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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57EA6D it is the complementary color #A81592. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57EA6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57EA6D shade: #5CEA68, #6DFC7B, #7EFF8E, #8FFFA1 and #A0FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57EA6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57EA6D shade: #57EA6D, #46D85A, #35C647, #24B434 and #13A221

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57EA6D shade: #57EA6D, #68EA57, #90EA57, #B8EA57 and #DFEA57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57EA6D shade: #57EA6D, #57EA94, #57EABC, #57EAE4 and #57C8EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57EA6D shade matches the following richer shades: #57EA6D and #47F962

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57EA6D shade: #57EA6D, #66DA77, #75CB82, #84BC8D and #94AD97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57EA6D shade: #91EA57, #6AEA57, #57EA6A, #57EA91 and #57EAB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57EA6D shade: #1AD436, #32E54D, #57EA6D, #7BEE8C and #A0F3AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57EA6D shade: #57EA6D, #57B9EA and #EA577E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57EA6D shade: #57EA6D, #6A57EA and #EA6A57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57EA6D shade: #57EA6D, #57B9EA, #EA57D6 and #EA8857

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57EA6D shade: #57EA6D, #578DEA, #EA57D6 and #EAB457

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 53 / 8

HEX #57EA6D

RGB 87 234 109

HSL 128.98, 0.78%, 0.63%

LAB 82.9, -64.15, 48.83

 

Complementary color

CMYK 0 / 88 / 13 / 34

HEX #A81592

RGB 168 21 146

HSL 308.98, 0.78%, 0.37%

LAB 39.47, 66.04, -31.79

 

CMYK 61 / 0 / 56 / 8

HEX #5CEA68

RGB 92 234 104

HSL 125.07, 0.77%, 0.64%

LAB 82.98, -63.74, 51.24

 

CMYK 57 / 0 / 51 / 1

HEX #6DFC7B

RGB 109 252 123

HSL 125.87, 0.96%, 0.71%

LAB 89.07, -64.06, 49.96

 

CMYK 51 / 0 / 44 / 0

HEX #7EFF8E

RGB 126 255 142

HSL 127.44, 1%, 0.75%

LAB 90.74, -58.49, 43.18

 

CMYK 44 / 0 / 37 / 0

HEX #8FFFA1

RGB 143 255 161

HSL 129.64, 1%, 0.78%

LAB 91.65, -51.14, 35.19

 

CMYK 37 / 0 / 29 / 0

HEX #A0FFB4

RGB 160 255 180

HSL 132.63, 1%, 0.81%

LAB 92.7, -43.24, 27.2

 

CMYK 63 / 0 / 53 / 8

HEX #57EA6D

RGB 87 234 109

HSL 128.98, 0.78%, 0.63%

LAB 82.9, -64.15, 48.83

 

CMYK 68 / 0 / 58 / 15

HEX #46D85A

RGB 70 216 90

HSL 128.22, 0.65%, 0.56%

LAB 76.77, -63.55, 50.14

 

CMYK 73 / 0 / 64 / 22

HEX #35C647

RGB 53 198 71

HSL 127.45, 0.58%, 0.49%

LAB 70.59, -62.58, 51.35

 

CMYK 80 / 0 / 71 / 29

HEX #24B434

RGB 36 180 52

HSL 126.67, 0.67%, 0.42%

LAB 64.38, -61.09, 52.31

 

CMYK 88 / 0 / 80 / 36

HEX #13A221

RGB 19 162 33

HSL 125.87, 0.79%, 0.35%

LAB 58.12, -58.85, 52.7

 

CMYK 63 / 0 / 53 / 8

HEX #57EA6D

RGB 87 234 109

HSL 128.98, 0.78%, 0.63%

LAB 82.9, -64.15, 48.83

 

CMYK 56 / 0 / 63 / 8

HEX #68EA57

RGB 104 234 87

HSL 113.06, 0.78%, 0.63%

LAB 83.17, -62.85, 58.95

 

CMYK 38 / 0 / 63 / 8

HEX #90EA57

RGB 144 234 87

HSL 96.73, 0.78%, 0.63%

LAB 84.72, -51.37, 61.11

 

CMYK 21 / 0 / 63 / 8

HEX #B8EA57

RGB 184 234 87

HSL 80.41, 0.78%, 0.63%

LAB 86.86, -37.31, 64.05

 

CMYK 5 / 0 / 63 / 8

HEX #DFEA57

RGB 223 234 87

HSL 64.49, 0.78%, 0.63%

LAB 89.5, -22.09, 67.65

 

CMYK 63 / 0 / 53 / 8

HEX #57EA6D

RGB 87 234 109

HSL 128.98, 0.78%, 0.63%

LAB 82.9, -64.15, 48.83

 

CMYK 63 / 0 / 37 / 8

HEX #57EA94

RGB 87 234 148

HSL 144.9, 0.78%, 0.63%

LAB 83.45, -58.07, 30.48

 

CMYK 63 / 0 / 20 / 8

HEX #57EABC

RGB 87 234 188

HSL 161.22, 0.78%, 0.63%

LAB 84.23, -49.88, 10.87

 

CMYK 63 / 0 / 3 / 8

HEX #57EAE4

RGB 87 234 228

HSL 177.55, 0.78%, 0.63%

LAB 85.24, -39.98, -8.69

 

CMYK 63 / 15 / 0 / 8

HEX #57C8EA

RGB 87 200 234

HSL 193.88, 0.78%, 0.63%

LAB 75.62, -22, -26.38

 

CMYK 63 / 0 / 53 / 8

HEX #57EA6D

RGB 87 234 109

HSL 128.98, 0.78%, 0.63%

LAB 82.9, -64.15, 48.83

 

CMYK 71 / 0 / 61 / 2

HEX #47F962

RGB 71 249 98

HSL 129.1, 0.94%, 0.63%

LAB 86.98, -73.37, 58.41

 

CMYK 63 / 0 / 53 / 8

HEX #57EA6D

RGB 87 234 109

HSL 128.98, 0.78%, 0.63%

LAB 82.9, -64.15, 48.83

 

CMYK 53 / 0 / 45 / 15

HEX #66DA77

RGB 102 218 119

HSL 128.79, 0.61%, 0.63%

LAB 78.64, -53.39, 38.85

 

CMYK 42 / 0 / 36 / 20

HEX #75CB82

RGB 117 203 130

HSL 129.07, 0.45%, 0.63%

LAB 74.89, -41.34, 28.51

 

CMYK 30 / 0 / 25 / 26

HEX #84BC8D

RGB 132 188 141

HSL 129.64, 0.29%, 0.63%

LAB 71.42, -27.85, 18.08

 

CMYK 14 / 0 / 13 / 32

HEX #94AD97

RGB 148 173 151

HSL 127.2, 0.13%, 0.63%

LAB 68.33, -12.97, 8.43

 

CMYK 38 / 0 / 63 / 8

HEX #91EA57

RGB 145 234 87

HSL 96.33, 0.78%, 0.63%

LAB 84.77, -51.04, 61.17

 

CMYK 55 / 0 / 63 / 8

HEX #6AEA57

RGB 106 234 87

HSL 112.24, 0.78%, 0.63%

LAB 83.23, -62.35, 59.04

 

CMYK 63 / 0 / 55 / 8

HEX #57EA6A

RGB 87 234 106

HSL 127.76, 0.78%, 0.63%

LAB 82.87, -64.54, 50.17

 

CMYK 63 / 0 / 38 / 8

HEX #57EA91

RGB 87 234 145

HSL 143.67, 0.78%, 0.63%

LAB 83.4, -58.6, 31.93

 

CMYK 63 / 0 / 21 / 8

HEX #57EAB9

RGB 87 234 185

HSL 160, 0.78%, 0.63%

LAB 84.16, -50.56, 12.35

 

CMYK 88 / 0 / 75 / 17

HEX #1AD436

RGB 26 212 54

HSL 129.03, 0.78%, 0.47%

LAB 74.55, -71.53, 61.94

 

CMYK 78 / 0 / 66 / 10

HEX #32E54D

RGB 50 229 77

HSL 129.05, 0.77%, 0.55%

LAB 80.32, -72.21, 59.54

 

CMYK 63 / 0 / 53 / 8

HEX #57EA6D

RGB 87 234 109

HSL 128.98, 0.78%, 0.63%

LAB 82.9, -64.15, 48.83

 

CMYK 48 / 0 / 41 / 7

HEX #7BEE8C

RGB 123 238 140

HSL 128.87, 0.77%, 0.71%

LAB 85.63, -52.82, 37.57

 

CMYK 34 / 0 / 29 / 5

HEX #A0F3AC

RGB 160 243 172

HSL 128.67, 0.78%, 0.79%

LAB 89.18, -39.28, 26.46

 

CMYK 63 / 0 / 53 / 8

HEX #57EA6D

RGB 87 234 109

HSL 128.98, 0.78%, 0.63%

LAB 82.9, -64.15, 48.83

 

CMYK 63 / 21 / 0 / 8

HEX #57B9EA

RGB 87 185 234

HSL 200, 0.78%, 0.63%

LAB 71.33, -14.21, -32.99

 

CMYK 0 / 63 / 46 / 8

HEX #EA577E

RGB 234 87 126

HSL 344.08, 0.78%, 0.63%

LAB 57.86, 59.75, 9.01

 

CMYK 63 / 0 / 53 / 8

HEX #57EA6D

RGB 87 234 109

HSL 128.98, 0.78%, 0.63%

LAB 82.9, -64.15, 48.83

 

CMYK 55 / 63 / 0 / 8

HEX #6A57EA

RGB 106 87 234

HSL 247.76, 0.78%, 0.63%

LAB 46.74, 46.49, -72.01

 

CMYK 0 / 55 / 63 / 8

HEX #EA6A57

RGB 234 106 87

HSL 7.76, 0.78%, 0.63%

LAB 60.33, 48.2, 34.75

 

CMYK 63 / 0 / 53 / 8

HEX #57EA6D

RGB 87 234 109

HSL 128.98, 0.78%, 0.63%

LAB 82.9, -64.15, 48.83

 

CMYK 63 / 21 / 0 / 8

HEX #57B9EA

RGB 87 185 234

HSL 200, 0.78%, 0.63%

LAB 71.33, -14.21, -32.99

 

CMYK 0 / 63 / 9 / 8

HEX #EA57D6

RGB 234 87 214

HSL 308.16, 0.78%, 0.63%

LAB 60.93, 70.64, -37.18

 

CMYK 0 / 42 / 63 / 8

HEX #EA8857

RGB 234 136 87

HSL 20, 0.78%, 0.63%

LAB 66.36, 33.13, 42.07

 

CMYK 63 / 0 / 53 / 8

HEX #57EA6D

RGB 87 234 109

HSL 128.98, 0.78%, 0.63%

LAB 82.9, -64.15, 48.83

 

CMYK 63 / 40 / 0 / 8

HEX #578DEA

RGB 87 141 234

HSL 217.96, 0.78%, 0.63%

LAB 58.99, 10.67, -52.35

 

CMYK 0 / 63 / 9 / 8

HEX #EA57D6

RGB 234 87 214

HSL 308.16, 0.78%, 0.63%

LAB 60.93, 70.64, -37.18

 

CMYK 0 / 23 / 63 / 8

HEX #EAB457

RGB 234 180 87

HSL 37.96, 0.78%, 0.63%

LAB 76.57, 9.85, 53.87

 

Description

Color code: HEX #57EA6D | qconv.com Color code: HEX #57EA6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 234 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 234 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 53 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 53% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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