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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57CA51 it is the complementary color #A835AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57CA51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57CA51 shade: #5CCA4C, #6DDC5F, #7EEE72, #8FFF85 and #A0FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57CA51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57CA51 shade: #57CA51, #46B83E, #35A62B, #249418 and #138205

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57CA51 shade: #55C94F, #76C94F, #97C94F, #B7C94F and #C9B94F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57CA51 shade: #55C94F, #4FC96A, #4FC98A, #4FC9AB and #4FC5C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57CA51 shade matches the following richer shades: #55C94F, #44DB3C and #34EE2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57CA51 shade: #55C94F, #66B661, #76A374, #879187 and #987E99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57CA51 shade: #96C94F, #75C94F, #55C94F, #4FC969 and #4FC98A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57CA51 shade: #33972E, #3EB738, #55C94F, #73D26E and #92DC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57CA51 shade: #57CA51, #4FB6C9 and #C94F86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57CA51 shade: #57CA51, #4F55C9 and #C94F55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57CA51 shade: #57CA51, #4FB6C9, #C24FC9 and #C9614F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57CA51 shade: #57CA51, #4F92C9, #C24FC9 and #C9864F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 60 / 21

HEX #57CA51

RGB 87 202 81

HSL 117.02, 0.53%, 0.55%

LAB 72.8, -55.97, 49.71

 

Complementary color

CMYK 3 / 70 / 0 / 32

HEX #A835AE

RGB 168 53 174

HSL 297.02, 0.53%, 0.45%

LAB 44.13, 61.45, -41.24

 

CMYK 54 / 0 / 62 / 21

HEX #5CCA4C

RGB 92 202 76

HSL 112.38, 0.54%, 0.55%

LAB 72.92, -55.24, 52.08

 

CMYK 50 / 0 / 57 / 14

HEX #6DDC5F

RGB 109 220 95

HSL 113.28, 0.64%, 0.62%

LAB 79.19, -55.5, 51

 

CMYK 47 / 0 / 52 / 7

HEX #7EEE72

RGB 126 238 114

HSL 114.19, 0.78%, 0.69%

LAB 85.4, -55.59, 49.82

 

CMYK 44 / 0 / 48 / 0

HEX #8FFF85

RGB 143 255 133

HSL 115.08, 1%, 0.76%

LAB 91.26, -55.17, 48.26

 

CMYK 37 / 0 / 40 / 0

HEX #A0FF98

RGB 160 255 152

HSL 115.34, 1%, 0.8%

LAB 92.25, -47.61, 40.54

 

CMYK 57 / 0 / 60 / 21

HEX #57CA51

RGB 87 202 81

HSL 117.02, 0.53%, 0.55%

LAB 72.8, -55.97, 49.71

 

CMYK 62 / 0 / 66 / 28

HEX #46B83E

RGB 70 184 62

HSL 116.07, 0.5%, 0.48%

LAB 66.47, -55.43, 50.73

 

CMYK 68 / 0 / 74 / 35

HEX #35A62B

RGB 53 166 43

HSL 115.12, 0.59%, 0.41%

LAB 60.07, -54.49, 51.38

 

CMYK 76 / 0 / 84 / 42

HEX #249418

RGB 36 148 24

HSL 114.19, 0.72%, 0.34%

LAB 53.62, -52.92, 51.24

 

CMYK 85 / 0 / 96 / 49

HEX #138205

RGB 19 130 5

HSL 113.28, 0.93%, 0.26%

LAB 47.12, -50.45, 49.68

 

CMYK 58 / 0 / 61 / 21

HEX #55C94F

RGB 85 201 79

HSL 117.05, 0.53%, 0.55%

LAB 72.41, -56.31, 50.13

 

CMYK 41 / 0 / 61 / 21

HEX #76C94F

RGB 118 201 79

HSL 100.82, 0.53%, 0.55%

LAB 73.67, -46.94, 51.9

 

CMYK 25 / 0 / 61 / 21

HEX #97C94F

RGB 151 201 79

HSL 84.59, 0.53%, 0.55%

LAB 75.4, -35.38, 54.31

 

CMYK 9 / 0 / 61 / 21

HEX #B7C94F

RGB 183 201 79

HSL 68.85, 0.53%, 0.55%

LAB 77.52, -22.8, 57.25

 

CMYK 0 / 8 / 61 / 21

HEX #C9B94F

RGB 201 185 79

HSL 52.13, 0.53%, 0.55%

LAB 74.62, -7.23, 54.49

 

CMYK 58 / 0 / 61 / 21

HEX #55C94F

RGB 85 201 79

HSL 117.05, 0.53%, 0.55%

LAB 72.41, -56.31, 50.13

 

CMYK 61 / 0 / 47 / 21

HEX #4FC96A

RGB 79 201 106

HSL 133.28, 0.53%, 0.55%

LAB 72.55, -54.15, 37.46

 

CMYK 61 / 0 / 31 / 21

HEX #4FC98A

RGB 79 201 138

HSL 149.02, 0.53%, 0.55%

LAB 73.07, -48.48, 21.62

 

CMYK 61 / 0 / 15 / 21

HEX #4FC9AB

RGB 79 201 171

HSL 165.25, 0.53%, 0.55%

LAB 73.79, -41.15, 4.93

 

CMYK 61 / 2 / 0 / 21

HEX #4FC5C9

RGB 79 197 201

HSL 181.97, 0.53%, 0.55%

LAB 73.42, -31.44, -11.88

 

CMYK 58 / 0 / 61 / 21

HEX #55C94F

RGB 85 201 79

HSL 117.05, 0.53%, 0.55%

LAB 72.41, -56.31, 50.13

 

CMYK 69 / 0 / 73 / 14

HEX #44DB3C

RGB 68 219 60

HSL 116.98, 0.69%, 0.55%

LAB 77.41, -67.85, 62.95

 

CMYK 78 / 0 / 82 / 7

HEX #34EE2A

RGB 52 238 42

HSL 116.94, 0.85%, 0.55%

LAB 82.94, -77.15, 73.49

 

CMYK 58 / 0 / 61 / 21

HEX #55C94F

RGB 85 201 79

HSL 117.05, 0.53%, 0.55%

LAB 72.41, -56.31, 50.13

 

CMYK 44 / 0 / 47 / 29

HEX #66B661

RGB 102 182 97

HSL 116.47, 0.37%, 0.55%

LAB 67.38, -41.79, 35.66

 

CMYK 28 / 0 / 29 / 36

HEX #76A374

RGB 118 163 116

HSL 117.45, 0.2%, 0.55%

LAB 62.77, -24.71, 19.67

 

CMYK 7 / 0 / 7 / 43

HEX #879187

RGB 135 145 135

HSL 120, 0.04%, 0.55%

LAB 59.11, -5.6, 4.06

 

CMYK 1 / 18 / 0 / 40

HEX #987E99

RGB 152 126 153

HSL 297.78, 0.12%, 0.55%

LAB 55.98, 14.96, -10.73

 

CMYK 25 / 0 / 61 / 21

HEX #96C94F

RGB 150 201 79

HSL 85.08, 0.53%, 0.55%

LAB 75.34, -35.75, 54.23

 

CMYK 42 / 0 / 61 / 21

HEX #75C94F

RGB 117 201 79

HSL 101.31, 0.53%, 0.55%

LAB 73.62, -47.26, 51.84

 

CMYK 58 / 0 / 61 / 21

HEX #55C94F

RGB 85 201 79

HSL 117.05, 0.53%, 0.55%

LAB 72.41, -56.31, 50.13

 

CMYK 61 / 0 / 48 / 21

HEX #4FC969

RGB 79 201 105

HSL 132.79, 0.53%, 0.55%

LAB 72.53, -54.3, 37.94

 

CMYK 61 / 0 / 31 / 21

HEX #4FC98A

RGB 79 201 138

HSL 149.02, 0.53%, 0.55%

LAB 73.07, -48.48, 21.62

 

CMYK 66 / 0 / 70 / 41

HEX #33972E

RGB 51 151 46

HSL 117.14, 0.53%, 0.39%

LAB 55.11, -49.38, 45.04

 

CMYK 66 / 0 / 69 / 28

HEX #3EB738

RGB 62 183 56

HSL 117.17, 0.53%, 0.47%

LAB 65.89, -57.39, 52.49

 

CMYK 58 / 0 / 61 / 21

HEX #55C94F

RGB 85 201 79

HSL 117.05, 0.53%, 0.55%

LAB 72.41, -56.31, 50.13

 

CMYK 45 / 0 / 48 / 18

HEX #73D26E

RGB 115 210 110

HSL 117, 0.53%, 0.63%

LAB 76.6, -47.94, 40.83

 

CMYK 34 / 0 / 35 / 14

HEX #92DC8E

RGB 146 220 142

HSL 116.92, 0.53%, 0.71%

LAB 81.43, -38.12, 31.24

 

CMYK 57 / 0 / 60 / 21

HEX #57CA51

RGB 87 202 81

HSL 117.02, 0.53%, 0.55%

LAB 72.8, -55.97, 49.71

 

CMYK 61 / 9 / 0 / 21

HEX #4FB6C9

RGB 79 182 201

HSL 189.34, 0.53%, 0.55%

LAB 68.99, -24.06, -18.55

 

CMYK 0 / 61 / 33 / 21

HEX #C94F86

RGB 201 79 134

HSL 332.95, 0.53%, 0.55%

LAB 51.53, 53.78, -5.57

 

CMYK 57 / 0 / 60 / 21

HEX #57CA51

RGB 87 202 81

HSL 117.02, 0.53%, 0.55%

LAB 72.8, -55.97, 49.71

 

CMYK 61 / 58 / 0 / 21

HEX #4F55C9

RGB 79 85 201

HSL 237.05, 0.53%, 0.55%

LAB 41.81, 32.63, -61.28

 

CMYK 0 / 61 / 58 / 21

HEX #C94F55

RGB 201 79 85

HSL 357.05, 0.53%, 0.55%

LAB 50.29, 49, 22.02

 

CMYK 57 / 0 / 60 / 21

HEX #57CA51

RGB 87 202 81

HSL 117.02, 0.53%, 0.55%

LAB 72.8, -55.97, 49.71

 

CMYK 61 / 9 / 0 / 21

HEX #4FB6C9

RGB 79 182 201

HSL 189.34, 0.53%, 0.55%

LAB 68.99, -24.06, -18.55

 

CMYK 3 / 61 / 0 / 21

HEX #C24FC9

RGB 194 79 201

HSL 296.56, 0.53%, 0.55%

LAB 53.25, 61.87, -42.25

 

CMYK 0 / 52 / 61 / 21

HEX #C9614F

RGB 201 97 79

HSL 8.85, 0.53%, 0.55%

LAB 53.53, 39.89, 29.69

 

CMYK 57 / 0 / 60 / 21

HEX #57CA51

RGB 87 202 81

HSL 117.02, 0.53%, 0.55%

LAB 72.8, -55.97, 49.71

 

CMYK 61 / 27 / 0 / 21

HEX #4F92C9

RGB 79 146 201

HSL 207.05, 0.53%, 0.55%

LAB 58.45, -4.67, -34.78

 

CMYK 3 / 61 / 0 / 21

HEX #C24FC9

RGB 194 79 201

HSL 296.56, 0.53%, 0.55%

LAB 53.25, 61.87, -42.25

 

CMYK 0 / 33 / 61 / 21

HEX #C9864F

RGB 201 134 79

HSL 27.05, 0.53%, 0.55%

LAB 61.68, 20.18, 39.67

 

Description

Color code: HEX #57CA51 | qconv.com Color code: HEX #57CA51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 202 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 202 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 60 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 60% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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