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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5274CF it is the complementary color #AD8B30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5274CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5274CF shade: #5774CA, #6886DD, #7998F0, #8AAAFF and #9BBCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5274CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5274CF shade: #5274CF, #4162BC, #3050A9, #1F3E96 and #0E2C83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5274CF shade: #5274CF, #5253CF, #7452CF, #9552CF and #B752CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5274CF shade: #5274CF, #5253CF and #5252CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5274CF shade matches the following richer shades: #5274CF, #416CE1 and #2F64F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5274CF shade: #5274CF, #647CBE, #7685AC, #888D9A and #999588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5274CF shade: #52B8CF, #5297CF, #5276CF, #5254CF and #7252CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5274CF shade: #2C4DA3, #355CC3, #5274CF, #738ED8 and #93A8E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5274CF shade: #5274CF, #C552CF and #A8CF52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5274CF shade: #5274CF, #CF5276 and #76CF52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5274CF shade: #5274CF, #C552CF, #CFAC52 and #5DCF52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5274CF shade: #5274CF, #CF52B4, #CFAC52 and #52CF6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 44 / 0 / 19

HEX #5274CF

RGB 82 116 207

HSL 223.68, 0.57%, 0.57%

LAB 50.44, 15.83, -50.82

 

Complementary color

CMYK 0 / 20 / 72 / 32

HEX #AD8B30

RGB 173 139 48

HSL 43.68, 0.57%, 0.43%

LAB 59.49, 3.29, 51.23

 

CMYK 57 / 43 / 0 / 21

HEX #5774CA

RGB 87 116 202

HSL 224.87, 0.52%, 0.57%

LAB 50.43, 15.15, -47.97

 

CMYK 53 / 39 / 0 / 13

HEX #6886DD

RGB 104 134 221

HSL 224.62, 0.63%, 0.64%

LAB 57.28, 13.96, -47.76

 

CMYK 50 / 37 / 0 / 6

HEX #7998F0

RGB 121 152 240

HSL 224.37, 0.8%, 0.71%

LAB 64.01, 12.97, -47.6

 

CMYK 46 / 33 / 0 / 0

HEX #8AAAFF

RGB 138 170 255

HSL 223.59, 1%, 0.77%

LAB 70.44, 10.99, -45.59

 

CMYK 39 / 26 / 0 / 0

HEX #9BBCFF

RGB 155 188 255

HSL 220.2, 1%, 0.8%

LAB 76.16, 5.15, -36.58

 

CMYK 60 / 44 / 0 / 19

HEX #5274CF

RGB 82 116 207

HSL 223.68, 0.57%, 0.57%

LAB 50.44, 15.83, -50.82

 

CMYK 65 / 48 / 0 / 26

HEX #4162BC

RGB 65 98 188

HSL 223.9, 0.49%, 0.5%

LAB 43.49, 17.47, -51.06

 

CMYK 72 / 53 / 0 / 34

HEX #3050A9

RGB 48 80 169

HSL 224.13, 0.56%, 0.43%

LAB 36.42, 19.52, -51.32

 

CMYK 79 / 59 / 0 / 41

HEX #1F3E96

RGB 31 62 150

HSL 224.37, 0.66%, 0.35%

LAB 29.26, 22.14, -51.52

 

CMYK 89 / 66 / 0 / 49

HEX #0E2C83

RGB 14 44 131

HSL 224.62, 0.81%, 0.28%

LAB 22.06, 25.48, -51.52

 

CMYK 60 / 44 / 0 / 19

HEX #5274CF

RGB 82 116 207

HSL 223.68, 0.57%, 0.57%

LAB 50.44, 15.83, -50.82

 

CMYK 60 / 60 / 0 / 19

HEX #5253CF

RGB 82 83 207

HSL 239.52, 0.57%, 0.57%

LAB 41.98, 36.35, -64.46

 

CMYK 44 / 60 / 0 / 19

HEX #7452CF

RGB 116 82 207

HSL 256.32, 0.57%, 0.57%

LAB 44.59, 43.39, -60.09

 

CMYK 28 / 60 / 0 / 19

HEX #9552CF

RGB 149 82 207

HSL 272.16, 0.57%, 0.57%

LAB 48.17, 50.76, -54.14

 

CMYK 12 / 60 / 0 / 19

HEX #B752CF

RGB 183 82 207

HSL 288.48, 0.57%, 0.57%

LAB 52.52, 58.94, -46.95

 

CMYK 60 / 44 / 0 / 19

HEX #5274CF

RGB 82 116 207

HSL 223.68, 0.57%, 0.57%

LAB 50.44, 15.83, -50.82

 

CMYK 60 / 60 / 0 / 19

HEX #5253CF

RGB 82 83 207

HSL 239.52, 0.57%, 0.57%

LAB 41.98, 36.35, -64.46

 

CMYK 60 / 60 / 0 / 19

HEX #5252CF

RGB 82 82 207

HSL 240, 0.57%, 0.57%

LAB 41.74, 36.96, -64.85

 

CMYK 60 / 44 / 0 / 19

HEX #5274CF

RGB 82 116 207

HSL 223.68, 0.57%, 0.57%

LAB 50.44, 15.83, -50.82

 

CMYK 71 / 52 / 0 / 12

HEX #416CE1

RGB 65 108 225

HSL 223.88, 0.73%, 0.57%

LAB 48.62, 24.39, -64

 

CMYK 81 / 59 / 0 / 5

HEX #2F64F3

RGB 47 100 243

HSL 223.78, 0.89%, 0.57%

LAB 47.22, 34.05, -76.42

 

CMYK 60 / 44 / 0 / 19

HEX #5274CF

RGB 82 116 207

HSL 223.68, 0.57%, 0.57%

LAB 50.44, 15.83, -50.82

 

CMYK 47 / 35 / 0 / 25

HEX #647CBE

RGB 100 124 190

HSL 224, 0.41%, 0.57%

LAB 52.78, 9.41, -37.34

 

CMYK 31 / 23 / 0 / 33

HEX #7685AC

RGB 118 133 172

HSL 223.33, 0.25%, 0.57%

LAB 55.69, 3.94, -22.4

 

CMYK 12 / 8 / 0 / 40

HEX #888D9A

RGB 136 141 154

HSL 223.33, 0.08%, 0.57%

LAB 58.62, 0.9, -7.52

 

CMYK 0 / 3 / 11 / 40

HEX #999588

RGB 153 149 136

HSL 45.88, 0.08%, 0.57%

LAB 61.69, -0.9, 7.38

 

CMYK 60 / 11 / 0 / 19

HEX #52B8CF

RGB 82 184 207

HSL 191.04, 0.57%, 0.57%

LAB 69.88, -22.76, -20.49

 

CMYK 60 / 27 / 0 / 19

HEX #5297CF

RGB 82 151 207

HSL 206.88, 0.57%, 0.57%

LAB 60.28, -5, -35.28

 

CMYK 60 / 43 / 0 / 19

HEX #5276CF

RGB 82 118 207

HSL 222.72, 0.57%, 0.57%

LAB 50.99, 14.6, -49.95

 

CMYK 60 / 59 / 0 / 19

HEX #5254CF

RGB 82 84 207

HSL 239.04, 0.57%, 0.57%

LAB 42.21, 35.74, -64.08

 

CMYK 45 / 60 / 0 / 19

HEX #7252CF

RGB 114 82 207

HSL 255.36, 0.57%, 0.57%

LAB 44.4, 42.97, -60.41

 

CMYK 73 / 53 / 0 / 36

HEX #2C4DA3

RGB 44 77 163

HSL 223.36, 0.57%, 0.41%

LAB 34.98, 18.67, -50.08

 

CMYK 73 / 53 / 0 / 24

HEX #355CC3

RGB 53 92 195

HSL 223.52, 0.57%, 0.49%

LAB 41.77, 22.07, -57.94

 

CMYK 60 / 44 / 0 / 19

HEX #5274CF

RGB 82 116 207

HSL 223.68, 0.57%, 0.57%

LAB 50.44, 15.83, -50.82

 

CMYK 47 / 34 / 0 / 15

HEX #738ED8

RGB 115 142 216

HSL 223.96, 0.56%, 0.65%

LAB 59.84, 10.23, -40.88

 

CMYK 35 / 25 / 0 / 12

HEX #93A8E1

RGB 147 168 225

HSL 223.85, 0.57%, 0.73%

LAB 69.22, 6.21, -31.11

 

CMYK 60 / 44 / 0 / 19

HEX #5274CF

RGB 82 116 207

HSL 223.68, 0.57%, 0.57%

LAB 50.44, 15.83, -50.82

 

CMYK 5 / 60 / 0 / 19

HEX #C552CF

RGB 197 82 207

HSL 295.2, 0.57%, 0.57%

LAB 54.46, 62.38, -43.74

 

CMYK 19 / 0 / 60 / 19

HEX #A8CF52

RGB 168 207 82

HSL 78.72, 0.57%, 0.57%

LAB 78.2, -31.41, 56.41

 

CMYK 60 / 44 / 0 / 19

HEX #5274CF

RGB 82 116 207

HSL 223.68, 0.57%, 0.57%

LAB 50.44, 15.83, -50.82

 

CMYK 0 / 60 / 43 / 19

HEX #CF5276

RGB 207 82 118

HSL 342.72, 0.57%, 0.57%

LAB 52.52, 52.57, 5.54

 

CMYK 43 / 0 / 60 / 19

HEX #76CF52

RGB 118 207 82

HSL 102.72, 0.57%, 0.57%

LAB 75.51, -49.11, 52.65

 

CMYK 60 / 44 / 0 / 19

HEX #5274CF

RGB 82 116 207

HSL 223.68, 0.57%, 0.57%

LAB 50.44, 15.83, -50.82

 

CMYK 5 / 60 / 0 / 19

HEX #C552CF

RGB 197 82 207

HSL 295.2, 0.57%, 0.57%

LAB 54.46, 62.38, -43.74

 

CMYK 0 / 17 / 60 / 19

HEX #CFAC52

RGB 207 172 82

HSL 43.2, 0.57%, 0.57%

LAB 71.81, 2.36, 50.12

 

CMYK 55 / 0 / 60 / 19

HEX #5DCF52

RGB 93 207 82

HSL 114.72, 0.57%, 0.57%

LAB 74.55, -56.22, 51.31

 

CMYK 60 / 44 / 0 / 19

HEX #5274CF

RGB 82 116 207

HSL 223.68, 0.57%, 0.57%

LAB 50.44, 15.83, -50.82

 

CMYK 0 / 60 / 13 / 19

HEX #CF52B4

RGB 207 82 180

HSL 312.96, 0.57%, 0.57%

LAB 54.65, 60.5, -27.81

 

CMYK 0 / 17 / 60 / 19

HEX #CFAC52

RGB 207 172 82

HSL 43.2, 0.57%, 0.57%

LAB 71.81, 2.36, 50.12

 

CMYK 60 / 0 / 47 / 19

HEX #52CF6D

RGB 82 207 109

HSL 132.96, 0.57%, 0.57%

LAB 74.52, -55.32, 38.47

 

Description

Color code: HEX #5274CF | qconv.com Color code: HEX #5274CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 116 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 116 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 44 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 44% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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