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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53712D it is the complementary color #AC8ED2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53712D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53712D shade: #587128, #69833B, #7A954E, #8BA761 and #9CB974

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53712D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53712D shade: #53712D, #425F1A, #314D07, #203B00 and #0F2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53712D shade: #53712D, #65712D, #716A2D, #71582D and #71452D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53712D shade: #53712D, #40712D, #2E712D, #2D713E and #2D7150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53712D shade matches the following richer shades: #53712D, #547D20, #568A13 and #579706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53712D shade: #53712D, #516439, #505746, #4E4A53 and #4D3D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53712D shade: #716A2D, #65712D, #53712D, #41712D and #2F712D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53712D shade: #273615, #3D5321, #53712D, #688E38 and #7EAC44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53712D shade: #53712D, #2D7158 and #712D6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53712D shade: #53712D, #2D5371 and #712D53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53712D shade: #53712D, #2D7158, #4A2D71 and #712D45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53712D shade: #53712D, #2D716C, #4A2D71 and #712D31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 60 / 56

HEX #53712D

RGB 83 113 45

HSL 86.47, 0.43%, 0.31%

LAB 44, -23.01, 33.64

 

Complementary color

CMYK 18 / 32 / 0 / 18

HEX #AC8ED2

RGB 172 142 210

HSL 266.47, 0.43%, 0.69%

LAB 63.97, 24.65, -30.76

 

CMYK 22 / 0 / 65 / 56

HEX #587128

RGB 88 113 40

HSL 80.55, 0.48%, 0.3%

LAB 44.29, -21.38, 36.51

 

CMYK 20 / 0 / 55 / 49

HEX #69833B

RGB 105 131 59

HSL 81.67, 0.38%, 0.37%

LAB 51.33, -21.62, 35.45

 

CMYK 18 / 0 / 48 / 42

HEX #7A954E

RGB 122 149 78

HSL 82.82, 0.31%, 0.45%

LAB 58.21, -21.74, 34.24

 

CMYK 17 / 0 / 42 / 35

HEX #8BA761

RGB 139 167 97

HSL 84, 0.28%, 0.52%

LAB 64.95, -21.79, 33.02

 

CMYK 16 / 0 / 37 / 27

HEX #9CB974

RGB 156 185 116

HSL 85.22, 0.33%, 0.59%

LAB 71.57, -21.8, 31.83

 

CMYK 27 / 0 / 60 / 56

HEX #53712D

RGB 83 113 45

HSL 86.47, 0.43%, 0.31%

LAB 44, -23.01, 33.64

 

CMYK 31 / 0 / 73 / 63

HEX #425F1A

RGB 66 95 26

HSL 85.22, 0.57%, 0.24%

LAB 36.78, -22.75, 34.52

 

CMYK 36 / 0 / 91 / 70

HEX #314D07

RGB 49 77 7

HSL 84, 0.83%, 0.16%

LAB 29.35, -22.16, 34.36

 

CMYK 46 / 0 / 100 / 77

HEX #203B00

RGB 32 59 0

HSL 87.46, 1%, 0.12%

LAB 21.71, -20.92, 29.57

 

CMYK 63 / 0 / 100 / 84

HEX #0F2900

RGB 15 41 0

HSL 98.05, 1%, 0.08%

LAB 13.75, -19.05, 19.8

 

CMYK 27 / 0 / 60 / 56

HEX #53712D

RGB 83 113 45

HSL 86.47, 0.43%, 0.31%

LAB 44, -23.01, 33.64

 

CMYK 11 / 0 / 60 / 56

HEX #65712D

RGB 101 113 45

HSL 70.59, 0.43%, 0.31%

LAB 45.31, -15.23, 35.49

 

CMYK 0 / 6 / 60 / 56

HEX #716A2D

RGB 113 106 45

HSL 53.82, 0.43%, 0.31%

LAB 44.24, -5.83, 34.56

 

CMYK 0 / 22 / 60 / 56

HEX #71582D

RGB 113 88 45

HSL 37.94, 0.43%, 0.31%

LAB 39.04, 4.76, 28.54

 

CMYK 0 / 39 / 60 / 56

HEX #71452D

RGB 113 69 45

HSL 21.18, 0.43%, 0.31%

LAB 33.89, 16.27, 22.29

 

CMYK 27 / 0 / 60 / 56

HEX #53712D

RGB 83 113 45

HSL 86.47, 0.43%, 0.31%

LAB 44, -23.01, 33.64

 

CMYK 43 / 0 / 60 / 56

HEX #40712D

RGB 64 113 45

HSL 103.24, 0.43%, 0.31%

LAB 42.9, -30.34, 32.09

 

CMYK 59 / 0 / 60 / 56

HEX #2E712D

RGB 46 113 45

HSL 119.12, 0.43%, 0.31%

LAB 42.12, -36.02, 30.99

 

CMYK 60 / 0 / 45 / 56

HEX #2D713E

RGB 45 113 62

HSL 135, 0.43%, 0.31%

LAB 42.33, -33.62, 22.02

 

CMYK 60 / 0 / 29 / 56

HEX #2D7150

RGB 45 113 80

HSL 150.88, 0.43%, 0.31%

LAB 42.68, -29.92, 12.03

 

CMYK 27 / 0 / 60 / 56

HEX #53712D

RGB 83 113 45

HSL 86.47, 0.43%, 0.31%

LAB 44, -23.01, 33.64

 

CMYK 33 / 0 / 74 / 51

HEX #547D20

RGB 84 125 32

HSL 86.45, 0.59%, 0.31%

LAB 47.82, -29.61, 43.62

 

CMYK 38 / 0 / 86 / 46

HEX #568A13

RGB 86 138 19

HSL 86.22, 0.76%, 0.31%

LAB 52.07, -35.48, 51.83

 

CMYK 42 / 0 / 96 / 41

HEX #579706

RGB 87 151 6

HSL 86.48, 0.92%, 0.31%

LAB 56.26, -41.09, 57.85

 

CMYK 27 / 0 / 60 / 56

HEX #53712D

RGB 83 113 45

HSL 86.47, 0.43%, 0.31%

LAB 44, -23.01, 33.64

 

CMYK 19 / 0 / 43 / 61

HEX #516439

RGB 81 100 57

HSL 86.51, 0.27%, 0.31%

LAB 39.85, -15.48, 22.06

 

CMYK 8 / 0 / 20 / 66

HEX #505746

RGB 80 87 70

HSL 84.71, 0.11%, 0.31%

LAB 35.92, -6.29, 8.96

 

CMYK 6 / 11 / 0 / 67

HEX #4E4A53

RGB 78 74 83

HSL 266.67, 0.06%, 0.31%

LAB 32.13, 3.64, -4.74

 

CMYK 20 / 36 / 0 / 62

HEX #4D3D60

RGB 77 61 96

HSL 267.43, 0.22%, 0.31%

LAB 28.8, 14.88, -18.16

 

CMYK 0 / 6 / 60 / 56

HEX #716A2D

RGB 113 106 45

HSL 53.82, 0.43%, 0.31%

LAB 44.24, -5.83, 34.56

 

CMYK 11 / 0 / 60 / 56

HEX #65712D

RGB 101 113 45

HSL 70.59, 0.43%, 0.31%

LAB 45.31, -15.23, 35.49

 

CMYK 27 / 0 / 60 / 56

HEX #53712D

RGB 83 113 45

HSL 86.47, 0.43%, 0.31%

LAB 44, -23.01, 33.64

 

CMYK 42 / 0 / 60 / 56

HEX #41712D

RGB 65 113 45

HSL 102.35, 0.43%, 0.31%

LAB 42.95, -29.98, 32.16

 

CMYK 58 / 0 / 60 / 56

HEX #2F712D

RGB 47 113 45

HSL 118.24, 0.43%, 0.31%

LAB 42.16, -35.75, 31.04

 

CMYK 28 / 0 / 61 / 79

HEX #273615

RGB 39 54 21

HSL 87.27, 0.44%, 0.15%

LAB 20.53, -13.03, 18.58

 

CMYK 27 / 0 / 60 / 67

HEX #3D5321

RGB 61 83 33

HSL 86.4, 0.43%, 0.23%

LAB 32.45, -17.93, 26.2

 

CMYK 27 / 0 / 60 / 56

HEX #53712D

RGB 83 113 45

HSL 86.47, 0.43%, 0.31%

LAB 44, -23.01, 33.64

 

CMYK 27 / 0 / 61 / 44

HEX #688E38

RGB 104 142 56

HSL 86.51, 0.43%, 0.39%

LAB 54.63, -27.82, 40.71

 

CMYK 27 / 0 / 60 / 33

HEX #7EAC44

RGB 126 172 68

HSL 86.54, 0.43%, 0.47%

LAB 65.25, -32.42, 47.46

 

CMYK 27 / 0 / 60 / 56

HEX #53712D

RGB 83 113 45

HSL 86.47, 0.43%, 0.31%

LAB 44, -23.01, 33.64

 

CMYK 60 / 0 / 22 / 56

HEX #2D7158

RGB 45 113 88

HSL 157.94, 0.43%, 0.31%

LAB 42.87, -28.01, 7.53

 

CMYK 0 / 60 / 3 / 56

HEX #712D6E

RGB 113 45 110

HSL 302.65, 0.43%, 0.31%

LAB 30.67, 39.22, -23.85

 

CMYK 27 / 0 / 60 / 56

HEX #53712D

RGB 83 113 45

HSL 86.47, 0.43%, 0.31%

LAB 44, -23.01, 33.64

 

CMYK 60 / 27 / 0 / 56

HEX #2D5371

RGB 45 83 113

HSL 206.47, 0.43%, 0.31%

LAB 33.85, -3.74, -21.27

 

CMYK 0 / 60 / 27 / 56

HEX #712D53

RGB 113 45 83

HSL 326.47, 0.43%, 0.31%

LAB 29.44, 34.61, -8.3

 

CMYK 27 / 0 / 60 / 56

HEX #53712D

RGB 83 113 45

HSL 86.47, 0.43%, 0.31%

LAB 44, -23.01, 33.64

 

CMYK 60 / 0 / 22 / 56

HEX #2D7158

RGB 45 113 88

HSL 157.94, 0.43%, 0.31%

LAB 42.87, -28.01, 7.53

 

CMYK 35 / 60 / 0 / 56

HEX #4A2D71

RGB 74 45 113

HSL 265.59, 0.43%, 0.31%

LAB 25.34, 28.82, -34.58

 

CMYK 0 / 60 / 39 / 56

HEX #712D45

RGB 113 45 69

HSL 338.82, 0.43%, 0.31%

LAB 28.95, 32.66, 0.19

 

CMYK 27 / 0 / 60 / 56

HEX #53712D

RGB 83 113 45

HSL 86.47, 0.43%, 0.31%

LAB 44, -23.01, 33.64

 

CMYK 60 / 0 / 4 / 56

HEX #2D716C

RGB 45 113 108

HSL 175.59, 0.43%, 0.31%

LAB 43.43, -22.57, -3.66

 

CMYK 35 / 60 / 0 / 56

HEX #4A2D71

RGB 74 45 113

HSL 265.59, 0.43%, 0.31%

LAB 25.34, 28.82, -34.58

 

CMYK 0 / 60 / 57 / 56

HEX #712D31

RGB 113 45 49

HSL 356.47, 0.43%, 0.31%

LAB 28.4, 30.45, 12.66

 

Description

Color code: HEX #53712D | qconv.com Color code: HEX #53712D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 113 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 113 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 60 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 60% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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