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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52BCAD it is the complementary color #AD4352. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52BCAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52BCAD shade: #57BCA8, #68CEBB, #79E0CE, #8AF2E1 and #9BFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52BCAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52BCAD shade: #52BCAD, #41AA9A, #309887, #1F8674 and #0E7461

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52BCAD shade: #52BBAC, #52BB90, #52BB74, #52BB57 and #69BB52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52BCAD shade: #52BBAC, #52AEBB, #5291BB, #5275BB and #5259BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52BCAD shade matches the following richer shades: #52BBAC, #3FCFBA, #2BE2C8 and #18F6D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52BCAD shade: #52BBAC, #65A89F, #799591, #8C8183 and #9F6E75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52BCAD shade: #52BB73, #52BB8F, #52BBAC, #52AFBB and #5293BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52BCAD shade: #34877B, #40A496, #52BBAC, #70C7BB and #8DD2C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52BCAD shade: #52BCAD, #5752BB and #BB8152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52BCAD shade: #52BCAD, #AC52BB and #BBAC52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52BCAD shade: #52BCAD, #5752BB, #BB5262 and #B6BB52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52BCAD shade: #52BCAD, #7752BB, #BB5262 and #96BB52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 8 / 26

HEX #52BCAD

RGB 82 188 173

HSL 171.51, 0.44%, 0.53%

LAB 70.02, -34.15, -1.63

 

Complementary color

CMYK 0 / 61 / 53 / 32

HEX #AD4352

RGB 173 67 82

HSL 351.51, 0.44%, 0.47%

LAB 43.52, 44.59, 13.93

 

CMYK 54 / 0 / 11 / 26

HEX #57BCA8

RGB 87 188 168

HSL 168.12, 0.43%, 0.54%

LAB 70.05, -34.37, 1.18

 

CMYK 50 / 0 / 9 / 19

HEX #68CEBB

RGB 104 206 187

HSL 168.82, 0.51%, 0.61%

LAB 76.48, -34.37, 0.31

 

CMYK 46 / 0 / 8 / 12

HEX #79E0CE

RGB 121 224 206

HSL 169.51, 0.62%, 0.68%

LAB 82.82, -34.31, -0.5

 

CMYK 43 / 0 / 7 / 5

HEX #8AF2E1

RGB 138 242 225

HSL 170.19, 0.8%, 0.75%

LAB 89.08, -34.22, -1.26

 

CMYK 39 / 0 / 4 / 0

HEX #9BFFF4

RGB 155 255 244

HSL 173.4, 1%, 0.8%

LAB 93.89, -31.79, -3.99

 

CMYK 56 / 0 / 8 / 26

HEX #52BCAD

RGB 82 188 173

HSL 171.51, 0.44%, 0.53%

LAB 70.02, -34.15, -1.63

 

CMYK 62 / 0 / 9 / 33

HEX #41AA9A

RGB 65 170 154

HSL 170.86, 0.45%, 0.46%

LAB 63.51, -33.94, -0.7

 

CMYK 68 / 0 / 11 / 40

HEX #309887

RGB 48 152 135

HSL 170.19, 0.52%, 0.39%

LAB 56.91, -33.57, 0.33

 

CMYK 77 / 0 / 13 / 47

HEX #1F8674

RGB 31 134 116

HSL 169.51, 0.62%, 0.32%

LAB 50.22, -32.91, 1.5

 

CMYK 88 / 0 / 16 / 55

HEX #0E7461

RGB 14 116 97

HSL 168.82, 0.78%, 0.25%

LAB 43.43, -31.83, 2.85

 

CMYK 56 / 0 / 8 / 27

HEX #52BBAC

RGB 82 187 172

HSL 171.43, 0.44%, 0.53%

LAB 69.69, -33.93, -1.56

 

CMYK 56 / 0 / 23 / 27

HEX #52BB90

RGB 82 187 144

HSL 155.43, 0.44%, 0.53%

LAB 69, -40.64, 12.77

 

CMYK 56 / 0 / 38 / 27

HEX #52BB74

RGB 82 187 116

HSL 139.43, 0.44%, 0.53%

LAB 68.46, -46.25, 27.05

 

CMYK 56 / 0 / 53 / 27

HEX #52BB57

RGB 82 187 87

HSL 122.86, 0.44%, 0.53%

LAB 68.04, -50.79, 41.27

 

CMYK 44 / 0 / 56 / 27

HEX #69BB52

RGB 105 187 82

HSL 106.86, 0.44%, 0.53%

LAB 68.86, -44.92, 44.85

 

CMYK 56 / 0 / 8 / 27

HEX #52BBAC

RGB 82 187 172

HSL 171.43, 0.44%, 0.53%

LAB 69.69, -33.93, -1.56

 

CMYK 56 / 7 / 0 / 27

HEX #52AEBB

RGB 82 174 187

HSL 187.43, 0.44%, 0.53%

LAB 66.25, -23.5, -14.95

 

CMYK 56 / 22 / 0 / 27

HEX #5291BB

RGB 82 145 187

HSL 204, 0.44%, 0.53%

LAB 57.69, -7.97, -28.04

 

CMYK 56 / 37 / 0 / 27

HEX #5275BB

RGB 82 117 187

HSL 220, 0.44%, 0.53%

LAB 49.62, 8.52, -40.66

 

CMYK 56 / 52 / 0 / 27

HEX #5259BB

RGB 82 89 187

HSL 236, 0.44%, 0.53%

LAB 42.04, 26.03, -52.76

 

CMYK 56 / 0 / 8 / 27

HEX #52BBAC

RGB 82 187 172

HSL 171.43, 0.44%, 0.53%

LAB 69.69, -33.93, -1.56

 

CMYK 70 / 0 / 10 / 19

HEX #3FCFBA

RGB 63 207 186

HSL 171.25, 0.6%, 0.53%

LAB 75.59, -42.58, -0.59

 

CMYK 81 / 0 / 12 / 11

HEX #2BE2C8

RGB 43 226 200

HSL 171.48, 0.76%, 0.53%

LAB 81.33, -49.21, 0.27

 

CMYK 90 / 0 / 13 / 4

HEX #18F6D6

RGB 24 246 214

HSL 171.35, 0.93%, 0.53%

LAB 87.47, -54.92, 1.82

 

CMYK 56 / 0 / 8 / 27

HEX #52BBAC

RGB 82 187 172

HSL 171.43, 0.44%, 0.53%

LAB 69.69, -33.93, -1.56

 

CMYK 40 / 0 / 5 / 34

HEX #65A89F

RGB 101 168 159

HSL 171.94, 0.28%, 0.53%

LAB 64.38, -23.46, -2.06

 

CMYK 19 / 0 / 3 / 42

HEX #799591

RGB 121 149 145

HSL 171.43, 0.12%, 0.53%

LAB 59.53, -10.66, -1.16

 

CMYK 0 / 8 / 6 / 45

HEX #8C8183

RGB 140 129 131

HSL 349.09, 0.05%, 0.53%

LAB 54.98, 4.53, 0.42

 

CMYK 0 / 31 / 26 / 38

HEX #9F6E75

RGB 159 110 117

HSL 351.43, 0.2%, 0.53%

LAB 51.62, 20.5, 3.97

 

CMYK 56 / 0 / 39 / 27

HEX #52BB73

RGB 82 187 115

HSL 138.86, 0.44%, 0.53%

LAB 68.44, -46.43, 27.55

 

CMYK 56 / 0 / 24 / 27

HEX #52BB8F

RGB 82 187 143

HSL 154.86, 0.44%, 0.53%

LAB 68.98, -40.86, 13.28

 

CMYK 56 / 0 / 8 / 27

HEX #52BBAC

RGB 82 187 172

HSL 171.43, 0.44%, 0.53%

LAB 69.69, -33.93, -1.56

 

CMYK 56 / 6 / 0 / 27

HEX #52AFBB

RGB 82 175 187

HSL 186.86, 0.44%, 0.53%

LAB 66.55, -24.01, -14.51

 

CMYK 56 / 21 / 0 / 27

HEX #5293BB

RGB 82 147 187

HSL 202.86, 0.44%, 0.53%

LAB 58.27, -9.09, -27.14

 

CMYK 61 / 0 / 9 / 47

HEX #34877B

RGB 52 135 123

HSL 171.33, 0.44%, 0.37%

LAB 51.25, -28.01, -1.01

 

CMYK 61 / 0 / 9 / 36

HEX #40A496

RGB 64 164 150

HSL 171.6, 0.44%, 0.45%

LAB 61.52, -32.37, -1.38

 

CMYK 56 / 0 / 8 / 27

HEX #52BBAC

RGB 82 187 172

HSL 171.43, 0.44%, 0.53%

LAB 69.69, -33.93, -1.56

 

CMYK 44 / 0 / 6 / 22

HEX #70C7BB

RGB 112 199 187

HSL 171.72, 0.44%, 0.61%

LAB 74.75, -29.14, -2.19

 

CMYK 33 / 0 / 4 / 18

HEX #8DD2C9

RGB 141 210 201

HSL 172.17, 0.43%, 0.69%

LAB 79.6, -23.6, -2.46

 

CMYK 56 / 0 / 8 / 26

HEX #52BCAD

RGB 82 188 173

HSL 171.51, 0.44%, 0.53%

LAB 70.02, -34.15, -1.63

 

CMYK 53 / 56 / 0 / 27

HEX #5752BB

RGB 87 82 187

HSL 242.86, 0.44%, 0.53%

LAB 40.65, 31.41, -54.98

 

CMYK 0 / 31 / 56 / 27

HEX #BB8152

RGB 187 129 82

HSL 26.86, 0.44%, 0.53%

LAB 58.86, 17.26, 34.27

 

CMYK 56 / 0 / 8 / 26

HEX #52BCAD

RGB 82 188 173

HSL 171.51, 0.44%, 0.53%

LAB 70.02, -34.15, -1.63

 

CMYK 8 / 56 / 0 / 27

HEX #AC52BB

RGB 172 82 187

HSL 291.43, 0.44%, 0.53%

LAB 49.97, 52.26, -39.56

 

CMYK 0 / 8 / 56 / 27

HEX #BBAC52

RGB 187 172 82

HSL 51.43, 0.44%, 0.53%

LAB 69.95, -6.15, 47.49

 

CMYK 56 / 0 / 8 / 26

HEX #52BCAD

RGB 82 188 173

HSL 171.51, 0.44%, 0.53%

LAB 70.02, -34.15, -1.63

 

CMYK 53 / 56 / 0 / 27

HEX #5752BB

RGB 87 82 187

HSL 242.86, 0.44%, 0.53%

LAB 40.65, 31.41, -54.98

 

CMYK 0 / 56 / 48 / 27

HEX #BB5262

RGB 187 82 98

HSL 350.86, 0.44%, 0.53%

LAB 48.86, 43.81, 11.92

 

CMYK 3 / 0 / 56 / 27

HEX #B6BB52

RGB 182 187 82

HSL 62.86, 0.44%, 0.53%

LAB 73.61, -16.02, 51.56

 

CMYK 56 / 0 / 8 / 26

HEX #52BCAD

RGB 82 188 173

HSL 171.51, 0.44%, 0.53%

LAB 70.02, -34.15, -1.63

 

CMYK 36 / 56 / 0 / 27

HEX #7752BB

RGB 119 82 187

HSL 261.14, 0.44%, 0.53%

LAB 43.57, 38.6, -50.13

 

CMYK 0 / 56 / 48 / 27

HEX #BB5262

RGB 187 82 98

HSL 350.86, 0.44%, 0.53%

LAB 48.86, 43.81, 11.92

 

CMYK 20 / 0 / 56 / 27

HEX #96BB52

RGB 150 187 82

HSL 81.14, 0.44%, 0.53%

LAB 71.31, -28.95, 48.32

 

Description

Color code: HEX #52BCAD | qconv.com Color code: HEX #52BCAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 188 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 188 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 8 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 8% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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