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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52E90C it is the complementary color #AD16F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52E90C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52E90C shade: #57E907, #68FB1A, #79FF2D, #8AFF40 and #9BFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52E90C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52E90C shade: #52E90C, #41D700, #30C500, #1FB300 and #0EA100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52E90C shade: #52E80C, #8DE80C, #C8E80C, #E8CC0C and #E8910C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52E90C shade: #52E80C, #16E80C, #0CE83D, #0CE878 and #0CE8B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52E90C shade matches the following richer shades: #52E80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52E90C shade: #52E80C, #59D420, #60C033, #67AD47 and #6F995B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52E90C shade: #C7E80C, #8CE80C, #52E80C, #17E80C and #0CE83B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52E90C shade: #369A08, #44C10A, #52E80C, #6AF32A and #85F551

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52E90C shade: #52E90C, #0CE8CE and #E80CAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52E90C shade: #52E90C, #0C52E8 and #E80C52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52E90C shade: #52E90C, #0CE8CE, #A20CE8 and #E80C25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52E90C shade: #52E90C, #0CC0E8, #A20CE8 and #E8340C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 95 / 9

HEX #52E90C

RGB 82 233 12

HSL 101, 0.9%, 0.48%

LAB 81.89, -71.65, 77.87

 

Complementary color

CMYK 29 / 91 / 0 / 5

HEX #AD16F3

RGB 173 22 243

HSL 281, 0.9%, 0.52%

LAB 46.88, 82.84, -76.52

 

CMYK 63 / 0 / 97 / 9

HEX #57E907

RGB 87 233 7

HSL 98.76, 0.94%, 0.47%

LAB 82.01, -70.66, 78.45

 

CMYK 59 / 0 / 90 / 2

HEX #68FB1A

RGB 104 251 26

HSL 99.2, 0.97%, 0.54%

LAB 87.97, -72.25, 81.42

 

CMYK 53 / 0 / 82 / 0

HEX #79FF2D

RGB 121 255 45

HSL 98.29, 1%, 0.59%

LAB 89.75, -68.7, 79.54

 

CMYK 46 / 0 / 75 / 0

HEX #8AFF40

RGB 138 255 64

HSL 96.75, 1%, 0.63%

LAB 90.46, -63.01, 75.26

 

CMYK 39 / 0 / 67 / 0

HEX #9BFF53

RGB 155 255 83

HSL 94.88, 1%, 0.66%

LAB 91.29, -56.57, 69.84

 

CMYK 65 / 0 / 95 / 9

HEX #52E90C

RGB 82 233 12

HSL 101, 0.9%, 0.48%

LAB 81.89, -71.65, 77.87

 

CMYK 70 / 0 / 100 / 16

HEX #41D700

RGB 65 215 0

HSL 101.86, 1%, 0.42%

LAB 75.9, -69.56, 73.98

 

CMYK 76 / 0 / 100 / 23

HEX #30C500

RGB 48 197 0

HSL 105.38, 1%, 0.39%

LAB 69.87, -66.96, 69.04

 

CMYK 83 / 0 / 100 / 30

HEX #1FB300

RGB 31 179 0

HSL 109.61, 1%, 0.35%

LAB 63.78, -63.92, 64.07

 

CMYK 91 / 0 / 100 / 37

HEX #0EA100

RGB 14 161 0

HSL 114.78, 1%, 0.32%

LAB 57.64, -60.28, 59.08

 

CMYK 65 / 0 / 95 / 9

HEX #52E80C

RGB 82 232 12

HSL 100.91, 0.9%, 0.48%

LAB 81.58, -71.33, 77.62

 

CMYK 39 / 0 / 95 / 9

HEX #8DE80C

RGB 141 232 12

HSL 84.82, 0.9%, 0.48%

LAB 83.65, -55.14, 80.15

 

CMYK 14 / 0 / 95 / 9

HEX #C8E80C

RGB 200 232 12

HSL 68.73, 0.9%, 0.48%

LAB 87.01, -33.12, 84.21

 

CMYK 0 / 12 / 95 / 9

HEX #E8CC0C

RGB 232 204 12

HSL 52.36, 0.9%, 0.48%

LAB 82.04, -6.08, 81.57

 

CMYK 0 / 38 / 95 / 9

HEX #E8910C

RGB 232 145 12

HSL 36.27, 0.9%, 0.48%

LAB 67.6, 24.88, 71.2

 

CMYK 65 / 0 / 95 / 9

HEX #52E80C

RGB 82 232 12

HSL 100.91, 0.9%, 0.48%

LAB 81.58, -71.33, 77.62

 

CMYK 91 / 0 / 95 / 9

HEX #16E80C

RGB 22 232 12

HSL 117.27, 0.9%, 0.48%

LAB 80.69, -79.18, 76.52

 

CMYK 95 / 0 / 74 / 9

HEX #0CE83D

RGB 12 232 61

HSL 133.36, 0.9%, 0.48%

LAB 80.81, -77.42, 65.82

 

CMYK 95 / 0 / 48 / 9

HEX #0CE878

RGB 12 232 120

HSL 149.45, 0.9%, 0.48%

LAB 81.37, -70.44, 41.5

 

CMYK 95 / 0 / 22 / 9

HEX #0CE8B4

RGB 12 232 180

HSL 165.82, 0.9%, 0.48%

LAB 82.43, -58.36, 12.36

 

CMYK 65 / 0 / 95 / 9

HEX #52E80C

RGB 82 232 12

HSL 100.91, 0.9%, 0.48%

LAB 81.58, -71.33, 77.62

 

CMYK 65 / 0 / 95 / 9

HEX #52E80C

RGB 82 232 12

HSL 100.91, 0.9%, 0.48%

LAB 81.58, -71.33, 77.62

 

CMYK 58 / 0 / 85 / 17

HEX #59D420

RGB 89 212 32

HSL 101, 0.74%, 0.48%

LAB 75.65, -62.64, 69.58

 

CMYK 50 / 0 / 73 / 25

HEX #60C033

RGB 96 192 51

HSL 100.85, 0.58%, 0.48%

LAB 69.77, -52.49, 58.69

 

CMYK 40 / 0 / 59 / 32

HEX #67AD47

RGB 103 173 71

HSL 101.18, 0.42%, 0.48%

LAB 64.34, -40.83, 44.72

 

CMYK 27 / 0 / 41 / 40

HEX #6F995B

RGB 111 153 91

HSL 100.65, 0.25%, 0.48%

LAB 58.9, -26.26, 28.07

 

CMYK 14 / 0 / 95 / 9

HEX #C7E80C

RGB 199 232 12

HSL 69, 0.9%, 0.48%

LAB 86.94, -33.52, 84.13

 

CMYK 40 / 0 / 95 / 9

HEX #8CE80C

RGB 140 232 12

HSL 85.09, 0.9%, 0.48%

LAB 83.61, -55.47, 80.1

 

CMYK 65 / 0 / 95 / 9

HEX #52E80C

RGB 82 232 12

HSL 100.91, 0.9%, 0.48%

LAB 81.58, -71.33, 77.62

 

CMYK 90 / 0 / 95 / 9

HEX #17E80C

RGB 23 232 12

HSL 117, 0.9%, 0.48%

LAB 80.7, -79.12, 76.53

 

CMYK 95 / 0 / 75 / 9

HEX #0CE83B

RGB 12 232 59

HSL 132.82, 0.9%, 0.48%

LAB 80.8, -77.57, 66.47

 

CMYK 65 / 0 / 95 / 40

HEX #369A08

RGB 54 154 8

HSL 101.1, 0.9%, 0.32%

LAB 56, -51.94, 56.81

 

CMYK 65 / 0 / 95 / 24

HEX #44C10A

RGB 68 193 10

HSL 100.98, 0.9%, 0.4%

LAB 69.03, -61.83, 67.43

 

CMYK 65 / 0 / 95 / 9

HEX #52E80C

RGB 82 232 12

HSL 100.91, 0.9%, 0.48%

LAB 81.58, -71.33, 77.62

 

CMYK 56 / 0 / 83 / 5

HEX #6AF32A

RGB 106 243 42

HSL 100.9, 0.89%, 0.56%

LAB 85.67, -68.57, 76.41

 

CMYK 46 / 0 / 67 / 4

HEX #85F551

RGB 133 245 81

HSL 100.98, 0.89%, 0.64%

LAB 87.43, -59.58, 66.26

 

CMYK 65 / 0 / 95 / 9

HEX #52E90C

RGB 82 233 12

HSL 101, 0.9%, 0.48%

LAB 81.89, -71.65, 77.87

 

CMYK 95 / 0 / 11 / 9

HEX #0CE8CE

RGB 12 232 206

HSL 172.91, 0.9%, 0.48%

LAB 83.04, -51.76, -0.43

 

CMYK 0 / 95 / 27 / 9

HEX #E80CAA

RGB 232 12 170

HSL 316.91, 0.9%, 0.48%

LAB 52.2, 82.8, -25.43

 

CMYK 65 / 0 / 95 / 9

HEX #52E90C

RGB 82 233 12

HSL 101, 0.9%, 0.48%

LAB 81.89, -71.65, 77.87

 

CMYK 95 / 65 / 0 / 9

HEX #0C52E8

RGB 12 82 232

HSL 220.91, 0.9%, 0.48%

LAB 41.12, 39.51, -80.25

 

CMYK 0 / 95 / 65 / 9

HEX #E80C52

RGB 232 12 82

HSL 340.91, 0.9%, 0.48%

LAB 49.53, 75.7, 23.9

 

CMYK 65 / 0 / 95 / 9

HEX #52E90C

RGB 82 233 12

HSL 101, 0.9%, 0.48%

LAB 81.89, -71.65, 77.87

 

CMYK 95 / 0 / 11 / 9

HEX #0CE8CE

RGB 12 232 206

HSL 172.91, 0.9%, 0.48%

LAB 83.04, -51.76, -0.43

 

CMYK 30 / 95 / 0 / 9

HEX #A20CE8

RGB 162 12 232

HSL 280.91, 0.9%, 0.48%

LAB 43.9, 80.7, -75.25

 

CMYK 0 / 95 / 84 / 9

HEX #E80C25

RGB 232 12 37

HSL 353.18, 0.9%, 0.48%

LAB 48.95, 74.09, 49.25

 

CMYK 65 / 0 / 95 / 9

HEX #52E90C

RGB 82 233 12

HSL 101, 0.9%, 0.48%

LAB 81.89, -71.65, 77.87

 

CMYK 95 / 17 / 0 / 9

HEX #0CC0E8

RGB 12 192 232

HSL 190.91, 0.9%, 0.48%

LAB 71.96, -25.73, -31.03

 

CMYK 30 / 95 / 0 / 9

HEX #A20CE8

RGB 162 12 232

HSL 280.91, 0.9%, 0.48%

LAB 43.9, 80.7, -75.25

 

CMYK 0 / 78 / 95 / 9

HEX #E8340C

RGB 232 52 12

HSL 10.91, 0.9%, 0.48%

LAB 51.43, 66.29, 60.84

 

Description

Color code: HEX #52E90C | qconv.com Color code: HEX #52E90C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 233 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 233 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 95 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 95% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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