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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #527B2B it is the complementary color #AD84D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #527B2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #527B2B shade: #577B26, #688D39, #799F4C, #8AB15F and #9BC372

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #527B2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #527B2B shade: #527B2B, #416918, #305705, #1F4500 and #0E3300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #527B2B shade: #537C2B, #687C2B, #7C7A2B, #7C642B and #7C4E2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #527B2B shade: #537C2B, #3D7C2B, #2B7C2F, #2B7C45 and #2B7C5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #527B2B shade matches the following richer shades: #537C2B, #528A1E, #529710 and #52A502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #527B2B shade: #537C2B, #536E39, #536146, #545354 and #544662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #527B2B shade: #7C792B, #697C2B, #547C2B, #3E7C2B and #2B7C2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #527B2B shade: #2A3F16, #3E5E21, #537C2B, #679B36 and #7BB941

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #527B2B shade: #527B2B, #2B7C64 and #7C2B74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #527B2B shade: #527B2B, #2B547C and #7C2B54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #527B2B shade: #527B2B, #2B7C64, #542B7C and #7C2B43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #527B2B shade: #527B2B, #2B7C7C, #542B7C and #7C2B2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 65 / 52

HEX #527B2B

RGB 82 123 43

HSL 90.75, 0.48%, 0.33%

LAB 47.15, -28.55, 38.13

 

Complementary color

CMYK 18 / 38 / 0 / 17

HEX #AD84D4

RGB 173 132 212

HSL 270.75, 0.48%, 0.67%

LAB 61.78, 31.05, -35.28

 

CMYK 29 / 0 / 69 / 52

HEX #577B26

RGB 87 123 38

HSL 85.41, 0.53%, 0.32%

LAB 47.41, -26.99, 40.76

 

CMYK 26 / 0 / 60 / 45

HEX #688D39

RGB 104 141 57

HSL 86.43, 0.42%, 0.39%

LAB 54.33, -27.24, 39.9

 

CMYK 24 / 0 / 52 / 38

HEX #799F4C

RGB 121 159 76

HSL 87.47, 0.35%, 0.46%

LAB 61.12, -27.34, 38.78

 

CMYK 22 / 0 / 46 / 31

HEX #8AB15F

RGB 138 177 95

HSL 88.54, 0.34%, 0.53%

LAB 67.78, -27.36, 37.59

 

CMYK 21 / 0 / 42 / 24

HEX #9BC372

RGB 155 195 114

HSL 89.63, 0.4%, 0.61%

LAB 74.33, -27.34, 36.4

 

CMYK 33 / 0 / 65 / 52

HEX #527B2B

RGB 82 123 43

HSL 90.75, 0.48%, 0.33%

LAB 47.15, -28.55, 38.13

 

CMYK 38 / 0 / 77 / 59

HEX #416918

RGB 65 105 24

HSL 89.63, 0.63%, 0.25%

LAB 40.07, -28.21, 38.68

 

CMYK 45 / 0 / 94 / 66

HEX #305705

RGB 48 87 5

HSL 88.54, 0.89%, 0.18%

LAB 32.82, -27.51, 38.03

 

CMYK 55 / 0 / 100 / 73

HEX #1F4500

RGB 31 69 0

HSL 93.04, 1%, 0.14%

LAB 25.4, -26.04, 33.28

 

CMYK 73 / 0 / 100 / 80

HEX #0E3300

RGB 14 51 0

HSL 103.53, 1%, 0.1%

LAB 17.74, -23.9, 24.82

 

CMYK 33 / 0 / 65 / 51

HEX #537C2B

RGB 83 124 43

HSL 90.37, 0.49%, 0.33%

LAB 47.53, -28.63, 38.57

 

CMYK 16 / 0 / 65 / 51

HEX #687C2B

RGB 104 124 43

HSL 74.81, 0.49%, 0.33%

LAB 48.92, -19.92, 40.48

 

CMYK 0 / 2 / 65 / 51

HEX #7C7A2B

RGB 124 122 43

HSL 58.52, 0.49%, 0.33%

LAB 49.95, -9.89, 42.07

 

CMYK 0 / 19 / 65 / 51

HEX #7C642B

RGB 124 100 43

HSL 42.22, 0.49%, 0.33%

LAB 43.62, 2.65, 35.19

 

CMYK 0 / 37 / 65 / 51

HEX #7C4E2B

RGB 124 78 43

HSL 25.93, 0.49%, 0.33%

LAB 37.68, 15.74, 28.4

 

CMYK 33 / 0 / 65 / 51

HEX #537C2B

RGB 83 124 43

HSL 90.37, 0.49%, 0.33%

LAB 47.53, -28.63, 38.57

 

CMYK 51 / 0 / 65 / 51

HEX #3D7C2B

RGB 61 124 43

HSL 106.67, 0.49%, 0.33%

LAB 46.42, -36.46, 37.03

 

CMYK 65 / 0 / 62 / 51

HEX #2B7C2F

RGB 43 124 47

HSL 122.96, 0.49%, 0.33%

LAB 45.82, -40.97, 34.25

 

CMYK 65 / 0 / 44 / 51

HEX #2B7C45

RGB 43 124 69

HSL 139.26, 0.49%, 0.33%

LAB 46.12, -37.54, 22.97

 

CMYK 65 / 0 / 27 / 51

HEX #2B7C5B

RGB 43 124 91

HSL 155.56, 0.49%, 0.33%

LAB 46.56, -32.88, 10.93

 

CMYK 33 / 0 / 65 / 51

HEX #537C2B

RGB 83 124 43

HSL 90.37, 0.49%, 0.33%

LAB 47.53, -28.63, 38.57

 

CMYK 41 / 0 / 78 / 46

HEX #528A1E

RGB 82 138 30

HSL 91.11, 0.64%, 0.33%

LAB 51.91, -36.41, 48.32

 

CMYK 46 / 0 / 89 / 41

HEX #529710

RGB 82 151 16

HSL 90.67, 0.81%, 0.33%

LAB 56.05, -42.55, 55.89

 

CMYK 50 / 0 / 99 / 35

HEX #52A502

RGB 82 165 2

HSL 90.55, 0.98%, 0.33%

LAB 60.52, -48.43, 61.75

 

CMYK 33 / 0 / 65 / 51

HEX #537C2B

RGB 83 124 43

HSL 90.37, 0.49%, 0.33%

LAB 47.53, -28.63, 38.57

 

CMYK 25 / 0 / 48 / 57

HEX #536E39

RGB 83 110 57

HSL 90.57, 0.32%, 0.33%

LAB 43.19, -20.03, 26.31

 

CMYK 14 / 0 / 28 / 62

HEX #536146

RGB 83 97 70

HSL 91.11, 0.16%, 0.33%

LAB 39.29, -10.88, 13.67

 

CMYK 0 / 1 / 0 / 67

HEX #545354

RGB 84 83 84

HSL 300, 0.01%, 0.33%

LAB 35.42, 0.62, -0.45

 

CMYK 14 / 29 / 0 / 62

HEX #544662

RGB 84 70 98

HSL 270, 0.17%, 0.33%

LAB 32.14, 12.09, -14.23

 

CMYK 0 / 2 / 65 / 51

HEX #7C792B

RGB 124 121 43

HSL 57.78, 0.49%, 0.33%

LAB 49.66, -9.34, 41.76

 

CMYK 15 / 0 / 65 / 51

HEX #697C2B

RGB 105 124 43

HSL 74.07, 0.49%, 0.33%

LAB 49, -19.49, 40.58

 

CMYK 32 / 0 / 65 / 51

HEX #547C2B

RGB 84 124 43

HSL 89.63, 0.49%, 0.33%

LAB 47.59, -28.24, 38.65

 

CMYK 50 / 0 / 65 / 51

HEX #3E7C2B

RGB 62 124 43

HSL 105.93, 0.49%, 0.33%

LAB 46.46, -36.14, 37.08

 

CMYK 65 / 0 / 63 / 51

HEX #2B7C2E

RGB 43 124 46

HSL 122.22, 0.49%, 0.33%

LAB 45.81, -41.1, 34.72

 

CMYK 33 / 0 / 65 / 75

HEX #2A3F16

RGB 42 63 22

HSL 90.73, 0.48%, 0.17%

LAB 24.02, -16.66, 22.14

 

CMYK 34 / 0 / 65 / 63

HEX #3E5E21

RGB 62 94 33

HSL 91.48, 0.48%, 0.25%

LAB 36.25, -23.26, 30.55

 

CMYK 33 / 0 / 65 / 51

HEX #537C2B

RGB 83 124 43

HSL 90.37, 0.49%, 0.33%

LAB 47.53, -28.63, 38.57

 

CMYK 34 / 0 / 65 / 39

HEX #679B36

RGB 103 155 54

HSL 90.89, 0.48%, 0.41%

LAB 58.6, -34.5, 45.99

 

CMYK 34 / 0 / 65 / 27

HEX #7BB941

RGB 123 185 65

HSL 91, 0.48%, 0.49%

LAB 68.96, -39.69, 52.8

 

CMYK 33 / 0 / 65 / 52

HEX #527B2B

RGB 82 123 43

HSL 90.75, 0.48%, 0.33%

LAB 47.15, -28.55, 38.13

 

CMYK 65 / 0 / 19 / 51

HEX #2B7C64

RGB 43 124 100

HSL 162.22, 0.49%, 0.33%

LAB 46.78, -30.64, 5.96

 

CMYK 0 / 65 / 6 / 51

HEX #7C2B74

RGB 124 43 116

HSL 305.93, 0.49%, 0.33%

LAB 32.42, 44.38, -24.79

 

CMYK 33 / 0 / 65 / 52

HEX #527B2B

RGB 82 123 43

HSL 90.75, 0.48%, 0.33%

LAB 47.15, -28.55, 38.13

 

CMYK 65 / 32 / 0 / 51

HEX #2B547C

RGB 43 84 124

HSL 209.63, 0.49%, 0.33%

LAB 34.62, -0.86, -26.91

 

CMYK 0 / 65 / 32 / 51

HEX #7C2B54

RGB 124 43 84

HSL 329.63, 0.49%, 0.33%

LAB 31, 39.4, -6.41

 

CMYK 33 / 0 / 65 / 52

HEX #527B2B

RGB 82 123 43

HSL 90.75, 0.48%, 0.33%

LAB 47.15, -28.55, 38.13

 

CMYK 65 / 0 / 19 / 51

HEX #2B7C64

RGB 43 124 100

HSL 162.22, 0.49%, 0.33%

LAB 46.78, -30.64, 5.96

 

CMYK 32 / 65 / 0 / 51

HEX #542B7C

RGB 84 43 124

HSL 270.37, 0.49%, 0.33%

LAB 26.93, 35.53, -38.95

 

CMYK 0 / 65 / 46 / 51

HEX #7C2B43

RGB 124 43 67

HSL 342.22, 0.49%, 0.33%

LAB 30.44, 37.33, 3.92

 

CMYK 33 / 0 / 65 / 52

HEX #527B2B

RGB 82 123 43

HSL 90.75, 0.48%, 0.33%

LAB 47.15, -28.55, 38.13

 

CMYK 65 / 0 / 0 / 51

HEX #2B7C7C

RGB 43 124 124

HSL 180, 0.49%, 0.33%

LAB 47.47, -23.87, -7.22

 

CMYK 32 / 65 / 0 / 51

HEX #542B7C

RGB 84 43 124

HSL 270.37, 0.49%, 0.33%

LAB 26.93, 35.53, -38.95

 

CMYK 0 / 65 / 65 / 51

HEX #7C2B2B

RGB 124 43 43

HSL 0, 0.49%, 0.33%

LAB 29.88, 35.19, 18.88

 

Description

Color code: HEX #527B2B | qconv.com Color code: HEX #527B2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 123 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 123 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 65 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 65% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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