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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #534E78 it is the complementary color #ACB187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #534E78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #534E78 shade: #584E73, #696086, #7A7299, #8B84AC and #9C96BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #534E78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #534E78 shade: #534E78, #423C65, #312A52, #20183F and #0F062C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #534E78 shade: #534E78, #5E4E78, #6A4E78, #754E78 and #784E70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #534E78 shade: #534E78 and #4E4E78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #534E78 shade matches the following richer shades: #534E78, #473E88, #3B2E98, #2E1EA8 and #220EB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #534E78 shade: #534E78, #5F5E68, #6C6E58, #787E48 and #848E37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #534E78 shade: #4E5F78, #4E5478, #534E78, #5E4E78 and #694E78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #534E78 shade: #302D46, #423E5F, #534E78, #645E91 and #7A74A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #534E78 shade: #534E78, #784E6B and #5A784E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #534E78 shade: #534E78, #78534E and #4E7853

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #534E78 shade: #534E78, #784E6B, #73784E and #4E785B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #534E78 shade: #534E78, #784E5E, #73784E and #4E7868

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 35 / 0 / 53

HEX #534E78

RGB 83 78 120

HSL 247.14, 0.21%, 0.39%

LAB 35.29, 12.44, -23.19

 

Complementary color

CMYK 3 / 0 / 24 / 31

HEX #ACB187

RGB 172 177 135

HSL 67.14, 0.21%, 0.61%

LAB 70.85, -8.9, 20.96

 

CMYK 23 / 32 / 0 / 55

HEX #584E73

RGB 88 78 115

HSL 256.22, 0.19%, 0.38%

LAB 35.52, 12.73, -19.69

 

CMYK 22 / 28 / 0 / 47

HEX #696086

RGB 105 96 134

HSL 254.21, 0.17%, 0.45%

LAB 42.9, 12.13, -19.81

 

CMYK 20 / 25 / 0 / 40

HEX #7A7299

RGB 122 114 153

HSL 252.31, 0.16%, 0.52%

LAB 50.06, 11.61, -19.98

 

CMYK 19 / 23 / 0 / 33

HEX #8B84AC

RGB 139 132 172

HSL 250.5, 0.19%, 0.6%

LAB 57.05, 11.15, -20.18

 

CMYK 18 / 21 / 0 / 25

HEX #9C96BF

RGB 156 150 191

HSL 248.78, 0.24%, 0.67%

LAB 63.87, 10.74, -20.4

 

CMYK 31 / 35 / 0 / 53

HEX #534E78

RGB 83 78 120

HSL 247.14, 0.21%, 0.39%

LAB 35.29, 12.44, -23.19

 

CMYK 35 / 41 / 0 / 60

HEX #423C65

RGB 66 60 101

HSL 248.78, 0.25%, 0.32%

LAB 27.65, 13.24, -23.25

 

CMYK 40 / 49 / 0 / 68

HEX #312A52

RGB 49 42 82

HSL 250.5, 0.32%, 0.24%

LAB 19.71, 14.25, -23.42

 

CMYK 49 / 62 / 0 / 75

HEX #20183F

RGB 32 24 63

HSL 252.31, 0.45%, 0.17%

LAB 11.41, 15.61, -23.69

 

CMYK 66 / 86 / 0 / 83

HEX #0F062C

RGB 15 6 44

HSL 254.21, 0.76%, 0.1%

LAB 3.74, 13.26, -22.24

 

CMYK 31 / 35 / 0 / 53

HEX #534E78

RGB 83 78 120

HSL 247.14, 0.21%, 0.39%

LAB 35.29, 12.44, -23.19

 

CMYK 22 / 35 / 0 / 53

HEX #5E4E78

RGB 94 78 120

HSL 262.86, 0.21%, 0.39%

LAB 36.34, 16.07, -21.48

 

CMYK 12 / 35 / 0 / 53

HEX #6A4E78

RGB 106 78 120

HSL 280, 0.21%, 0.39%

LAB 37.61, 20.18, -19.41

 

CMYK 3 / 35 / 0 / 53

HEX #754E78

RGB 117 78 120

HSL 295.71, 0.21%, 0.39%

LAB 38.88, 24.03, -17.35

 

CMYK 0 / 35 / 7 / 53

HEX #784E70

RGB 120 78 112

HSL 311.43, 0.21%, 0.39%

LAB 38.92, 23.48, -12.31

 

CMYK 31 / 35 / 0 / 53

HEX #534E78

RGB 83 78 120

HSL 247.14, 0.21%, 0.39%

LAB 35.29, 12.44, -23.19

 

CMYK 35 / 35 / 0 / 53

HEX #4E4E78

RGB 78 78 120

HSL 240, 0.21%, 0.39%

LAB 34.85, 10.85, -23.9

 

CMYK 31 / 35 / 0 / 53

HEX #534E78

RGB 83 78 120

HSL 247.14, 0.21%, 0.39%

LAB 35.29, 12.44, -23.19

 

CMYK 48 / 54 / 0 / 47

HEX #473E88

RGB 71 62 136

HSL 247.3, 0.37%, 0.39%

LAB 30.79, 24.22, -40.3

 

CMYK 61 / 70 / 0 / 40

HEX #3B2E98

RGB 59 46 152

HSL 247.36, 0.54%, 0.39%

LAB 27.16, 37.1, -56.1

 

CMYK 73 / 82 / 0 / 34

HEX #2E1EA8

RGB 46 30 168

HSL 246.96, 0.7%, 0.39%

LAB 24.75, 49.32, -69.83

 

CMYK 82 / 92 / 0 / 28

HEX #220EB8

RGB 34 14 184

HSL 247.06, 0.86%, 0.39%

LAB 24.05, 59.17, -80.63

 

CMYK 31 / 35 / 0 / 53

HEX #534E78

RGB 83 78 120

HSL 247.14, 0.21%, 0.39%

LAB 35.29, 12.44, -23.19

 

CMYK 9 / 10 / 0 / 59

HEX #5F5E68

RGB 95 94 104

HSL 246, 0.05%, 0.39%

LAB 40.31, 2.57, -5.55

 

CMYK 2 / 0 / 20 / 57

HEX #6C6E58

RGB 108 110 88

HSL 65.45, 0.11%, 0.39%

LAB 45.7, -4.91, 12.04

 

CMYK 5 / 0 / 43 / 51

HEX #787E48

RGB 120 126 72

HSL 66.67, 0.27%, 0.39%

LAB 51.13, -11.14, 28.59

 

CMYK 7 / 0 / 61 / 44

HEX #848E37

RGB 132 142 55

HSL 66.9, 0.44%, 0.39%

LAB 56.61, -16.19, 43.94

 

CMYK 35 / 21 / 0 / 53

HEX #4E5F78

RGB 78 95 120

HSL 215.71, 0.21%, 0.39%

LAB 39.85, 0.13, -16.18

 

CMYK 35 / 30 / 0 / 53

HEX #4E5478

RGB 78 84 120

HSL 231.43, 0.21%, 0.39%

LAB 36.59, 7.01, -21.21

 

CMYK 31 / 35 / 0 / 53

HEX #534E78

RGB 83 78 120

HSL 247.14, 0.21%, 0.39%

LAB 35.29, 12.44, -23.19

 

CMYK 22 / 35 / 0 / 53

HEX #5E4E78

RGB 94 78 120

HSL 262.86, 0.21%, 0.39%

LAB 36.34, 16.07, -21.48

 

CMYK 13 / 35 / 0 / 53

HEX #694E78

RGB 105 78 120

HSL 278.57, 0.21%, 0.39%

LAB 37.5, 19.83, -19.59

 

CMYK 31 / 36 / 0 / 73

HEX #302D46

RGB 48 45 70

HSL 247.2, 0.22%, 0.23%

LAB 19.83, 8.05, -15.13

 

CMYK 31 / 35 / 0 / 63

HEX #423E5F

RGB 66 62 95

HSL 247.27, 0.21%, 0.31%

LAB 27.93, 10.14, -18.96

 

CMYK 31 / 35 / 0 / 53

HEX #534E78

RGB 83 78 120

HSL 247.14, 0.21%, 0.39%

LAB 35.29, 12.44, -23.19

 

CMYK 31 / 35 / 0 / 43

HEX #645E91

RGB 100 94 145

HSL 247.06, 0.21%, 0.47%

LAB 42.4, 14.64, -27.24

 

CMYK 26 / 29 / 0 / 36

HEX #7A74A4

RGB 122 116 164

HSL 247.5, 0.21%, 0.55%

LAB 51.05, 13.15, -24.9

 

CMYK 31 / 35 / 0 / 53

HEX #534E78

RGB 83 78 120

HSL 247.14, 0.21%, 0.39%

LAB 35.29, 12.44, -23.19

 

CMYK 0 / 35 / 11 / 53

HEX #784E6B

RGB 120 78 107

HSL 318.57, 0.21%, 0.39%

LAB 38.73, 22.52, -9.49

 

CMYK 25 / 0 / 35 / 53

HEX #5A784E

RGB 90 120 78

HSL 102.86, 0.21%, 0.39%

LAB 47.18, -19.36, 19.68

 

CMYK 31 / 35 / 0 / 53

HEX #534E78

RGB 83 78 120

HSL 247.14, 0.21%, 0.39%

LAB 35.29, 12.44, -23.19

 

CMYK 0 / 31 / 35 / 53

HEX #78534E

RGB 120 83 78

HSL 7.14, 0.21%, 0.39%

LAB 39.12, 14.72, 9.11

 

CMYK 35 / 0 / 31 / 53

HEX #4E7853

RGB 78 120 83

HSL 127.14, 0.21%, 0.39%

LAB 46.55, -22.88, 15.81

 

CMYK 31 / 35 / 0 / 53

HEX #534E78

RGB 83 78 120

HSL 247.14, 0.21%, 0.39%

LAB 35.29, 12.44, -23.19

 

CMYK 0 / 35 / 11 / 53

HEX #784E6B

RGB 120 78 107

HSL 318.57, 0.21%, 0.39%

LAB 38.73, 22.52, -9.49

 

CMYK 4 / 0 / 35 / 53

HEX #73784E

RGB 115 120 78

HSL 67.14, 0.21%, 0.39%

LAB 49.04, -9.18, 22.48

 

CMYK 35 / 0 / 24 / 53

HEX #4E785B

RGB 78 120 91

HSL 138.57, 0.21%, 0.39%

LAB 46.72, -21.3, 11.38

 

CMYK 31 / 35 / 0 / 53

HEX #534E78

RGB 83 78 120

HSL 247.14, 0.21%, 0.39%

LAB 35.29, 12.44, -23.19

 

CMYK 0 / 35 / 22 / 53

HEX #784E5E

RGB 120 78 94

HSL 337.14, 0.21%, 0.39%

LAB 38.29, 20.21, -2.05

 

CMYK 4 / 0 / 35 / 53

HEX #73784E

RGB 115 120 78

HSL 67.14, 0.21%, 0.39%

LAB 49.04, -9.18, 22.48

 

CMYK 35 / 0 / 13 / 53

HEX #4E7868

RGB 78 120 104

HSL 157.14, 0.21%, 0.39%

LAB 47.04, -18.44, 4.17

 

Description

Color code: HEX #534E78 | qconv.com Color code: HEX #534E78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 78 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 78 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 35 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 35% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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