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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52E9C7 it is the complementary color #AD1638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52E9C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52E9C7 shade: #57E9C2, #68FBD5, #79FFE8, #8AFFFB and #9BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52E9C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52E9C7 shade: #52E9C7, #41D7B4, #30C5A1, #1FB38E and #0EA17B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52E9C7 shade: #53E8C7, #53E89E, #53E876, #58E853 and #80E853

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52E9C7 shade: #53E8C7, #53E2E8, #53B9E8, #5391E8 and #5369E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52E9C7 shade matches the following richer shades: #53E8C7 and #43F8CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52E9C7 shade: #53E8C7, #63D9BE, #72C9B5, #82B9AD and #92A9A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52E9C7 shade: #53E876, #53E89E, #53E8C5, #53E3E8 and #53BBE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52E9C7 shade: #1ACEA6, #2EE3BB, #53E8C7, #78EDD3 and #9CF2DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52E9C7 shade: #52E9C7, #5358E8 and #E88A53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52E9C7 shade: #52E9C7, #C553E8 and #E8C553

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52E9C7 shade: #52E9C7, #5358E8, #E85376 and #E8E353

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52E9C7 shade: #52E9C7, #7B53E8, #E85376 and #C0E853

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 15 / 9

HEX #52E9C7

RGB 82 233 199

HSL 166.49, 0.77%, 0.62%

LAB 84.07, -47.7, 4.86

 

Complementary color

CMYK 0 / 87 / 68 / 32

HEX #AD1638

RGB 173 22 56

HSL 346.49, 0.77%, 0.38%

LAB 37.38, 58.29, 22.07

 

CMYK 63 / 0 / 17 / 9

HEX #57E9C2

RGB 87 233 194

HSL 163.97, 0.77%, 0.63%

LAB 84.07, -48.07, 7.5

 

CMYK 59 / 0 / 15 / 2

HEX #68FBD5

RGB 104 251 213

HSL 164.49, 0.95%, 0.7%

LAB 90.2, -48.26, 6.47

 

CMYK 53 / 0 / 9 / 0

HEX #79FFE8

RGB 121 255 232

HSL 169.7, 1%, 0.74%

LAB 92.31, -42.26, -0.24

 

CMYK 46 / 0 / 2 / 0

HEX #8AFFFB

RGB 138 255 251

HSL 177.95, 1%, 0.77%

LAB 93.4, -34.11, -8.41

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 65 / 0 / 15 / 9

HEX #52E9C7

RGB 82 233 199

HSL 166.49, 0.77%, 0.62%

LAB 84.07, -47.7, 4.86

 

CMYK 70 / 0 / 16 / 16

HEX #41D7B4

RGB 65 215 180

HSL 166, 0.65%, 0.55%

LAB 77.89, -47.27, 5.96

 

CMYK 76 / 0 / 18 / 23

HEX #30C5A1

RGB 48 197 161

HSL 165.5, 0.61%, 0.48%

LAB 71.65, -46.61, 7.18

 

CMYK 83 / 0 / 21 / 30

HEX #1FB38E

RGB 31 179 142

HSL 165, 0.7%, 0.41%

LAB 65.35, -45.66, 8.52

 

CMYK 91 / 0 / 24 / 37

HEX #0EA17B

RGB 14 161 123

HSL 164.49, 0.84%, 0.34%

LAB 58.99, -44.29, 10.03

 

CMYK 64 / 0 / 14 / 9

HEX #53E8C7

RGB 83 232 199

HSL 166.71, 0.76%, 0.62%

LAB 83.8, -47.12, 4.47

 

CMYK 64 / 0 / 32 / 9

HEX #53E89E

RGB 83 232 158

HSL 150.2, 0.76%, 0.62%

LAB 82.92, -56.14, 24.64

 

CMYK 64 / 0 / 49 / 9

HEX #53E876

RGB 83 232 118

HSL 134.09, 0.76%, 0.62%

LAB 82.3, -62.99, 43.83

 

CMYK 62 / 0 / 64 / 9

HEX #58E853

RGB 88 232 83

HSL 117.99, 0.76%, 0.62%

LAB 82.06, -66.21, 59.25

 

CMYK 45 / 0 / 64 / 9

HEX #80E853

RGB 128 232 83

HSL 101.88, 0.76%, 0.62%

LAB 83.4, -55.91, 61.1

 

CMYK 64 / 0 / 14 / 9

HEX #53E8C7

RGB 83 232 199

HSL 166.71, 0.76%, 0.62%

LAB 83.8, -47.12, 4.47

 

CMYK 64 / 3 / 0 / 9

HEX #53E2E8

RGB 83 226 232

HSL 182.42, 0.76%, 0.62%

LAB 82.94, -35.84, -14.23

 

CMYK 64 / 20 / 0 / 9

HEX #53B9E8

RGB 83 185 232

HSL 198.93, 0.76%, 0.62%

LAB 71.12, -15.5, -32.23

 

CMYK 64 / 38 / 0 / 9

HEX #5391E8

RGB 83 145 232

HSL 215.03, 0.76%, 0.62%

LAB 59.81, 6.93, -49.94

 

CMYK 64 / 55 / 0 / 9

HEX #5369E8

RGB 83 105 232

HSL 231.14, 0.76%, 0.62%

LAB 49.21, 31.31, -66.94

 

CMYK 64 / 0 / 14 / 9

HEX #53E8C7

RGB 83 232 199

HSL 166.71, 0.76%, 0.62%

LAB 83.8, -47.12, 4.47

 

CMYK 73 / 0 / 17 / 3

HEX #43F8CF

RGB 67 248 207

HSL 166.41, 0.93%, 0.62%

LAB 88.37, -54.07, 6.84

 

CMYK 64 / 0 / 14 / 9

HEX #53E8C7

RGB 83 232 199

HSL 166.71, 0.76%, 0.62%

LAB 83.8, -47.12, 4.47

 

CMYK 54 / 0 / 12 / 15

HEX #63D9BE

RGB 99 217 190

HSL 166.27, 0.61%, 0.62%

LAB 79.61, -39.77, 3.23

 

CMYK 43 / 0 / 10 / 21

HEX #72C9B5

RGB 114 201 181

HSL 166.21, 0.45%, 0.62%

LAB 75.26, -31.02, 1.81

 

CMYK 30 / 0 / 6 / 27

HEX #82B9AD

RGB 130 185 173

HSL 166.91, 0.28%, 0.62%

LAB 71.19, -20.53, 0.32

 

CMYK 14 / 0 / 3 / 34

HEX #92A9A4

RGB 146 169 164

HSL 166.96, 0.12%, 0.62%

LAB 67.4, -8.99, -0.12

 

CMYK 64 / 0 / 49 / 9

HEX #53E876

RGB 83 232 118

HSL 134.09, 0.76%, 0.62%

LAB 82.3, -62.99, 43.83

 

CMYK 64 / 0 / 32 / 9

HEX #53E89E

RGB 83 232 158

HSL 150.2, 0.76%, 0.62%

LAB 82.92, -56.14, 24.64

 

CMYK 64 / 0 / 15 / 9

HEX #53E8C5

RGB 83 232 197

HSL 165.91, 0.76%, 0.62%

LAB 83.75, -47.6, 5.45

 

CMYK 64 / 2 / 0 / 9

HEX #53E3E8

RGB 83 227 232

HSL 182.01, 0.76%, 0.62%

LAB 83.23, -36.3, -13.8

 

CMYK 64 / 19 / 0 / 9

HEX #53BBE8

RGB 83 187 232

HSL 198.12, 0.76%, 0.62%

LAB 71.69, -16.55, -31.35

 

CMYK 87 / 0 / 19 / 19

HEX #1ACEA6

RGB 26 206 166

HSL 166.67, 0.78%, 0.45%

LAB 74.26, -51, 8.19

 

CMYK 80 / 0 / 18 / 11

HEX #2EE3BB

RGB 46 227 187

HSL 166.74, 0.76%, 0.54%

LAB 81.35, -52.68, 7.18

 

CMYK 64 / 0 / 14 / 9

HEX #53E8C7

RGB 83 232 199

HSL 166.71, 0.76%, 0.62%

LAB 83.8, -47.12, 4.47

 

CMYK 49 / 0 / 11 / 7

HEX #78EDD3

RGB 120 237 211

HSL 166.67, 0.76%, 0.7%

LAB 86.63, -39.34, 2.41

 

CMYK 36 / 0 / 8 / 5

HEX #9CF2DE

RGB 156 242 222

HSL 166.05, 0.77%, 0.78%

LAB 89.79, -30.31, 1.43

 

CMYK 65 / 0 / 15 / 9

HEX #52E9C7

RGB 82 233 199

HSL 166.49, 0.77%, 0.62%

LAB 84.07, -47.7, 4.86

 

CMYK 64 / 62 / 0 / 9

HEX #5358E8

RGB 83 88 232

HSL 237.99, 0.76%, 0.62%

LAB 45.14, 41.68, -73.56

 

CMYK 0 / 41 / 64 / 9

HEX #E88A53

RGB 232 138 83

HSL 22.15, 0.76%, 0.62%

LAB 66.49, 31.03, 44.22

 

CMYK 65 / 0 / 15 / 9

HEX #52E9C7

RGB 82 233 199

HSL 166.49, 0.77%, 0.62%

LAB 84.07, -47.7, 4.86

 

CMYK 15 / 64 / 0 / 9

HEX #C553E8

RGB 197 83 232

HSL 285.91, 0.76%, 0.62%

LAB 55.97, 66.6, -55.48

 

CMYK 0 / 15 / 64 / 9

HEX #E8C553

RGB 232 197 83

HSL 45.91, 0.76%, 0.62%

LAB 80.58, -0.12, 60.03

 

CMYK 65 / 0 / 15 / 9

HEX #52E9C7

RGB 82 233 199

HSL 166.49, 0.77%, 0.62%

LAB 84.07, -47.7, 4.86

 

CMYK 64 / 62 / 0 / 9

HEX #5358E8

RGB 83 88 232

HSL 237.99, 0.76%, 0.62%

LAB 45.14, 41.68, -73.56

 

CMYK 0 / 64 / 49 / 9

HEX #E85376

RGB 232 83 118

HSL 345.91, 0.76%, 0.62%

LAB 56.73, 60.07, 12.08

 

CMYK 0 / 2 / 64 / 9

HEX #E8E353

RGB 232 227 83

HSL 57.99, 0.76%, 0.62%

LAB 88.31, -15.27, 68.21

 

CMYK 65 / 0 / 15 / 9

HEX #52E9C7

RGB 82 233 199

HSL 166.49, 0.77%, 0.62%

LAB 84.07, -47.7, 4.86

 

CMYK 47 / 64 / 0 / 9

HEX #7B53E8

RGB 123 83 232

HSL 256.11, 0.76%, 0.62%

LAB 47.27, 51.15, -69.96

 

CMYK 0 / 64 / 49 / 9

HEX #E85376

RGB 232 83 118

HSL 345.91, 0.76%, 0.62%

LAB 56.73, 60.07, 12.08

 

CMYK 17 / 0 / 64 / 9

HEX #C0E853

RGB 192 232 83

HSL 76.11, 0.76%, 0.62%

LAB 86.77, -33.64, 65.71

 

Description

Color code: HEX #52E9C7 | qconv.com Color code: HEX #52E9C7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 233 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 233 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 15% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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