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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57E24A it is the complementary color #A81DB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57E24A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57E24A shade: #5CE245, #6DF458, #7EFF6B, #8FFF7E and #A0FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57E24A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57E24A shade: #57E24A, #46D037, #35BE24, #24AC11 and #139A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57E24A shade: #58E14B, #80E14B, #A9E14B, #D1E14B and #E1C94B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57E24A shade: #58E14B, #4BE166, #4BE18F, #4BE1B8 and #4BE1E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57E24A shade matches the following richer shades: #58E14B and #4AF23A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57E24A shade: #58E14B, #66D05C, #74BF6D, #82AE7D and #909E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57E24A shade: #AAE14B, #82E14B, #5AE14B, #4BE164 and #4BE18C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57E24A shade: #2CBB1E, #37DB27, #58E14B, #78E76E and #99ED92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57E24A shade: #57E24A, #4BD2E1 and #E14B96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57E24A shade: #57E24A, #4B5AE1 and #E14B5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57E24A shade: #57E24A, #4BD2E1, #D24BE1 and #E15A4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57E24A shade: #57E24A, #4BA5E1, #D24BE1 and #E1874B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 67 / 11

HEX #57E24A

RGB 87 226 74

HSL 114.87, 0.72%, 0.59%

LAB 80.13, -65.21, 60.74

 

Complementary color

CMYK 7 / 84 / 0 / 29

HEX #A81DB5

RGB 168 29 181

HSL 294.87, 0.72%, 0.41%

LAB 42.06, 69.79, -48.67

 

CMYK 59 / 0 / 69 / 11

HEX #5CE245

RGB 92 226 69

HSL 111.21, 0.73%, 0.58%

LAB 80.23, -64.51, 62.79

 

CMYK 55 / 0 / 64 / 4

HEX #6DF458

RGB 109 244 88

HSL 111.92, 0.88%, 0.65%

LAB 86.33, -65.1, 62.08

 

CMYK 51 / 0 / 58 / 0

HEX #7EFF6B

RGB 126 255 107

HSL 112.3, 1%, 0.71%

LAB 90.33, -62.88, 58.78

 

CMYK 44 / 0 / 51 / 0

HEX #8FFF7E

RGB 143 255 126

HSL 112.09, 1%, 0.75%

LAB 91.17, -56.04, 51.42

 

CMYK 37 / 0 / 43 / 0

HEX #A0FF91

RGB 160 255 145

HSL 111.82, 1%, 0.78%

LAB 92.15, -48.57, 43.81

 

CMYK 62 / 0 / 67 / 11

HEX #57E24A

RGB 87 226 74

HSL 114.87, 0.72%, 0.59%

LAB 80.13, -65.21, 60.74

 

CMYK 66 / 0 / 74 / 18

HEX #46D037

RGB 70 208 55

HSL 114.12, 0.62%, 0.52%

LAB 73.99, -64.27, 61.26

 

CMYK 72 / 0 / 81 / 25

HEX #35BE24

RGB 53 190 36

HSL 113.38, 0.68%, 0.44%

LAB 67.81, -62.85, 61.14

 

CMYK 79 / 0 / 90 / 33

HEX #24AC11

RGB 36 172 17

HSL 112.65, 0.82%, 0.37%

LAB 61.59, -60.77, 59.91

 

CMYK 88 / 0 / 100 / 40

HEX #139A00

RGB 19 154 0

HSL 112.6, 1%, 0.3%

LAB 55.33, -57.85, 57.25

 

CMYK 61 / 0 / 67 / 12

HEX #58E14B

RGB 88 225 75

HSL 114.8, 0.71%, 0.59%

LAB 79.86, -64.56, 60.06

 

CMYK 43 / 0 / 67 / 12

HEX #80E14B

RGB 128 225 75

HSL 98.8, 0.71%, 0.59%

LAB 81.26, -53.83, 61.98

 

CMYK 25 / 0 / 67 / 12

HEX #A9E14B

RGB 169 225 75

HSL 82.4, 0.71%, 0.59%

LAB 83.33, -39.75, 64.79

 

CMYK 7 / 0 / 67 / 12

HEX #D1E14B

RGB 209 225 75

HSL 66.4, 0.71%, 0.59%

LAB 85.96, -24.13, 68.33

 

CMYK 0 / 11 / 67 / 12

HEX #E1C94B

RGB 225 201 75

HSL 50.4, 0.71%, 0.59%

LAB 80.9, -5.59, 63.54

 

CMYK 61 / 0 / 67 / 12

HEX #58E14B

RGB 88 225 75

HSL 114.8, 0.71%, 0.59%

LAB 79.86, -64.56, 60.06

 

CMYK 67 / 0 / 55 / 12

HEX #4BE166

RGB 75 225 102

HSL 130.8, 0.71%, 0.59%

LAB 79.79, -64.23, 48.26

 

CMYK 67 / 0 / 36 / 12

HEX #4BE18F

RGB 75 225 143

HSL 147.2, 0.71%, 0.59%

LAB 80.36, -57.72, 28.86

 

CMYK 67 / 0 / 18 / 12

HEX #4BE1B8

RGB 75 225 184

HSL 163.6, 0.71%, 0.59%

LAB 81.19, -49.02, 8.6

 

CMYK 67 / 0 / 0 / 12

HEX #4BE1E0

RGB 75 225 224

HSL 179.6, 0.71%, 0.59%

LAB 82.23, -38.74, -11.08

 

CMYK 61 / 0 / 67 / 12

HEX #58E14B

RGB 88 225 75

HSL 114.8, 0.71%, 0.59%

LAB 79.86, -64.56, 60.06

 

CMYK 69 / 0 / 76 / 5

HEX #4AF23A

RGB 74 242 58

HSL 114.78, 0.88%, 0.59%

LAB 84.62, -74.17, 70.79

 

CMYK 61 / 0 / 67 / 12

HEX #58E14B

RGB 88 225 75

HSL 114.8, 0.71%, 0.59%

LAB 79.86, -64.56, 60.06

 

CMYK 51 / 0 / 56 / 18

HEX #66D05C

RGB 102 208 92

HSL 114.83, 0.55%, 0.59%

LAB 75.27, -53.1, 47.7

 

CMYK 39 / 0 / 43 / 25

HEX #74BF6D

RGB 116 191 109

HSL 114.88, 0.39%, 0.59%

LAB 70.93, -39.65, 34.17

 

CMYK 25 / 0 / 28 / 32

HEX #82AE7D

RGB 130 174 125

HSL 113.88, 0.23%, 0.59%

LAB 66.9, -24.46, 20.51

 

CMYK 9 / 0 / 10 / 38

HEX #909E8E

RGB 144 158 142

HSL 112.5, 0.08%, 0.59%

LAB 63.62, -8.09, 6.67

 

CMYK 24 / 0 / 67 / 12

HEX #AAE14B

RGB 170 225 75

HSL 82, 0.71%, 0.59%

LAB 83.39, -39.37, 64.87

 

CMYK 42 / 0 / 67 / 12

HEX #82E14B

RGB 130 225 75

HSL 98, 0.71%, 0.59%

LAB 81.35, -53.21, 62.1

 

CMYK 60 / 0 / 67 / 12

HEX #5AE14B

RGB 90 225 75

HSL 114, 0.71%, 0.59%

LAB 79.92, -64.11, 60.14

 

CMYK 67 / 0 / 56 / 12

HEX #4BE164

RGB 75 225 100

HSL 130, 0.71%, 0.59%

LAB 79.77, -64.49, 49.15

 

CMYK 67 / 0 / 38 / 12

HEX #4BE18C

RGB 75 225 140

HSL 146, 0.71%, 0.59%

LAB 80.31, -58.27, 30.32

 

CMYK 76 / 0 / 84 / 27

HEX #2CBB1E

RGB 44 187 30

HSL 114.65, 0.72%, 0.43%

LAB 66.65, -63.67, 61.6

 

CMYK 75 / 0 / 82 / 14

HEX #37DB27

RGB 55 219 39

HSL 114.67, 0.71%, 0.51%

LAB 77.05, -71.31, 68.88

 

CMYK 61 / 0 / 67 / 12

HEX #58E14B

RGB 88 225 75

HSL 114.8, 0.71%, 0.59%

LAB 79.86, -64.56, 60.06

 

CMYK 48 / 0 / 52 / 9

HEX #78E76E

RGB 120 231 110

HSL 115.04, 0.72%, 0.67%

LAB 83.06, -54.99, 48.8

 

CMYK 35 / 0 / 38 / 7

HEX #99ED92

RGB 153 237 146

HSL 115.38, 0.72%, 0.75%

LAB 86.71, -42.86, 36.24

 

CMYK 62 / 0 / 67 / 11

HEX #57E24A

RGB 87 226 74

HSL 114.87, 0.72%, 0.59%

LAB 80.13, -65.21, 60.74

 

CMYK 67 / 7 / 0 / 12

HEX #4BD2E1

RGB 75 210 225

HSL 186, 0.71%, 0.59%

LAB 77.89, -31.45, -18.13

 

CMYK 0 / 67 / 33 / 12

HEX #E14B96

RGB 225 75 150

HSL 330, 0.71%, 0.59%

LAB 55.32, 64.36, -9

 

CMYK 62 / 0 / 67 / 11

HEX #57E24A

RGB 87 226 74

HSL 114.87, 0.72%, 0.59%

LAB 80.13, -65.21, 60.74

 

CMYK 67 / 60 / 0 / 12

HEX #4B5AE1

RGB 75 90 225

HSL 234, 0.71%, 0.59%

LAB 44.58, 37, -70.53

 

CMYK 0 / 67 / 60 / 12

HEX #E14B5A

RGB 225 75 90

HSL 354, 0.71%, 0.59%

LAB 53.79, 58.96, 24.41

 

CMYK 62 / 0 / 67 / 11

HEX #57E24A

RGB 87 226 74

HSL 114.87, 0.72%, 0.59%

LAB 80.13, -65.21, 60.74

 

CMYK 67 / 7 / 0 / 12

HEX #4BD2E1

RGB 75 210 225

HSL 186, 0.71%, 0.59%

LAB 77.89, -31.45, -18.13

 

CMYK 7 / 67 / 0 / 12

HEX #D24BE1

RGB 210 75 225

HSL 294, 0.71%, 0.59%

LAB 56.26, 71.44, -50.98

 

CMYK 0 / 60 / 67 / 12

HEX #E15A4B

RGB 225 90 75

HSL 6, 0.71%, 0.59%

LAB 55.92, 51.71, 35.72

 

CMYK 62 / 0 / 67 / 11

HEX #57E24A

RGB 87 226 74

HSL 114.87, 0.72%, 0.59%

LAB 80.13, -65.21, 60.74

 

CMYK 67 / 27 / 0 / 12

HEX #4BA5E1

RGB 75 165 225

HSL 204, 0.71%, 0.59%

LAB 64.84, -8.2, -38.18

 

CMYK 7 / 67 / 0 / 12

HEX #D24BE1

RGB 210 75 225

HSL 294, 0.71%, 0.59%

LAB 56.26, 71.44, -50.98

 

CMYK 0 / 40 / 67 / 12

HEX #E1874B

RGB 225 135 75

HSL 24, 0.71%, 0.59%

LAB 64.84, 29.31, 46.15

 

Description

Color code: HEX #57E24A | qconv.com Color code: HEX #57E24A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 226 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 226 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 67 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 67% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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