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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53489D it is the complementary color #ACB762. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53489D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53489D shade: #584898, #695AAB, #7A6CBE, #8B7ED1 and #9C90E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53489D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53489D shade: #53489D, #42368A, #312477, #201264 and #0F0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53489D shade: #53489D, #6A489D, #81489D, #97489D and #9D488B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53489D shade: #53489D and #48489D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53489D shade matches the following richer shades: #53489D, #4535AF, #3723C2 and #2910D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53489D shade: #53489D, #615A8A, #6E6D78, #7C7F65 and #8A9252

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53489D shade: #486B9D, #48559D, #52489D, #68489D and #7F489D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53489D shade: #352E64, #443B80, #53489D, #665BB3 and #8077C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53489D shade: #53489D, #9D4882 and #609D48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53489D shade: #53489D, #9D5248 and #489D52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53489D shade: #53489D, #9D4882, #939D48 and #489D63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53489D shade: #53489D, #9D4868, #939D48 and #489D7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 54 / 0 / 38

HEX #53489D

RGB 83 72 157

HSL 247.76, 0.37%, 0.45%

LAB 35.81, 27.32, -45

 

Complementary color

CMYK 6 / 0 / 46 / 28

HEX #ACB762

RGB 172 183 98

HSL 67.76, 0.37%, 0.55%

LAB 71.91, -16.64, 41.69

 

CMYK 42 / 53 / 0 / 40

HEX #584898

RGB 88 72 152

HSL 252, 0.36%, 0.44%

LAB 35.94, 27.02, -41.75

 

CMYK 39 / 47 / 0 / 33

HEX #695AAB

RGB 105 90 171

HSL 251.11, 0.33%, 0.51%

LAB 43.15, 25.84, -41.5

 

CMYK 36 / 43 / 0 / 25

HEX #7A6CBE

RGB 122 108 190

HSL 250.24, 0.39%, 0.58%

LAB 50.19, 24.83, -41.3

 

CMYK 33 / 40 / 0 / 18

HEX #8B7ED1

RGB 139 126 209

HSL 249.4, 0.47%, 0.66%

LAB 57.09, 23.94, -41.16

 

CMYK 32 / 37 / 0 / 11

HEX #9C90E4

RGB 156 144 228

HSL 248.57, 0.61%, 0.73%

LAB 63.85, 23.15, -41.06

 

CMYK 47 / 54 / 0 / 38

HEX #53489D

RGB 83 72 157

HSL 247.76, 0.37%, 0.45%

LAB 35.81, 27.32, -45

 

CMYK 52 / 61 / 0 / 46

HEX #42368A

RGB 66 54 138

HSL 248.57, 0.44%, 0.38%

LAB 28.46, 28.86, -45.32

 

CMYK 59 / 70 / 0 / 53

HEX #312477

RGB 49 36 119

HSL 249.4, 0.54%, 0.3%

LAB 21.01, 30.64, -45.56

 

CMYK 68 / 82 / 0 / 61

HEX #201264

RGB 32 18 100

HSL 250.24, 0.69%, 0.23%

LAB 13.59, 32.42, -45.44

 

CMYK 81 / 100 / 0 / 68

HEX #0F0051

RGB 15 0 81

HSL 251.11, 1%, 0.16%

LAB 6.28, 34.25, -44.75

 

CMYK 47 / 54 / 0 / 38

HEX #53489D

RGB 83 72 157

HSL 247.76, 0.37%, 0.45%

LAB 35.81, 27.32, -45

 

CMYK 32 / 54 / 0 / 38

HEX #6A489D

RGB 106 72 157

HSL 264, 0.37%, 0.45%

LAB 38.08, 33.12, -41.23

 

CMYK 18 / 54 / 0 / 38

HEX #81489D

RGB 129 72 157

HSL 280.24, 0.37%, 0.45%

LAB 40.79, 39.41, -36.75

 

CMYK 4 / 54 / 0 / 38

HEX #97489D

RGB 151 72 157

HSL 295.76, 0.37%, 0.45%

LAB 43.72, 45.63, -31.93

 

CMYK 0 / 54 / 11 / 38

HEX #9D488B

RGB 157 72 139

HSL 312.71, 0.37%, 0.45%

LAB 43.75, 44.16, -21

 

CMYK 47 / 54 / 0 / 38

HEX #53489D

RGB 83 72 157

HSL 247.76, 0.37%, 0.45%

LAB 35.81, 27.32, -45

 

CMYK 54 / 54 / 0 / 38

HEX #48489D

RGB 72 72 157

HSL 240, 0.37%, 0.45%

LAB 34.9, 24.84, -46.52

 

CMYK 47 / 54 / 0 / 38

HEX #53489D

RGB 83 72 157

HSL 247.76, 0.37%, 0.45%

LAB 35.81, 27.32, -45

 

CMYK 61 / 70 / 0 / 31

HEX #4535AF

RGB 69 53 175

HSL 247.87, 0.54%, 0.45%

LAB 31.59, 41.91, -62.7

 

CMYK 72 / 82 / 0 / 24

HEX #3723C2

RGB 55 35 194

HSL 247.55, 0.69%, 0.45%

LAB 29.18, 55.48, -77.98

 

CMYK 81 / 92 / 0 / 17

HEX #2910D4

RGB 41 16 212

HSL 247.65, 0.86%, 0.45%

LAB 28.37, 66.26, -89.88

 

CMYK 47 / 54 / 0 / 38

HEX #53489D

RGB 83 72 157

HSL 247.76, 0.37%, 0.45%

LAB 35.81, 27.32, -45

 

CMYK 30 / 35 / 0 / 46

HEX #615A8A

RGB 97 90 138

HSL 248.75, 0.21%, 0.45%

LAB 40.72, 14.29, -25.66

 

CMYK 8 / 9 / 0 / 53

HEX #6E6D78

RGB 110 109 120

HSL 245.45, 0.05%, 0.45%

LAB 46.46, 2.72, -5.96

 

CMYK 2 / 0 / 20 / 50

HEX #7C7F65

RGB 124 127 101

HSL 66.92, 0.11%, 0.45%

LAB 52.29, -5.9, 13.79

 

CMYK 5 / 0 / 44 / 43

HEX #8A9252

RGB 138 146 82

HSL 67.5, 0.28%, 0.45%

LAB 58.57, -13.14, 32.86

 

CMYK 54 / 32 / 0 / 38

HEX #486B9D

RGB 72 107 157

HSL 215.29, 0.37%, 0.45%

LAB 44.7, 2.53, -30.93

 

CMYK 54 / 46 / 0 / 38

HEX #48559D

RGB 72 85 157

HSL 230.82, 0.37%, 0.45%

LAB 38.39, 16.43, -40.91

 

CMYK 48 / 54 / 0 / 38

HEX #52489D

RGB 82 72 157

HSL 247.06, 0.37%, 0.45%

LAB 35.72, 27.09, -45.15

 

CMYK 34 / 54 / 0 / 38

HEX #68489D

RGB 104 72 157

HSL 262.59, 0.37%, 0.45%

LAB 37.86, 32.59, -41.59

 

CMYK 19 / 54 / 0 / 38

HEX #7F489D

RGB 127 72 157

HSL 278.82, 0.37%, 0.45%

LAB 40.54, 38.85, -37.17

 

CMYK 47 / 54 / 0 / 61

HEX #352E64

RGB 53 46 100

HSL 247.78, 0.37%, 0.29%

LAB 22.41, 18.54, -30.99

 

CMYK 47 / 54 / 0 / 50

HEX #443B80

RGB 68 59 128

HSL 247.83, 0.37%, 0.37%

LAB 29.2, 22.87, -37.9

 

CMYK 47 / 54 / 0 / 38

HEX #53489D

RGB 83 72 157

HSL 247.76, 0.37%, 0.45%

LAB 35.81, 27.32, -45

 

CMYK 43 / 49 / 0 / 30

HEX #665BB3

RGB 102 91 179

HSL 247.5, 0.37%, 0.53%

LAB 43.6, 26.79, -45.5

 

CMYK 33 / 38 / 0 / 25

HEX #8077C0

RGB 128 119 192

HSL 247.4, 0.37%, 0.61%

LAB 53.59, 20.47, -37.07

 

CMYK 47 / 54 / 0 / 38

HEX #53489D

RGB 83 72 157

HSL 247.76, 0.37%, 0.45%

LAB 35.81, 27.32, -45

 

CMYK 0 / 54 / 17 / 38

HEX #9D4882

RGB 157 72 130

HSL 319.06, 0.37%, 0.45%

LAB 43.38, 42.68, -16.11

 

CMYK 39 / 0 / 54 / 38

HEX #609D48

RGB 96 157 72

HSL 103.06, 0.37%, 0.45%

LAB 59.04, -36.04, 37.94

 

CMYK 47 / 54 / 0 / 38

HEX #53489D

RGB 83 72 157

HSL 247.76, 0.37%, 0.45%

LAB 35.81, 27.32, -45

 

CMYK 0 / 48 / 54 / 38

HEX #9D5248

RGB 157 82 72

HSL 7.06, 0.37%, 0.45%

LAB 43.76, 30.05, 19.91

 

CMYK 54 / 0 / 48 / 38

HEX #489D52

RGB 72 157 82

HSL 127.06, 0.37%, 0.45%

LAB 58.13, -42.02, 31.49

 

CMYK 47 / 54 / 0 / 38

HEX #53489D

RGB 83 72 157

HSL 247.76, 0.37%, 0.45%

LAB 35.81, 27.32, -45

 

CMYK 0 / 54 / 17 / 38

HEX #9D4882

RGB 157 72 130

HSL 319.06, 0.37%, 0.45%

LAB 43.38, 42.68, -16.11

 

CMYK 6 / 0 / 54 / 38

HEX #939D48

RGB 147 157 72

HSL 67.06, 0.37%, 0.45%

LAB 62.33, -16.15, 42.63

 

CMYK 54 / 0 / 37 / 38

HEX #489D63

RGB 72 157 99

HSL 139.06, 0.37%, 0.45%

LAB 58.41, -39.11, 22.74

 

CMYK 47 / 54 / 0 / 38

HEX #53489D

RGB 83 72 157

HSL 247.76, 0.37%, 0.45%

LAB 35.81, 27.32, -45

 

CMYK 0 / 54 / 34 / 38

HEX #9D4868

RGB 157 72 104

HSL 337.41, 0.37%, 0.45%

LAB 42.46, 38.91, -1.52

 

CMYK 6 / 0 / 54 / 38

HEX #939D48

RGB 147 157 72

HSL 67.06, 0.37%, 0.45%

LAB 62.33, -16.15, 42.63

 

CMYK 54 / 0 / 21 / 38

HEX #489D7C

RGB 72 157 124

HSL 156.71, 0.37%, 0.45%

LAB 58.93, -33.88, 9.55

 

Description

Color code: HEX #53489D | qconv.com Color code: HEX #53489D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 72 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 72 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 54 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 54% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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