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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52689D it is the complementary color #AD9762. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52689D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52689D shade: #576898, #687AAB, #798CBE, #8A9ED1 and #9BB0E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52689D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52689D shade: #52689D, #41568A, #304477, #1F3264 and #0E2051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52689D shade: #52689D, #52549D, #64529D, #79529D and #8D529D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52689D shade: #52689D, #52549D and #52529D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52689D shade matches the following richer shades: #52689D, #3F60B0, #2B58C3, #1850D7 and #0548EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52689D shade: #52689D, #667089, #797876, #8C8062 and #A0884F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52689D shade: #52909D, #527C9D, #52689D, #52559D and #64529D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52689D shade: #364466, #445681, #52689D, #687DAF and #8495BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52689D shade: #52689D, #95529D and #869D52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52689D shade: #52689D, #9D5268 and #689D52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52689D shade: #52689D, #95529D, #9D8652 and #5A9D52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52689D shade: #52689D, #9D528E, #9D8652 and #529D61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 34 / 0 / 38

HEX #52689D

RGB 82 104 157

HSL 222.4, 0.31%, 0.47%

LAB 44.42, 6.84, -31.33

 

Complementary color

CMYK 0 / 13 / 43 / 32

HEX #AD9762

RGB 173 151 98

HSL 42.4, 0.31%, 0.53%

LAB 63.26, 0.7, 30.88

 

CMYK 43 / 32 / 0 / 40

HEX #576898

RGB 87 104 152

HSL 224.31, 0.27%, 0.47%

LAB 44.51, 6.64, -28.2

 

CMYK 39 / 29 / 0 / 33

HEX #687AAB

RGB 104 122 171

HSL 223.88, 0.29%, 0.54%

LAB 51.61, 6.05, -28.2

 

CMYK 36 / 26 / 0 / 25

HEX #798CBE

RGB 121 140 190

HSL 223.48, 0.35%, 0.61%

LAB 58.55, 5.56, -28.24

 

CMYK 34 / 24 / 0 / 18

HEX #8A9ED1

RGB 138 158 209

HSL 223.1, 0.44%, 0.68%

LAB 65.33, 5.14, -28.33

 

CMYK 32 / 23 / 0 / 11

HEX #9BB0E4

RGB 155 176 228

HSL 222.74, 0.57%, 0.75%

LAB 71.97, 4.78, -28.45

 

CMYK 48 / 34 / 0 / 38

HEX #52689D

RGB 82 104 157

HSL 222.4, 0.31%, 0.47%

LAB 44.42, 6.84, -31.33

 

CMYK 53 / 38 / 0 / 46

HEX #41568A

RGB 65 86 138

HSL 222.74, 0.36%, 0.4%

LAB 37.14, 7.73, -31.44

 

CMYK 60 / 43 / 0 / 53

HEX #304477

RGB 48 68 119

HSL 223.1, 0.43%, 0.33%

LAB 29.65, 8.91, -31.63

 

CMYK 69 / 50 / 0 / 61

HEX #1F3264

RGB 31 50 100

HSL 223.48, 0.53%, 0.26%

LAB 21.92, 10.57, -31.88

 

CMYK 83 / 60 / 0 / 68

HEX #0E2051

RGB 14 32 81

HSL 223.88, 0.71%, 0.19%

LAB 13.95, 13.04, -32.14

 

CMYK 48 / 34 / 0 / 38

HEX #52689D

RGB 82 104 157

HSL 222.4, 0.31%, 0.47%

LAB 44.42, 6.84, -31.33

 

CMYK 48 / 46 / 0 / 38

HEX #52549D

RGB 82 84 157

HSL 238.4, 0.31%, 0.47%

LAB 38.84, 19.46, -40.14

 

CMYK 36 / 48 / 0 / 38

HEX #64529D

RGB 100 82 157

HSL 254.4, 0.31%, 0.47%

LAB 39.88, 25.44, -38.4

 

CMYK 23 / 48 / 0 / 38

HEX #79529D

RGB 121 82 157

HSL 271.2, 0.31%, 0.47%

LAB 42.05, 31.42, -34.82

 

CMYK 10 / 48 / 0 / 38

HEX #8D529D

RGB 141 82 157

HSL 287.2, 0.31%, 0.47%

LAB 44.42, 37.39, -30.93

 

CMYK 48 / 34 / 0 / 38

HEX #52689D

RGB 82 104 157

HSL 222.4, 0.31%, 0.47%

LAB 44.42, 6.84, -31.33

 

CMYK 48 / 46 / 0 / 38

HEX #52549D

RGB 82 84 157

HSL 238.4, 0.31%, 0.47%

LAB 38.84, 19.46, -40.14

 

CMYK 48 / 48 / 0 / 38

HEX #52529D

RGB 82 82 157

HSL 240, 0.31%, 0.47%

LAB 38.31, 20.73, -41

 

CMYK 48 / 34 / 0 / 38

HEX #52689D

RGB 82 104 157

HSL 222.4, 0.31%, 0.47%

LAB 44.42, 6.84, -31.33

 

CMYK 64 / 45 / 0 / 31

HEX #3F60B0

RGB 63 96 176

HSL 222.48, 0.47%, 0.47%

LAB 42.09, 14.11, -46.31

 

CMYK 78 / 55 / 0 / 24

HEX #2B58C3

RGB 43 88 195

HSL 222.24, 0.64%, 0.47%

LAB 40.3, 23.48, -60.34

 

CMYK 89 / 63 / 0 / 16

HEX #1850D7

RGB 24 80 215

HSL 222.41, 0.8%, 0.47%

LAB 39.31, 34.85, -73.53

 

CMYK 98 / 69 / 0 / 8

HEX #0548EA

RGB 5 72 234

HSL 222.45, 0.96%, 0.47%

LAB 38.91, 46.3, -85.03

 

CMYK 48 / 34 / 0 / 38

HEX #52689D

RGB 82 104 157

HSL 222.4, 0.31%, 0.47%

LAB 44.42, 6.84, -31.33

 

CMYK 26 / 18 / 0 / 46

HEX #667089

RGB 102 112 137

HSL 222.86, 0.15%, 0.47%

LAB 47.26, 2.18, -14.95

 

CMYK 0 / 1 / 2 / 53

HEX #797876

RGB 121 120 118

HSL 40, 0.01%, 0.47%

LAB 50.46, -0.01, 1.22

 

CMYK 0 / 9 / 30 / 45

HEX #8C8062

RGB 140 128 98

HSL 42.86, 0.18%, 0.47%

LAB 53.92, -0.35, 17.97

 

CMYK 0 / 15 / 51 / 37

HEX #A0884F

RGB 160 136 79

HSL 42.22, 0.34%, 0.47%

LAB 57.7, 1.46, 33.79

 

CMYK 48 / 8 / 0 / 38

HEX #52909D

RGB 82 144 157

HSL 190.4, 0.31%, 0.47%

LAB 56.26, -16.38, -13.11

 

CMYK 48 / 21 / 0 / 38

HEX #527C9D

RGB 82 124 157

HSL 206.4, 0.31%, 0.47%

LAB 50.27, -5.18, -22.24

 

CMYK 48 / 34 / 0 / 38

HEX #52689D

RGB 82 104 157

HSL 222.4, 0.31%, 0.47%

LAB 44.42, 6.84, -31.33

 

CMYK 48 / 46 / 0 / 38

HEX #52559D

RGB 82 85 157

HSL 237.6, 0.31%, 0.47%

LAB 39.11, 18.82, -39.72

 

CMYK 36 / 48 / 0 / 38

HEX #64529D

RGB 100 82 157

HSL 254.4, 0.31%, 0.47%

LAB 39.88, 25.44, -38.4

 

CMYK 47 / 33 / 0 / 60

HEX #364466

RGB 54 68 102

HSL 222.5, 0.31%, 0.31%

LAB 29.1, 4.53, -21.69

 

CMYK 47 / 33 / 0 / 49

HEX #445681

RGB 68 86 129

HSL 222.3, 0.31%, 0.39%

LAB 36.87, 5.55, -26.35

 

CMYK 48 / 34 / 0 / 38

HEX #52689D

RGB 82 104 157

HSL 222.4, 0.31%, 0.47%

LAB 44.42, 6.84, -31.33

 

CMYK 41 / 29 / 0 / 31

HEX #687DAF

RGB 104 125 175

HSL 222.25, 0.31%, 0.55%

LAB 52.63, 5.41, -28.93

 

CMYK 31 / 22 / 0 / 25

HEX #8495BE

RGB 132 149 190

HSL 222.41, 0.31%, 0.63%

LAB 61.76, 3.59, -23.24

 

CMYK 48 / 34 / 0 / 38

HEX #52689D

RGB 82 104 157

HSL 222.4, 0.31%, 0.47%

LAB 44.42, 6.84, -31.33

 

CMYK 5 / 48 / 0 / 38

HEX #95529D

RGB 149 82 157

HSL 293.6, 0.31%, 0.47%

LAB 45.44, 39.81, -29.27

 

CMYK 15 / 0 / 48 / 38

HEX #869D52

RGB 134 157 82

HSL 78.4, 0.31%, 0.47%

LAB 61.47, -20.51, 36.38

 

CMYK 48 / 34 / 0 / 38

HEX #52689D

RGB 82 104 157

HSL 222.4, 0.31%, 0.47%

LAB 44.42, 6.84, -31.33

 

CMYK 0 / 48 / 34 / 38

HEX #9D5268

RGB 157 82 104

HSL 342.4, 0.31%, 0.47%

LAB 44.52, 33.63, 1.48

 

CMYK 34 / 0 / 48 / 38

HEX #689D52

RGB 104 157 82

HSL 102.4, 0.31%, 0.47%

LAB 59.59, -31.97, 33.62

 

CMYK 48 / 34 / 0 / 38

HEX #52689D

RGB 82 104 157

HSL 222.4, 0.31%, 0.47%

LAB 44.42, 6.84, -31.33

 

CMYK 5 / 48 / 0 / 38

HEX #95529D

RGB 149 82 157

HSL 293.6, 0.31%, 0.47%

LAB 45.44, 39.81, -29.27

 

CMYK 0 / 15 / 48 / 38

HEX #9D8652

RGB 157 134 82

HSL 41.6, 0.31%, 0.47%

LAB 56.91, 1.57, 31.13

 

CMYK 43 / 0 / 48 / 38

HEX #5A9D52

RGB 90 157 82

HSL 113.6, 0.31%, 0.47%

LAB 58.88, -36.71, 32.59

 

CMYK 48 / 34 / 0 / 38

HEX #52689D

RGB 82 104 157

HSL 222.4, 0.31%, 0.47%

LAB 44.42, 6.84, -31.33

 

CMYK 0 / 48 / 10 / 38

HEX #9D528E

RGB 157 82 142

HSL 312, 0.31%, 0.47%

LAB 45.85, 39.5, -19.59

 

CMYK 0 / 15 / 48 / 38

HEX #9D8652

RGB 157 134 82

HSL 41.6, 0.31%, 0.47%

LAB 56.91, 1.57, 31.13

 

CMYK 48 / 0 / 38 / 38

HEX #529D61

RGB 82 157 97

HSL 132, 0.31%, 0.47%

LAB 58.76, -36.75, 24.37

 

Description

Color code: HEX #52689D | qconv.com Color code: HEX #52689D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 104 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 104 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 34 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 34% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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