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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52BBEA it is the complementary color #AD4415. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52BBEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52BBEA shade: #57BBE5, #68CDF8, #79DFFF, #8AF1FF and #9BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52BBEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52BBEA shade: #52BBEA, #41A9D7, #3097C4, #1F85B1 and #0E739E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52BBEA shade: #52BAE9, #5292E9, #5269E9, #6452E9 and #8D52E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52BBEA shade: #52BAE9, #5292E9, #5269E9 and #5252E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52BBEA shade matches the following richer shades: #52BAE9 and #42C0F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52BBEA shade: #52BAE9, #62B4DA, #71AECA, #81A8BA and #91A3AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52BBEA shade: #52E9C6, #52E4E9, #52BCE9, #5294E9 and #526BE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52BBEA shade: #1997CF, #2DACE5, #52BAE9, #77C9EE and #9BD7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52BBEA shade: #52BBEA, #9E52E9 and #E9DA52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52BBEA shade: #52BBEA, #E952BC and #BCE952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52BBEA shade: #52BBEA, #9E52E9, #E97F52 and #9EE952

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52BBEA shade: #52BBEA, #CB52E9, #E97F52 and #70E952

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 20 / 0 / 8

HEX #52BBEA

RGB 82 187 234

HSL 198.55, 0.78%, 0.62%

LAB 71.74, -16.09, -32.36

 

Complementary color

CMYK 0 / 61 / 88 / 32

HEX #AD4415

RGB 173 68 21

HSL 18.55, 0.78%, 0.38%

LAB 42.87, 40.81, 46.96

 

CMYK 62 / 18 / 0 / 10

HEX #57BBE5

RGB 87 187 229

HSL 197.75, 0.73%, 0.62%

LAB 71.71, -16.81, -29.69

 

CMYK 58 / 17 / 0 / 3

HEX #68CDF8

RGB 104 205 248

HSL 197.92, 0.91%, 0.69%

LAB 78.1, -17.4, -30.05

 

CMYK 53 / 13 / 0 / 0

HEX #79DFFF

RGB 121 223 255

HSL 194.33, 1%, 0.74%

LAB 84, -21.24, -24.69

 

CMYK 46 / 5 / 0 / 0

HEX #8AF1FF

RGB 138 241 255

HSL 187.18, 1%, 0.77%

LAB 89.64, -26.47, -16.09

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 65 / 20 / 0 / 8

HEX #52BBEA

RGB 82 187 234

HSL 198.55, 0.78%, 0.62%

LAB 71.74, -16.09, -32.36

 

CMYK 70 / 21 / 0 / 16

HEX #41A9D7

RGB 65 169 215

HSL 198.4, 0.65%, 0.55%

LAB 65.28, -15.18, -31.99

 

CMYK 76 / 23 / 0 / 23

HEX #3097C4

RGB 48 151 196

HSL 198.24, 0.61%, 0.48%

LAB 58.74, -14, -31.58

 

CMYK 82 / 25 / 0 / 31

HEX #1F85B1

RGB 31 133 177

HSL 198.08, 0.7%, 0.41%

LAB 52.11, -12.47, -31.12

 

CMYK 91 / 27 / 0 / 38

HEX #0E739E

RGB 14 115 158

HSL 197.92, 0.84%, 0.34%

LAB 45.39, -10.46, -30.57

 

CMYK 65 / 20 / 0 / 9

HEX #52BAE9

RGB 82 186 233

HSL 198.68, 0.77%, 0.62%

LAB 71.42, -15.88, -32.32

 

CMYK 65 / 37 / 0 / 9

HEX #5292E9

RGB 82 146 233

HSL 214.57, 0.77%, 0.62%

LAB 60.1, 6.51, -50.04

 

CMYK 65 / 55 / 0 / 9

HEX #5269E9

RGB 82 105 233

HSL 230.86, 0.77%, 0.62%

LAB 49.23, 31.5, -67.48

 

CMYK 57 / 65 / 0 / 9

HEX #6452E9

RGB 100 82 233

HSL 247.15, 0.77%, 0.62%

LAB 45.12, 48.05, -74.11

 

CMYK 39 / 65 / 0 / 9

HEX #8D52E9

RGB 141 82 233

HSL 263.44, 0.77%, 0.62%

LAB 48.98, 55.38, -67.65

 

CMYK 65 / 20 / 0 / 9

HEX #52BAE9

RGB 82 186 233

HSL 198.68, 0.77%, 0.62%

LAB 71.42, -15.88, -32.32

 

CMYK 65 / 37 / 0 / 9

HEX #5292E9

RGB 82 146 233

HSL 214.57, 0.77%, 0.62%

LAB 60.1, 6.51, -50.04

 

CMYK 65 / 55 / 0 / 9

HEX #5269E9

RGB 82 105 233

HSL 230.86, 0.77%, 0.62%

LAB 49.23, 31.5, -67.48

 

CMYK 65 / 65 / 0 / 9

HEX #5252E9

RGB 82 82 233

HSL 240, 0.77%, 0.62%

LAB 43.82, 45.42, -76.29

 

CMYK 65 / 20 / 0 / 9

HEX #52BAE9

RGB 82 186 233

HSL 198.68, 0.77%, 0.62%

LAB 71.42, -15.88, -32.32

 

CMYK 73 / 23 / 0 / 2

HEX #42C0F9

RGB 66 192 249

HSL 198.69, 0.94%, 0.62%

LAB 73.35, -16.15, -38.02

 

CMYK 65 / 20 / 0 / 9

HEX #52BAE9

RGB 82 186 233

HSL 198.68, 0.77%, 0.62%

LAB 71.42, -15.88, -32.32

 

CMYK 55 / 17 / 0 / 15

HEX #62B4DA

RGB 98 180 218

HSL 199, 0.62%, 0.62%

LAB 69.68, -14.34, -26.77

 

CMYK 44 / 14 / 0 / 21

HEX #71AECA

RGB 113 174 202

HSL 198.88, 0.46%, 0.62%

LAB 68.06, -12.29, -20.4

 

CMYK 31 / 10 / 0 / 27

HEX #81A8BA

RGB 129 168 186

HSL 198.95, 0.29%, 0.62%

LAB 66.69, -8.86, -13.53

 

CMYK 15 / 4 / 0 / 33

HEX #91A3AA

RGB 145 163 170

HSL 196.8, 0.13%, 0.62%

LAB 65.84, -4.81, -5.77

 

CMYK 65 / 0 / 15 / 9

HEX #52E9C6

RGB 82 233 198

HSL 166.09, 0.77%, 0.62%

LAB 84.04, -47.95, 5.35

 

CMYK 65 / 2 / 0 / 9

HEX #52E4E9

RGB 82 228 233

HSL 181.99, 0.77%, 0.62%

LAB 83.53, -36.63, -13.89

 

CMYK 65 / 19 / 0 / 9

HEX #52BCE9

RGB 82 188 233

HSL 197.88, 0.77%, 0.62%

LAB 71.99, -16.93, -31.44

 

CMYK 65 / 36 / 0 / 9

HEX #5294E9

RGB 82 148 233

HSL 213.77, 0.77%, 0.62%

LAB 60.66, 5.33, -49.16

 

CMYK 65 / 54 / 0 / 9

HEX #526BE9

RGB 82 107 233

HSL 230.07, 0.77%, 0.62%

LAB 49.73, 30.26, -66.67

 

CMYK 88 / 27 / 0 / 19

HEX #1997CF

RGB 25 151 207

HSL 198.46, 0.78%, 0.45%

LAB 58.83, -12.19, -37.65

 

CMYK 80 / 25 / 0 / 10

HEX #2DACE5

RGB 45 172 229

HSL 198.59, 0.78%, 0.54%

LAB 66.31, -14.42, -38.15

 

CMYK 65 / 20 / 0 / 9

HEX #52BAE9

RGB 82 186 233

HSL 198.68, 0.77%, 0.62%

LAB 71.42, -15.88, -32.32

 

CMYK 50 / 16 / 0 / 7

HEX #77C9EE

RGB 119 201 238

HSL 198.66, 0.78%, 0.7%

LAB 77.2, -15.16, -26.02

 

CMYK 36 / 11 / 0 / 5

HEX #9BD7F2

RGB 155 215 242

HSL 198.62, 0.77%, 0.78%

LAB 82.9, -12.59, -19.33

 

CMYK 65 / 20 / 0 / 8

HEX #52BBEA

RGB 82 187 234

HSL 198.55, 0.78%, 0.62%

LAB 71.74, -16.09, -32.36

 

CMYK 32 / 65 / 0 / 9

HEX #9E52E9

RGB 158 82 233

HSL 270.2, 0.77%, 0.62%

LAB 50.91, 58.82, -64.45

 

CMYK 0 / 6 / 65 / 9

HEX #E9DA52

RGB 233 218 82

HSL 54.04, 0.77%, 0.62%

LAB 86.04, -10.46, 66.27

 

CMYK 65 / 20 / 0 / 8

HEX #52BBEA

RGB 82 187 234

HSL 198.55, 0.78%, 0.62%

LAB 71.74, -16.09, -32.36

 

CMYK 0 / 65 / 19 / 9

HEX #E952BC

RGB 233 82 188

HSL 317.88, 0.77%, 0.62%

LAB 58.96, 68.58, -25.44

 

CMYK 19 / 0 / 65 / 9

HEX #BCE952

RGB 188 233 82

HSL 77.88, 0.77%, 0.62%

LAB 86.79, -35.7, 66.05

 

CMYK 65 / 20 / 0 / 8

HEX #52BBEA

RGB 82 187 234

HSL 198.55, 0.78%, 0.62%

LAB 71.74, -16.09, -32.36

 

CMYK 32 / 65 / 0 / 9

HEX #9E52E9

RGB 158 82 233

HSL 270.2, 0.77%, 0.62%

LAB 50.91, 58.82, -64.45

 

CMYK 0 / 45 / 65 / 9

HEX #E97F52

RGB 233 127 82

HSL 17.88, 0.77%, 0.62%

LAB 64.25, 37.08, 42.15

 

CMYK 32 / 0 / 65 / 9

HEX #9EE952

RGB 158 233 82

HSL 89.8, 0.77%, 0.62%

LAB 85.08, -46.66, 63.71

 

CMYK 65 / 20 / 0 / 8

HEX #52BBEA

RGB 82 187 234

HSL 198.55, 0.78%, 0.62%

LAB 71.74, -16.09, -32.36

 

CMYK 13 / 65 / 0 / 9

HEX #CB52E9

RGB 203 82 233

HSL 288.08, 0.77%, 0.62%

LAB 56.7, 68.55, -54.84

 

CMYK 0 / 45 / 65 / 9

HEX #E97F52

RGB 233 127 82

HSL 17.88, 0.77%, 0.62%

LAB 64.25, 37.08, 42.15

 

CMYK 52 / 0 / 65 / 9

HEX #70E952

RGB 112 233 82

HSL 108.08, 0.77%, 0.62%

LAB 83.09, -60.9, 60.99

 

Description

Color code: HEX #52BBEA | qconv.com Color code: HEX #52BBEA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 187 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 187 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 20 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 20% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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