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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57E051 it is the complementary color #A81FAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57E051. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57E051 shade: #5CE04C, #6DF25F, #7EFF72, #8FFF85 and #A0FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57E051. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57E051 shade: #57E051, #46CE3E, #35BC2B, #24AA18 and #139805

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57E051 shade: #57E051, #7EE051, #A4E051, #CBE051 and #E0CF51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57E051 shade: #57E051, #51E072, #51E098, #51E0BF and #51DBE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57E051 shade matches the following richer shades: #57E051 and #48F041

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57E051 shade: #57E051, #66CF62, #75BF72, #84AE83 and #949E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57E051 shade: #A4E051, #7EE051, #58E051, #51E070 and #51E096

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57E051 shade: #28BD21, #35DA2E, #57E051, #79E674 and #9BEC97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57E051 shade: #57E051, #51CAE0 and #E05191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57E051 shade: #57E051, #5158E0 and #E05158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57E051 shade: #57E051, #51CAE0, #D951E0 and #E06751

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57E051 shade: #57E051, #51A0E0, #D951E0 and #E09151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 64 / 12

HEX #57E051

RGB 87 224 81

HSL 117.48, 0.7%, 0.6%

LAB 79.57, -63.87, 57.32

 

Complementary color

CMYK 3 / 82 / 0 / 32

HEX #A81FAE

RGB 168 31 174

HSL 297.48, 0.7%, 0.4%

LAB 41.78, 68.18, -44.97

 

CMYK 59 / 0 / 66 / 12

HEX #5CE04C

RGB 92 224 76

HSL 113.51, 0.7%, 0.59%

LAB 79.68, -63.21, 59.5

 

CMYK 55 / 0 / 61 / 5

HEX #6DF25F

RGB 109 242 95

HSL 114.29, 0.85%, 0.66%

LAB 85.8, -63.7, 58.59

 

CMYK 51 / 0 / 55 / 0

HEX #7EFF72

RGB 126 255 114

HSL 114.89, 1%, 0.72%

LAB 90.4, -62.11, 55.79

 

CMYK 44 / 0 / 48 / 0

HEX #8FFF85

RGB 143 255 133

HSL 115.08, 1%, 0.76%

LAB 91.26, -55.17, 48.26

 

CMYK 37 / 0 / 40 / 0

HEX #A0FF98

RGB 160 255 152

HSL 115.34, 1%, 0.8%

LAB 92.25, -47.61, 40.54

 

CMYK 61 / 0 / 64 / 12

HEX #57E051

RGB 87 224 81

HSL 117.48, 0.7%, 0.6%

LAB 79.57, -63.87, 57.32

 

CMYK 66 / 0 / 70 / 19

HEX #46CE3E

RGB 70 206 62

HSL 116.67, 0.6%, 0.53%

LAB 73.41, -63.05, 58.12

 

CMYK 72 / 0 / 77 / 26

HEX #35BC2B

RGB 53 188 43

HSL 115.86, 0.63%, 0.45%

LAB 67.2, -61.79, 58.45

 

CMYK 79 / 0 / 86 / 33

HEX #24AA18

RGB 36 170 24

HSL 115.07, 0.75%, 0.38%

LAB 60.95, -59.88, 57.88

 

CMYK 88 / 0 / 97 / 40

HEX #139805

RGB 19 152 5

HSL 114.29, 0.94%, 0.31%

LAB 54.66, -57.11, 55.91

 

CMYK 61 / 0 / 64 / 12

HEX #57E051

RGB 87 224 81

HSL 117.48, 0.7%, 0.6%

LAB 79.57, -63.87, 57.32

 

CMYK 44 / 0 / 64 / 12

HEX #7EE051

RGB 126 224 81

HSL 101.12, 0.7%, 0.6%

LAB 80.93, -53.55, 59.19

 

CMYK 27 / 0 / 64 / 12

HEX #A4E051

RGB 164 224 81

HSL 85.17, 0.7%, 0.6%

LAB 82.81, -40.71, 61.78

 

CMYK 9 / 0 / 64 / 12

HEX #CBE051

RGB 203 224 81

HSL 68.81, 0.7%, 0.6%

LAB 85.3, -25.7, 65.18

 

CMYK 0 / 8 / 64 / 12

HEX #E0CF51

RGB 224 207 81

HSL 52.87, 0.7%, 0.6%

LAB 82.41, -8.71, 62.63

 

CMYK 61 / 0 / 64 / 12

HEX #57E051

RGB 87 224 81

HSL 117.48, 0.7%, 0.6%

LAB 79.57, -63.87, 57.32

 

CMYK 64 / 0 / 49 / 12

HEX #51E072

RGB 81 224 114

HSL 133.85, 0.7%, 0.6%

LAB 79.77, -61.08, 42.59

 

CMYK 64 / 0 / 32 / 12

HEX #51E098

RGB 81 224 152

HSL 149.79, 0.7%, 0.6%

LAB 80.36, -54.55, 24.24

 

CMYK 64 / 0 / 15 / 12

HEX #51E0BF

RGB 81 224 191

HSL 166.15, 0.7%, 0.6%

LAB 81.19, -45.96, 4.93

 

CMYK 64 / 2 / 0 / 12

HEX #51DBE0

RGB 81 219 224

HSL 182.1, 0.7%, 0.6%

LAB 80.62, -35.1, -13.47

 

CMYK 61 / 0 / 64 / 12

HEX #57E051

RGB 87 224 81

HSL 117.48, 0.7%, 0.6%

LAB 79.57, -63.87, 57.32

 

CMYK 70 / 0 / 73 / 6

HEX #48F041

RGB 72 240 65

HSL 117.6, 0.85%, 0.6%

LAB 84.01, -73.41, 67.92

 

CMYK 61 / 0 / 64 / 12

HEX #57E051

RGB 87 224 81

HSL 117.48, 0.7%, 0.6%

LAB 79.57, -63.87, 57.32

 

CMYK 51 / 0 / 53 / 19

HEX #66CF62

RGB 102 207 98

HSL 117.8, 0.53%, 0.6%

LAB 75.03, -51.97, 44.6

 

CMYK 39 / 0 / 40 / 25

HEX #75BF72

RGB 117 191 114

HSL 117.66, 0.38%, 0.6%

LAB 71.05, -38.59, 31.76

 

CMYK 24 / 0 / 25 / 32

HEX #84AE83

RGB 132 174 131

HSL 118.6, 0.21%, 0.6%

LAB 67.14, -22.73, 17.59

 

CMYK 6 / 0 / 7 / 38

HEX #949E93

RGB 148 158 147

HSL 114.55, 0.05%, 0.6%

LAB 64.04, -5.7, 4.51

 

CMYK 27 / 0 / 64 / 12

HEX #A4E051

RGB 164 224 81

HSL 85.17, 0.7%, 0.6%

LAB 82.81, -40.71, 61.78

 

CMYK 44 / 0 / 64 / 12

HEX #7EE051

RGB 126 224 81

HSL 101.12, 0.7%, 0.6%

LAB 80.93, -53.55, 59.19

 

CMYK 61 / 0 / 64 / 12

HEX #58E051

RGB 88 224 81

HSL 117.06, 0.7%, 0.6%

LAB 79.6, -63.65, 57.36

 

CMYK 64 / 0 / 50 / 12

HEX #51E070

RGB 81 224 112

HSL 133.01, 0.7%, 0.6%

LAB 79.74, -61.37, 43.52

 

CMYK 64 / 0 / 33 / 12

HEX #51E096

RGB 81 224 150

HSL 148.95, 0.7%, 0.6%

LAB 80.33, -54.94, 25.23

 

CMYK 79 / 0 / 83 / 26

HEX #28BD21

RGB 40 189 33

HSL 117.31, 0.7%, 0.44%

LAB 67.24, -64.69, 61.35

 

CMYK 76 / 0 / 79 / 15

HEX #35DA2E

RGB 53 218 46

HSL 117.56, 0.7%, 0.52%

LAB 76.74, -70.91, 66.68

 

CMYK 61 / 0 / 64 / 12

HEX #57E051

RGB 87 224 81

HSL 117.48, 0.7%, 0.6%

LAB 79.57, -63.87, 57.32

 

CMYK 47 / 0 / 50 / 10

HEX #79E674

RGB 121 230 116

HSL 117.37, 0.7%, 0.68%

LAB 82.87, -53.56, 45.75

 

CMYK 34 / 0 / 36 / 7

HEX #9BEC97

RGB 155 236 151

HSL 117.18, 0.69%, 0.76%

LAB 86.6, -41.05, 33.6

 

CMYK 61 / 0 / 64 / 12

HEX #57E051

RGB 87 224 81

HSL 117.48, 0.7%, 0.6%

LAB 79.57, -63.87, 57.32

 

CMYK 64 / 10 / 0 / 12

HEX #51CAE0

RGB 81 202 224

HSL 189.23, 0.7%, 0.6%

LAB 75.68, -26.94, -20.92

 

CMYK 0 / 64 / 35 / 12

HEX #E05191

RGB 224 81 145

HSL 333.15, 0.7%, 0.6%

LAB 55.86, 61.13, -5.27

 

CMYK 61 / 0 / 64 / 12

HEX #57E051

RGB 87 224 81

HSL 117.48, 0.7%, 0.6%

LAB 79.57, -63.87, 57.32

 

CMYK 64 / 61 / 0 / 12

HEX #5158E0

RGB 81 88 224

HSL 237.06, 0.7%, 0.6%

LAB 44.39, 38.75, -70.26

 

CMYK 0 / 64 / 61 / 12

HEX #E05158

RGB 224 81 88

HSL 357.06, 0.7%, 0.6%

LAB 54.49, 56.07, 26.46

 

CMYK 61 / 0 / 64 / 12

HEX #57E051

RGB 87 224 81

HSL 117.48, 0.7%, 0.6%

LAB 79.57, -63.87, 57.32

 

CMYK 64 / 10 / 0 / 12

HEX #51CAE0

RGB 81 202 224

HSL 189.23, 0.7%, 0.6%

LAB 75.68, -26.94, -20.92

 

CMYK 3 / 64 / 0 / 12

HEX #D951E0

RGB 217 81 224

HSL 297.06, 0.7%, 0.6%

LAB 58.05, 70.53, -47.5

 

CMYK 0 / 54 / 64 / 12

HEX #E06751

RGB 224 103 81

HSL 9.23, 0.7%, 0.6%

LAB 58.17, 45.63, 35.08

 

CMYK 61 / 0 / 64 / 12

HEX #57E051

RGB 87 224 81

HSL 117.48, 0.7%, 0.6%

LAB 79.57, -63.87, 57.32

 

CMYK 64 / 29 / 0 / 12

HEX #51A0E0

RGB 81 160 224

HSL 206.85, 0.7%, 0.6%

LAB 63.57, -4.74, -39.6

 

CMYK 3 / 64 / 0 / 12

HEX #D951E0

RGB 217 81 224

HSL 297.06, 0.7%, 0.6%

LAB 58.05, 70.53, -47.5

 

CMYK 0 / 35 / 64 / 12

HEX #E09151

RGB 224 145 81

HSL 26.85, 0.7%, 0.6%

LAB 67.05, 23.94, 45.63

 

Description

Color code: HEX #57E051 | qconv.com Color code: HEX #57E051 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 224 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 224 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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