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Color name
HEX #539A09

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #539A09 it is the complementary color #AC65F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #539A09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #539A09 shade: #589A04, #69AC17, #7ABE2A, #8BD03D and #9CE250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #539A09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #539A09 shade: #539A09, #428800, #317600, #206400 and #0F5200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #539A09 shade: #539A08, #7A9A08, #9A9308, #9A6B08 and #9A4408

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #539A09 shade: #539A08, #2B9A08, #089A0D, #089A34 and #089A5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #539A09 shade matches the following richer shades: #539A08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #539A09 shade: #539A08, #528D16, #527F23, #527230 and #52653D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #539A09 shade: #9A9208, #7A9A08, #549A08, #2D9A08 and #089A0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #539A09 shade: #294C04, #3E7306, #539A08, #68C10B and #7DE80D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #539A09 shade: #539A09, #089A6C and #9A088E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #539A09 shade: #539A09, #08549A and #9A0854

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #539A09 shade: #539A09, #089A6C, #4F089A and #9A0836

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #539A09 shade: #539A09, #089A97, #4F089A and #9A080B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 94 / 40

HEX #539A09

RGB 83 154 9

HSL 89.38, 0.89%, 0.32%

LAB 57.05, -43.62, 57.95

 

Complementary color

CMYK 30 / 59 / 0 / 4

HEX #AC65F6

RGB 172 101 246

HSL 269.38, 0.89%, 0.68%

LAB 56.81, 55.46, -62.12

 

CMYK 43 / 0 / 97 / 40

HEX #589A04

RGB 88 154 4

HSL 86.4, 0.95%, 0.31%

LAB 57.26, -42.03, 58.98

 

CMYK 39 / 0 / 87 / 33

HEX #69AC17

RGB 105 172 23

HSL 86.98, 0.76%, 0.38%

LAB 63.81, -43.03, 61.48

 

CMYK 36 / 0 / 78 / 25

HEX #7ABE2A

RGB 122 190 42

HSL 87.57, 0.64%, 0.45%

LAB 70.27, -43.74, 62.55

 

CMYK 33 / 0 / 71 / 18

HEX #8BD03D

RGB 139 208 61

HSL 88.16, 0.61%, 0.53%

LAB 76.64, -44.22, 62.65

 

CMYK 31 / 0 / 65 / 11

HEX #9CE250

RGB 156 226 80

HSL 88.77, 0.72%, 0.6%

LAB 82.93, -44.54, 62.19

 

CMYK 46 / 0 / 94 / 40

HEX #539A09

RGB 83 154 9

HSL 89.38, 0.89%, 0.32%

LAB 57.05, -43.62, 57.95

 

CMYK 51 / 0 / 100 / 47

HEX #428800

RGB 66 136 0

HSL 90.88, 1%, 0.27%

LAB 50.41, -42.23, 53.83

 

CMYK 58 / 0 / 100 / 54

HEX #317600

RGB 49 118 0

HSL 95.08, 1%, 0.23%

LAB 43.67, -40.42, 48.25

 

CMYK 68 / 0 / 100 / 61

HEX #206400

RGB 32 100 0

HSL 100.8, 1%, 0.2%

LAB 36.78, -38.28, 42.57

 

CMYK 82 / 0 / 100 / 68

HEX #0F5200

RGB 15 82 0

HSL 109.02, 1%, 0.16%

LAB 29.75, -35.52, 36.79

 

CMYK 46 / 0 / 95 / 40

HEX #539A08

RGB 83 154 8

HSL 89.18, 0.9%, 0.32%

LAB 57.04, -43.65, 58.1

 

CMYK 21 / 0 / 95 / 40

HEX #7A9A08

RGB 122 154 8

HSL 73.15, 0.9%, 0.32%

LAB 59.22, -28.7, 60.76

 

CMYK 0 / 5 / 95 / 40

HEX #9A9308

RGB 154 147 8

HSL 57.12, 0.9%, 0.32%

LAB 59.67, -10.98, 62.18

 

CMYK 0 / 31 / 95 / 40

HEX #9A6B08

RGB 154 107 8

HSL 40.68, 0.9%, 0.32%

LAB 48.76, 11.28, 54.02

 

CMYK 0 / 56 / 95 / 40

HEX #9A4408

RGB 154 68 8

HSL 24.66, 0.9%, 0.32%

LAB 39.62, 33.07, 47.49

 

CMYK 46 / 0 / 95 / 40

HEX #539A08

RGB 83 154 8

HSL 89.18, 0.9%, 0.32%

LAB 57.04, -43.65, 58.1

 

CMYK 72 / 0 / 95 / 40

HEX #2B9A08

RGB 43 154 8

HSL 105.62, 0.9%, 0.32%

LAB 55.73, -54.26, 56.47

 

CMYK 95 / 0 / 92 / 40

HEX #089A0D

RGB 8 154 13

HSL 122.05, 0.9%, 0.32%

LAB 55.27, -58.27, 55.09

 

CMYK 95 / 0 / 66 / 40

HEX #089A34

RGB 8 154 52

HSL 138.08, 0.9%, 0.32%

LAB 55.49, -55.42, 42.69

 

CMYK 95 / 0 / 41 / 40

HEX #089A5B

RGB 8 154 91

HSL 154.11, 0.9%, 0.32%

LAB 56.01, -49.21, 23.68

 

CMYK 46 / 0 / 95 / 40

HEX #539A08

RGB 83 154 8

HSL 89.18, 0.9%, 0.32%

LAB 57.04, -43.65, 58.1

 

CMYK 46 / 0 / 95 / 40

HEX #539A08

RGB 83 154 8

HSL 89.18, 0.9%, 0.32%

LAB 57.04, -43.65, 58.1

 

CMYK 42 / 0 / 84 / 45

HEX #528D16

RGB 82 141 22

HSL 89.75, 0.73%, 0.32%

LAB 52.84, -38.13, 51.65

 

CMYK 35 / 0 / 72 / 50

HEX #527F23

RGB 82 127 35

HSL 89.35, 0.57%, 0.32%

LAB 48.38, -31.11, 42.94

 

CMYK 28 / 0 / 58 / 55

HEX #527230

RGB 82 114 48

HSL 89.09, 0.41%, 0.32%

LAB 44.29, -23.6, 32.44

 

CMYK 19 / 0 / 40 / 60

HEX #52653D

RGB 82 101 61

HSL 88.5, 0.25%, 0.32%

LAB 40.31, -15.02, 20.35

 

CMYK 0 / 5 / 95 / 40

HEX #9A9208

RGB 154 146 8

HSL 56.71, 0.9%, 0.32%

LAB 59.38, -10.45, 61.97

 

CMYK 21 / 0 / 95 / 40

HEX #7A9A08

RGB 122 154 8

HSL 73.15, 0.9%, 0.32%

LAB 59.22, -28.7, 60.76

 

CMYK 45 / 0 / 95 / 40

HEX #549A08

RGB 84 154 8

HSL 88.77, 0.9%, 0.32%

LAB 57.09, -43.31, 58.15

 

CMYK 71 / 0 / 95 / 40

HEX #2D9A08

RGB 45 154 8

HSL 104.79, 0.9%, 0.32%

LAB 55.77, -53.87, 56.53

 

CMYK 95 / 0 / 93 / 40

HEX #089A0B

RGB 8 154 11

HSL 121.23, 0.9%, 0.32%

LAB 55.26, -58.34, 55.43

 

CMYK 46 / 0 / 95 / 70

HEX #294C04

RGB 41 76 4

HSL 89.17, 0.9%, 0.16%

LAB 28.51, -25.17, 34.58

 

CMYK 46 / 0 / 95 / 55

HEX #3E7306

RGB 62 115 6

HSL 89.17, 0.9%, 0.24%

LAB 43.21, -34.73, 46.72

 

CMYK 46 / 0 / 95 / 40

HEX #539A08

RGB 83 154 8

HSL 89.18, 0.9%, 0.32%

LAB 57.04, -43.65, 58.1

 

CMYK 46 / 0 / 94 / 24

HEX #68C10B

RGB 104 193 11

HSL 89.34, 0.89%, 0.4%

LAB 70.25, -52.1, 68.81

 

CMYK 46 / 0 / 94 / 9

HEX #7DE80D

RGB 125 232 13

HSL 89.32, 0.89%, 0.48%

LAB 82.97, -60.24, 79.22

 

CMYK 46 / 0 / 94 / 40

HEX #539A09

RGB 83 154 9

HSL 89.38, 0.89%, 0.32%

LAB 57.05, -43.62, 57.95

 

CMYK 95 / 0 / 30 / 40

HEX #089A6C

RGB 8 154 108

HSL 161.1, 0.9%, 0.32%

LAB 56.33, -45.46, 14.72

 

CMYK 0 / 95 / 8 / 40

HEX #9A088E

RGB 154 8 142

HSL 304.93, 0.9%, 0.32%

LAB 35.98, 64.65, -35.04

 

CMYK 46 / 0 / 94 / 40

HEX #539A09

RGB 83 154 9

HSL 89.38, 0.89%, 0.32%

LAB 57.05, -43.62, 57.95

 

CMYK 95 / 45 / 0 / 40

HEX #08549A

RGB 8 84 154

HSL 208.77, 0.9%, 0.32%

LAB 35.45, 7, -43.95

 

CMYK 0 / 95 / 45 / 40

HEX #9A0854

RGB 154 8 84

HSL 328.77, 0.9%, 0.32%

LAB 33.32, 57.72, -2.35

 

CMYK 46 / 0 / 94 / 40

HEX #539A09

RGB 83 154 9

HSL 89.38, 0.89%, 0.32%

LAB 57.05, -43.62, 57.95

 

CMYK 95 / 0 / 30 / 40

HEX #089A6C

RGB 8 154 108

HSL 161.1, 0.9%, 0.32%

LAB 56.33, -45.46, 14.72

 

CMYK 49 / 95 / 0 / 40

HEX #4F089A

RGB 79 8 154

HSL 269.18, 0.9%, 0.32%

LAB 24.22, 55.73, -62.07

 

CMYK 0 / 95 / 65 / 40

HEX #9A0836

RGB 154 8 54

HSL 341.1, 0.9%, 0.32%

LAB 32.5, 55.49, 16.27

 

CMYK 46 / 0 / 94 / 40

HEX #539A09

RGB 83 154 9

HSL 89.38, 0.89%, 0.32%

LAB 57.05, -43.62, 57.95

 

CMYK 95 / 0 / 2 / 40

HEX #089A97

RGB 8 154 151

HSL 178.77, 0.9%, 0.32%

LAB 57.46, -33.6, -8.05

 

CMYK 49 / 95 / 0 / 40

HEX #4F089A

RGB 79 8 154

HSL 269.18, 0.9%, 0.32%

LAB 24.22, 55.73, -62.07

 

CMYK 0 / 95 / 93 / 40

HEX #9A080B

RGB 154 8 11

HSL 358.77, 0.9%, 0.32%

LAB 31.96, 53.98, 41.22

 

Description

Color code: HEX #539A09 | qconv.com Color code: HEX #539A09 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 154 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 154 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 94 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 94% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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