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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57BAD1 it is the complementary color #A8452E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57BAD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57BAD1 shade: #5CBACC, #6DCCDF, #7EDEF2, #8FF0FF and #A0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57BAD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57BAD1 shade: #57BAD1, #46A8BE, #3596AB, #248498 and #137285

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57BAD1 shade: #56B9D0, #5699D0, #5678D0, #5657D0 and #7756D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57BAD1 shade: #56B9D0, #5699D0, #5678D0, #5657D0 and #5656D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57BAD1 shade matches the following richer shades: #56B9D0, #45C4E2 and #34CFF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57BAD1 shade: #56B9D0, #68AFBF, #79A4AE, #8A999C and #9C8E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57BAD1 shade: #56D0A6, #56D0C6, #56BAD0, #569AD0 and #5679D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57BAD1 shade: #2D90A7, #36ACC7, #56B9D0, #77C7D9 and #97D4E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57BAD1 shade: #57BAD1, #8556D0 and #D0B656

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57BAD1 shade: #57BAD1, #D056BA and #BAD056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57BAD1 shade: #57BAD1, #8556D0, #D06D56 and #A2D056

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57BAD1 shade: #57BAD1, #AA56D0, #D06D56 and #7DD056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 11 / 0 / 18

HEX #57BAD1

RGB 87 186 209

HSL 191.31, 0.57%, 0.58%

LAB 70.7, -22.28, -20.33

 

Complementary color

CMYK 0 / 59 / 73 / 34

HEX #A8452E

RGB 168 69 46

HSL 11.31, 0.57%, 0.42%

LAB 42.43, 39.33, 33.91

 

CMYK 55 / 9 / 0 / 20

HEX #5CBACC

RGB 92 186 204

HSL 189.64, 0.52%, 0.58%

LAB 70.7, -22.74, -17.57

 

CMYK 51 / 9 / 0 / 13

HEX #6DCCDF

RGB 109 204 223

HSL 190, 0.64%, 0.65%

LAB 77.14, -23, -18.09

 

CMYK 48 / 8 / 0 / 5

HEX #7EDEF2

RGB 126 222 242

HSL 190.34, 0.82%, 0.72%

LAB 83.49, -23.19, -18.57

 

CMYK 44 / 6 / 0 / 0

HEX #8FF0FF

RGB 143 240 255

HSL 188.04, 1%, 0.78%

LAB 89.57, -24.85, -16.18

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 58 / 11 / 0 / 18

HEX #57BAD1

RGB 87 186 209

HSL 191.31, 0.57%, 0.58%

LAB 70.7, -22.28, -20.33

 

CMYK 63 / 12 / 0 / 25

HEX #46A8BE

RGB 70 168 190

HSL 191, 0.48%, 0.51%

LAB 64.18, -21.77, -19.8

 

CMYK 69 / 12 / 0 / 33

HEX #3596AB

RGB 53 150 171

HSL 190.68, 0.53%, 0.44%

LAB 57.57, -21.08, -19.22

 

CMYK 76 / 13 / 0 / 40

HEX #248498

RGB 36 132 152

HSL 190.34, 0.62%, 0.37%

LAB 50.86, -20.11, -18.57

 

CMYK 86 / 14 / 0 / 48

HEX #137285

RGB 19 114 133

HSL 190, 0.75%, 0.3%

LAB 44.04, -18.74, -17.82

 

CMYK 59 / 11 / 0 / 18

HEX #56B9D0

RGB 86 185 208

HSL 191.31, 0.56%, 0.58%

LAB 70.34, -22.25, -20.33

 

CMYK 59 / 26 / 0 / 18

HEX #5699D0

RGB 86 153 208

HSL 207.05, 0.56%, 0.58%

LAB 61.06, -5.04, -34.61

 

CMYK 59 / 42 / 0 / 18

HEX #5678D0

RGB 86 120 208

HSL 223.28, 0.56%, 0.58%

LAB 51.8, 14.48, -49.21

 

CMYK 59 / 58 / 0 / 18

HEX #5657D0

RGB 86 87 208

HSL 239.51, 0.56%, 0.58%

LAB 43.28, 34.91, -62.9

 

CMYK 43 / 59 / 0 / 18

HEX #7756D0

RGB 119 86 208

HSL 256.23, 0.56%, 0.58%

LAB 45.81, 42.04, -58.68

 

CMYK 59 / 11 / 0 / 18

HEX #56B9D0

RGB 86 185 208

HSL 191.31, 0.56%, 0.58%

LAB 70.34, -22.25, -20.33

 

CMYK 59 / 26 / 0 / 18

HEX #5699D0

RGB 86 153 208

HSL 207.05, 0.56%, 0.58%

LAB 61.06, -5.04, -34.61

 

CMYK 59 / 42 / 0 / 18

HEX #5678D0

RGB 86 120 208

HSL 223.28, 0.56%, 0.58%

LAB 51.8, 14.48, -49.21

 

CMYK 59 / 58 / 0 / 18

HEX #5657D0

RGB 86 87 208

HSL 239.51, 0.56%, 0.58%

LAB 43.28, 34.91, -62.9

 

CMYK 59 / 59 / 0 / 18

HEX #5656D0

RGB 86 86 208

HSL 240, 0.56%, 0.58%

LAB 43.05, 35.53, -63.29

 

CMYK 59 / 11 / 0 / 18

HEX #56B9D0

RGB 86 185 208

HSL 191.31, 0.56%, 0.58%

LAB 70.34, -22.25, -20.33

 

CMYK 69 / 13 / 0 / 11

HEX #45C4E2

RGB 69 196 226

HSL 191.46, 0.73%, 0.58%

LAB 73.7, -25.13, -25.05

 

CMYK 79 / 15 / 0 / 5

HEX #34CFF3

RGB 52 207 243

HSL 191.31, 0.89%, 0.58%

LAB 77.18, -27.22, -28.9

 

CMYK 59 / 11 / 0 / 18

HEX #56B9D0

RGB 86 185 208

HSL 191.31, 0.56%, 0.58%

LAB 70.34, -22.25, -20.33

 

CMYK 46 / 8 / 0 / 25

HEX #68AFBF

RGB 104 175 191

HSL 191.03, 0.4%, 0.58%

LAB 67.55, -18.03, -15.13

 

CMYK 30 / 6 / 0 / 32

HEX #79A4AE

RGB 121 164 174

HSL 191.32, 0.25%, 0.58%

LAB 64.7, -12.02, -9.86

 

CMYK 12 / 2 / 0 / 39

HEX #8A999C

RGB 138 153 156

HSL 190, 0.08%, 0.58%

LAB 62.16, -4.69, -3.4

 

CMYK 0 / 9 / 11 / 39

HEX #9C8E8B

RGB 156 142 139

HSL 10.59, 0.08%, 0.58%

LAB 60.14, 4.68, 3.48

 

CMYK 59 / 0 / 20 / 18

HEX #56D0A6

RGB 86 208 166

HSL 159.34, 0.56%, 0.58%

LAB 75.97, -44.03, 10.77

 

CMYK 59 / 0 / 5 / 18

HEX #56D0C6

RGB 86 208 198

HSL 175.08, 0.56%, 0.58%

LAB 76.78, -36.2, -5.24

 

CMYK 59 / 11 / 0 / 18

HEX #56BAD0

RGB 86 186 208

HSL 190.82, 0.56%, 0.58%

LAB 70.63, -22.76, -19.89

 

CMYK 59 / 26 / 0 / 18

HEX #569AD0

RGB 86 154 208

HSL 206.56, 0.56%, 0.58%

LAB 61.35, -5.6, -34.17

 

CMYK 59 / 42 / 0 / 18

HEX #5679D0

RGB 86 121 208

HSL 222.79, 0.56%, 0.58%

LAB 52.07, 13.87, -48.77

 

CMYK 73 / 14 / 0 / 35

HEX #2D90A7

RGB 45 144 167

HSL 191.31, 0.58%, 0.42%

LAB 55.37, -20.35, -20.31

 

CMYK 73 / 14 / 0 / 22

HEX #36ACC7

RGB 54 172 199

HSL 191.17, 0.57%, 0.5%

LAB 65.29, -23.4, -23.15

 

CMYK 59 / 11 / 0 / 18

HEX #56B9D0

RGB 86 185 208

HSL 191.31, 0.56%, 0.58%

LAB 70.34, -22.25, -20.33

 

CMYK 45 / 8 / 0 / 15

HEX #77C7D9

RGB 119 199 217

HSL 191.02, 0.56%, 0.66%

LAB 75.93, -19.84, -16.63

 

CMYK 33 / 6 / 0 / 11

HEX #97D4E2

RGB 151 212 226

HSL 191.2, 0.56%, 0.74%

LAB 81.38, -16.02, -13.13

 

CMYK 58 / 11 / 0 / 18

HEX #57BAD1

RGB 87 186 209

HSL 191.31, 0.57%, 0.58%

LAB 70.7, -22.28, -20.33

 

CMYK 36 / 59 / 0 / 18

HEX #8556D0

RGB 133 86 208

HSL 263.11, 0.56%, 0.58%

LAB 47.23, 45.17, -56.32

 

CMYK 0 / 13 / 59 / 18

HEX #D0B656

RGB 208 182 86

HSL 47.21, 0.56%, 0.58%

LAB 74.53, -2.21, 51.35

 

CMYK 58 / 11 / 0 / 18

HEX #57BAD1

RGB 87 186 209

HSL 191.31, 0.57%, 0.58%

LAB 70.7, -22.28, -20.33

 

CMYK 0 / 59 / 11 / 18

HEX #D056BA

RGB 208 86 186

HSL 310.82, 0.56%, 0.58%

LAB 55.7, 59.96, -29.65

 

CMYK 11 / 0 / 59 / 18

HEX #BAD056

RGB 186 208 86

HSL 70.82, 0.56%, 0.58%

LAB 79.74, -24.47, 56.72

 

CMYK 58 / 11 / 0 / 18

HEX #57BAD1

RGB 87 186 209

HSL 191.31, 0.57%, 0.58%

LAB 70.7, -22.28, -20.33

 

CMYK 36 / 59 / 0 / 18

HEX #8556D0

RGB 133 86 208

HSL 263.11, 0.56%, 0.58%

LAB 47.23, 45.17, -56.32

 

CMYK 0 / 48 / 59 / 18

HEX #D06D56

RGB 208 109 86

HSL 11.31, 0.56%, 0.58%

LAB 57.09, 36.93, 30.44

 

CMYK 22 / 0 / 59 / 18

HEX #A2D056

RGB 162 208 86

HSL 82.62, 0.56%, 0.58%

LAB 78.15, -33.84, 54.5

 

CMYK 58 / 11 / 0 / 18

HEX #57BAD1

RGB 87 186 209

HSL 191.31, 0.57%, 0.58%

LAB 70.7, -22.28, -20.33

 

CMYK 18 / 59 / 0 / 18

HEX #AA56D0

RGB 170 86 208

HSL 281.31, 0.56%, 0.58%

LAB 51.56, 54.04, -49.14

 

CMYK 0 / 48 / 59 / 18

HEX #D06D56

RGB 208 109 86

HSL 11.31, 0.56%, 0.58%

LAB 57.09, 36.93, 30.44

 

CMYK 40 / 0 / 59 / 18

HEX #7DD056

RGB 125 208 86

HSL 100.82, 0.56%, 0.58%

LAB 76.16, -46.9, 51.71

 

Description

Color code: HEX #57BAD1 | qconv.com Color code: HEX #57BAD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 186 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 186 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 11 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 11% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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