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Color name
HEX #531D12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #531D12 it is the complementary color #ACE2ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #531D12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #531D12 shade: #581D0D, #692F20, #7A4133, #8B5346 and #9C6559

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #531D12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #531D12 shade: #531D12, #420B00, #310000, #200000 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #531D12 shade: #531D12 and #531212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #531D12 shade: #531D12, #532F12, #534012, #535212 and #435312

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #531D12 shade matches the following richer shades: #531D12, #5B170A and #641201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #531D12 shade: #531D12, #4B221A, #432822, #3A2D2B and #323333

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #531D12 shade: #53122A, #531218, #531D12, #532E12 and #534012

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #531D12 shade: #0F0503, #31110A, #531D12, #752919 and #973521

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #531D12 shade: #531D12, #3B5312 and #122153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #531D12 shade: #531D12, #12531D and #1D1253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #531D12 shade: #531D12, #3B5312, #124853 and #2A1253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #531D12 shade: #531D12, #285312, #124853 and #3D1253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 78 / 67

HEX #531D12

RGB 83 29 18

HSL 10.15, 0.64%, 0.2%

LAB 19.06, 24.45, 20.16

 

Complementary color

CMYK 27 / 5 / 0 / 7

HEX #ACE2ED

RGB 172 226 237

HSL 190.15, 0.64%, 0.8%

LAB 86.64, -14.71, -10.98

 

CMYK 0 / 67 / 85 / 65

HEX #581D0D

RGB 88 29 13

HSL 12.8, 0.74%, 0.2%

LAB 19.97, 26.31, 24.18

 

CMYK 0 / 55 / 70 / 59

HEX #692F20

RGB 105 47 32

HSL 12.33, 0.53%, 0.27%

LAB 27.13, 24.69, 21.73

 

CMYK 0 / 47 / 58 / 52

HEX #7A4133

RGB 122 65 51

HSL 11.83, 0.41%, 0.34%

LAB 34.31, 23.17, 19.42

 

CMYK 0 / 40 / 50 / 45

HEX #8B5346

RGB 139 83 70

HSL 11.3, 0.33%, 0.41%

LAB 41.4, 21.85, 17.53

 

CMYK 0 / 35 / 43 / 39

HEX #9C6559

RGB 156 101 89

HSL 10.75, 0.27%, 0.48%

LAB 48.38, 20.72, 15.95

 

CMYK 0 / 65 / 78 / 67

HEX #531D12

RGB 83 29 18

HSL 10.15, 0.64%, 0.2%

LAB 19.06, 24.45, 20.16

 

CMYK 0 / 83 / 100 / 74

HEX #420B00

RGB 66 11 0

HSL 10, 1%, 0.13%

LAB 11.94, 25.56, 18.51

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 65 / 78 / 67

HEX #531D12

RGB 83 29 18

HSL 10.15, 0.64%, 0.2%

LAB 19.06, 24.45, 20.16

 

CMYK 0 / 78 / 78 / 67

HEX #531212

RGB 83 18 18

HSL 0, 0.64%, 0.2%

LAB 17.06, 29.84, 17.77

 

CMYK 0 / 65 / 78 / 67

HEX #531D12

RGB 83 29 18

HSL 10.15, 0.64%, 0.2%

LAB 19.06, 24.45, 20.16

 

CMYK 0 / 43 / 78 / 67

HEX #532F12

RGB 83 47 18

HSL 26.77, 0.64%, 0.2%

LAB 23.39, 13.64, 24.93

 

CMYK 0 / 23 / 78 / 67

HEX #534012

RGB 83 64 18

HSL 42.46, 0.64%, 0.2%

LAB 28.25, 2.79, 29.96

 

CMYK 0 / 1 / 78 / 67

HEX #535212

RGB 83 82 18

HSL 59.08, 0.64%, 0.2%

LAB 33.81, -8.22, 35.43

 

CMYK 19 / 0 / 78 / 67

HEX #435312

RGB 67 83 18

HSL 74.77, 0.64%, 0.2%

LAB 32.75, -16.54, 33.93

 

CMYK 0 / 65 / 78 / 67

HEX #531D12

RGB 83 29 18

HSL 10.15, 0.64%, 0.2%

LAB 19.06, 24.45, 20.16

 

CMYK 0 / 75 / 89 / 64

HEX #5B170A

RGB 91 23 10

HSL 9.63, 0.8%, 0.2%

LAB 19.47, 30.32, 25.09

 

CMYK 0 / 82 / 99 / 61

HEX #641201

RGB 100 18 1

HSL 10.3, 0.98%, 0.2%

LAB 20.61, 35.32, 30.58

 

CMYK 0 / 65 / 78 / 67

HEX #531D12

RGB 83 29 18

HSL 10.15, 0.64%, 0.2%

LAB 19.06, 24.45, 20.16

 

CMYK 0 / 55 / 65 / 71

HEX #4B221A

RGB 75 34 26

HSL 9.8, 0.49%, 0.2%

LAB 18.86, 18.58, 14.3

 

CMYK 0 / 40 / 49 / 74

HEX #432822

RGB 67 40 34

HSL 10.91, 0.33%, 0.2%

LAB 19.33, 11.83, 9.21

 

CMYK 0 / 22 / 26 / 77

HEX #3A2D2B

RGB 58 45 43

HSL 8, 0.15%, 0.2%

LAB 19.85, 5.58, 3.55

 

CMYK 2 / 0 / 0 / 80

HEX #323333

RGB 50 51 51

HSL 180, 0.01%, 0.2%

LAB 21.15, -0.43, -0.16

 

CMYK 0 / 78 / 49 / 67

HEX #53122A

RGB 83 18 42

HSL 337.85, 0.64%, 0.2%

LAB 17.64, 31.79, 1.61

 

CMYK 0 / 78 / 71 / 67

HEX #531218

RGB 83 18 24

HSL 354.46, 0.64%, 0.2%

LAB 17.17, 30.2, 13.86

 

CMYK 0 / 65 / 78 / 67

HEX #531D12

RGB 83 29 18

HSL 10.15, 0.64%, 0.2%

LAB 19.06, 24.45, 20.16

 

CMYK 0 / 45 / 78 / 67

HEX #532E12

RGB 83 46 18

HSL 25.85, 0.64%, 0.2%

LAB 23.12, 14.28, 24.65

 

CMYK 0 / 23 / 78 / 67

HEX #534012

RGB 83 64 18

HSL 42.46, 0.64%, 0.2%

LAB 28.25, 2.79, 29.96

 

CMYK 0 / 67 / 80 / 94

HEX #0F0503

RGB 15 5 3

HSL 10, 0.67%, 0.04%

LAB 1.96, 2.53, 1.75

 

CMYK 0 / 65 / 80 / 81

HEX #31110A

RGB 49 17 10

HSL 10.77, 0.66%, 0.12%

LAB 9.61, 15.65, 10.63

 

CMYK 0 / 65 / 78 / 67

HEX #531D12

RGB 83 29 18

HSL 10.15, 0.64%, 0.2%

LAB 19.06, 24.45, 20.16

 

CMYK 0 / 65 / 79 / 54

HEX #752919

RGB 117 41 25

HSL 10.43, 0.65%, 0.28%

LAB 27.95, 32.44, 27.49

 

CMYK 0 / 65 / 78 / 41

HEX #973521

RGB 151 53 33

HSL 10.17, 0.64%, 0.36%

LAB 36.43, 39.99, 33.81

 

CMYK 0 / 65 / 78 / 67

HEX #531D12

RGB 83 29 18

HSL 10.15, 0.64%, 0.2%

LAB 19.06, 24.45, 20.16

 

CMYK 29 / 0 / 78 / 67

HEX #3B5312

RGB 59 83 18

HSL 82.15, 0.64%, 0.2%

LAB 32.17, -20.2, 33.16

 

CMYK 78 / 60 / 0 / 67

HEX #122153

RGB 18 33 83

HSL 226.15, 0.64%, 0.2%

LAB 14.63, 13.74, -32.38

 

CMYK 0 / 65 / 78 / 67

HEX #531D12

RGB 83 29 18

HSL 10.15, 0.64%, 0.2%

LAB 19.06, 24.45, 20.16

 

CMYK 78 / 0 / 65 / 67

HEX #12531D

RGB 18 83 29

HSL 130.15, 0.64%, 0.2%

LAB 30.41, -32.68, 25.46

 

CMYK 65 / 78 / 0 / 67

HEX #1D1253

RGB 29 18 83

HSL 250.15, 0.64%, 0.2%

LAB 11.4, 26.17, -37.61

 

CMYK 0 / 65 / 78 / 67

HEX #531D12

RGB 83 29 18

HSL 10.15, 0.64%, 0.2%

LAB 19.06, 24.45, 20.16

 

CMYK 29 / 0 / 78 / 67

HEX #3B5312

RGB 59 83 18

HSL 82.15, 0.64%, 0.2%

LAB 32.17, -20.2, 33.16

 

CMYK 78 / 13 / 0 / 67

HEX #124853

RGB 18 72 83

HSL 190.15, 0.64%, 0.2%

LAB 27.81, -13.09, -11.6

 

CMYK 49 / 78 / 0 / 67

HEX #2A1253

RGB 42 18 83

HSL 262.15, 0.64%, 0.2%

LAB 12.92, 28.52, -35.07

 

CMYK 0 / 65 / 78 / 67

HEX #531D12

RGB 83 29 18

HSL 10.15, 0.64%, 0.2%

LAB 19.06, 24.45, 20.16

 

CMYK 52 / 0 / 78 / 67

HEX #285312

RGB 40 83 18

HSL 99.69, 0.64%, 0.2%

LAB 31.07, -27.85, 31.69

 

CMYK 78 / 13 / 0 / 67

HEX #124853

RGB 18 72 83

HSL 190.15, 0.64%, 0.2%

LAB 27.81, -13.09, -11.6

 

CMYK 27 / 78 / 0 / 67

HEX #3D1253

RGB 61 18 83

HSL 279.69, 0.64%, 0.2%

LAB 15.74, 32.66, -30.36

 

Description

Color code: HEX #531D12 | qconv.com Color code: HEX #531D12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 29 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 29 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 78 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 78% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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