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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #526455 it is the complementary color #AD9BAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #526455. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #526455 shade: #576450, #687663, #798876, #8A9A89 and #9BAC9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #526455. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #526455 shade: #526455, #415242, #30402F, #1F2E1C and #0E1C09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #526455 shade: #526455, #546452, #596452, #5E6452 and #636452

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #526455 shade: #526455, #52645A, #52645F, #526464 and #526064

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #526455 shade matches the following richer shades: #526455, #43734B, #348241, #269137 and #17A02E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #526455 shade: #526455, #61565F, #704769, #7F3873 and #8E297D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #526455 shade: #596452, #546452, #526455, #52645A and #52645F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #526455 shade: #2D372F, #404E42, #526455, #657B68 and #78917C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #526455 shade: #526455, #525E64 and #645256

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #526455 shade: #526455, #555264 and #645552

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #526455 shade: #526455, #525E64, #645261 and #645952

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #526455 shade: #526455, #525864, #645261 and #645E52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 15 / 61

HEX #526455

RGB 82 100 85

HSL 130, 0.1%, 0.36%

LAB 40.51, -10.13, 6.26

 

Complementary color

CMYK 0 / 10 / 2 / 32

HEX #AD9BAA

RGB 173 155 170

HSL 310, 0.1%, 0.64%

LAB 65.93, 9.34, -5.39

 

CMYK 13 / 0 / 20 / 61

HEX #576450

RGB 87 100 80

HSL 99, 0.11%, 0.35%

LAB 40.77, -9.15, 9.71

 

CMYK 12 / 0 / 16 / 54

HEX #687663

RGB 104 118 99

HSL 104.21, 0.09%, 0.43%

LAB 48.01, -9.1, 8.73

 

CMYK 11 / 0 / 13 / 47

HEX #798876

RGB 121 136 118

HSL 110, 0.07%, 0.5%

LAB 55.05, -9.07, 7.83

 

CMYK 10 / 0 / 11 / 40

HEX #8A9A89

RGB 138 154 137

HSL 116.47, 0.08%, 0.57%

LAB 61.93, -9.05, 7

 

CMYK 10 / 0 / 9 / 33

HEX #9BAC9C

RGB 155 172 156

HSL 123.53, 0.09%, 0.64%

LAB 68.66, -9.04, 6.21

 

CMYK 18 / 0 / 15 / 61

HEX #526455

RGB 82 100 85

HSL 130, 0.1%, 0.36%

LAB 40.51, -10.13, 6.26

 

CMYK 21 / 0 / 20 / 68

HEX #415242

RGB 65 82 66

HSL 123.53, 0.12%, 0.29%

LAB 33.03, -10.28, 7.24

 

CMYK 25 / 0 / 27 / 75

HEX #30402F

RGB 48 64 47

HSL 116.47, 0.15%, 0.22%

LAB 25.26, -10.47, 8.35

 

CMYK 33 / 0 / 39 / 82

HEX #1F2E1C

RGB 31 46 28

HSL 110, 0.24%, 0.15%

LAB 17.13, -10.72, 9.65

 

CMYK 50 / 0 / 68 / 89

HEX #0E1C09

RGB 14 28 9

HSL 104.21, 0.51%, 0.07%

LAB 8.51, -10.24, 8.86

 

CMYK 18 / 0 / 15 / 61

HEX #526455

RGB 82 100 85

HSL 130, 0.1%, 0.36%

LAB 40.51, -10.13, 6.26

 

CMYK 16 / 0 / 18 / 61

HEX #546452

RGB 84 100 82

HSL 113.33, 0.1%, 0.36%

LAB 40.59, -9.96, 8.21

 

CMYK 11 / 0 / 18 / 61

HEX #596452

RGB 89 100 82

HSL 96.67, 0.1%, 0.36%

LAB 40.97, -7.97, 8.81

 

CMYK 6 / 0 / 18 / 61

HEX #5E6452

RGB 94 100 82

HSL 80, 0.1%, 0.36%

LAB 41.38, -5.93, 9.44

 

CMYK 1 / 0 / 18 / 61

HEX #636452

RGB 99 100 82

HSL 63.33, 0.1%, 0.36%

LAB 41.81, -3.85, 10.1

 

CMYK 18 / 0 / 15 / 61

HEX #526455

RGB 82 100 85

HSL 130, 0.1%, 0.36%

LAB 40.51, -10.13, 6.26

 

CMYK 18 / 0 / 10 / 61

HEX #52645A

RGB 82 100 90

HSL 146.67, 0.1%, 0.36%

LAB 40.65, -9.06, 3.41

 

CMYK 18 / 0 / 5 / 61

HEX #52645F

RGB 82 100 95

HSL 163.33, 0.1%, 0.36%

LAB 40.79, -7.94, 0.56

 

CMYK 18 / 0 / 0 / 61

HEX #526464

RGB 82 100 100

HSL 180, 0.1%, 0.36%

LAB 40.94, -6.77, -2.27

 

CMYK 18 / 4 / 0 / 61

HEX #526064

RGB 82 96 100

HSL 193.33, 0.1%, 0.36%

LAB 39.71, -4.4, -4.09

 

CMYK 18 / 0 / 15 / 61

HEX #526455

RGB 82 100 85

HSL 130, 0.1%, 0.36%

LAB 40.51, -10.13, 6.26

 

CMYK 42 / 0 / 35 / 55

HEX #43734B

RGB 67 115 75

HSL 130, 0.26%, 0.36%

LAB 44.18, -25.61, 17.16

 

CMYK 60 / 0 / 50 / 49

HEX #348241

RGB 52 130 65

HSL 130, 0.43%, 0.36%

LAB 48.36, -38.61, 28.07

 

CMYK 74 / 0 / 62 / 43

HEX #269137

RGB 38 145 55

HSL 129.53, 0.58%, 0.36%

LAB 52.88, -48.79, 38.48

 

CMYK 86 / 0 / 71 / 37

HEX #17A02E

RGB 23 160 46

HSL 130.07, 0.75%, 0.36%

LAB 57.58, -56.81, 47.5

 

CMYK 18 / 0 / 15 / 61

HEX #526455

RGB 82 100 85

HSL 130, 0.1%, 0.36%

LAB 40.51, -10.13, 6.26

 

CMYK 0 / 11 / 2 / 62

HEX #61565F

RGB 97 86 95

HSL 310.91, 0.06%, 0.36%

LAB 37.88, 6.3, -3.56

 

CMYK 0 / 37 / 6 / 56

HEX #704769

RGB 112 71 105

HSL 310.24, 0.22%, 0.36%

LAB 35.93, 23.36, -12.58

 

CMYK 0 / 56 / 9 / 50

HEX #7F3873

RGB 127 56 115

HSL 310.14, 0.39%, 0.36%

LAB 35.16, 38.82, -19.86

 

CMYK 0 / 71 / 12 / 44

HEX #8E297D

RGB 142 41 125

HSL 310.1, 0.55%, 0.36%

LAB 35.63, 51.51, -25.2

 

CMYK 11 / 0 / 18 / 61

HEX #596452

RGB 89 100 82

HSL 96.67, 0.1%, 0.36%

LAB 40.97, -7.97, 8.81

 

CMYK 16 / 0 / 18 / 61

HEX #546452

RGB 84 100 82

HSL 113.33, 0.1%, 0.36%

LAB 40.59, -9.96, 8.21

 

CMYK 18 / 0 / 15 / 61

HEX #526455

RGB 82 100 85

HSL 130, 0.1%, 0.36%

LAB 40.51, -10.13, 6.26

 

CMYK 18 / 0 / 10 / 61

HEX #52645A

RGB 82 100 90

HSL 146.67, 0.1%, 0.36%

LAB 40.65, -9.06, 3.41

 

CMYK 18 / 0 / 5 / 61

HEX #52645F

RGB 82 100 95

HSL 163.33, 0.1%, 0.36%

LAB 40.79, -7.94, 0.56

 

CMYK 18 / 0 / 15 / 78

HEX #2D372F

RGB 45 55 47

HSL 132, 0.1%, 0.2%

LAB 21.93, -6.15, 3.62

 

CMYK 18 / 0 / 15 / 69

HEX #404E42

RGB 64 78 66

HSL 128.57, 0.1%, 0.28%

LAB 31.65, -8.3, 5.27

 

CMYK 18 / 0 / 15 / 61

HEX #526455

RGB 82 100 85

HSL 130, 0.1%, 0.36%

LAB 40.51, -10.13, 6.26

 

CMYK 18 / 0 / 15 / 52

HEX #657B68

RGB 101 123 104

HSL 128.18, 0.1%, 0.44%

LAB 49.41, -12.06, 7.75

 

CMYK 17 / 0 / 14 / 43

HEX #78917C

RGB 120 145 124

HSL 129.6, 0.1%, 0.52%

LAB 57.75, -13.19, 8.23

 

CMYK 18 / 0 / 15 / 61

HEX #526455

RGB 82 100 85

HSL 130, 0.1%, 0.36%

LAB 40.51, -10.13, 6.26

 

CMYK 18 / 6 / 0 / 61

HEX #525E64

RGB 82 94 100

HSL 200, 0.1%, 0.36%

LAB 39.1, -3.2, -4.99

 

CMYK 0 / 18 / 14 / 61

HEX #645256

RGB 100 82 86

HSL 346.67, 0.1%, 0.36%

LAB 36.77, 8.2, 0.46

 

CMYK 18 / 0 / 15 / 61

HEX #526455

RGB 82 100 85

HSL 130, 0.1%, 0.36%

LAB 40.51, -10.13, 6.26

 

CMYK 15 / 18 / 0 / 61

HEX #555264

RGB 85 82 100

HSL 250, 0.1%, 0.36%

LAB 35.76, 5.31, -9.97

 

CMYK 0 / 15 / 18 / 61

HEX #645552

RGB 100 85 82

HSL 10, 0.1%, 0.36%

LAB 37.51, 5.61, 4.03

 

CMYK 18 / 0 / 15 / 61

HEX #526455

RGB 82 100 85

HSL 130, 0.1%, 0.36%

LAB 40.51, -10.13, 6.26

 

CMYK 18 / 6 / 0 / 61

HEX #525E64

RGB 82 94 100

HSL 200, 0.1%, 0.36%

LAB 39.1, -3.2, -4.99

 

CMYK 0 / 18 / 3 / 61

HEX #645261

RGB 100 82 97

HSL 310, 0.1%, 0.36%

LAB 37.13, 10.38, -5.9

 

CMYK 0 / 11 / 18 / 61

HEX #645952

RGB 100 89 82

HSL 23.33, 0.1%, 0.36%

LAB 38.66, 3.16, 5.67

 

CMYK 18 / 0 / 15 / 61

HEX #526455

RGB 82 100 85

HSL 130, 0.1%, 0.36%

LAB 40.51, -10.13, 6.26

 

CMYK 18 / 12 / 0 / 61

HEX #525864

RGB 82 88 100

HSL 220, 0.1%, 0.36%

LAB 37.29, 0.47, -7.71

 

CMYK 0 / 18 / 3 / 61

HEX #645261

RGB 100 82 97

HSL 310, 0.1%, 0.36%

LAB 37.13, 10.38, -5.9

 

CMYK 0 / 6 / 18 / 61

HEX #645E52

RGB 100 94 82

HSL 40, 0.1%, 0.36%

LAB 40.12, 0.14, 7.74

 

Description

Color code: HEX #526455 | qconv.com Color code: HEX #526455 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 100 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 100 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 15 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 15% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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