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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57EED0 it is the complementary color #A8112F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57EED0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57EED0 shade: #5CEECB, #6DFFDE, #7EFFF1, #8FFFFF and #A0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57EED0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57EED0 shade: #57EED0, #46DCBD, #35CAAA, #24B897 and #13A684

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57EED0 shade: #57EED0, #57EEA7, #57EE7F, #59EE57 and #81EE57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57EED0 shade: #57EED0, #57E3EE, #57BBEE, #5792EE and #5769EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57EED0 shade matches the following richer shades: #57EED0 and #49FDD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57EED0 shade: #57EED0, #66DFC7, #75D0BE, #84C1B5 and #93B3AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57EED0 shade: #57EE80, #57EEA8, #57EED0, #57E4EE and #57BCEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57EED0 shade: #15DDB6, #32EAC6, #57EED0, #7DF2DB and #A3F5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57EED0 shade: #57EED0, #5757EE and #EE9457

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57EED0 shade: #57EED0, #D057EE and #EED057

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57EED0 shade: #57EED0, #5757EE, #EE5776 and #EEEE57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57EED0 shade: #57EED0, #8557EE, #EE5776 and #C1EE57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 13 / 7

HEX #57EED0

RGB 87 238 208

HSL 168.08, 0.82%, 0.64%

LAB 85.87, -46.85, 2.76

 

Complementary color

CMYK 0 / 90 / 72 / 34

HEX #A8112F

RGB 168 17 47

HSL 348.08, 0.82%, 0.36%

LAB 35.85, 57.45, 25.66

 

CMYK 61 / 0 / 15 / 7

HEX #5CEECB

RGB 92 238 203

HSL 165.62, 0.81%, 0.65%

LAB 85.87, -47.21, 5.4

 

CMYK 57 / 0 / 13 / 0

HEX #6DFFDE

RGB 109 255 222

HSL 166.44, 1%, 0.71%

LAB 91.71, -46.96, 4

 

CMYK 51 / 0 / 5 / 0

HEX #7EFFF1

RGB 126 255 241

HSL 173.49, 1%, 0.75%

LAB 92.71, -39.09, -4.3

 

CMYK 44 / 0 / 0 / 0

HEX #8FFFFF

RGB 143 255 255

HSL 180, 1%, 0.78%

LAB 93.7, -32.03, -10.01

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 63 / 0 / 13 / 7

HEX #57EED0

RGB 87 238 208

HSL 168.08, 0.82%, 0.64%

LAB 85.87, -46.85, 2.76

 

CMYK 68 / 0 / 14 / 14

HEX #46DCBD

RGB 70 220 189

HSL 167.6, 0.68%, 0.57%

LAB 79.71, -46.45, 3.8

 

CMYK 74 / 0 / 16 / 21

HEX #35CAAA

RGB 53 202 170

HSL 167.11, 0.58%, 0.5%

LAB 73.48, -45.85, 4.95

 

CMYK 80 / 0 / 18 / 28

HEX #24B897

RGB 36 184 151

HSL 166.62, 0.67%, 0.43%

LAB 67.19, -44.98, 6.22

 

CMYK 89 / 0 / 20 / 35

HEX #13A684

RGB 19 166 132

HSL 166.12, 0.79%, 0.36%

LAB 60.85, -43.75, 7.64

 

CMYK 63 / 0 / 13 / 7

HEX #57EED0

RGB 87 238 208

HSL 168.08, 0.82%, 0.64%

LAB 85.87, -46.85, 2.76

 

CMYK 63 / 0 / 30 / 7

HEX #57EEA7

RGB 87 238 167

HSL 151.79, 0.82%, 0.64%

LAB 84.98, -55.99, 22.84

 

CMYK 63 / 0 / 47 / 7

HEX #57EE7F

RGB 87 238 127

HSL 135.89, 0.82%, 0.64%

LAB 84.33, -63.04, 42.06

 

CMYK 63 / 0 / 63 / 7

HEX #59EE57

RGB 89 238 87

HSL 119.21, 0.82%, 0.64%

LAB 83.95, -67.65, 59.7

 

CMYK 46 / 0 / 63 / 7

HEX #81EE57

RGB 129 238 87

HSL 103.31, 0.82%, 0.64%

LAB 85.25, -57.58, 61.51

 

CMYK 63 / 0 / 13 / 7

HEX #57EED0

RGB 87 238 208

HSL 168.08, 0.82%, 0.64%

LAB 85.87, -46.85, 2.76

 

CMYK 63 / 5 / 0 / 7

HEX #57E3EE

RGB 87 227 238

HSL 184.37, 0.82%, 0.64%

LAB 83.51, -34.03, -16.54

 

CMYK 63 / 21 / 0 / 7

HEX #57BBEE

RGB 87 187 238

HSL 200.26, 0.82%, 0.64%

LAB 72.05, -14.02, -34.04

 

CMYK 63 / 39 / 0 / 7

HEX #5792EE

RGB 87 146 238

HSL 216.56, 0.82%, 0.64%

LAB 60.57, 9.04, -52.05

 

CMYK 63 / 56 / 0 / 7

HEX #5769EE

RGB 87 105 238

HSL 232.85, 0.82%, 0.64%

LAB 49.86, 33.96, -69.24

 

CMYK 63 / 0 / 13 / 7

HEX #57EED0

RGB 87 238 208

HSL 168.08, 0.82%, 0.64%

LAB 85.87, -46.85, 2.76

 

CMYK 71 / 0 / 14 / 1

HEX #49FDD9

RGB 73 253 217

HSL 168, 0.98%, 0.64%

LAB 90.17, -52.95, 4.26

 

CMYK 63 / 0 / 13 / 7

HEX #57EED0

RGB 87 238 208

HSL 168.08, 0.82%, 0.64%

LAB 85.87, -46.85, 2.76

 

CMYK 54 / 0 / 11 / 13

HEX #66DFC7

RGB 102 223 199

HSL 168.1, 0.65%, 0.64%

LAB 81.69, -39.7, 1.47

 

CMYK 44 / 0 / 9 / 18

HEX #75D0BE

RGB 117 208 190

HSL 168.13, 0.49%, 0.64%

LAB 77.64, -31.51, 0.45

 

CMYK 32 / 0 / 6 / 24

HEX #84C1B5

RGB 132 193 181

HSL 168.2, 0.33%, 0.64%

LAB 73.79, -22.2, -0.23

 

CMYK 18 / 0 / 4 / 30

HEX #93B3AC

RGB 147 179 172

HSL 166.88, 0.17%, 0.64%

LAB 70.47, -12.3, -0.05

 

CMYK 63 / 0 / 46 / 7

HEX #57EE80

RGB 87 238 128

HSL 136.29, 0.82%, 0.64%

LAB 84.35, -62.89, 41.59

 

CMYK 63 / 0 / 29 / 7

HEX #57EEA8

RGB 87 238 168

HSL 152.19, 0.82%, 0.64%

LAB 85, -55.79, 22.35

 

CMYK 63 / 0 / 13 / 7

HEX #57EED0

RGB 87 238 208

HSL 168.08, 0.82%, 0.64%

LAB 85.87, -46.85, 2.76

 

CMYK 63 / 4 / 0 / 7

HEX #57E4EE

RGB 87 228 238

HSL 183.97, 0.82%, 0.64%

LAB 83.8, -34.5, -16.11

 

CMYK 63 / 21 / 0 / 7

HEX #57BCEE

RGB 87 188 238

HSL 199.87, 0.82%, 0.64%

LAB 72.34, -14.55, -33.6

 

CMYK 90 / 0 / 18 / 13

HEX #15DDB6

RGB 21 221 182

HSL 168.3, 0.83%, 0.47%

LAB 79.18, -53.24, 6.69

 

CMYK 79 / 0 / 15 / 8

HEX #32EAC6

RGB 50 234 198

HSL 168.26, 0.81%, 0.56%

LAB 83.76, -52.41, 4.86

 

CMYK 63 / 0 / 13 / 7

HEX #57EED0

RGB 87 238 208

HSL 168.08, 0.82%, 0.64%

LAB 85.87, -46.85, 2.76

 

CMYK 48 / 0 / 10 / 5

HEX #7DF2DB

RGB 125 242 219

HSL 168.21, 0.82%, 0.72%

LAB 88.44, -38.63, 0.87

 

CMYK 33 / 0 / 7 / 4

HEX #A3F5E5

RGB 163 245 229

HSL 168.29, 0.8%, 0.8%

LAB 91.12, -28.33, -0.23

 

CMYK 63 / 0 / 13 / 7

HEX #57EED0

RGB 87 238 208

HSL 168.08, 0.82%, 0.64%

LAB 85.87, -46.85, 2.76

 

CMYK 63 / 63 / 0 / 7

HEX #5757EE

RGB 87 87 238

HSL 240, 0.82%, 0.64%

LAB 45.66, 44.78, -76.09

 

CMYK 0 / 38 / 63 / 7

HEX #EE9457

RGB 238 148 87

HSL 24.24, 0.82%, 0.64%

LAB 69.5, 28.44, 45.9

 

CMYK 63 / 0 / 13 / 7

HEX #57EED0

RGB 87 238 208

HSL 168.08, 0.82%, 0.64%

LAB 85.87, -46.85, 2.76

 

CMYK 13 / 63 / 0 / 7

HEX #D057EE

RGB 208 87 238

HSL 288.08, 0.82%, 0.64%

LAB 58.41, 68.52, -54.85

 

CMYK 0 / 13 / 63 / 7

HEX #EED057

RGB 238 208 87

HSL 48.08, 0.82%, 0.64%

LAB 83.95, -3.03, 62.11

 

CMYK 63 / 0 / 13 / 7

HEX #57EED0

RGB 87 238 208

HSL 168.08, 0.82%, 0.64%

LAB 85.87, -46.85, 2.76

 

CMYK 63 / 63 / 0 / 7

HEX #5757EE

RGB 87 87 238

HSL 240, 0.82%, 0.64%

LAB 45.66, 44.78, -76.09

 

CMYK 0 / 63 / 50 / 7

HEX #EE5776

RGB 238 87 118

HSL 347.68, 0.82%, 0.64%

LAB 58.32, 60.3, 14.44

 

CMYK 0 / 0 / 63 / 7

HEX #EEEE57

RGB 238 238 87

HSL 60, 0.82%, 0.64%

LAB 91.69, -17.97, 70.3

 

CMYK 63 / 0 / 13 / 7

HEX #57EED0

RGB 87 238 208

HSL 168.08, 0.82%, 0.64%

LAB 85.87, -46.85, 2.76

 

CMYK 44 / 63 / 0 / 7

HEX #8557EE

RGB 133 87 238

HSL 258.28, 0.82%, 0.64%

LAB 49.47, 52.53, -69.72

 

CMYK 0 / 63 / 50 / 7

HEX #EE5776

RGB 238 87 118

HSL 347.68, 0.82%, 0.64%

LAB 58.32, 60.3, 14.44

 

CMYK 19 / 0 / 63 / 7

HEX #C1EE57

RGB 193 238 87

HSL 77.88, 0.82%, 0.64%

LAB 88.53, -35.72, 66.01

 

Description

Color code: HEX #57EED0 | qconv.com Color code: HEX #57EED0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 238 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 238 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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