 59 / 100 / 0 / 20

HEX #5400CC

RGB 84 0 204

HSL 264.71, 1%, 0.4%

LAB 30.02, 69.14, -82.37

 

CMYK 86 / 100 / 0 / 20

HEX #1D00CC

RGB 29 0 204

HSL 248.53, 1%, 0.4%

LAB 25.63, 67.2, -89.81

 

CMYK 100 / 100 / 0 / 20

HEX #0000CC

RGB 0 0 204

HSL 240, 1%, 0.4%

LAB 24.83, 66.94, -91.17

 

CMYK 59 / 100 / 0 / 20

HEX #5400CC

RGB 84 0 204

HSL 264.71, 1%, 0.4%

LAB 30.02, 69.14, -82.37

 

CMYK 59 / 100 / 0 / 20

HEX #5400CC

RGB 84 0 204

HSL 264.71, 1%, 0.4%

LAB 30.02, 69.14, -82.37

 

CMYK 54 / 91 / 0 / 27

HEX #5610BB

RGB 86 16 187

HSL 264.56, 0.84%, 0.4%

LAB 29.25, 62.51, -73.64

 

CMYK 48 / 81 / 0 / 33

HEX #5921AA

RGB 89 33 170

HSL 264.53, 0.67%, 0.4%

LAB 29.7, 53.3, -62.74

 

CMYK 40 / 68 / 0 / 40

HEX #5C319A

RGB 92 49 154

HSL 264.57, 0.52%, 0.4%

LAB 31.36, 42.05, -50.32

 

CMYK 31 / 52 / 0 / 46

HEX #5F4289

RGB 95 66 137

HSL 264.51, 0.35%, 0.4%

LAB 34.26, 28.35, -35.23

 

CMYK 100 / 87 / 0 / 20

HEX #001BCC

RGB 0 27 204

HSL 232.06, 1%, 0.4%

LAB 27.14, 59.85, -87.3

 

CMYK 87 / 100 / 0 / 20

HEX #1B00CC

RGB 27 0 204

HSL 247.94, 1%, 0.4%

LAB 25.54, 67.17, -89.96

 

CMYK 60 / 100 / 0 / 20

HEX #5100CC

RGB 81 0 204

HSL 263.82, 1%, 0.4%

LAB 29.69, 68.96, -82.94

 

CMYK 33 / 100 / 0 / 20

HEX #8800CC

RGB 136 0 204

HSL 280, 1%, 0.4%

LAB 37.1, 73.63, -70.45

 

CMYK 7 / 100 / 0 / 20

HEX #BE00CC

RGB 190 0 204

HSL 295.88, 1%, 0.4%

LAB 46.05, 80.86, -55.5

 

CMYK 59 / 100 / 0 / 53

HEX #320079

RGB 50 0 121

HSL 264.79, 1%, 0.24%

LAB 15.79, 47.35, -55.43

 

CMYK 59 / 100 / 0 / 36

HEX #4300A2

RGB 67 0 162

HSL 264.81, 1%, 0.32%

LAB 23.01, 58.38, -69.03

 

CMYK 59 / 100 / 0 / 20

HEX #5400CC

RGB 84 0 204

HSL 264.71, 1%, 0.4%

LAB 30.02, 69.14, -82.37

 

CMYK 59 / 100 / 0 / 4

HEX #6500F5

RGB 101 0 245

HSL 264.73, 1%, 0.48%

LAB 36.67, 79.27, -94.81

 

CMYK 52 / 88 / 0 / 0

HEX #7B1FFF

RGB 123 31 255

HSL 264.64, 1%, 0.56%

LAB 41.86, 78.09, -91.75

 

CMYK 59 / 100 / 0 / 20

HEX #5400CC

RGB 84 0 204

HSL 264.71, 1%, 0.4%

LAB 30.02, 69.14, -82.37

 

CMYK 0 / 100 / 60 / 20

HEX #CC0051

RGB 204 0 81

HSL 336.18, 1%, 0.4%

LAB 43.41, 70.12, 15.35

 

CMYK 100 / 0 / 100 / 20

HEX #00CC00

RGB 0 204 0

HSL 120, 1%, 0.4%

LAB 71.68, -72.85, 70.31

 

CMYK 59 / 100 / 0 / 20

HEX #5400CC

RGB 84 0 204

HSL 264.71, 1%, 0.4%

LAB 30.02, 69.14, -82.37

 

CMYK 0 / 60 / 100 / 20

HEX #CC5100

RGB 204 81 0

HSL 23.82, 1%, 0.4%

LAB 50.36, 46.04, 60.39

 

CMYK 100 / 0 / 60 / 20

HEX #00CC51

RGB 0 204 81

HSL 143.82, 1%, 0.4%

LAB 72.08, -67.73, 48.53

 

CMYK 59 / 100 / 0 / 20

HEX #5400CC

RGB 84 0 204

HSL 264.71, 1%, 0.4%

LAB 30.02, 69.14, -82.37

 

CMYK 0 / 100 / 60 / 20

HEX #CC0051

RGB 204 0 81

HSL 336.18, 1%, 0.4%

LAB 43.41, 70.12, 15.35

 

CMYK 40 / 0 / 100 / 20

HEX #7ACC00

RGB 122 204 0

HSL 84.12, 1%, 0.4%

LAB 74.4, -50.65, 73.61

 

CMYK 100 / 0 / 40 / 20

HEX #00CC7A

RGB 0 204 122

HSL 155.88, 1%, 0.4%

LAB 72.62, -61.18, 29.2

 

CMYK 59 / 100 / 0 / 20

HEX #5400CC

RGB 84 0 204

HSL 264.71, 1%, 0.4%

LAB 30.02, 69.14, -82.37

 

CMYK 0 / 100 / 90 / 20

HEX #CC0014

RGB 204 0 20

HSL 354.12, 1%, 0.4%

LAB 42.59, 67.92, 49.79

 

CMYK 40 / 0 / 100 / 20

HEX #7ACC00

RGB 122 204 0

HSL 84.12, 1%, 0.4%

LAB 74.4, -50.65, 73.61

 

CMYK 100 / 0 / 10 / 20

HEX #00CCB7

RGB 0 204 183

HSL 173.82, 1%, 0.4%

LAB 73.94, -46.69, -1.48

 

Description

Color code: HEX #5400CC | qconv.com Color code: HEX #5400CC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, none green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 0 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 100 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 100% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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