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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57BDF9 it is the complementary color #A84206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57BDF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57BDF9 shade: #5CBDF4, #6DCFFF, #7EE1FF, #8FF3FF and #A0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57BDF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57BDF9 shade: #57BDF9, #46ABE6, #3599D3, #2487C0 and #1375AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57BDF9 shade: #57BDF8, #5791F8, #5766F8, #7457F8 and #A057F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57BDF9 shade: #57BDF8, #5791F8, #5766F8 and #5757F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57BDF9 shade matches the following richer shades: #57BDF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57BDF9 shade: #57BDF8, #65B9EA, #73B5DC, #81B2CE and #8FAEC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57BDF9 shade: #57F8DE, #57E8F8, #57BDF8, #5792F8 and #5767F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57BDF9 shade: #089DF5, #2FADF7, #57BDF8, #7FCCFA and #A7DCFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57BDF9 shade: #57BDF9, #B357F8 and #F8F357

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57BDF9 shade: #57BDF9, #F857BD and #BDF857

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57BDF9 shade: #57BDF9, #B357F8, #F89257 and #9DF857

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57BDF9 shade: #57BDF9, #E357F8, #F89257 and #6DF857

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 24 / 0 / 2

HEX #57BDF9

RGB 87 189 249

HSL 202.22, 0.93%, 0.66%

LAB 73.06, -11.63, -38.41

 

Complementary color

CMYK 0 / 61 / 96 / 34

HEX #A84206

RGB 168 66 6

HSL 22.22, 0.93%, 0.34%

LAB 41.59, 39.6, 50.52

 

CMYK 62 / 23 / 0 / 4

HEX #5CBDF4

RGB 92 189 244

HSL 201.71, 0.87%, 0.66%

LAB 73.02, -12.37, -35.76

 

CMYK 57 / 19 / 0 / 0

HEX #6DCFFF

RGB 109 207 255

HSL 199.73, 1%, 0.71%

LAB 79.1, -15.44, -32.23

 

CMYK 51 / 12 / 0 / 0

HEX #7EE1FF

RGB 126 225 255

HSL 193.95, 1%, 0.75%

LAB 84.74, -21.2, -23.54

 

CMYK 44 / 5 / 0 / 0

HEX #8FF3FF

RGB 143 243 255

HSL 186.43, 1%, 0.78%

LAB 90.4, -26.31, -14.94

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 65 / 24 / 0 / 2

HEX #57BDF9

RGB 87 189 249

HSL 202.22, 0.93%, 0.66%

LAB 73.06, -11.63, -38.41

 

CMYK 70 / 26 / 0 / 10

HEX #46ABE6

RGB 70 171 230

HSL 202.13, 0.76%, 0.59%

LAB 66.63, -10.61, -38.15

 

CMYK 75 / 27 / 0 / 17

HEX #3599D3

RGB 53 153 211

HSL 202.03, 0.64%, 0.52%

LAB 60.11, -9.33, -37.86

 

CMYK 81 / 30 / 0 / 25

HEX #2487C0

RGB 36 135 192

HSL 201.92, 0.68%, 0.45%

LAB 53.5, -7.71, -37.52

 

CMYK 89 / 32 / 0 / 32

HEX #1375AD

RGB 19 117 173

HSL 201.82, 0.8%, 0.38%

LAB 46.81, -5.61, -37.12

 

CMYK 65 / 24 / 0 / 3

HEX #57BDF8

RGB 87 189 248

HSL 201.99, 0.92%, 0.66%

LAB 73.02, -11.95, -37.94

 

CMYK 65 / 42 / 0 / 3

HEX #5791F8

RGB 87 145 248

HSL 218.39, 0.92%, 0.66%

LAB 60.83, 13.01, -57.15

 

CMYK 65 / 59 / 0 / 3

HEX #5766F8

RGB 87 102 248

HSL 234.41, 0.92%, 0.66%

LAB 49.87, 39.1, -74.82

 

CMYK 53 / 65 / 0 / 3

HEX #7457F8

RGB 116 87 248

HSL 250.81, 0.92%, 0.66%

LAB 48.64, 52.28, -76.72

 

CMYK 35 / 65 / 0 / 3

HEX #A057F8

RGB 160 87 248

HSL 267.2, 0.92%, 0.66%

LAB 53.02, 60.35, -69.41

 

CMYK 65 / 24 / 0 / 3

HEX #57BDF8

RGB 87 189 248

HSL 201.99, 0.92%, 0.66%

LAB 73.02, -11.95, -37.94

 

CMYK 65 / 42 / 0 / 3

HEX #5791F8

RGB 87 145 248

HSL 218.39, 0.92%, 0.66%

LAB 60.83, 13.01, -57.15

 

CMYK 65 / 59 / 0 / 3

HEX #5766F8

RGB 87 102 248

HSL 234.41, 0.92%, 0.66%

LAB 49.87, 39.1, -74.82

 

CMYK 65 / 65 / 0 / 3

HEX #5757F8

RGB 87 87 248

HSL 240, 0.92%, 0.66%

LAB 46.47, 47.99, -80.36

 

CMYK 65 / 24 / 0 / 3

HEX #57BDF8

RGB 87 189 248

HSL 201.99, 0.92%, 0.66%

LAB 73.02, -11.95, -37.94

 

CMYK 65 / 24 / 0 / 3

HEX #57BDF8

RGB 87 189 248

HSL 201.99, 0.92%, 0.66%

LAB 73.02, -11.95, -37.94

 

CMYK 57 / 21 / 0 / 8

HEX #65B9EA

RGB 101 185 234

HSL 202.11, 0.76%, 0.66%

LAB 71.83, -11.64, -32.17

 

CMYK 48 / 18 / 0 / 14

HEX #73B5DC

RGB 115 181 220

HSL 202.29, 0.6%, 0.66%

LAB 70.77, -10.56, -26.12

 

CMYK 37 / 14 / 0 / 19

HEX #81B2CE

RGB 129 178 206

HSL 201.82, 0.44%, 0.66%

LAB 70.15, -9.19, -19.34

 

CMYK 26 / 9 / 0 / 25

HEX #8FAEC0

RGB 143 174 192

HSL 202.04, 0.28%, 0.66%

LAB 69.41, -6.46, -12.67

 

CMYK 65 / 0 / 10 / 3

HEX #57F8DE

RGB 87 248 222

HSL 170.31, 0.92%, 0.66%

LAB 89.13, -47.68, 0.18

 

CMYK 65 / 6 / 0 / 3

HEX #57E8F8

RGB 87 232 248

HSL 185.96, 0.92%, 0.66%

LAB 85.26, -33.56, -19.19

 

CMYK 65 / 24 / 0 / 3

HEX #57BDF8

RGB 87 189 248

HSL 201.99, 0.92%, 0.66%

LAB 73.02, -11.95, -37.94

 

CMYK 65 / 41 / 0 / 3

HEX #5792F8

RGB 87 146 248

HSL 218.01, 0.92%, 0.66%

LAB 61.1, 12.41, -56.72

 

CMYK 65 / 58 / 0 / 3

HEX #5767F8

RGB 87 103 248

HSL 234.04, 0.92%, 0.66%

LAB 50.1, 38.5, -74.44

 

CMYK 97 / 36 / 0 / 4

HEX #089DF5

RGB 8 157 245

HSL 202.28, 0.94%, 0.5%

LAB 62.3, -2.31, -53.26

 

CMYK 81 / 30 / 0 / 3

HEX #2FADF7

RGB 47 173 247

HSL 202.2, 0.93%, 0.58%

LAB 67.43, -8.54, -46.21

 

CMYK 65 / 24 / 0 / 3

HEX #57BDF8

RGB 87 189 248

HSL 201.99, 0.92%, 0.66%

LAB 73.02, -11.95, -37.94

 

CMYK 49 / 18 / 0 / 2

HEX #7FCCFA

RGB 127 204 250

HSL 202.44, 0.92%, 0.74%

LAB 78.81, -11.6, -29.95

 

CMYK 33 / 12 / 0 / 2

HEX #A7DCFB

RGB 167 220 251

HSL 202.14, 0.91%, 0.82%

LAB 85.18, -9.75, -20.58

 

CMYK 65 / 24 / 0 / 2

HEX #57BDF9

RGB 87 189 249

HSL 202.22, 0.93%, 0.66%

LAB 73.06, -11.63, -38.41

 

CMYK 28 / 65 / 0 / 3

HEX #B357F8

RGB 179 87 248

HSL 274.29, 0.92%, 0.66%

LAB 55.25, 64.23, -65.69

 

CMYK 0 / 2 / 65 / 3

HEX #F8F357

RGB 248 243 87

HSL 58.14, 0.92%, 0.66%

LAB 93.77, -16.35, 72.7

 

CMYK 65 / 24 / 0 / 2

HEX #57BDF9

RGB 87 189 249

HSL 202.22, 0.93%, 0.66%

LAB 73.06, -11.63, -38.41

 

CMYK 0 / 65 / 24 / 3

HEX #F857BD

RGB 248 87 189

HSL 321.99, 0.92%, 0.66%

LAB 62.04, 70.74, -21.09

 

CMYK 24 / 0 / 65 / 3

HEX #BDF857

RGB 189 248 87

HSL 81.99, 0.92%, 0.66%

LAB 91.07, -41.67, 68.63

 

CMYK 65 / 24 / 0 / 2

HEX #57BDF9

RGB 87 189 249

HSL 202.22, 0.93%, 0.66%

LAB 73.06, -11.63, -38.41

 

CMYK 28 / 65 / 0 / 3

HEX #B357F8

RGB 179 87 248

HSL 274.29, 0.92%, 0.66%

LAB 55.25, 64.23, -65.69

 

CMYK 0 / 41 / 65 / 3

HEX #F89257

RGB 248 146 87

HSL 21.99, 0.92%, 0.66%

LAB 70.32, 33.47, 47.17

 

CMYK 37 / 0 / 65 / 3

HEX #9DF857

RGB 157 248 87

HSL 93.91, 0.92%, 0.66%

LAB 89.39, -52.82, 66.34

 

CMYK 65 / 24 / 0 / 2

HEX #57BDF9

RGB 87 189 249

HSL 202.22, 0.93%, 0.66%

LAB 73.06, -11.63, -38.41

 

CMYK 8 / 65 / 0 / 3

HEX #E357F8

RGB 227 87 248

HSL 292.17, 0.92%, 0.66%

LAB 61.59, 74.58, -55.19

 

CMYK 0 / 41 / 65 / 3

HEX #F89257

RGB 248 146 87

HSL 21.99, 0.92%, 0.66%

LAB 70.32, 33.47, 47.17

 

CMYK 56 / 0 / 65 / 3

HEX #6DF857

RGB 109 248 87

HSL 111.8, 0.92%, 0.66%

LAB 87.52, -66.6, 63.77

 

Description

Color code: HEX #57BDF9 | qconv.com Color code: HEX #57BDF9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 189 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 189 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 24 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 24% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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