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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #533B18 it is the complementary color #ACC4E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #533B18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #533B18 shade: #583B13, #694D26, #7A5F39, #8B714C and #9C835F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #533B18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #533B18 shade: #533B18, #422905, #311700, #200500 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #533B18 shade: #533B18, #532B18, #531B18 and #531818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #533B18 shade: #533B18, #534A18, #4B5318, #3B5318 and #2B5318

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #533B18 shade matches the following richer shades: #533B18, #5B3C0F and #643E06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #533B18 shade: #533B18, #4A3920, #413729, #393632 and #30343A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #533B18 shade: #531B18, #532A18, #533A18, #534A18 and #4C5318

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #533B18 shade: #130D05, #33240E, #533B18, #725121 and #92682A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #533B18 shade: #533B18, #245318 and #221853

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #533B18 shade: #533B18, #18533A and #3A1853

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #533B18 shade: #533B18, #245318, #183053 and #461853

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #533B18 shade: #533B18, #18531D, #183053 and #53184E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 71 / 67

HEX #533B18

RGB 83 59 24

HSL 35.59, 0.55%, 0.21%

LAB 26.83, 6.37, 25.3

 

Complementary color

CMYK 26 / 15 / 0 / 9

HEX #ACC4E7

RGB 172 196 231

HSL 215.59, 0.55%, 0.79%

LAB 78.47, -0.44, -20.06

 

CMYK 0 / 33 / 78 / 65

HEX #583B13

RGB 88 59 19

HSL 34.78, 0.64%, 0.21%

LAB 27.43, 8.56, 28.84

 

CMYK 0 / 27 / 64 / 59

HEX #694D26

RGB 105 77 38

HSL 34.93, 0.47%, 0.28%

LAB 34.9, 7.03, 27.36

 

CMYK 0 / 22 / 53 / 52

HEX #7A5F39

RGB 122 95 57

HSL 35.08, 0.36%, 0.35%

LAB 42.18, 5.89, 25.81

 

CMYK 0 / 19 / 45 / 45

HEX #8B714C

RGB 139 113 76

HSL 35.24, 0.29%, 0.42%

LAB 49.28, 5, 24.36

 

CMYK 0 / 16 / 39 / 39

HEX #9C835F

RGB 156 131 95

HSL 35.41, 0.24%, 0.49%

LAB 56.21, 4.29, 23.03

 

CMYK 0 / 29 / 71 / 67

HEX #533B18

RGB 83 59 24

HSL 35.59, 0.55%, 0.21%

LAB 26.83, 6.37, 25.3

 

CMYK 0 / 38 / 92 / 74

HEX #422905

RGB 66 41 5

HSL 35.41, 0.86%, 0.14%

LAB 19.04, 8.17, 25.47

 

CMYK 0 / 53 / 100 / 81

HEX #311700

RGB 49 23 0

HSL 28.16, 1%, 0.1%

LAB 11.03, 10.89, 16.72

 

CMYK 0 / 84 / 100 / 87

HEX #200500

RGB 32 5 0

HSL 9.38, 1%, 0.06%

LAB 3.75, 10.44, 5.82

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 29 / 71 / 67

HEX #533B18

RGB 83 59 24

HSL 35.59, 0.55%, 0.21%

LAB 26.83, 6.37, 25.3

 

CMYK 0 / 48 / 71 / 67

HEX #532B18

RGB 83 43 24

HSL 19.32, 0.55%, 0.21%

LAB 22.42, 16.56, 20.26

 

CMYK 0 / 67 / 71 / 67

HEX #531B18

RGB 83 27 24

HSL 3.05, 0.55%, 0.21%

LAB 18.75, 25.91, 15.84

 

CMYK 0 / 71 / 71 / 67

HEX #531818

RGB 83 24 24

HSL 0, 0.55%, 0.21%

LAB 18.18, 27.44, 15.13

 

CMYK 0 / 29 / 71 / 67

HEX #533B18

RGB 83 59 24

HSL 35.59, 0.55%, 0.21%

LAB 26.83, 6.37, 25.3

 

CMYK 0 / 11 / 71 / 67

HEX #534A18

RGB 83 74 24

HSL 50.85, 0.55%, 0.21%

LAB 31.35, -3.04, 30.21

 

CMYK 10 / 0 / 71 / 67

HEX #4B5318

RGB 75 83 24

HSL 68.14, 0.55%, 0.21%

LAB 33.45, -12.32, 32.19

 

CMYK 29 / 0 / 71 / 67

HEX #3B5318

RGB 59 83 24

HSL 84.41, 0.55%, 0.21%

LAB 32.22, -19.72, 30.51

 

CMYK 48 / 0 / 71 / 67

HEX #2B5318

RGB 43 83 24

HSL 100.68, 0.55%, 0.21%

LAB 31.27, -26.21, 29.21

 

CMYK 0 / 29 / 71 / 67

HEX #533B18

RGB 83 59 24

HSL 35.59, 0.55%, 0.21%

LAB 26.83, 6.37, 25.3

 

CMYK 0 / 34 / 84 / 64

HEX #5B3C0F

RGB 91 60 15

HSL 35.53, 0.72%, 0.21%

LAB 28.09, 9.23, 31.57

 

CMYK 0 / 38 / 94 / 61

HEX #643E06

RGB 100 62 6

HSL 35.74, 0.89%, 0.21%

LAB 29.83, 12.14, 37.23

 

CMYK 0 / 29 / 71 / 67

HEX #533B18

RGB 83 59 24

HSL 35.59, 0.55%, 0.21%

LAB 26.83, 6.37, 25.3

 

CMYK 0 / 23 / 57 / 71

HEX #4A3920

RGB 74 57 32

HSL 35.71, 0.4%, 0.21%

LAB 25.22, 3.86, 18.36

 

CMYK 0 / 15 / 37 / 75

HEX #413729

RGB 65 55 41

HSL 35, 0.23%, 0.21%

LAB 23.73, 1.91, 10.42

 

CMYK 0 / 5 / 12 / 78

HEX #393632

RGB 57 54 50

HSL 34.29, 0.07%, 0.21%

LAB 22.79, 0.45, 2.98

 

CMYK 17 / 10 / 0 / 77

HEX #30343A

RGB 48 52 58

HSL 216, 0.09%, 0.21%

LAB 21.54, -0.19, -4.36

 

CMYK 0 / 67 / 71 / 67

HEX #531B18

RGB 83 27 24

HSL 3.05, 0.55%, 0.21%

LAB 18.75, 25.91, 15.84

 

CMYK 0 / 49 / 71 / 67

HEX #532A18

RGB 83 42 24

HSL 18.31, 0.55%, 0.21%

LAB 22.16, 17.19, 19.96

 

CMYK 0 / 30 / 71 / 67

HEX #533A18

RGB 83 58 24

HSL 34.58, 0.55%, 0.21%

LAB 26.54, 7.01, 24.98

 

CMYK 0 / 11 / 71 / 67

HEX #534A18

RGB 83 74 24

HSL 50.85, 0.55%, 0.21%

LAB 31.35, -3.04, 30.21

 

CMYK 8 / 0 / 71 / 67

HEX #4C5318

RGB 76 83 24

HSL 67.12, 0.55%, 0.21%

LAB 33.54, -11.84, 32.3

 

CMYK 0 / 32 / 74 / 93

HEX #130D05

RGB 19 13 5

HSL 34.29, 0.58%, 0.05%

LAB 3.95, 0.99, 3.88

 

CMYK 0 / 29 / 73 / 80

HEX #33240E

RGB 51 36 14

HSL 35.68, 0.57%, 0.13%

LAB 15.47, 4.09, 16.79

 

CMYK 0 / 29 / 71 / 67

HEX #533B18

RGB 83 59 24

HSL 35.59, 0.55%, 0.21%

LAB 26.83, 6.37, 25.3

 

CMYK 0 / 29 / 71 / 55

HEX #725121

RGB 114 81 33

HSL 35.56, 0.55%, 0.29%

LAB 37.06, 8.55, 32.8

 

CMYK 0 / 29 / 71 / 43

HEX #92682A

RGB 146 104 42

HSL 35.77, 0.55%, 0.37%

LAB 47.21, 10.49, 40.32

 

CMYK 0 / 29 / 71 / 67

HEX #533B18

RGB 83 59 24

HSL 35.59, 0.55%, 0.21%

LAB 26.83, 6.37, 25.3

 

CMYK 57 / 0 / 71 / 67

HEX #245318

RGB 36 83 24

HSL 107.8, 0.55%, 0.21%

LAB 30.94, -28.63, 28.76

 

CMYK 59 / 71 / 0 / 67

HEX #221853

RGB 34 24 83

HSL 250.17, 0.55%, 0.21%

LAB 13.34, 23.18, -34.43

 

CMYK 0 / 29 / 71 / 67

HEX #533B18

RGB 83 59 24

HSL 35.59, 0.55%, 0.21%

LAB 26.83, 6.37, 25.3

 

CMYK 71 / 0 / 30 / 67

HEX #18533A

RGB 24 83 58

HSL 154.58, 0.55%, 0.21%

LAB 31.08, -25.7, 9.22

 

CMYK 30 / 71 / 0 / 67

HEX #3A1853

RGB 58 24 83

HSL 274.58, 0.55%, 0.21%

LAB 16.39, 28.81, -29.33

 

CMYK 0 / 29 / 71 / 67

HEX #533B18

RGB 83 59 24

HSL 35.59, 0.55%, 0.21%

LAB 26.83, 6.37, 25.3

 

CMYK 57 / 0 / 71 / 67

HEX #245318

RGB 36 83 24

HSL 107.8, 0.55%, 0.21%

LAB 30.94, -28.63, 28.76

 

CMYK 71 / 42 / 0 / 67

HEX #183053

RGB 24 48 83

HSL 215.59, 0.55%, 0.21%

LAB 19.77, 3.74, -24.11

 

CMYK 16 / 71 / 0 / 67

HEX #461853

RGB 70 24 83

HSL 286.78, 0.55%, 0.21%

LAB 18.28, 31.98, -26.21

 

CMYK 0 / 29 / 71 / 67

HEX #533B18

RGB 83 59 24

HSL 35.59, 0.55%, 0.21%

LAB 26.83, 6.37, 25.3

 

CMYK 71 / 0 / 65 / 67

HEX #18531D

RGB 24 83 29

HSL 125.08, 0.55%, 0.21%

LAB 30.57, -31.39, 25.68

 

CMYK 71 / 42 / 0 / 67

HEX #183053

RGB 24 48 83

HSL 215.59, 0.55%, 0.21%

LAB 19.77, 3.74, -24.11

 

CMYK 0 / 71 / 6 / 67

HEX #53184E

RGB 83 24 78

HSL 305.08, 0.55%, 0.21%

LAB 20.21, 34.56, -19.61

 

Description

Color code: HEX #533B18 | qconv.com Color code: HEX #533B18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 59 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 59 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 71 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 71% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - Standard Life plc
Link: http://www.standardlife.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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