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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #537DB0 it is the complementary color #AC824F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #537DB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #537DB0 shade: #587DAB, #698FBE, #7AA1D1, #8BB3E4 and #9CC5F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #537DB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #537DB0 shade: #537DB0, #426B9D, #31598A, #204777 and #0F3564

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #537DB0 shade: #537DB0, #5364B0, #5B53B0, #7453B0 and #8D53B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #537DB0 shade: #537DB0, #5364B0 and #5353B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #537DB0 shade matches the following richer shades: #537DB0, #3F7BC4, #2B79D8 and #1777EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #537DB0 shade: #537DB0, #687F9C, #7C8187, #908373 and #A4855F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #537DB0 shade: #53B0B0, #5397B0, #537EB0, #5366B0 and #5953B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #537DB0 shade: #375579, #446995, #537DB0, #7092BD and #8CA8CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #537DB0 shade: #537DB0, #9753B0 and #A3B053

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #537DB0 shade: #537DB0, #B0537E and #7EB053

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #537DB0 shade: #537DB0, #9753B0, #B08553 and #6CB053

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #537DB0 shade: #537DB0, #B053AD, #B08553 and #53B056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 29 / 0 / 31

HEX #537DB0

RGB 83 125 176

HSL 212.9, 0.37%, 0.51%

LAB 51.43, 0.36, -31.47

 

Complementary color

CMYK 0 / 24 / 54 / 33

HEX #AC824F

RGB 172 130 79

HSL 32.9, 0.37%, 0.49%

LAB 57.37, 10.02, 33.66

 

CMYK 49 / 27 / 0 / 33

HEX #587DAB

RGB 88 125 171

HSL 213.25, 0.33%, 0.51%

LAB 51.48, 0.01, -28.48

 

CMYK 45 / 25 / 0 / 25

HEX #698FBE

RGB 105 143 190

HSL 213.18, 0.4%, 0.58%

LAB 58.38, -0.5, -28.57

 

CMYK 42 / 23 / 0 / 18

HEX #7AA1D1

RGB 122 161 209

HSL 213.1, 0.49%, 0.65%

LAB 65.15, -0.92, -28.69

 

CMYK 39 / 21 / 0 / 11

HEX #8BB3E4

RGB 139 179 228

HSL 213.03, 0.62%, 0.72%

LAB 71.78, -1.27, -28.84

 

CMYK 37 / 20 / 0 / 3

HEX #9CC5F7

RGB 156 197 247

HSL 212.97, 0.85%, 0.79%

LAB 78.3, -1.57, -29

 

CMYK 53 / 29 / 0 / 31

HEX #537DB0

RGB 83 125 176

HSL 212.9, 0.37%, 0.51%

LAB 51.43, 0.36, -31.47

 

CMYK 58 / 32 / 0 / 38

HEX #426B9D

RGB 66 107 157

HSL 212.97, 0.41%, 0.44%

LAB 44.39, 1.17, -31.44

 

CMYK 64 / 36 / 0 / 46

HEX #31598A

RGB 49 89 138

HSL 213.03, 0.48%, 0.37%

LAB 37.17, 2.24, -31.45

 

CMYK 73 / 40 / 0 / 53

HEX #204777

RGB 32 71 119

HSL 213.1, 0.58%, 0.3%

LAB 29.78, 3.73, -31.47

 

CMYK 85 / 47 / 0 / 61

HEX #0F3564

RGB 15 53 100

HSL 213.18, 0.74%, 0.23%

LAB 22.19, 5.92, -31.48

 

CMYK 53 / 29 / 0 / 31

HEX #537DB0

RGB 83 125 176

HSL 212.9, 0.37%, 0.51%

LAB 51.43, 0.36, -31.47

 

CMYK 53 / 43 / 0 / 31

HEX #5364B0

RGB 83 100 176

HSL 229.03, 0.37%, 0.51%

LAB 44.36, 15.69, -42.61

 

CMYK 48 / 53 / 0 / 31

HEX #5B53B0

RGB 91 83 176

HSL 245.16, 0.37%, 0.51%

LAB 40.48, 28.19, -48.78

 

CMYK 34 / 53 / 0 / 31

HEX #7453B0

RGB 116 83 176

HSL 261.29, 0.37%, 0.51%

LAB 42.81, 34.32, -44.91

 

CMYK 20 / 53 / 0 / 31

HEX #8D53B0

RGB 141 83 176

HSL 277.42, 0.37%, 0.51%

LAB 45.61, 41.03, -40.29

 

CMYK 53 / 29 / 0 / 31

HEX #537DB0

RGB 83 125 176

HSL 212.9, 0.37%, 0.51%

LAB 51.43, 0.36, -31.47

 

CMYK 53 / 43 / 0 / 31

HEX #5364B0

RGB 83 100 176

HSL 229.03, 0.37%, 0.51%

LAB 44.36, 15.69, -42.61

 

CMYK 53 / 53 / 0 / 31

HEX #5353B0

RGB 83 83 176

HSL 240, 0.37%, 0.51%

LAB 39.85, 26.42, -49.83

 

CMYK 53 / 29 / 0 / 31

HEX #537DB0

RGB 83 125 176

HSL 212.9, 0.37%, 0.51%

LAB 51.43, 0.36, -31.47

 

CMYK 68 / 37 / 0 / 23

HEX #3F7BC4

RGB 63 123 196

HSL 212.93, 0.53%, 0.51%

LAB 50.93, 4.36, -43.81

 

CMYK 80 / 44 / 0 / 15

HEX #2B79D8

RGB 43 121 216

HSL 212.95, 0.69%, 0.51%

LAB 50.86, 10.34, -55.34

 

CMYK 90 / 50 / 0 / 7

HEX #1777EC

RGB 23 119 236

HSL 212.96, 0.85%, 0.51%

LAB 51.19, 17.81, -66.08

 

CMYK 53 / 29 / 0 / 31

HEX #537DB0

RGB 83 125 176

HSL 212.9, 0.37%, 0.51%

LAB 51.43, 0.36, -31.47

 

CMYK 33 / 19 / 0 / 39

HEX #687F9C

RGB 104 127 156

HSL 213.46, 0.21%, 0.51%

LAB 52.42, -1.04, -18.24

 

CMYK 8 / 4 / 0 / 47

HEX #7C8187

RGB 124 129 135

HSL 212.73, 0.04%, 0.51%

LAB 53.74, -0.6, -3.89

 

CMYK 0 / 9 / 20 / 44

HEX #908373

RGB 144 131 115

HSL 33.1, 0.12%, 0.51%

LAB 55.48, 2.16, 10.43

 

CMYK 0 / 19 / 42 / 36

HEX #A4855F

RGB 164 133 95

HSL 33.04, 0.27%, 0.51%

LAB 57.55, 6.54, 24.94

 

CMYK 53 / 0 / 0 / 31

HEX #53B0B0

RGB 83 176 176

HSL 180, 0.37%, 0.51%

LAB 66.54, -27.37, -8.42

 

CMYK 53 / 14 / 0 / 31

HEX #5397B0

RGB 83 151 176

HSL 196.13, 0.37%, 0.51%

LAB 59.07, -14.42, -19.67

 

CMYK 53 / 28 / 0 / 31

HEX #537EB0

RGB 83 126 176

HSL 212.26, 0.37%, 0.51%

LAB 51.72, -0.23, -31.02

 

CMYK 53 / 42 / 0 / 31

HEX #5366B0

RGB 83 102 176

HSL 227.74, 0.37%, 0.51%

LAB 44.91, 14.43, -41.74

 

CMYK 49 / 53 / 0 / 31

HEX #5953B0

RGB 89 83 176

HSL 243.87, 0.37%, 0.51%

LAB 40.32, 27.74, -49.05

 

CMYK 55 / 30 / 0 / 53

HEX #375579

RGB 55 85 121

HSL 212.73, 0.38%, 0.35%

LAB 35.38, 0.14, -23.82

 

CMYK 54 / 30 / 0 / 42

HEX #446995

RGB 68 105 149

HSL 212.59, 0.37%, 0.43%

LAB 43.51, 0.18, -28.06

 

CMYK 53 / 29 / 0 / 31

HEX #537DB0

RGB 83 125 176

HSL 212.9, 0.37%, 0.51%

LAB 51.43, 0.36, -31.47

 

CMYK 41 / 23 / 0 / 26

HEX #7092BD

RGB 112 146 189

HSL 213.51, 0.37%, 0.59%

LAB 59.6, -0.66, -26.1

 

CMYK 31 / 17 / 0 / 21

HEX #8CA8CA

RGB 140 168 202

HSL 212.9, 0.37%, 0.67%

LAB 67.91, -1.66, -20.49

 

CMYK 53 / 29 / 0 / 31

HEX #537DB0

RGB 83 125 176

HSL 212.9, 0.37%, 0.51%

LAB 51.43, 0.36, -31.47

 

CMYK 14 / 53 / 0 / 31

HEX #9753B0

RGB 151 83 176

HSL 283.87, 0.37%, 0.51%

LAB 46.84, 43.8, -38.26

 

CMYK 7 / 0 / 53 / 31

HEX #A3B053

RGB 163 176 83

HSL 68.39, 0.37%, 0.51%

LAB 69.08, -18.22, 45.5

 

CMYK 53 / 29 / 0 / 31

HEX #537DB0

RGB 83 125 176

HSL 212.9, 0.37%, 0.51%

LAB 51.43, 0.36, -31.47

 

CMYK 0 / 53 / 28 / 31

HEX #B0537E

RGB 176 83 126

HSL 332.26, 0.37%, 0.51%

LAB 48.16, 42.78, -6.2

 

CMYK 28 / 0 / 53 / 31

HEX #7EB053

RGB 126 176 83

HSL 92.26, 0.37%, 0.51%

LAB 66.6, -32.77, 41.96

 

CMYK 53 / 29 / 0 / 31

HEX #537DB0

RGB 83 125 176

HSL 212.9, 0.37%, 0.51%

LAB 51.43, 0.36, -31.47

 

CMYK 14 / 53 / 0 / 31

HEX #9753B0

RGB 151 83 176

HSL 283.87, 0.37%, 0.51%

LAB 46.84, 43.8, -38.26

 

CMYK 0 / 24 / 53 / 31

HEX #B08553

RGB 176 133 83

HSL 32.26, 0.37%, 0.51%

LAB 58.63, 10.43, 33.17

 

CMYK 39 / 0 / 53 / 31

HEX #6CB053

RGB 108 176 83

HSL 103.87, 0.37%, 0.51%

LAB 65.64, -39.11, 40.58

 

CMYK 53 / 29 / 0 / 31

HEX #537DB0

RGB 83 125 176

HSL 212.9, 0.37%, 0.51%

LAB 51.43, 0.36, -31.47

 

CMYK 0 / 53 / 2 / 31

HEX #B053AD

RGB 176 83 173

HSL 301.94, 0.37%, 0.51%

LAB 50.02, 50.26, -31.29

 

CMYK 0 / 24 / 53 / 31

HEX #B08553

RGB 176 133 83

HSL 32.26, 0.37%, 0.51%

LAB 58.63, 10.43, 33.17

 

CMYK 53 / 0 / 51 / 31

HEX #53B056

RGB 83 176 86

HSL 121.94, 0.37%, 0.51%

LAB 64.61, -46.3, 37.59

 

Description

Color code: HEX #537DB0 | qconv.com Color code: HEX #537DB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 125 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 125 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 29 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 29% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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