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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #530683 it is the complementary color #ACF97C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #530683. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #530683 shade: #58067E, #691891, #7A2AA4, #8B3CB7 and #9C4ECA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #530683. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #530683 shade: #530683, #420070, #31005D, #20004A and #0F0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #530683 shade: #530683, #750683, #830670, #83064E and #83062C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #530683 shade: #530683, #310683, #0F0683 and #060683

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #530683 shade matches the following richer shades: #530683

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #530683 shade: #530683, #501178, #4E1C6D, #4B2762 and #493256

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #530683 shade: #0E0683, #2F0683, #510683, #720683 and #830672

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #530683 shade: #210234, #3A045C, #530683, #6C08AA and #8509D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #530683 shade: #530683, #83061F and #06831F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #530683 shade: #530683, #835106 and #068351

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #530683 shade: #530683, #83061F, #388306 and #06836A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #530683 shade: #530683, #831206, #388306 and #067683

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 95 / 0 / 49

HEX #530683

RGB 83 6 131

HSL 276.96, 0.91%, 0.27%

LAB 22.33, 51.4, -50.85

 

Complementary color

CMYK 31 / 0 / 50 / 2

HEX #ACF97C

RGB 172 249 124

HSL 96.96, 0.91%, 0.73%

LAB 90.77, -44.75, 52.17

 

CMYK 30 / 95 / 0 / 51

HEX #58067E

RGB 88 6 126

HSL 281, 0.91%, 0.26%

LAB 22.69, 51.01, -47.05

 

CMYK 28 / 83 / 0 / 43

HEX #691891

RGB 105 24 145

HSL 280.17, 0.72%, 0.33%

LAB 28.64, 53.16, -49.13

 

CMYK 26 / 74 / 0 / 36

HEX #7A2AA4

RGB 122 42 164

HSL 279.34, 0.59%, 0.4%

LAB 34.95, 53.88, -50.37

 

CMYK 24 / 67 / 0 / 28

HEX #8B3CB7

RGB 139 60 183

HSL 278.54, 0.51%, 0.48%

LAB 41.44, 53.79, -51.09

 

CMYK 23 / 61 / 0 / 21

HEX #9C4ECA

RGB 156 78 202

HSL 277.74, 0.54%, 0.55%

LAB 47.98, 53.28, -51.52

 

CMYK 37 / 95 / 0 / 49

HEX #530683

RGB 83 6 131

HSL 276.96, 0.91%, 0.27%

LAB 22.33, 51.4, -50.85

 

CMYK 41 / 100 / 0 / 56

HEX #420070

RGB 66 0 112

HSL 275.36, 1%, 0.22%

LAB 17.12, 46.69, -47.33

 

CMYK 47 / 100 / 0 / 64

HEX #31005D

RGB 49 0 93

HSL 271.61, 1%, 0.18%

LAB 12.24, 40.42, -42.91

 

CMYK 57 / 100 / 0 / 71

HEX #20004A

RGB 32 0 74

HSL 265.95, 1%, 0.15%

LAB 7.24, 33.88, -38.24

 

CMYK 73 / 100 / 0 / 78

HEX #0F0037

RGB 15 0 55

HSL 256.36, 1%, 0.11%

LAB 3.41, 21.59, -30.97

 

CMYK 37 / 95 / 0 / 49

HEX #530683

RGB 83 6 131

HSL 276.96, 0.91%, 0.27%

LAB 22.33, 51.4, -50.85

 

CMYK 11 / 95 / 0 / 49

HEX #750683

RGB 117 6 131

HSL 293.28, 0.91%, 0.27%

LAB 28.25, 56.55, -40.96

 

CMYK 0 / 95 / 15 / 49

HEX #830670

RGB 131 6 112

HSL 309.12, 0.91%, 0.27%

LAB 29.73, 56.15, -26.39

 

CMYK 0 / 95 / 40 / 49

HEX #83064E

RGB 131 6 78

HSL 325.44, 0.91%, 0.27%

LAB 28.13, 51.97, -6.63

 

CMYK 0 / 95 / 66 / 49

HEX #83062C

RGB 131 6 44

HSL 341.76, 0.91%, 0.27%

LAB 27.12, 49.22, 14.94

 

CMYK 37 / 95 / 0 / 49

HEX #530683

RGB 83 6 131

HSL 276.96, 0.91%, 0.27%

LAB 22.33, 51.4, -50.85

 

CMYK 63 / 95 / 0 / 49

HEX #310683

RGB 49 6 131

HSL 260.64, 0.91%, 0.27%

LAB 17.56, 47.89, -58.88

 

CMYK 89 / 95 / 0 / 49

HEX #0F0683

RGB 15 6 131

HSL 244.32, 0.91%, 0.27%

LAB 14.79, 46.24, -63.56

 

CMYK 95 / 95 / 0 / 49

HEX #060683

RGB 6 6 131

HSL 240, 0.91%, 0.27%

LAB 14.44, 46.06, -64.15

 

CMYK 37 / 95 / 0 / 49

HEX #530683

RGB 83 6 131

HSL 276.96, 0.91%, 0.27%

LAB 22.33, 51.4, -50.85

 

CMYK 37 / 95 / 0 / 49

HEX #530683

RGB 83 6 131

HSL 276.96, 0.91%, 0.27%

LAB 22.33, 51.4, -50.85

 

CMYK 33 / 86 / 0 / 53

HEX #501178

RGB 80 17 120

HSL 276.7, 0.75%, 0.27%

LAB 21.81, 45.6, -44.73

 

CMYK 28 / 74 / 0 / 57

HEX #4E1C6D

RGB 78 28 109

HSL 277.04, 0.59%, 0.27%

LAB 22.14, 38.14, -37.12

 

CMYK 23 / 60 / 0 / 62

HEX #4B2762

RGB 75 39 98

HSL 276.61, 0.43%, 0.27%

LAB 23.1, 28.69, -28.45

 

CMYK 15 / 42 / 0 / 66

HEX #493256

RGB 73 50 86

HSL 278.33, 0.26%, 0.27%

LAB 24.86, 18.08, -17.81

 

CMYK 89 / 95 / 0 / 49

HEX #0E0683

RGB 14 6 131

HSL 243.84, 0.91%, 0.27%

LAB 14.75, 46.22, -63.64

 

CMYK 64 / 95 / 0 / 49

HEX #2F0683

RGB 47 6 131

HSL 259.68, 0.91%, 0.27%

LAB 17.34, 47.74, -59.26

 

CMYK 38 / 95 / 0 / 49

HEX #510683

RGB 81 6 131

HSL 276, 0.91%, 0.27%

LAB 22.01, 51.15, -51.38

 

CMYK 13 / 95 / 0 / 49

HEX #720683

RGB 114 6 131

HSL 291.84, 0.91%, 0.27%

LAB 27.7, 56.05, -41.87

 

CMYK 0 / 95 / 13 / 49

HEX #830672

RGB 131 6 114

HSL 308.16, 0.91%, 0.27%

LAB 29.84, 56.43, -27.5

 

CMYK 37 / 96 / 0 / 80

HEX #210234

RGB 33 2 52

HSL 277.2, 0.93%, 0.11%

LAB 5.55, 25.71, -25.2

 

CMYK 37 / 96 / 0 / 64

HEX #3A045C

RGB 58 4 92

HSL 276.82, 0.92%, 0.19%

LAB 14.17, 39.73, -39.02

 

CMYK 37 / 95 / 0 / 49

HEX #530683

RGB 83 6 131

HSL 276.96, 0.91%, 0.27%

LAB 22.33, 51.4, -50.85

 

CMYK 36 / 95 / 0 / 33

HEX #6C08AA

RGB 108 8 170

HSL 277.04, 0.91%, 0.35%

LAB 30.07, 62.48, -62.03

 

CMYK 37 / 96 / 0 / 18

HEX #8509D2

RGB 133 9 210

HSL 277.01, 0.92%, 0.43%

LAB 37.54, 73.4, -73.22

 

CMYK 37 / 95 / 0 / 49

HEX #530683

RGB 83 6 131

HSL 276.96, 0.91%, 0.27%

LAB 22.33, 51.4, -50.85

 

CMYK 0 / 95 / 76 / 49

HEX #83061F

RGB 131 6 31

HSL 348, 0.91%, 0.27%

LAB 26.89, 48.57, 23.36

 

CMYK 95 / 0 / 76 / 49

HEX #06831F

RGB 6 131 31

HSL 132, 0.91%, 0.27%

LAB 47.46, -50.46, 42.86

 

CMYK 37 / 95 / 0 / 49

HEX #530683

RGB 83 6 131

HSL 276.96, 0.91%, 0.27%

LAB 22.33, 51.4, -50.85

 

CMYK 0 / 38 / 95 / 49

HEX #835106

RGB 131 81 6

HSL 36, 0.91%, 0.27%

LAB 39.11, 15.6, 46.11

 

CMYK 95 / 0 / 38 / 49

HEX #068351

RGB 6 131 81

HSL 156, 0.91%, 0.27%

LAB 48.09, -42.78, 18.7

 

CMYK 37 / 95 / 0 / 49

HEX #530683

RGB 83 6 131

HSL 276.96, 0.91%, 0.27%

LAB 22.33, 51.4, -50.85

 

CMYK 0 / 95 / 76 / 49

HEX #83061F

RGB 131 6 31

HSL 348, 0.91%, 0.27%

LAB 26.89, 48.57, 23.36

 

CMYK 57 / 0 / 95 / 49

HEX #388306

RGB 56 131 6

HSL 96, 0.91%, 0.27%

LAB 48.37, -43.15, 50.88

 

CMYK 95 / 0 / 19 / 49

HEX #06836A

RGB 6 131 106

HSL 168, 0.91%, 0.27%

LAB 48.65, -36.54, 5.04

 

CMYK 37 / 95 / 0 / 49

HEX #530683

RGB 83 6 131

HSL 276.96, 0.91%, 0.27%

LAB 22.33, 51.4, -50.85

 

CMYK 0 / 86 / 95 / 49

HEX #831206

RGB 131 18 6

HSL 5.76, 0.91%, 0.27%

LAB 27.49, 45.46, 37.63

 

CMYK 57 / 0 / 95 / 49

HEX #388306

RGB 56 131 6

HSL 96, 0.91%, 0.27%

LAB 48.37, -43.15, 50.88

 

CMYK 95 / 10 / 0 / 49

HEX #067683

RGB 6 118 131

HSL 186.24, 0.91%, 0.27%

LAB 45.13, -22.44, -14.97

 

Description

Color code: HEX #530683 | qconv.com Color code: HEX #530683 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 6 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 6 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 95 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 95% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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