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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #537400 it is the complementary color #AC8BFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #537400. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #537400 shade: #587400, #69860E, #7A9821, #8BAA34 and #9CBC47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #537400. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #537400 shade: #537400, #426200, #315000, #203E00 and #0F2C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #537400 shade: #537500, #737500, #755700, #753700 and #751800

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #537400 shade: #537500, #347500, #147500, #00750A and #00752A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #537400 shade matches the following richer shades: #537500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #537400 shade: #537500, #4F6B09, #4B6212, #47581C and #434F25

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #537400 shade: #755700, #737500, #547500, #347500 and #157500

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #537400 shade: #182200, #364C00, #537500, #719E00 and #8EC700

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #537400 shade: #537400, #007538 and #670075

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #537400 shade: #537400, #005475 and #750054

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #537400 shade: #537400, #007538, #210075 and #75003C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #537400 shade: #537400, #00755B, #210075 and #750019

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 100 / 55

HEX #537400

RGB 83 116 0

HSL 77.07, 1%, 0.23%

LAB 44.7, -27.09, 49.79

 

Complementary color

CMYK 33 / 45 / 0 / 0

HEX #AC8BFF

RGB 172 139 255

HSL 257.07, 1%, 0.77%

LAB 65.32, 37.13, -53.49

 

CMYK 24 / 0 / 100 / 55

HEX #587400

RGB 88 116 0

HSL 74.48, 1%, 0.23%

LAB 45.03, -24.93, 50.18

 

CMYK 22 / 0 / 90 / 47

HEX #69860E

RGB 105 134 14

HSL 74.5, 0.81%, 0.29%

LAB 51.93, -26.08, 53.34

 

CMYK 20 / 0 / 78 / 40

HEX #7A9821

RGB 122 152 33

HSL 75.13, 0.64%, 0.36%

LAB 58.7, -26.94, 54.57

 

CMYK 18 / 0 / 69 / 33

HEX #8BAA34

RGB 139 170 52

HSL 75.76, 0.53%, 0.44%

LAB 65.35, -27.55, 54.6

 

CMYK 17 / 0 / 62 / 26

HEX #9CBC47

RGB 156 188 71

HSL 76.41, 0.47%, 0.51%

LAB 71.89, -28, 54

 

CMYK 28 / 0 / 100 / 55

HEX #537400

RGB 83 116 0

HSL 77.07, 1%, 0.23%

LAB 44.7, -27.09, 49.79

 

CMYK 33 / 0 / 100 / 62

HEX #426200

RGB 66 98 0

HSL 79.59, 1%, 0.19%

LAB 37.65, -25.59, 43.92

 

CMYK 39 / 0 / 100 / 69

HEX #315000

RGB 49 80 0

HSL 83.25, 1%, 0.16%

LAB 30.38, -24.04, 37.86

 

CMYK 48 / 0 / 100 / 76

HEX #203E00

RGB 32 62 0

HSL 89.03, 1%, 0.12%

LAB 22.84, -22.39, 30.76

 

CMYK 66 / 0 / 100 / 83

HEX #0F2C00

RGB 15 44 0

HSL 99.55, 1%, 0.09%

LAB 14.97, -20.47, 21.38

 

CMYK 29 / 0 / 100 / 54

HEX #537500

RGB 83 117 0

HSL 77.44, 1%, 0.23%

LAB 45.03, -27.57, 50.04

 

CMYK 2 / 0 / 100 / 54

HEX #737500

RGB 115 117 0

HSL 61.03, 1%, 0.23%

LAB 47.45, -13.07, 52.93

 

CMYK 0 / 26 / 100 / 54

HEX #755700

RGB 117 87 0

HSL 44.62, 1%, 0.23%

LAB 38.9, 5.14, 46.92

 

CMYK 0 / 53 / 100 / 54

HEX #753700

RGB 117 55 0

HSL 28.21, 1%, 0.23%

LAB 30.67, 24.17, 41.46

 

CMYK 0 / 79 / 100 / 54

HEX #751800

RGB 117 24 0

HSL 12.31, 1%, 0.23%

LAB 25.06, 39.01, 36.74

 

CMYK 29 / 0 / 100 / 54

HEX #537500

RGB 83 117 0

HSL 77.44, 1%, 0.23%

LAB 45.03, -27.57, 50.04

 

CMYK 56 / 0 / 100 / 54

HEX #347500

RGB 52 117 0

HSL 93.33, 1%, 0.23%

LAB 43.44, -39.12, 48.12

 

CMYK 83 / 0 / 100 / 54

HEX #147500

RGB 20 117 0

HSL 109.74, 1%, 0.23%

LAB 42.57, -46.42, 47.06

 

CMYK 100 / 0 / 91 / 54

HEX #00750A

RGB 0 117 10

HSL 125.13, 1%, 0.23%

LAB 42.38, -48.03, 44.5

 

CMYK 100 / 0 / 64 / 54

HEX #00752A

RGB 0 117 42

HSL 141.54, 1%, 0.23%

LAB 42.6, -45.22, 32.81

 

CMYK 29 / 0 / 100 / 54

HEX #537500

RGB 83 117 0

HSL 77.44, 1%, 0.23%

LAB 45.03, -27.57, 50.04

 

CMYK 29 / 0 / 100 / 54

HEX #537500

RGB 83 117 0

HSL 77.44, 1%, 0.23%

LAB 45.03, -27.57, 50.04

 

CMYK 26 / 0 / 92 / 58

HEX #4F6B09

RGB 79 107 9

HSL 77.14, 0.84%, 0.23%

LAB 41.53, -24.09, 45.02

 

CMYK 23 / 0 / 82 / 62

HEX #4B6212

RGB 75 98 18

HSL 77.25, 0.69%, 0.23%

LAB 38.33, -20.89, 39.48

 

CMYK 19 / 0 / 68 / 65

HEX #47581C

RGB 71 88 28

HSL 77, 0.52%, 0.23%

LAB 34.81, -16.67, 31.61

 

CMYK 15 / 0 / 53 / 69

HEX #434F25

RGB 67 79 37

HSL 77.14, 0.36%, 0.23%

LAB 31.62, -12.52, 23.08

 

CMYK 0 / 26 / 100 / 54

HEX #755700

RGB 117 87 0

HSL 44.62, 1%, 0.23%

LAB 38.9, 5.14, 46.92

 

CMYK 2 / 0 / 100 / 54

HEX #737500

RGB 115 117 0

HSL 61.03, 1%, 0.23%

LAB 47.45, -13.07, 52.93

 

CMYK 28 / 0 / 100 / 54

HEX #547500

RGB 84 117 0

HSL 76.92, 1%, 0.23%

LAB 45.09, -27.15, 50.11

 

CMYK 56 / 0 / 100 / 54

HEX #347500

RGB 52 117 0

HSL 93.33, 1%, 0.23%

LAB 43.44, -39.12, 48.12

 

CMYK 82 / 0 / 100 / 54

HEX #157500

RGB 21 117 0

HSL 109.23, 1%, 0.23%

LAB 42.58, -46.28, 47.08

 

CMYK 29 / 0 / 100 / 87

HEX #182200

RGB 24 34 0

HSL 77.65, 1%, 0.07%

LAB 11.54, -11.05, 16.92

 

CMYK 29 / 0 / 100 / 70

HEX #364C00

RGB 54 76 0

HSL 77.37, 1%, 0.15%

LAB 29.29, -19.8, 37.17

 

CMYK 29 / 0 / 100 / 54

HEX #537500

RGB 83 117 0

HSL 77.44, 1%, 0.23%

LAB 45.03, -27.57, 50.04

 

CMYK 28 / 0 / 100 / 38

HEX #719E00

RGB 113 158 0

HSL 77.09, 1%, 0.31%

LAB 59.86, -34.43, 62.18

 

CMYK 29 / 0 / 100 / 22

HEX #8EC700

RGB 142 199 0

HSL 77.19, 1%, 0.39%

LAB 73.93, -41.33, 73.7

 

CMYK 28 / 0 / 100 / 55

HEX #537400

RGB 83 116 0

HSL 77.07, 1%, 0.23%

LAB 44.7, -27.09, 49.79

 

CMYK 100 / 0 / 52 / 54

HEX #007538

RGB 0 117 56

HSL 148.72, 1%, 0.23%

LAB 42.78, -43.01, 25.74

 

CMYK 12 / 100 / 0 / 54

HEX #670075

RGB 103 0 117

HSL 292.82, 1%, 0.23%

LAB 24.22, 52.88, -38.71

 

CMYK 28 / 0 / 100 / 55

HEX #537400

RGB 83 116 0

HSL 77.07, 1%, 0.23%

LAB 44.7, -27.09, 49.79

 

CMYK 100 / 28 / 0 / 54

HEX #005475

RGB 0 84 117

HSL 196.92, 1%, 0.23%

LAB 33.19, -8.81, -24.89

 

CMYK 0 / 100 / 28 / 54

HEX #750054

RGB 117 0 84

HSL 316.92, 1%, 0.23%

LAB 25.02, 50.55, -15.65

 

CMYK 28 / 0 / 100 / 55

HEX #537400

RGB 83 116 0

HSL 77.07, 1%, 0.23%

LAB 44.7, -27.09, 49.79

 

CMYK 100 / 0 / 52 / 54

HEX #007538

RGB 0 117 56

HSL 148.72, 1%, 0.23%

LAB 42.78, -43.01, 25.74

 

CMYK 72 / 100 / 0 / 54

HEX #210075

RGB 33 0 117

HSL 256.92, 1%, 0.23%

LAB 13.28, 45.35, -57.09

 

CMYK 0 / 100 / 49 / 54

HEX #75003C

RGB 117 0 60

HSL 329.23, 1%, 0.23%

LAB 24.03, 47.97, -0.84

 

CMYK 28 / 0 / 100 / 55

HEX #537400

RGB 83 116 0

HSL 77.07, 1%, 0.23%

LAB 44.7, -27.09, 49.79

 

CMYK 100 / 0 / 22 / 54

HEX #00755B

RGB 0 117 91

HSL 166.67, 1%, 0.23%

LAB 43.47, -34.98, 6.48

 

CMYK 72 / 100 / 0 / 54

HEX #210075

RGB 33 0 117

HSL 256.92, 1%, 0.23%

LAB 13.28, 45.35, -57.09

 

CMYK 0 / 100 / 79 / 54

HEX #750019

RGB 117 0 25

HSL 347.18, 1%, 0.23%

LAB 23.18, 45.71, 22.22

 

Description

Color code: HEX #537400 | qconv.com Color code: HEX #537400 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 116 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 116 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 100 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 100% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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