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Color name
HEX #537A14

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #537A14 it is the complementary color #AC85EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #537A14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #537A14 shade: #587A0F, #698C22, #7A9E35, #8BB048 and #9CC25B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #537A14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #537A14 shade: #537A14, #426801, #315600, #204400 and #0F3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #537A14 shade: #537A13, #6F7A13, #7A6A13, #7A4E13 and #7A3313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #537A14 shade: #537A13, #377A13, #1C7A13, #137A27 and #137A43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #537A14 shade matches the following richer shades: #537A13 and #568608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #537A14 shade: #537A13, #506F1F, #4E632B, #4B5836 and #484C42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #537A14 shade: #7A6913, #707A13, #557A13, #397A13 and #1E7A13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #537A14 shade: #233308, #3B570E, #537A13, #6B9E19 and #83C11F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #537A14 shade: #537A14, #137A4E and #77137A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #537A14 shade: #537A14, #13557A and #7A1355

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #537A14 shade: #537A14, #137A4E, #39137A and #7A1340

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #537A14 shade: #537A14, #137A6D, #39137A and #7A1321

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 84 / 52

HEX #537A14

RGB 83 122 20

HSL 82.94, 0.72%, 0.28%

LAB 46.72, -29.28, 46.73

 

Complementary color

CMYK 27 / 43 / 0 / 8

HEX #AC85EB

RGB 172 133 235

HSL 262.94, 0.72%, 0.72%

LAB 62.96, 35.56, -46.23

 

CMYK 28 / 0 / 88 / 52

HEX #587A0F

RGB 88 122 15

HSL 79.07, 0.78%, 0.27%

LAB 47.01, -27.42, 48.49

 

CMYK 25 / 0 / 76 / 45

HEX #698C22

RGB 105 140 34

HSL 79.81, 0.61%, 0.34%

LAB 53.89, -28.14, 49.28

 

CMYK 23 / 0 / 66 / 38

HEX #7A9E35

RGB 122 158 53

HSL 80.57, 0.5%, 0.41%

LAB 60.65, -28.61, 48.96

 

CMYK 21 / 0 / 59 / 31

HEX #8BB048

RGB 139 176 72

HSL 81.35, 0.42%, 0.49%

LAB 67.28, -28.91, 48.15

 

CMYK 20 / 0 / 53 / 24

HEX #9CC25B

RGB 156 194 91

HSL 82.14, 0.46%, 0.56%

LAB 73.81, -29.1, 47.11

 

CMYK 32 / 0 / 84 / 52

HEX #537A14

RGB 83 122 20

HSL 82.94, 0.72%, 0.28%

LAB 46.72, -29.28, 46.73

 

CMYK 37 / 0 / 99 / 59

HEX #426801

RGB 66 104 1

HSL 82.14, 0.98%, 0.21%

LAB 39.68, -28.43, 45.21

 

CMYK 43 / 0 / 100 / 66

HEX #315600

RGB 49 86 0

HSL 85.81, 1%, 0.17%

LAB 32.5, -26.91, 39.5

 

CMYK 53 / 0 / 100 / 73

HEX #204400

RGB 32 68 0

HSL 91.76, 1%, 0.13%

LAB 25.08, -25.21, 32.99

 

CMYK 70 / 0 / 100 / 80

HEX #0F3200

RGB 15 50 0

HSL 102, 1%, 0.1%

LAB 17.38, -23.16, 24.4

 

CMYK 32 / 0 / 84 / 52

HEX #537A13

RGB 83 122 19

HSL 82.72, 0.73%, 0.28%

LAB 46.72, -29.33, 47.03

 

CMYK 9 / 0 / 84 / 52

HEX #6F7A13

RGB 111 122 19

HSL 66.41, 0.73%, 0.28%

LAB 48.69, -17.12, 49.53

 

CMYK 0 / 13 / 84 / 52

HEX #7A6A13

RGB 122 106 19

HSL 50.68, 0.73%, 0.28%

LAB 44.93, -3.07, 46.64

 

CMYK 0 / 36 / 84 / 52

HEX #7A4E13

RGB 122 78 19

HSL 34.37, 0.73%, 0.28%

LAB 37.18, 13.48, 39.78

 

CMYK 0 / 58 / 84 / 52

HEX #7A3313

RGB 122 51 19

HSL 18.64, 0.73%, 0.28%

LAB 30.77, 29.05, 33.9

 

CMYK 32 / 0 / 84 / 52

HEX #537A13

RGB 83 122 19

HSL 82.72, 0.73%, 0.28%

LAB 46.72, -29.33, 47.03

 

CMYK 55 / 0 / 84 / 52

HEX #377A13

RGB 55 122 19

HSL 99.03, 0.73%, 0.28%

LAB 45.33, -39.42, 45.25

 

CMYK 77 / 0 / 84 / 52

HEX #1C7A13

RGB 28 122 19

HSL 114.76, 0.73%, 0.28%

LAB 44.54, -45.94, 44.23

 

CMYK 84 / 0 / 68 / 52

HEX #137A27

RGB 19 122 39

HSL 131.65, 0.73%, 0.28%

LAB 44.52, -45.53, 36.45

 

CMYK 84 / 0 / 45 / 52

HEX #137A43

RGB 19 122 67

HSL 147.96, 0.73%, 0.28%

LAB 44.89, -41.15, 22.39

 

CMYK 32 / 0 / 84 / 52

HEX #537A13

RGB 83 122 19

HSL 82.72, 0.73%, 0.28%

LAB 46.72, -29.33, 47.03

 

CMYK 36 / 0 / 94 / 47

HEX #568608

RGB 86 134 8

HSL 82.86, 0.89%, 0.28%

LAB 50.74, -34.04, 53.02

 

CMYK 32 / 0 / 84 / 52

HEX #537A13

RGB 83 122 19

HSL 82.72, 0.73%, 0.28%

LAB 46.72, -29.33, 47.03

 

CMYK 28 / 0 / 72 / 56

HEX #506F1F

RGB 80 111 31

HSL 83.25, 0.56%, 0.28%

LAB 43.02, -24.51, 39.08

 

CMYK 21 / 0 / 57 / 61

HEX #4E632B

RGB 78 99 43

HSL 82.5, 0.39%, 0.28%

LAB 39.1, -18.02, 28.9

 

CMYK 15 / 0 / 39 / 65

HEX #4B5836

RGB 75 88 54

HSL 82.94, 0.24%, 0.28%

LAB 35.48, -11.75, 18.08

 

CMYK 5 / 0 / 13 / 70

HEX #484C42

RGB 72 76 66

HSL 84, 0.07%, 0.28%

LAB 31.67, -3.76, 5.39

 

CMYK 0 / 14 / 84 / 52

HEX #7A6913

RGB 122 105 19

HSL 50.1, 0.73%, 0.28%

LAB 44.64, -2.49, 46.39

 

CMYK 8 / 0 / 84 / 52

HEX #707A13

RGB 112 122 19

HSL 65.83, 0.73%, 0.28%

LAB 48.77, -16.66, 49.63

 

CMYK 30 / 0 / 84 / 52

HEX #557A13

RGB 85 122 19

HSL 81.55, 0.73%, 0.28%

LAB 46.84, -28.51, 47.18

 

CMYK 53 / 0 / 84 / 52

HEX #397A13

RGB 57 122 19

HSL 97.86, 0.73%, 0.28%

LAB 45.41, -38.8, 45.35

 

CMYK 75 / 0 / 84 / 52

HEX #1E7A13

RGB 30 122 19

HSL 113.59, 0.73%, 0.28%

LAB 44.58, -45.59, 44.28

 

CMYK 31 / 0 / 84 / 80

HEX #233308

RGB 35 51 8

HSL 82.33, 0.73%, 0.12%

LAB 18.98, -14.59, 23.32

 

CMYK 32 / 0 / 84 / 66

HEX #3B570E

RGB 59 87 14

HSL 83.01, 0.72%, 0.2%

LAB 33.52, -22.52, 36

 

CMYK 32 / 0 / 84 / 52

HEX #537A13

RGB 83 122 19

HSL 82.72, 0.73%, 0.28%

LAB 46.72, -29.33, 47.03

 

CMYK 32 / 0 / 84 / 38

HEX #6B9E19

RGB 107 158 25

HSL 83.01, 0.73%, 0.36%

LAB 59.57, -36.15, 57.35

 

CMYK 32 / 0 / 84 / 24

HEX #83C11F

RGB 131 193 31

HSL 82.96, 0.72%, 0.44%

LAB 71.6, -42.23, 66.93

 

CMYK 32 / 0 / 84 / 52

HEX #537A14

RGB 83 122 20

HSL 82.94, 0.72%, 0.28%

LAB 46.72, -29.28, 46.73

 

CMYK 84 / 0 / 36 / 52

HEX #137A4E

RGB 19 122 78

HSL 154.37, 0.73%, 0.28%

LAB 45.09, -38.83, 16.4

 

CMYK 2 / 84 / 0 / 52

HEX #77137A

RGB 119 19 122

HSL 298.25, 0.73%, 0.28%

LAB 28.88, 52.78, -34.24

 

CMYK 32 / 0 / 84 / 52

HEX #537A14

RGB 83 122 20

HSL 82.94, 0.72%, 0.28%

LAB 46.72, -29.28, 46.73

 

CMYK 84 / 30 / 0 / 52

HEX #13557A

RGB 19 85 122

HSL 201.55, 0.73%, 0.28%

LAB 34.07, -5.93, -26.59

 

CMYK 0 / 84 / 30 / 52

HEX #7A1355

RGB 122 19 85

HSL 321.55, 0.73%, 0.28%

LAB 27.46, 47.91, -12.47

 

CMYK 32 / 0 / 84 / 52

HEX #537A14

RGB 83 122 20

HSL 82.94, 0.72%, 0.28%

LAB 46.72, -29.28, 46.73

 

CMYK 84 / 0 / 36 / 52

HEX #137A4E

RGB 19 122 78

HSL 154.37, 0.73%, 0.28%

LAB 45.09, -38.83, 16.4

 

CMYK 53 / 84 / 0 / 52

HEX #39137A

RGB 57 19 122

HSL 262.14, 0.73%, 0.28%

LAB 18.97, 41.86, -50.78

 

CMYK 0 / 84 / 48 / 52

HEX #7A1340

RGB 122 19 64

HSL 333.79, 0.73%, 0.28%

LAB 26.66, 45.57, 0.4

 

CMYK 32 / 0 / 84 / 52

HEX #537A14

RGB 83 122 20

HSL 82.94, 0.72%, 0.28%

LAB 46.72, -29.28, 46.73

 

CMYK 84 / 0 / 11 / 52

HEX #137A6D

RGB 19 122 109

HSL 172.43, 0.73%, 0.28%

LAB 45.85, -30.66, -0.77

 

CMYK 53 / 84 / 0 / 52

HEX #39137A

RGB 57 19 122

HSL 262.14, 0.73%, 0.28%

LAB 18.97, 41.86, -50.78

 

CMYK 0 / 84 / 73 / 52

HEX #7A1321

RGB 122 19 33

HSL 351.84, 0.73%, 0.28%

LAB 25.9, 43.28, 20.38

 

Description

Color code: HEX #537A14 | qconv.com Color code: HEX #537A14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 122 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 122 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 84 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 84% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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