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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57CFB3 it is the complementary color #A8304C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57CFB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57CFB3 shade: #5CCFAE, #6DE1C1, #7EF3D4, #8FFFE7 and #A0FFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57CFB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57CFB3 shade: #57CFB3, #46BDA0, #35AB8D, #24997A and #138767

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57CFB3 shade: #57CFB3, #57CF93, #57CF73, #5DCF57 and #7DCF57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57CFB3 shade: #57CFB3, #57CBCF, #57ABCF, #578ACF and #576ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57CFB3 shade matches the following richer shades: #57CFB3, #46E1BD and #35F2C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57CFB3 shade: #57CFB3, #69BEAA, #7AADA1, #8B9B98 and #9D8A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57CFB3 shade: #57CF73, #57CF93, #57CFB3, #57CBCF and #57ABCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57CFB3 shade: #2EA68A, #37C6A5, #57CFB3, #78D8C2 and #98E2D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57CFB3 shade: #57CFB3, #575BCF and #CF8357

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57CFB3 shade: #57CFB3, #B357CF and #CFB357

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57CFB3 shade: #57CFB3, #575BCF, #CF5773 and #CFCB57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57CFB3 shade: #57CFB3, #7757CF, #CF5773 and #AFCF57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 14 / 19

HEX #57CFB3

RGB 87 207 179

HSL 166, 0.56%, 0.58%

LAB 76.01, -40.35, 3.86

 

Complementary color

CMYK 0 / 71 / 55 / 34

HEX #A8304C

RGB 168 48 76

HSL 346, 0.56%, 0.42%

LAB 39.51, 50.53, 12.03

 

CMYK 56 / 0 / 16 / 19

HEX #5CCFAE

RGB 92 207 174

HSL 162.78, 0.55%, 0.59%

LAB 76.04, -40.53, 6.61

 

CMYK 52 / 0 / 14 / 12

HEX #6DE1C1

RGB 109 225 193

HSL 163.45, 0.66%, 0.65%

LAB 82.35, -40.52, 5.64

 

CMYK 48 / 0 / 13 / 5

HEX #7EF3D4

RGB 126 243 212

HSL 164.1, 0.83%, 0.72%

LAB 88.59, -40.46, 4.75

 

CMYK 44 / 0 / 9 / 0

HEX #8FFFE7

RGB 143 255 231

HSL 167.14, 1%, 0.78%

LAB 93.07, -37.64, 1.47

 

CMYK 37 / 0 / 2 / 0

HEX #A0FFFA

RGB 160 255 250

HSL 176.84, 1%, 0.81%

LAB 94.27, -29.17, -6.51

 

CMYK 58 / 0 / 14 / 19

HEX #57CFB3

RGB 87 207 179

HSL 166, 0.56%, 0.58%

LAB 76.01, -40.35, 3.86

 

CMYK 63 / 0 / 15 / 26

HEX #46BDA0

RGB 70 189 160

HSL 165.38, 0.47%, 0.51%

LAB 69.64, -40.16, 4.89

 

CMYK 69 / 0 / 18 / 33

HEX #35AB8D

RGB 53 171 141

HSL 164.75, 0.53%, 0.44%

LAB 63.18, -39.81, 6.03

 

CMYK 76 / 0 / 20 / 40

HEX #24997A

RGB 36 153 122

HSL 164.1, 0.62%, 0.37%

LAB 56.65, -39.19, 7.31

 

CMYK 86 / 0 / 24 / 47

HEX #138767

RGB 19 135 103

HSL 163.45, 0.75%, 0.3%

LAB 50.03, -38.18, 8.77

 

CMYK 58 / 0 / 14 / 19

HEX #57CFB3

RGB 87 207 179

HSL 166, 0.56%, 0.58%

LAB 76.01, -40.35, 3.86

 

CMYK 58 / 0 / 29 / 19

HEX #57CF93

RGB 87 207 147

HSL 150, 0.56%, 0.58%

LAB 75.3, -47.49, 19.95

 

CMYK 58 / 0 / 44 / 19

HEX #57CF73

RGB 87 207 115

HSL 134, 0.56%, 0.58%

LAB 74.76, -53.28, 35.8

 

CMYK 55 / 0 / 58 / 19

HEX #5DCF57

RGB 93 207 87

HSL 117, 0.56%, 0.58%

LAB 74.6, -55.66, 49.13

 

CMYK 40 / 0 / 58 / 19

HEX #7DCF57

RGB 125 207 87

HSL 101, 0.56%, 0.58%

LAB 75.87, -46.38, 50.93

 

CMYK 58 / 0 / 14 / 19

HEX #57CFB3

RGB 87 207 179

HSL 166, 0.56%, 0.58%

LAB 76.01, -40.35, 3.86

 

CMYK 58 / 2 / 0 / 19

HEX #57CBCF

RGB 87 203 207

HSL 182, 0.56%, 0.58%

LAB 75.6, -31.24, -11.85

 

CMYK 58 / 17 / 0 / 19

HEX #57ABCF

RGB 87 171 207

HSL 198, 0.56%, 0.58%

LAB 66.26, -15.05, -26.01

 

CMYK 58 / 33 / 0 / 19

HEX #578ACF

RGB 87 138 207

HSL 214.5, 0.56%, 0.58%

LAB 56.79, 3.51, -40.73

 

CMYK 58 / 49 / 0 / 19

HEX #576ACF

RGB 87 106 207

HSL 230.5, 0.56%, 0.58%

LAB 48.06, 23, -54.62

 

CMYK 58 / 0 / 14 / 19

HEX #57CFB3

RGB 87 207 179

HSL 166, 0.56%, 0.58%

LAB 76.01, -40.35, 3.86

 

CMYK 69 / 0 / 16 / 12

HEX #46E1BD

RGB 70 225 189

HSL 166.06, 0.72%, 0.58%

LAB 81.2, -48.56, 5.96

 

CMYK 78 / 0 / 18 / 5

HEX #35F2C6

RGB 53 242 198

HSL 166.03, 0.88%, 0.58%

LAB 86.18, -55.35, 8.34

 

CMYK 58 / 0 / 14 / 19

HEX #57CFB3

RGB 87 207 179

HSL 166, 0.56%, 0.58%

LAB 76.01, -40.35, 3.86

 

CMYK 45 / 0 / 11 / 25

HEX #69BEAA

RGB 105 190 170

HSL 165.88, 0.4%, 0.58%

LAB 71.37, -30.61, 2.09

 

CMYK 29 / 0 / 7 / 32

HEX #7AADA1

RGB 122 173 161

HSL 165.88, 0.24%, 0.58%

LAB 66.97, -19.49, 0.74

 

CMYK 10 / 0 / 2 / 39

HEX #8B9B98

RGB 139 155 152

HSL 168.75, 0.07%, 0.58%

LAB 62.67, -6.28, -0.37

 

CMYK 0 / 12 / 10 / 38

HEX #9D8A8E

RGB 157 138 142

HSL 347.37, 0.09%, 0.58%

LAB 59.25, 7.85, 0.48

 

CMYK 58 / 0 / 44 / 19

HEX #57CF73

RGB 87 207 115

HSL 134, 0.56%, 0.58%

LAB 74.76, -53.28, 35.8

 

CMYK 58 / 0 / 29 / 19

HEX #57CF93

RGB 87 207 147

HSL 150, 0.56%, 0.58%

LAB 75.3, -47.49, 19.95

 

CMYK 58 / 0 / 14 / 19

HEX #57CFB3

RGB 87 207 179

HSL 166, 0.56%, 0.58%

LAB 76.01, -40.35, 3.86

 

CMYK 58 / 2 / 0 / 19

HEX #57CBCF

RGB 87 203 207

HSL 182, 0.56%, 0.58%

LAB 75.6, -31.24, -11.85

 

CMYK 58 / 17 / 0 / 19

HEX #57ABCF

RGB 87 171 207

HSL 198, 0.56%, 0.58%

LAB 66.26, -15.05, -26.01

 

CMYK 72 / 0 / 17 / 35

HEX #2EA68A

RGB 46 166 138

HSL 166, 0.57%, 0.42%

LAB 61.38, -39.41, 5.1

 

CMYK 72 / 0 / 17 / 22

HEX #37C6A5

RGB 55 198 165

HSL 166.15, 0.57%, 0.5%

LAB 72.17, -45.16, 5.78

 

CMYK 58 / 0 / 14 / 19

HEX #57CFB3

RGB 87 207 179

HSL 166, 0.56%, 0.58%

LAB 76.01, -40.35, 3.86

 

CMYK 44 / 0 / 10 / 15

HEX #78D8C2

RGB 120 216 194

HSL 166.25, 0.55%, 0.66%

LAB 80.18, -33.61, 2.02

 

CMYK 33 / 0 / 8 / 11

HEX #98E2D0

RGB 152 226 208

HSL 165.41, 0.56%, 0.74%

LAB 84.8, -26.79, 1.49

 

CMYK 58 / 0 / 14 / 19

HEX #57CFB3

RGB 87 207 179

HSL 166, 0.56%, 0.58%

LAB 76.01, -40.35, 3.86

 

CMYK 58 / 56 / 0 / 19

HEX #575BCF

RGB 87 91 207

HSL 238, 0.56%, 0.58%

LAB 44.25, 32.31, -60.76

 

CMYK 0 / 37 / 58 / 19

HEX #CF8357

RGB 207 131 87

HSL 22, 0.56%, 0.58%

LAB 61.81, 24.91, 35.76

 

CMYK 58 / 0 / 14 / 19

HEX #57CFB3

RGB 87 207 179

HSL 166, 0.56%, 0.58%

LAB 76.01, -40.35, 3.86

 

CMYK 14 / 58 / 0 / 19

HEX #B357CF

RGB 179 87 207

HSL 286, 0.56%, 0.58%

LAB 52.85, 55.6, -46.46

 

CMYK 0 / 14 / 58 / 19

HEX #CFB357

RGB 207 179 87

HSL 46, 0.56%, 0.58%

LAB 73.67, -0.98, 49.87

 

CMYK 58 / 0 / 14 / 19

HEX #57CFB3

RGB 87 207 179

HSL 166, 0.56%, 0.58%

LAB 76.01, -40.35, 3.86

 

CMYK 58 / 56 / 0 / 19

HEX #575BCF

RGB 87 91 207

HSL 238, 0.56%, 0.58%

LAB 44.25, 32.31, -60.76

 

CMYK 0 / 58 / 44 / 19

HEX #CF5773

RGB 207 87 115

HSL 346, 0.56%, 0.58%

LAB 53.3, 49.99, 8.44

 

CMYK 0 / 2 / 58 / 19

HEX #CFCB57

RGB 207 203 87

HSL 58, 0.56%, 0.58%

LAB 79.99, -13.36, 57.01

 

CMYK 58 / 0 / 14 / 19

HEX #57CFB3

RGB 87 207 179

HSL 166, 0.56%, 0.58%

LAB 76.01, -40.35, 3.86

 

CMYK 43 / 58 / 0 / 19

HEX #7757CF

RGB 119 87 207

HSL 256, 0.56%, 0.58%

LAB 45.97, 41.19, -57.86

 

CMYK 0 / 58 / 44 / 19

HEX #CF5773

RGB 207 87 115

HSL 346, 0.56%, 0.58%

LAB 53.3, 49.99, 8.44

 

CMYK 15 / 0 / 58 / 19

HEX #AFCF57

RGB 175 207 87

HSL 76, 0.56%, 0.58%

LAB 78.71, -28.27, 54.92

 

Description

Color code: HEX #57CFB3 | qconv.com Color code: HEX #57CFB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 207 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 207 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 14 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 14% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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