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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #537823 it is the complementary color #AC87DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #537823. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #537823 shade: #58781E, #698A31, #7A9C44, #8BAE57 and #9CC06A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #537823. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #537823 shade: #537823, #426610, #315400, #204200 and #0F3000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #537823 shade: #517622, #687622, #766D22, #765722 and #764022

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #537823 shade: #517622, #3B7622, #247622, #227636 and #22764D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #537823 shade matches the following richer shades: #517622, #538216 and #558F09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #537823 shade: #517622, #506A2E, #4E5D3B, #4D5147 and #4B4553

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #537823 shade: #766E22, #687622, #527622, #3B7622 and #257622

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #537823 shade: #25360F, #3B5619, #517622, #68962B and #7EB634

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #537823 shade: #537823, #227657 and #762273

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #537823 shade: #537823, #225276 and #762252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #537823 shade: #537823, #227657, #462276 and #762241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #537823 shade: #537823, #227670, #462276 and #762228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 71 / 53

HEX #537823

RGB 83 120 35

HSL 86.12, 0.55%, 0.3%

LAB 46.17, -27.39, 40.68

 

Complementary color

CMYK 22 / 39 / 0 / 14

HEX #AC87DC

RGB 172 135 220

HSL 266.12, 0.55%, 0.7%

LAB 62.73, 30.9, -38.27

 

CMYK 27 / 0 / 75 / 53

HEX #58781E

RGB 88 120 30

HSL 81.33, 0.6%, 0.29%

LAB 46.45, -25.69, 43.11

 

CMYK 24 / 0 / 64 / 46

HEX #698A31

RGB 105 138 49

HSL 82.25, 0.48%, 0.37%

LAB 53.39, -26.09, 42.6

 

CMYK 22 / 0 / 56 / 39

HEX #7A9C44

RGB 122 156 68

HSL 83.18, 0.39%, 0.44%

LAB 60.19, -26.32, 41.63

 

CMYK 20 / 0 / 50 / 32

HEX #8BAE57

RGB 139 174 87

HSL 84.14, 0.35%, 0.51%

LAB 66.86, -26.45, 40.49

 

CMYK 19 / 0 / 45 / 25

HEX #9CC06A

RGB 156 192 106

HSL 85.12, 0.41%, 0.58%

LAB 73.42, -26.5, 39.31

 

CMYK 31 / 0 / 71 / 53

HEX #537823

RGB 83 120 35

HSL 86.12, 0.55%, 0.3%

LAB 46.17, -27.39, 40.68

 

CMYK 35 / 0 / 84 / 60

HEX #426610

RGB 66 102 16

HSL 85.12, 0.73%, 0.23%

LAB 39.07, -26.87, 40.62

 

CMYK 42 / 0 / 100 / 67

HEX #315400

RGB 49 84 0

HSL 85, 1%, 0.16%

LAB 31.79, -25.97, 38.96

 

CMYK 52 / 0 / 100 / 74

HEX #204200

RGB 32 66 0

HSL 90.91, 1%, 0.13%

LAB 24.33, -24.29, 32.27

 

CMYK 69 / 0 / 100 / 81

HEX #0F3000

RGB 15 48 0

HSL 101.25, 1%, 0.09%

LAB 16.58, -22.28, 23.41

 

CMYK 31 / 0 / 71 / 54

HEX #517622

RGB 81 118 34

HSL 86.43, 0.55%, 0.3%

LAB 45.39, -27.31, 40.26

 

CMYK 12 / 0 / 71 / 54

HEX #687622

RGB 104 118 34

HSL 70, 0.55%, 0.3%

LAB 46.99, -17.42, 42.42

 

CMYK 0 / 8 / 71 / 54

HEX #766D22

RGB 118 109 34

HSL 53.57, 0.55%, 0.3%

LAB 45.5, -5.98, 41.3

 

CMYK 0 / 26 / 71 / 54

HEX #765722

RGB 118 87 34

HSL 37.86, 0.55%, 0.3%

LAB 39.21, 6.91, 34.75

 

CMYK 0 / 46 / 71 / 54

HEX #764022

RGB 118 64 34

HSL 21.43, 0.55%, 0.3%

LAB 33.21, 20.69, 28.14

 

CMYK 31 / 0 / 71 / 54

HEX #517622

RGB 81 118 34

HSL 86.43, 0.55%, 0.3%

LAB 45.39, -27.31, 40.26

 

CMYK 50 / 0 / 71 / 54

HEX #3B7622

RGB 59 118 34

HSL 102.14, 0.55%, 0.3%

LAB 44.24, -35.42, 38.7

 

CMYK 69 / 0 / 71 / 54

HEX #247622

RGB 36 118 34

HSL 118.57, 0.55%, 0.3%

LAB 43.43, -41.75, 37.6

 

CMYK 71 / 0 / 54 / 54

HEX #227636

RGB 34 118 54

HSL 134.29, 0.55%, 0.3%

LAB 43.6, -39.58, 27.96

 

CMYK 71 / 0 / 35 / 54

HEX #22764D

RGB 34 118 77

HSL 150.71, 0.55%, 0.3%

LAB 43.99, -35.19, 15.53

 

CMYK 31 / 0 / 71 / 54

HEX #517622

RGB 81 118 34

HSL 86.43, 0.55%, 0.3%

LAB 45.39, -27.31, 40.26

 

CMYK 36 / 0 / 83 / 49

HEX #538216

RGB 83 130 22

HSL 86.11, 0.71%, 0.3%

LAB 49.33, -32.9, 48.5

 

CMYK 41 / 0 / 94 / 44

HEX #558F09

RGB 85 143 9

HSL 85.97, 0.88%, 0.3%

LAB 53.6, -38.35, 55.16

 

CMYK 31 / 0 / 71 / 54

HEX #517622

RGB 81 118 34

HSL 86.43, 0.55%, 0.3%

LAB 45.39, -27.31, 40.26

 

CMYK 25 / 0 / 57 / 58

HEX #506A2E

RGB 80 106 46

HSL 86, 0.39%, 0.3%

LAB 41.55, -20.54, 30.23

 

CMYK 16 / 0 / 37 / 64

HEX #4E5D3B

RGB 78 93 59

HSL 86.47, 0.22%, 0.3%

LAB 37.42, -12.54, 17.68

 

CMYK 5 / 0 / 12 / 68

HEX #4D5147

RGB 77 81 71

HSL 84, 0.07%, 0.3%

LAB 33.81, -3.73, 5.33

 

CMYK 10 / 17 / 0 / 67

HEX #4B4553

RGB 75 69 83

HSL 265.71, 0.09%, 0.3%

LAB 30.34, 5.66, -7.43

 

CMYK 0 / 7 / 71 / 54

HEX #766E22

RGB 118 110 34

HSL 54.29, 0.55%, 0.3%

LAB 45.8, -6.55, 41.6

 

CMYK 12 / 0 / 71 / 54

HEX #687622

RGB 104 118 34

HSL 70, 0.55%, 0.3%

LAB 46.99, -17.42, 42.42

 

CMYK 31 / 0 / 71 / 54

HEX #527622

RGB 82 118 34

HSL 85.71, 0.55%, 0.3%

LAB 45.45, -26.9, 40.35

 

CMYK 50 / 0 / 71 / 54

HEX #3B7622

RGB 59 118 34

HSL 102.14, 0.55%, 0.3%

LAB 44.24, -35.42, 38.7

 

CMYK 69 / 0 / 71 / 54

HEX #257622

RGB 37 118 34

HSL 117.86, 0.55%, 0.3%

LAB 43.46, -41.53, 37.64

 

CMYK 31 / 0 / 72 / 79

HEX #25360F

RGB 37 54 15

HSL 86.15, 0.57%, 0.14%

LAB 20.31, -14.69, 21.72

 

CMYK 31 / 0 / 71 / 66

HEX #3B5619

RGB 59 86 25

HSL 86.56, 0.55%, 0.22%

LAB 33.26, -21.2, 31.14

 

CMYK 31 / 0 / 71 / 54

HEX #517622

RGB 81 118 34

HSL 86.43, 0.55%, 0.3%

LAB 45.39, -27.31, 40.26

 

CMYK 31 / 0 / 71 / 41

HEX #68962B

RGB 104 150 43

HSL 85.79, 0.55%, 0.38%

LAB 57.01, -32.69, 48.94

 

CMYK 31 / 0 / 71 / 29

HEX #7EB634

RGB 126 182 52

HSL 85.85, 0.56%, 0.46%

LAB 68.12, -38.23, 57.14

 

CMYK 31 / 0 / 71 / 53

HEX #537823

RGB 83 120 35

HSL 86.12, 0.55%, 0.3%

LAB 46.17, -27.39, 40.68

 

CMYK 71 / 0 / 26 / 54

HEX #227657

RGB 34 118 87

HSL 157.86, 0.55%, 0.3%

LAB 44.21, -32.84, 9.97

 

CMYK 0 / 71 / 3 / 54

HEX #762273

RGB 118 34 115

HSL 302.14, 0.55%, 0.3%

LAB 29.99, 46.43, -28.05

 

CMYK 31 / 0 / 71 / 53

HEX #537823

RGB 83 120 35

HSL 86.12, 0.55%, 0.3%

LAB 46.17, -27.39, 40.68

 

CMYK 71 / 31 / 0 / 54

HEX #225276

RGB 34 82 118

HSL 205.71, 0.55%, 0.3%

LAB 33.31, -3.5, -25.26

 

CMYK 0 / 71 / 31 / 54

HEX #762252

RGB 118 34 82

HSL 325.71, 0.55%, 0.3%

LAB 28.39, 41.23, -9.14

 

CMYK 31 / 0 / 71 / 53

HEX #537823

RGB 83 120 35

HSL 86.12, 0.55%, 0.3%

LAB 46.17, -27.39, 40.68

 

CMYK 71 / 0 / 26 / 54

HEX #227657

RGB 34 118 87

HSL 157.86, 0.55%, 0.3%

LAB 44.21, -32.84, 9.97

 

CMYK 41 / 71 / 0 / 54

HEX #462276

RGB 70 34 118

HSL 265.71, 0.55%, 0.3%

LAB 22.84, 35.65, -41.83

 

CMYK 0 / 71 / 45 / 54

HEX #762241

RGB 118 34 65

HSL 337.86, 0.55%, 0.3%

LAB 27.78, 39.15, 1.27

 

CMYK 31 / 0 / 71 / 53

HEX #537823

RGB 83 120 35

HSL 86.12, 0.55%, 0.3%

LAB 46.17, -27.39, 40.68

 

CMYK 71 / 0 / 5 / 54

HEX #227670

RGB 34 118 112

HSL 175.71, 0.55%, 0.3%

LAB 44.9, -25.94, -3.94

 

CMYK 41 / 71 / 0 / 54

HEX #462276

RGB 70 34 118

HSL 265.71, 0.55%, 0.3%

LAB 22.84, 35.65, -41.83

 

CMYK 0 / 71 / 66 / 54

HEX #762228

RGB 118 34 40

HSL 355.71, 0.55%, 0.3%

LAB 27.15, 36.94, 17.13

 

Description

Color code: HEX #537823 | qconv.com Color code: HEX #537823 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 120 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 120 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 71 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 71% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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