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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #532769 it is the complementary color #ACD896. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #532769. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #532769 shade: #582764, #693977, #7A4B8A, #8B5D9D and #9C6FB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #532769. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #532769 shade: #532769, #421556, #310343, #200030 and #0F001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #532769 shade: #522668, #642668, #68265A, #682648 and #682637

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #532769 shade: #522668, #402668, #2E2668 and #262668

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #532769 shade matches the following richer shades: #522668, #561B73, #5A0F7F and #5D038A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #532769 shade: #522668, #4E325C, #4A3D51, #464945 and #42543A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #532769 shade: #2F2668, #402668, #522668, #632668 and #68265B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #532769 shade: #22102C, #3A1B4A, #522668, #6A3186 and #813CA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #532769 shade: #532769, #68262F and #266838

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #532769 shade: #532769, #685226 and #266852

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #532769 shade: #532769, #68262F, #3C6826 and #26685F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #532769 shade: #532769, #683126, #3C6826 and #265D68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 63 / 0 / 59

HEX #532769

RGB 83 39 105

HSL 280, 0.46%, 0.28%

LAB 24.67, 32.7, -30.43

 

Complementary color

CMYK 20 / 0 / 31 / 15

HEX #ACD896

RGB 172 216 150

HSL 100, 0.46%, 0.72%

LAB 81.88, -26.32, 27.99

 

CMYK 12 / 61 / 0 / 61

HEX #582764

RGB 88 39 100

HSL 288.2, 0.44%, 0.27%

LAB 25.09, 32.96, -26.46

 

CMYK 12 / 52 / 0 / 53

HEX #693977

RGB 105 57 119

HSL 286.45, 0.35%, 0.35%

LAB 32.39, 32.21, -26.92

 

CMYK 12 / 46 / 0 / 46

HEX #7A4B8A

RGB 122 75 138

HSL 284.76, 0.3%, 0.42%

LAB 39.59, 31.37, -27.23

 

CMYK 11 / 41 / 0 / 38

HEX #8B5D9D

RGB 139 93 157

HSL 283.13, 0.26%, 0.49%

LAB 46.65, 30.54, -27.47

 

CMYK 11 / 37 / 0 / 31

HEX #9C6FB0

RGB 156 111 176

HSL 281.54, 0.29%, 0.56%

LAB 53.57, 29.75, -27.7

 

CMYK 21 / 63 / 0 / 59

HEX #532769

RGB 83 39 105

HSL 280, 0.46%, 0.28%

LAB 24.67, 32.7, -30.43

 

CMYK 23 / 76 / 0 / 66

HEX #421556

RGB 66 21 86

HSL 281.54, 0.61%, 0.21%

LAB 17.3, 33.14, -29.83

 

CMYK 27 / 96 / 0 / 74

HEX #310343

RGB 49 3 67

HSL 283.13, 0.91%, 0.14%

LAB 9.98, 32.9, -28.71

 

CMYK 33 / 100 / 0 / 81

HEX #200030

RGB 32 0 48

HSL 280, 1%, 0.09%

LAB 4.7, 24.86, -23.6

 

CMYK 48 / 100 / 0 / 89

HEX #0F001D

RGB 15 0 29

HSL 271.03, 1%, 0.06%

LAB 1.72, 9.75, -13.67

 

CMYK 21 / 63 / 0 / 59

HEX #522668

RGB 82 38 104

HSL 280, 0.46%, 0.28%

LAB 24.26, 32.73, -30.45

 

CMYK 4 / 63 / 0 / 59

HEX #642668

RGB 100 38 104

HSL 296.36, 0.46%, 0.28%

LAB 27, 37.77, -25.92

 

CMYK 0 / 63 / 13 / 59

HEX #68265A

RGB 104 38 90

HSL 312.73, 0.46%, 0.28%

LAB 26.93, 36.33, -16.87

 

CMYK 0 / 63 / 31 / 59

HEX #682648

RGB 104 38 72

HSL 329.09, 0.46%, 0.28%

LAB 26.15, 33.46, -6.12

 

CMYK 0 / 63 / 47 / 59

HEX #682637

RGB 104 38 55

HSL 344.55, 0.46%, 0.28%

LAB 25.58, 31.27, 4.49

 

CMYK 21 / 63 / 0 / 59

HEX #522668

RGB 82 38 104

HSL 280, 0.46%, 0.28%

LAB 24.26, 32.73, -30.45

 

CMYK 38 / 63 / 0 / 59

HEX #402668

RGB 64 38 104

HSL 263.64, 0.46%, 0.28%

LAB 21.86, 27.92, -34.43

 

CMYK 56 / 63 / 0 / 59

HEX #2E2668

RGB 46 38 104

HSL 247.27, 0.46%, 0.28%

LAB 19.91, 23.63, -37.67

 

CMYK 63 / 63 / 0 / 59

HEX #262668

RGB 38 38 104

HSL 240, 0.46%, 0.28%

LAB 19.22, 22, -38.83

 

CMYK 21 / 63 / 0 / 59

HEX #522668

RGB 82 38 104

HSL 280, 0.46%, 0.28%

LAB 24.26, 32.73, -30.45

 

CMYK 25 / 77 / 0 / 55

HEX #561B73

RGB 86 27 115

HSL 280.23, 0.62%, 0.28%

LAB 23.67, 41.77, -38.46

 

CMYK 29 / 88 / 0 / 50

HEX #5A0F7F

RGB 90 15 127

HSL 280.18, 0.79%, 0.28%

LAB 23.83, 49.42, -45.82

 

CMYK 33 / 98 / 0 / 46

HEX #5D038A

RGB 93 3 138

HSL 280, 0.96%, 0.28%

LAB 24.41, 54.85, -51.78

 

CMYK 21 / 63 / 0 / 59

HEX #522668

RGB 82 38 104

HSL 280, 0.46%, 0.28%

LAB 24.26, 32.73, -30.45

 

CMYK 15 / 46 / 0 / 64

HEX #4E325C

RGB 78 50 92

HSL 280, 0.3%, 0.28%

LAB 25.78, 21.33, -20.25

 

CMYK 9 / 25 / 0 / 68

HEX #4A3D51

RGB 74 61 81

HSL 279, 0.14%, 0.28%

LAB 27.81, 10, -9.97

 

CMYK 4 / 0 / 5 / 71

HEX #464945

RGB 70 73 69

HSL 105, 0.03%, 0.28%

LAB 30.63, -2.11, 1.96

 

CMYK 21 / 0 / 31 / 67

HEX #42543A

RGB 66 84 58

HSL 101.54, 0.18%, 0.28%

LAB 33.57, -12.61, 12.98

 

CMYK 55 / 63 / 0 / 59

HEX #2F2668

RGB 47 38 104

HSL 248.18, 0.46%, 0.28%

LAB 20, 23.85, -37.51

 

CMYK 38 / 63 / 0 / 59

HEX #402668

RGB 64 38 104

HSL 263.64, 0.46%, 0.28%

LAB 21.86, 27.92, -34.43

 

CMYK 21 / 63 / 0 / 59

HEX #522668

RGB 82 38 104

HSL 280, 0.46%, 0.28%

LAB 24.26, 32.73, -30.45

 

CMYK 5 / 63 / 0 / 59

HEX #632668

RGB 99 38 104

HSL 295.45, 0.46%, 0.28%

LAB 26.84, 37.49, -26.18

 

CMYK 0 / 63 / 13 / 59

HEX #68265B

RGB 104 38 91

HSL 311.82, 0.46%, 0.28%

LAB 26.97, 36.51, -17.45

 

CMYK 23 / 64 / 0 / 83

HEX #22102C

RGB 34 16 44

HSL 278.57, 0.47%, 0.12%

LAB 8.06, 15.85, -15.26

 

CMYK 22 / 64 / 0 / 71

HEX #3A1B4A

RGB 58 27 74

HSL 279.57, 0.47%, 0.2%

LAB 16.39, 24.68, -23.19

 

CMYK 21 / 63 / 0 / 59

HEX #522668

RGB 82 38 104

HSL 280, 0.46%, 0.28%

LAB 24.26, 32.73, -30.45

 

CMYK 21 / 63 / 0 / 47

HEX #6A3186

RGB 106 49 134

HSL 280.24, 0.46%, 0.36%

LAB 31.77, 40.3, -37.28

 

CMYK 21 / 63 / 0 / 36

HEX #813CA4

RGB 129 60 164

HSL 279.81, 0.46%, 0.44%

LAB 38.86, 47.27, -44.02

 

CMYK 21 / 63 / 0 / 59

HEX #532769

RGB 83 39 105

HSL 280, 0.46%, 0.28%

LAB 24.67, 32.7, -30.43

 

CMYK 0 / 63 / 55 / 59

HEX #68262F

RGB 104 38 47

HSL 351.82, 0.46%, 0.28%

LAB 25.37, 30.43, 9.6

 

CMYK 63 / 0 / 46 / 59

HEX #266838

RGB 38 104 56

HSL 136.36, 0.46%, 0.28%

LAB 38.9, -32.53, 20.96

 

CMYK 21 / 63 / 0 / 59

HEX #532769

RGB 83 39 105

HSL 280, 0.46%, 0.28%

LAB 24.67, 32.7, -30.43

 

CMYK 0 / 21 / 63 / 59

HEX #685226

RGB 104 82 38

HSL 40, 0.46%, 0.28%

LAB 36.21, 3.5, 28.85

 

CMYK 63 / 0 / 21 / 59

HEX #266852

RGB 38 104 82

HSL 160, 0.46%, 0.28%

LAB 39.45, -26.73, 6.25

 

CMYK 21 / 63 / 0 / 59

HEX #532769

RGB 83 39 105

HSL 280, 0.46%, 0.28%

LAB 24.67, 32.7, -30.43

 

CMYK 0 / 63 / 55 / 59

HEX #68262F

RGB 104 38 47

HSL 351.82, 0.46%, 0.28%

LAB 25.37, 30.43, 9.6

 

CMYK 42 / 0 / 63 / 59

HEX #3C6826

RGB 60 104 38

HSL 100, 0.46%, 0.28%

LAB 39.58, -28.38, 31.76

 

CMYK 63 / 0 / 9 / 59

HEX #26685F

RGB 38 104 95

HSL 171.82, 0.46%, 0.28%

LAB 39.81, -23.15, -1.14

 

CMYK 21 / 63 / 0 / 59

HEX #532769

RGB 83 39 105

HSL 280, 0.46%, 0.28%

LAB 24.67, 32.7, -30.43

 

CMYK 0 / 53 / 63 / 59

HEX #683126

RGB 104 49 38

HSL 10, 0.46%, 0.28%

LAB 27.52, 23.57, 18.37

 

CMYK 42 / 0 / 63 / 59

HEX #3C6826

RGB 60 104 38

HSL 100, 0.46%, 0.28%

LAB 39.58, -28.38, 31.76

 

CMYK 63 / 11 / 0 / 59

HEX #265D68

RGB 38 93 104

HSL 190, 0.46%, 0.28%

LAB 36.44, -14.36, -11.71

 

Description

Color code: HEX #532769 | qconv.com Color code: HEX #532769 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 39 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 39 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 63 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 63% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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