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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #527112 it is the complementary color #AD8EED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #527112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #527112 shade: #57710D, #688320, #799533, #8AA746 and #9BB959

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #527112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #527112 shade: #527112, #415F00, #304D00, #1F3B00 and #0E2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #527112 shade: #537211, #6D7211, #725E11, #724311 and #722911

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #527112 shade: #537211, #397211, #1E7211, #11721F and #117239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #527112 shade matches the following richer shades: #537211 and #567D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #527112 shade: #537211, #4F671C, #4B5D27, #475232 and #44473C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #527112 shade: #725D11, #6D7211, #547211, #3A7211 and #207211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #527112 shade: #1F2B06, #394F0C, #537211, #6C9617 and #86BA1D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #527112 shade: #527112, #117243 and #6A1172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #527112 shade: #527112, #115472 and #721154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #527112 shade: #527112, #117243, #301172 and #721140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #527112 shade: #527112, #117260, #301172 and #721123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 84 / 56

HEX #527112

RGB 82 113 18

HSL 79.58, 0.73%, 0.26%

LAB 43.72, -25.44, 44.61

 

Complementary color

CMYK 27 / 40 / 0 / 7

HEX #AD8EED

RGB 173 142 237

HSL 259.58, 0.73%, 0.74%

LAB 65.24, 31.27, -43.75

 

CMYK 23 / 0 / 88 / 56

HEX #57710D

RGB 87 113 13

HSL 75.6, 0.79%, 0.25%

LAB 44.04, -23.47, 46.41

 

CMYK 21 / 0 / 76 / 49

HEX #688320

RGB 104 131 32

HSL 76.36, 0.61%, 0.32%

LAB 51.01, -24.25, 47.19

 

CMYK 19 / 0 / 66 / 42

HEX #799533

RGB 121 149 51

HSL 77.14, 0.49%, 0.39%

LAB 57.85, -24.77, 46.83

 

CMYK 17 / 0 / 58 / 35

HEX #8AA746

RGB 138 167 70

HSL 77.94, 0.41%, 0.46%

LAB 64.55, -25.12, 45.96

 

CMYK 16 / 0 / 52 / 27

HEX #9BB959

RGB 155 185 89

HSL 78.75, 0.41%, 0.54%

LAB 71.14, -25.35, 44.89

 

CMYK 27 / 0 / 84 / 56

HEX #527112

RGB 82 113 18

HSL 79.58, 0.73%, 0.26%

LAB 43.72, -25.44, 44.61

 

CMYK 32 / 0 / 100 / 63

HEX #415F00

RGB 65 95 0

HSL 78.95, 1%, 0.19%

LAB 36.57, -24.55, 43.06

 

CMYK 38 / 0 / 100 / 70

HEX #304D00

RGB 48 77 0

HSL 82.6, 1%, 0.15%

LAB 29.25, -22.99, 36.96

 

CMYK 47 / 0 / 100 / 77

HEX #1F3B00

RGB 31 59 0

HSL 88.47, 1%, 0.12%

LAB 21.65, -21.34, 29.49

 

CMYK 66 / 0 / 100 / 84

HEX #0E2900

RGB 14 41 0

HSL 99.51, 1%, 0.08%

LAB 13.7, -19.43, 19.73

 

CMYK 27 / 0 / 85 / 55

HEX #537211

RGB 83 114 17

HSL 79.18, 0.74%, 0.26%

LAB 44.11, -25.55, 45.28

 

CMYK 4 / 0 / 85 / 55

HEX #6D7211

RGB 109 114 17

HSL 63.09, 0.74%, 0.26%

LAB 46.08, -13.82, 47.76

 

CMYK 0 / 18 / 85 / 55

HEX #725E11

RGB 114 94 17

HSL 47.63, 0.74%, 0.26%

LAB 40.61, -0.03, 43.2

 

CMYK 0 / 41 / 85 / 55

HEX #724311

RGB 114 67 17

HSL 30.93, 0.74%, 0.26%

LAB 33.2, 16.21, 36.61

 

CMYK 0 / 64 / 85 / 55

HEX #722911

RGB 114 41 17

HSL 14.85, 0.74%, 0.26%

LAB 27.31, 30.92, 31.15

 

CMYK 27 / 0 / 85 / 55

HEX #537211

RGB 83 114 17

HSL 79.18, 0.74%, 0.26%

LAB 44.11, -25.55, 45.28

 

CMYK 50 / 0 / 85 / 55

HEX #397211

RGB 57 114 17

HSL 95.26, 0.74%, 0.26%

LAB 42.68, -35.6, 43.45

 

CMYK 74 / 0 / 85 / 55

HEX #1E7211

RGB 30 114 17

HSL 111.96, 0.74%, 0.26%

LAB 41.77, -42.93, 42.28

 

CMYK 85 / 0 / 73 / 55

HEX #11721F

RGB 17 114 31

HSL 128.66, 0.74%, 0.26%

LAB 41.62, -43.92, 36.86

 

CMYK 85 / 0 / 50 / 55

HEX #117239

RGB 17 114 57

HSL 144.74, 0.74%, 0.26%

LAB 41.92, -40.21, 24.16

 

CMYK 27 / 0 / 85 / 55

HEX #537211

RGB 83 114 17

HSL 79.18, 0.74%, 0.26%

LAB 44.11, -25.55, 45.28

 

CMYK 31 / 0 / 94 / 51

HEX #567D07

RGB 86 125 7

HSL 79.83, 0.89%, 0.26%

LAB 47.83, -29.93, 50.84

 

CMYK 27 / 0 / 85 / 55

HEX #537211

RGB 83 114 17

HSL 79.18, 0.74%, 0.26%

LAB 44.11, -25.55, 45.28

 

CMYK 23 / 0 / 73 / 60

HEX #4F671C

RGB 79 103 28

HSL 79.2, 0.57%, 0.26%

LAB 40.32, -21.08, 37.58

 

CMYK 19 / 0 / 58 / 64

HEX #4B5D27

RGB 75 93 39

HSL 80, 0.41%, 0.26%

LAB 36.88, -16.53, 28.38

 

CMYK 13 / 0 / 39 / 68

HEX #475232

RGB 71 82 50

HSL 80.63, 0.24%, 0.26%

LAB 33.15, -10.65, 17.38

 

CMYK 4 / 0 / 15 / 72

HEX #44473C

RGB 68 71 60

HSL 76.36, 0.08%, 0.26%

LAB 29.57, -3.57, 6.2

 

CMYK 0 / 18 / 85 / 55

HEX #725D11

RGB 114 93 17

HSL 47.01, 0.74%, 0.26%

LAB 40.32, 0.56, 42.95

 

CMYK 4 / 0 / 85 / 55

HEX #6D7211

RGB 109 114 17

HSL 63.09, 0.74%, 0.26%

LAB 46.08, -13.82, 47.76

 

CMYK 26 / 0 / 85 / 55

HEX #547211

RGB 84 114 17

HSL 78.56, 0.74%, 0.26%

LAB 44.18, -25.12, 45.36

 

CMYK 49 / 0 / 85 / 55

HEX #3A7211

RGB 58 114 17

HSL 94.64, 0.74%, 0.26%

LAB 42.73, -35.26, 43.51

 

CMYK 72 / 0 / 85 / 55

HEX #207211

RGB 32 114 17

HSL 110.72, 0.74%, 0.26%

LAB 41.82, -42.52, 42.34

 

CMYK 28 / 0 / 86 / 83

HEX #1F2B06

RGB 31 43 6

HSL 79.46, 0.76%, 0.1%

LAB 15.66, -12.1, 20.02

 

CMYK 28 / 0 / 85 / 69

HEX #394F0C

RGB 57 79 12

HSL 79.7, 0.74%, 0.18%

LAB 30.61, -19.37, 33.96

 

CMYK 27 / 0 / 85 / 55

HEX #537211

RGB 83 114 17

HSL 79.18, 0.74%, 0.26%

LAB 44.11, -25.55, 45.28

 

CMYK 28 / 0 / 85 / 41

HEX #6C9617

RGB 108 150 23

HSL 79.84, 0.73%, 0.34%

LAB 57.14, -32.18, 55.74

 

CMYK 28 / 0 / 84 / 27

HEX #86BA1D

RGB 134 186 29

HSL 79.87, 0.73%, 0.42%

LAB 69.66, -38.1, 65.78

 

CMYK 27 / 0 / 84 / 56

HEX #527112

RGB 82 113 18

HSL 79.58, 0.73%, 0.26%

LAB 43.72, -25.44, 44.61

 

CMYK 85 / 0 / 41 / 55

HEX #117243

RGB 17 114 67

HSL 150.93, 0.74%, 0.26%

LAB 42.09, -38.23, 18.72

 

CMYK 7 / 85 / 0 / 55

HEX #6A1172

RGB 106 17 114

HSL 295.05, 0.74%, 0.26%

LAB 25.8, 49.23, -34.21

 

CMYK 27 / 0 / 84 / 56

HEX #527112

RGB 82 113 18

HSL 79.58, 0.73%, 0.26%

LAB 43.72, -25.44, 44.61

 

CMYK 85 / 26 / 0 / 55

HEX #115472

RGB 17 84 114

HSL 198.56, 0.74%, 0.26%

LAB 33.3, -8.66, -22.83

 

CMYK 0 / 85 / 26 / 55

HEX #721154

RGB 114 17 84

HSL 318.56, 0.74%, 0.26%

LAB 25.62, 46.29, -14.77

 

CMYK 27 / 0 / 84 / 56

HEX #527112

RGB 82 113 18

HSL 79.58, 0.73%, 0.26%

LAB 43.72, -25.44, 44.61

 

CMYK 85 / 0 / 41 / 55

HEX #117243

RGB 17 114 67

HSL 150.93, 0.74%, 0.26%

LAB 42.09, -38.23, 18.72

 

CMYK 58 / 85 / 0 / 55

HEX #301172

RGB 48 17 114

HSL 259.18, 0.74%, 0.26%

LAB 16.72, 39.27, -49.38

 

CMYK 0 / 85 / 44 / 55

HEX #721140

RGB 114 17 64

HSL 330.93, 0.74%, 0.26%

LAB 24.79, 43.89, -2.53

 

CMYK 27 / 0 / 84 / 56

HEX #527112

RGB 82 113 18

HSL 79.58, 0.73%, 0.26%

LAB 43.72, -25.44, 44.61

 

CMYK 85 / 0 / 16 / 55

HEX #117260

RGB 17 114 96

HSL 168.87, 0.74%, 0.26%

LAB 42.76, -30.92, 2.49

 

CMYK 58 / 85 / 0 / 55

HEX #301172

RGB 48 17 114

HSL 259.18, 0.74%, 0.26%

LAB 16.72, 39.27, -49.38

 

CMYK 0 / 85 / 69 / 55

HEX #721123

RGB 114 17 35

HSL 348.87, 0.74%, 0.26%

LAB 24, 41.51, 16.29

 

Description

Color code: HEX #527112 | qconv.com Color code: HEX #527112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 113 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 113 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 84 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 84% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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