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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #533921 it is the complementary color #ACC6DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #533921. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #533921 shade: #58391C, #694B2F, #7A5D42, #8B6F55 and #9C8168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #533921. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #533921 shade: #533921, #42270E, #311500, #200300 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #533921 shade: #533921, #532C21 and #532121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #533921 shade: #533921, #534721, #525321, #455321 and #375321

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #533921 shade matches the following richer shades: #533921, #5D3917, #66380E and #703804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #533921 shade: #533921, #4A3A2A, #403A34, #373A3D and #2D3B47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #533921 shade: #532124, #532B21, #533821, #534621 and #535321

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #533921 shade: #181109, #362515, #533921, #714D2D and #8E6238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #533921 shade: #533921, #325321 and #242153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #533921 shade: #533921, #215338 and #382153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #533921 shade: #533921, #325321, #213C53 and #432153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #533921 shade: #533921, #235321, #213C53 and #522153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 60 / 67

HEX #533921

RGB 83 57 33

HSL 28.8, 0.43%, 0.23%

LAB 26.38, 8.43, 19.42

 

Complementary color

CMYK 23 / 11 / 0 / 13

HEX #ACC6DE

RGB 172 198 222

HSL 208.8, 0.43%, 0.77%

LAB 78.71, -3.57, -14.85

 

CMYK 0 / 35 / 68 / 65

HEX #58391C

RGB 88 57 28

HSL 29, 0.52%, 0.23%

LAB 26.98, 10.44, 23.34

 

CMYK 0 / 29 / 55 / 59

HEX #694B2F

RGB 105 75 47

HSL 28.97, 0.38%, 0.3%

LAB 34.48, 9.08, 21.6

 

CMYK 0 / 24 / 46 / 52

HEX #7A5D42

RGB 122 93 66

HSL 28.93, 0.3%, 0.37%

LAB 41.78, 8.05, 20.05

 

CMYK 0 / 20 / 39 / 45

HEX #8B6F55

RGB 139 111 85

HSL 28.89, 0.24%, 0.44%

LAB 48.9, 7.24, 18.67

 

CMYK 0 / 17 / 33 / 39

HEX #9C8168

RGB 156 129 104

HSL 28.85, 0.21%, 0.51%

LAB 55.85, 6.57, 17.44

 

CMYK 0 / 31 / 60 / 67

HEX #533921

RGB 83 57 33

HSL 28.8, 0.43%, 0.23%

LAB 26.38, 8.43, 19.42

 

CMYK 0 / 41 / 79 / 74

HEX #42270E

RGB 66 39 14

HSL 28.85, 0.65%, 0.16%

LAB 18.54, 10.02, 21.04

 

CMYK 0 / 57 / 100 / 81

HEX #311500

RGB 49 21 0

HSL 25.71, 1%, 0.1%

LAB 10.48, 12.25, 15.94

 

CMYK 0 / 91 / 100 / 87

HEX #200300

RGB 32 3 0

HSL 5.63, 1%, 0.06%

LAB 3.36, 11.24, 5.24

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 31 / 60 / 67

HEX #533921

RGB 83 57 33

HSL 28.8, 0.43%, 0.23%

LAB 26.38, 8.43, 19.42

 

CMYK 0 / 47 / 60 / 67

HEX #532C21

RGB 83 44 33

HSL 13.2, 0.43%, 0.23%

LAB 22.83, 16.71, 14.95

 

CMYK 0 / 60 / 60 / 67

HEX #532121

RGB 83 33 33

HSL 0, 0.43%, 0.23%

LAB 20.19, 23.35, 11.51

 

CMYK 0 / 31 / 60 / 67

HEX #533921

RGB 83 57 33

HSL 28.8, 0.43%, 0.23%

LAB 26.38, 8.43, 19.42

 

CMYK 0 / 14 / 60 / 67

HEX #534721

RGB 83 71 33

HSL 45.6, 0.43%, 0.23%

LAB 30.53, -0.44, 24.44

 

CMYK 1 / 0 / 60 / 67

HEX #525321

RGB 82 83 33

HSL 61.2, 0.43%, 0.23%

LAB 34.17, -8.2, 28.62

 

CMYK 17 / 0 / 60 / 67

HEX #455321

RGB 69 83 33

HSL 76.8, 0.43%, 0.23%

LAB 33.05, -14.34, 27.04

 

CMYK 34 / 0 / 60 / 67

HEX #375321

RGB 55 83 33

HSL 93.6, 0.43%, 0.23%

LAB 32.05, -20.49, 25.63

 

CMYK 0 / 31 / 60 / 67

HEX #533921

RGB 83 57 33

HSL 28.8, 0.43%, 0.23%

LAB 26.38, 8.43, 19.42

 

CMYK 0 / 39 / 75 / 64

HEX #5D3917

RGB 93 57 23

HSL 29.14, 0.6%, 0.23%

LAB 27.61, 12.54, 27.11

 

CMYK 0 / 45 / 86 / 60

HEX #66380E

RGB 102 56 14

HSL 28.64, 0.76%, 0.23%

LAB 28.6, 17.06, 33.08

 

CMYK 0 / 50 / 96 / 56

HEX #703804

RGB 112 56 4

HSL 28.89, 0.93%, 0.23%

LAB 30.11, 21.43, 39.05

 

CMYK 0 / 31 / 60 / 67

HEX #533921

RGB 83 57 33

HSL 28.8, 0.43%, 0.23%

LAB 26.38, 8.43, 19.42

 

CMYK 0 / 22 / 43 / 71

HEX #4A3A2A

RGB 74 58 42

HSL 30, 0.28%, 0.23%

LAB 25.71, 4.45, 12.62

 

CMYK 0 / 9 / 19 / 75

HEX #403A34

RGB 64 58 52

HSL 30, 0.1%, 0.23%

LAB 24.84, 1.39, 4.67

 

CMYK 10 / 5 / 0 / 76

HEX #373A3D

RGB 55 58 61

HSL 210, 0.05%, 0.23%

LAB 24.24, -0.55, -2.3

 

CMYK 37 / 17 / 0 / 72

HEX #2D3B47

RGB 45 59 71

HSL 207.69, 0.22%, 0.23%

LAB 24.13, -2.26, -9.22

 

CMYK 0 / 60 / 57 / 67

HEX #532124

RGB 83 33 36

HSL 356.4, 0.43%, 0.23%

LAB 20.26, 23.64, 9.53

 

CMYK 0 / 48 / 60 / 67

HEX #532B21

RGB 83 43 33

HSL 12, 0.43%, 0.23%

LAB 22.57, 17.34, 14.62

 

CMYK 0 / 33 / 60 / 67

HEX #533821

RGB 83 56 33

HSL 27.6, 0.43%, 0.23%

LAB 26.09, 9.07, 19.07

 

CMYK 0 / 16 / 60 / 67

HEX #534621

RGB 83 70 33

HSL 44.4, 0.43%, 0.23%

LAB 30.23, 0.18, 24.08

 

CMYK 0 / 0 / 60 / 67

HEX #535321

RGB 83 83 33

HSL 60, 0.43%, 0.23%

LAB 34.26, -7.72, 28.75

 

CMYK 0 / 29 / 63 / 91

HEX #181109

RGB 24 17 9

HSL 32, 0.45%, 0.06%

LAB 5.55, 1.72, 4.65

 

CMYK 0 / 31 / 61 / 79

HEX #362515

RGB 54 37 21

HSL 29.09, 0.44%, 0.15%

LAB 16.31, 5.72, 13.77

 

CMYK 0 / 31 / 60 / 67

HEX #533921

RGB 83 57 33

HSL 28.8, 0.43%, 0.23%

LAB 26.38, 8.43, 19.42

 

CMYK 0 / 32 / 60 / 56

HEX #714D2D

RGB 113 77 45

HSL 28.24, 0.43%, 0.31%

LAB 36, 11.41, 24.89

 

CMYK 0 / 31 / 61 / 44

HEX #8E6238

RGB 142 98 56

HSL 29.3, 0.43%, 0.39%

LAB 45.32, 13.12, 30.75

 

CMYK 0 / 31 / 60 / 67

HEX #533921

RGB 83 57 33

HSL 28.8, 0.43%, 0.23%

LAB 26.38, 8.43, 19.42

 

CMYK 40 / 0 / 60 / 67

HEX #325321

RGB 50 83 33

HSL 99.6, 0.43%, 0.23%

LAB 31.75, -22.51, 25.19

 

CMYK 57 / 60 / 0 / 67

HEX #242153

RGB 36 33 83

HSL 243.6, 0.43%, 0.23%

LAB 15.94, 17.35, -30.2

 

CMYK 0 / 31 / 60 / 67

HEX #533921

RGB 83 57 33

HSL 28.8, 0.43%, 0.23%

LAB 26.38, 8.43, 19.42

 

CMYK 60 / 0 / 33 / 67

HEX #215338

RGB 33 83 56

HSL 147.6, 0.43%, 0.23%

LAB 31.34, -24.04, 10.87

 

CMYK 33 / 60 / 0 / 67

HEX #382153

RGB 56 33 83

HSL 267.6, 0.43%, 0.23%

LAB 18.16, 22.78, -26.52

 

CMYK 0 / 31 / 60 / 67

HEX #533921

RGB 83 57 33

HSL 28.8, 0.43%, 0.23%

LAB 26.38, 8.43, 19.42

 

CMYK 40 / 0 / 60 / 67

HEX #325321

RGB 50 83 33

HSL 99.6, 0.43%, 0.23%

LAB 31.75, -22.51, 25.19

 

CMYK 60 / 28 / 0 / 67

HEX #213C53

RGB 33 60 83

HSL 207.6, 0.43%, 0.23%

LAB 24.26, -2.48, -17.03

 

CMYK 19 / 60 / 0 / 67

HEX #432153

RGB 67 33 83

HSL 280.8, 0.43%, 0.23%

LAB 19.66, 26.09, -24.03

 

CMYK 0 / 31 / 60 / 67

HEX #533921

RGB 83 57 33

HSL 28.8, 0.43%, 0.23%

LAB 26.38, 8.43, 19.42

 

CMYK 58 / 0 / 60 / 67

HEX #235321

RGB 35 83 33

HSL 117.6, 0.43%, 0.23%

LAB 31.01, -27.81, 24.13

 

CMYK 60 / 28 / 0 / 67

HEX #213C53

RGB 33 60 83

HSL 207.6, 0.43%, 0.23%

LAB 24.26, -2.48, -17.03

 

CMYK 1 / 60 / 0 / 67

HEX #522153

RGB 82 33 83

HSL 298.8, 0.43%, 0.23%

LAB 21.97, 30.74, -20.24

 

Description

Color code: HEX #533921 | qconv.com Color code: HEX #533921 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 57 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 57 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 60 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 60% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - オリジナル オートクチュール ウエディン...
Link: http://w-ange.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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