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Color name
HEX #5267A0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5267A0 it is the complementary color #AD985F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5267A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5267A0 shade: #57679B, #6879AE, #798BC1, #8A9DD4 and #9BAFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5267A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5267A0 shade: #5267A0, #41558D, #30437A, #1F3167 and #0E1F54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5267A0 shade: #51669E, #51519E, #66519E, #7A519E and #8F519E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5267A0 shade: #51669E and #51519E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5267A0 shade matches the following richer shades: #51669E, #3E5DB1, #2A54C4, #174BD8 and #0342EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5267A0 shade: #51669E, #646F8A, #787877, #8B8164 and #9F8950

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5267A0 shade: #51909E, #517B9E, #51679E, #51529E and #64519E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5267A0 shade: #354267, #435482, #51669E, #677BB1 and #8393BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5267A0 shade: #5267A0, #97519E and #859E51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5267A0 shade: #5267A0, #9E5167 and #679E51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5267A0 shade: #5267A0, #97519E, #9E8851 and #579E51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5267A0 shade: #5267A0, #9E518D, #9E8851 and #519E62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 36 / 0 / 37

HEX #5267A0

RGB 82 103 160

HSL 223.85, 0.32%, 0.47%

LAB 44.28, 8.41, -33.32

 

Complementary color

CMYK 0 / 12 / 45 / 32

HEX #AD985F

RGB 173 152 95

HSL 43.85, 0.32%, 0.53%

LAB 63.48, -0.17, 32.77

 

CMYK 44 / 34 / 0 / 39

HEX #57679B

RGB 87 103 155

HSL 225.88, 0.28%, 0.47%

LAB 44.37, 8.17, -30.2

 

CMYK 40 / 30 / 0 / 32

HEX #6879AE

RGB 104 121 174

HSL 225.43, 0.3%, 0.55%

LAB 51.47, 7.51, -30.16

 

CMYK 37 / 28 / 0 / 24

HEX #798BC1

RGB 121 139 193

HSL 225, 0.37%, 0.62%

LAB 58.4, 6.97, -30.17

 

CMYK 35 / 26 / 0 / 17

HEX #8A9DD4

RGB 138 157 212

HSL 224.59, 0.46%, 0.69%

LAB 65.18, 6.5, -30.23

 

CMYK 33 / 24 / 0 / 9

HEX #9BAFE7

RGB 155 175 231

HSL 224.21, 0.61%, 0.76%

LAB 71.82, 6.09, -30.32

 

CMYK 49 / 36 / 0 / 37

HEX #5267A0

RGB 82 103 160

HSL 223.85, 0.32%, 0.47%

LAB 44.28, 8.41, -33.32

 

CMYK 54 / 40 / 0 / 45

HEX #41558D

RGB 65 85 141

HSL 224.21, 0.37%, 0.4%

LAB 37.01, 9.39, -33.47

 

CMYK 61 / 45 / 0 / 52

HEX #30437A

RGB 48 67 122

HSL 224.59, 0.44%, 0.33%

LAB 29.53, 10.68, -33.7

 

CMYK 70 / 52 / 0 / 60

HEX #1F3167

RGB 31 49 103

HSL 225, 0.54%, 0.26%

LAB 21.83, 12.48, -33.98

 

CMYK 83 / 63 / 0 / 67

HEX #0E1F54

RGB 14 31 84

HSL 225.43, 0.71%, 0.19%

LAB 13.91, 15.12, -34.25

 

CMYK 49 / 35 / 0 / 38

HEX #51669E

RGB 81 102 158

HSL 223.64, 0.32%, 0.47%

LAB 43.83, 8.15, -32.85

 

CMYK 49 / 49 / 0 / 38

HEX #51519E

RGB 81 81 158

HSL 240, 0.32%, 0.47%

LAB 38.03, 21.45, -42.06

 

CMYK 35 / 49 / 0 / 38

HEX #66519E

RGB 102 81 158

HSL 256.36, 0.32%, 0.47%

LAB 39.88, 26.88, -38.99

 

CMYK 23 / 49 / 0 / 38

HEX #7A519E

RGB 122 81 158

HSL 271.95, 0.32%, 0.47%

LAB 41.99, 32.54, -35.52

 

CMYK 9 / 49 / 0 / 38

HEX #8F519E

RGB 143 81 158

HSL 288.31, 0.32%, 0.47%

LAB 44.51, 38.76, -31.37

 

CMYK 49 / 35 / 0 / 38

HEX #51669E

RGB 81 102 158

HSL 223.64, 0.32%, 0.47%

LAB 43.83, 8.15, -32.85

 

CMYK 49 / 49 / 0 / 38

HEX #51519E

RGB 81 81 158

HSL 240, 0.32%, 0.47%

LAB 38.03, 21.45, -42.06

 

CMYK 49 / 35 / 0 / 38

HEX #51669E

RGB 81 102 158

HSL 223.64, 0.32%, 0.47%

LAB 43.83, 8.15, -32.85

 

CMYK 65 / 47 / 0 / 31

HEX #3E5DB1

RGB 62 93 177

HSL 223.83, 0.48%, 0.47%

LAB 41.26, 16.22, -48.22

 

CMYK 79 / 57 / 0 / 23

HEX #2A54C4

RGB 42 84 196

HSL 223.64, 0.65%, 0.47%

LAB 39.27, 26.37, -62.59

 

CMYK 89 / 65 / 0 / 15

HEX #174BD8

RGB 23 75 216

HSL 223.83, 0.81%, 0.47%

LAB 38.15, 38.37, -76.01

 

CMYK 99 / 72 / 0 / 8

HEX #0342EB

RGB 3 66 235

HSL 223.71, 0.97%, 0.47%

LAB 37.69, 50.2, -87.62

 

CMYK 49 / 35 / 0 / 38

HEX #51669E

RGB 81 102 158

HSL 223.64, 0.32%, 0.47%

LAB 43.83, 8.15, -32.85

 

CMYK 28 / 20 / 0 / 46

HEX #646F8A

RGB 100 111 138

HSL 222.63, 0.16%, 0.47%

LAB 46.86, 2.38, -16.17

 

CMYK 0 / 0 / 1 / 53

HEX #787877

RGB 120 120 119

HSL 60, 0%, 0.47%

LAB 50.4, -0.2, 0.54

 

CMYK 0 / 7 / 28 / 45

HEX #8B8164

RGB 139 129 100

HSL 44.62, 0.16%, 0.47%

LAB 54.14, -1.04, 17.12

 

CMYK 0 / 14 / 50 / 38

HEX #9F8950

RGB 159 137 80

HSL 43.29, 0.33%, 0.47%

LAB 57.89, 0.56, 33.47

 

CMYK 49 / 9 / 0 / 38

HEX #51909E

RGB 81 144 158

HSL 190.91, 0.32%, 0.47%

LAB 56.25, -16.34, -13.7

 

CMYK 49 / 22 / 0 / 38

HEX #517B9E

RGB 81 123 158

HSL 207.27, 0.32%, 0.47%

LAB 49.96, -4.55, -23.31

 

CMYK 49 / 35 / 0 / 38

HEX #51679E

RGB 81 103 158

HSL 222.86, 0.32%, 0.47%

LAB 44.12, 7.52, -32.4

 

CMYK 49 / 48 / 0 / 38

HEX #51529E

RGB 81 82 158

HSL 239.22, 0.32%, 0.47%

LAB 38.29, 20.81, -41.63

 

CMYK 37 / 49 / 0 / 38

HEX #64519E

RGB 100 81 158

HSL 254.81, 0.32%, 0.47%

LAB 39.69, 26.34, -39.31

 

CMYK 49 / 36 / 0 / 60

HEX #354267

RGB 53 66 103

HSL 224.4, 0.32%, 0.31%

LAB 28.47, 5.91, -23.33

 

CMYK 48 / 35 / 0 / 49

HEX #435482

RGB 67 84 130

HSL 223.81, 0.32%, 0.39%

LAB 36.26, 6.89, -27.93

 

CMYK 49 / 35 / 0 / 38

HEX #51669E

RGB 81 102 158

HSL 223.64, 0.32%, 0.47%

LAB 43.83, 8.15, -32.85

 

CMYK 42 / 31 / 0 / 31

HEX #677BB1

RGB 103 123 177

HSL 223.78, 0.32%, 0.55%

LAB 52.09, 6.91, -30.93

 

CMYK 31 / 23 / 0 / 25

HEX #8393BF

RGB 131 147 191

HSL 224, 0.32%, 0.63%

LAB 61.18, 4.7, -24.69

 

CMYK 49 / 36 / 0 / 37

HEX #5267A0

RGB 82 103 160

HSL 223.85, 0.32%, 0.47%

LAB 44.28, 8.41, -33.32

 

CMYK 4 / 49 / 0 / 38

HEX #97519E

RGB 151 81 158

HSL 294.55, 0.32%, 0.47%

LAB 45.54, 41.15, -29.68

 

CMYK 16 / 0 / 49 / 38

HEX #859E51

RGB 133 158 81

HSL 79.48, 0.32%, 0.47%

LAB 61.68, -21.54, 37.13

 

CMYK 49 / 36 / 0 / 37

HEX #5267A0

RGB 82 103 160

HSL 223.85, 0.32%, 0.47%

LAB 44.28, 8.41, -33.32

 

CMYK 0 / 49 / 35 / 38

HEX #9E5167

RGB 158 81 103

HSL 342.86, 0.32%, 0.47%

LAB 44.42, 34.41, 1.97

 

CMYK 35 / 0 / 49 / 38

HEX #679E51

RGB 103 158 81

HSL 102.86, 0.32%, 0.47%

LAB 59.83, -32.93, 34.43

 

CMYK 49 / 36 / 0 / 37

HEX #5267A0

RGB 82 103 160

HSL 223.85, 0.32%, 0.47%

LAB 44.28, 8.41, -33.32

 

CMYK 4 / 49 / 0 / 38

HEX #97519E

RGB 151 81 158

HSL 294.55, 0.32%, 0.47%

LAB 45.54, 41.15, -29.68

 

CMYK 0 / 14 / 49 / 38

HEX #9E8851

RGB 158 136 81

HSL 42.86, 0.32%, 0.47%

LAB 57.53, 0.78, 32.47

 

CMYK 45 / 0 / 49 / 38

HEX #579E51

RGB 87 158 81

HSL 115.32, 0.32%, 0.47%

LAB 59.04, -38.24, 33.28

 

CMYK 49 / 36 / 0 / 37

HEX #5267A0

RGB 82 103 160

HSL 223.85, 0.32%, 0.47%

LAB 44.28, 8.41, -33.32

 

CMYK 0 / 49 / 11 / 38

HEX #9E518D

RGB 158 81 141

HSL 313.25, 0.32%, 0.47%

LAB 45.74, 40.18, -19.14

 

CMYK 0 / 14 / 49 / 38

HEX #9E8851

RGB 158 136 81

HSL 42.86, 0.32%, 0.47%

LAB 57.53, 0.78, 32.47

 

CMYK 49 / 0 / 38 / 38

HEX #519E62

RGB 81 158 98

HSL 133.25, 0.32%, 0.47%

LAB 59.05, -37.31, 24.21

 

Description

Color code: HEX #5267A0 | qconv.com Color code: HEX #5267A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 103 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 103 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 36 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 36% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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